Cameras | Popular Science https://www.popsci.com/category/cameras/ Awe-inspiring science reporting, technology news, and DIY projects. Skunks to space robots, primates to climates. That's Popular Science, 145 years strong. Wed, 22 Nov 2023 20:55:34 +0000 en-US hourly 1 https://wordpress.org/?v=6.2.2 https://www.popsci.com/uploads/2021/04/28/cropped-PSC3.png?auto=webp&width=32&height=32 Cameras | Popular Science https://www.popsci.com/category/cameras/ 32 32 The best bird feeder camera is cheaper than ever at Amazon for Black Friday https://www.popsci.com/gear/bird-buddy-deal-amazon-black-friday-2023/ Wed, 22 Nov 2023 19:02:07 +0000 https://www.popsci.com/?p=591312
A blue Bird Buddy Smart Bird Feeder filled with seed is mounted to a green post.
Abby Ferguson

We love the Bird Buddy for capturing impossibly close images of feathered friends. It's on deep discount at Amazon for Black Friday.

The post The best bird feeder camera is cheaper than ever at Amazon for Black Friday appeared first on Popular Science.

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A blue Bird Buddy Smart Bird Feeder filled with seed is mounted to a green post.
Abby Ferguson

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

Bird photography is hard. It can require years of practice, expensive equipment, and endless patience. We don’t have any of those, so we really like the Bird Buddy, which puts a camera in a feeder that brings your avian models to you. Usually $279, this clever contraption is just $209 right now at Amazon for Black Friday—making it something for the birds, even if the discount is anything but. It’s a phenomenal gift and a gateway to a whole new hobby.

Bird Buddy Bird Feeder Camera $209 (was $279)

Abby Ferguson

SEE IT

The Bird Buddy took home the best overall title in our list of the best bird feeder cameras. Setup is simple: Just mount the feeder, connect it to the app, fill it with food, and get ready to observe some birds. The camera is smart so it can recognize what kind of feathered friends it sees while they feed. It will automatically capture images of the birds and catalog them so you can look at your avian visitors later. It can even send live alerts to your phone when birds arrive so you can watch in real-time.

Even if you’re not the biggest birding fan, this is a super cool way to see nature from an up-close view that would otherwise be impossible.

Once you’ve ordered your Bird Buddy, go check out our big list of the Best Black Friday deals to kill time before it arrives.

The post The best bird feeder camera is cheaper than ever at Amazon for Black Friday appeared first on Popular Science.

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The best indoor security cameras of 2023 https://www.popsci.com/gear/best-indoor-security-cameras/ Tue, 21 Nov 2023 18:00:00 +0000 https://www.popsci.com/?p=590157
A lineup of the best indoor security cameras on a plain background
Amanda Reed

I spy with my little eye ... an indoor security camera that helps you make sure things at home are in check.

The post The best indoor security cameras of 2023 appeared first on Popular Science.

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A lineup of the best indoor security cameras on a plain background
Amanda Reed

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

Best overall Blink mini Compact Indoors Plug-in Cam Blink Mini
SEE IT

A small camera packed with features like motion detection.

Best system A 9-piece SimpliSafe set on a plain background SimpliSafe 9-Piece Wireless Home Security System
SEE IT

Expand from protecting just one room with this system.

Best budget A white WYZE Cam v3 against a white background with a gray gradient. WYZE Cam v3
SEE IT

Simple, cheap, easy.

Indoor security cameras can be invaluable if you’re curious about what happens when you’re not home. How are your pets when it’s your day to go to work? Are the children revolting against the babysitter? You can ponder about it and give yourself a heart attack or simply set up a camera and see for yourself. We don’t think setting one up will reveal new horrors to you, but we do think you’ll have peace of mind knowing that you have an eye on your home when you’re not there. Extra features like motion detection, voice assistant compatibility, and cloud storage allow you to get the most out of your new indoor viewpoint. Ensure your house is a shenanigan-free place with the best indoor security cameras.

How we chose the best indoor security cameras

I’ve previously written about the commercial security industry in a past life, so I know what features to look out for when purchasing a DIY model. I also edit/oversee the majority of smart home coverage here at the ye olde PopSci Gear desk (#subjectmatterexpert). To choose the best indoor security cameras, I looked at reviews, recommendations, did heavy research, and looked at past home security coverage for inspo.

The best indoor security cameras: Reviews & Recommendations

Some of these cameras do double duty and can work outdoors, but any of these models is made to keep a careful, watchful eye over your hearth and home.

Blink

SEE IT

Specs

  • Resolution: 1080p
  • Power: Wired
  • Viewing angle: 110 degrees diagonal
  • Storage: Cloud storage

Pros

  • Two-way audio
  • Day and night HD video
  • Motion detection

Cons

  • Needs more cameras for more comprehensive coverage

The Blink Mini is a practical, wired palm-sized cube packed with features outside its $35 price tag. If you want the most approachable way to get 1080p livestream video with infrared night vision into your Alexa-maintained (or IFTTT-automated) monitoring routine, this is the best minimalist model to pick. It’s incredibly compact and features motion detection and two-way audio. More cameras, restricted to available wall sockets, might be required for the most comprehensive, widescreen coverage, but it’s not a heavy lift at this price. It also doesn’t feature the same audio triggers as Ring devices and only saves clips to the cloud. If you’d like a device with a 360-degree view, consider the Blink Mini Pan-Tilt Camera.

Best system: SimpliSafe 9-Piece Wireless Home Security System w/HD Camera

SimpliSafe

SEE IT

Specs

  • Resolution: 1080p
  • Power: Rechargeable battery 
  • Viewing angle: 90 degrees
  • Storage: Cloud storage only

Pros

  • Lets you set up a whole security system right out of the box
  • Outside cam has a very good quality video with 90 degrees field of view
  • Easy to install and use
  • Comes with a professional monitoring option
  • Compatible with Amazon Alexa, Google Assistant 
  • Includes convenient magnetic mount

Cons

  • Expensive
  • Lacks support for HomeKit 

If you’re looking to install an indoor security camera and a DIY home security system along with it, the SimpliSafe 9-Piece Wireless Home Security System might be your best bet. It’s pricey but far less expensive than buying the components individually. But even more importantly, it lets you set up a whole security system right out of the box.

The kit includes a 1080p camera, a base station, keypad, two motion sensors, and four entry sensors. All the components, including the cameras, connect to the base station, generating a loud siren to scare off intruders. Although the inside security camera isn’t the most robust model, the outside camera offers very good quality video with color night vision. What’s also nice is that the SimpliSafe mobile app (for iOS and Android) is nicely designed to let you effectively interact with your entire setup, and it comes with the option of including a professional monitoring system. However, for the price, it would be nice if both cameras had the option to store videos locally. 

Best 4K: Arlo Ultra 2

Arlo

SEE IT

Specs 

  • Video resolution: 4K
  • Power: Wireless
  • Viewing angle: 180 degrees
  • Storage: Cloud-based (via subscription); accepts microSD memory card for local storage (sold separately)

Pros 

  • Compatible with major smart technologies
  • Cloud subscriptions are relatively inexpensive
  • Color night vision is very good

Cons

  • Lacks support for HomeKit compatibility
  • May not be as sturdy as other models

This wireless, weather-resistant security camera isn’t one of the cheapest on the market, but it captures excellent 4K video. It also provides you with the option of storing your videos in cloud storage or on local storage using a microSD memory card. 

Two cameras are included in this bundle, and you can use them indoors and outdoors. You can see faces, license plates, and there’s even color night vision. WiFi isn’t required to use, thanks to the Arlo Smart Hub. A 180-degree field of view catches everything happening in the room. And, with an Arlo Secure Plan, you can receive notifications for people, vehicles, packages, or ward off unwanted indoor guests by triggering the siren.

Best wireless: Ring Stick Up Cam

Ring

SEE IT

Specs

  • Resolution: 1080p
  • Power: Rechargeable battery
  • Viewing angle: 130 degrees diagonal, 110 degrees horizontal, 57 degrees vertical
  • Storage: Cloud (available with subscription)

Pros

  • Robust app
  • Lots of accessories and integrations
  • Indoor- and outdoor-friendly

Cons

  • Strategic placement is important
  • Some features require Ring’s cloud plan

When you hear the brand Ring, you may immediately think about doorbell cams, which is understandable. But this Ring is more versatile, at home on any flat surface or wall. This Ring Stick Up Cam Battery has 1080p video with a 110-degree horizontal/57-degree vertical field of view, so strategic placement is important. And some features require paying for Ring’s cloud plan, but it’s a quickly up-and-running value with a robust app, particularly great for folks who already have Alexa devices (Amazon now owns Ring). And, because it’s an Amazon product, there are copious accessories (such as solar panels) for those inclined to upgrade.

Best budget: WYZE Cam v3

WYZE

SEE IT

Specs

  • Resolution: 1080p
  • Power: Wired
  • Viewing angle: 130 degrees
  • Storage: microSD card

Pros

  • Two-way audio
  • IP65 weather resistance
  • Continuous recording with microSD card

Cons

  • Lacks removable battery

While it won’t win awards for aesthetics (unless you have fond memories of playing with building blocks as a child), the WYZE Cam exceeds in inexpensive efficiency as long as you don’t mind dedicating some in-home space. The WYZE outdoor security camera is weather-resistant for deployment around your home (network) perimeter, but it’s also easily detachable with a “Travel Mode” that allows you to take the camera with you to record video directly to your phone without WiFi. There are sacrifices—like the lack of a removable battery, so you have to dismount the entire camera for charging—but it’s magnetically connected, so that’s just a simple twist.

What to consider when buying the best indoor security cameras

Easy-to-install indoor security cameras capture just “standard” HD all the way up to 4K, storing video locally or in the cloud, permanently or temporarily. Some are part of entire home security systems.

Wireless security cameras continue to evolve at a dizzying pace, with many models coming with better connectivity and cutting-edge technologies, such as artificial intelligence, to improve a host of features. However, if you’re new to these types of cameras, it can be confusing to figure out which features, specs, and capabilities are important for you and your home security cameras. 

Here is what you should look for when you purchase an indoor security camera: 

Video resolution and field of view 

You’ll see 1080p, 2K, or 4K resolutions in indoor security cameras. A higher resolution means you’ll get a crisper image. It will also fill up your local or cloud storage faster. That’s a problem if your subscription plan or card has a fixed limit to its capacity. If you’re trying to balance subscription costs for cloud storage with what resolution you’ll need, consider how detailed of a picture you’ll need. If you need more detail, go with a higher resolution. 

You’ll also want to check a security camera’s field of view specification, which is measured in degrees and tells you how much of a particular scene your security camera is capturing. The higher the FOV number indicates a wider lens and lets you see more of a particular scene in front of your house.  

Power options and storage

When setting up a new indoor security camera, you must consider where to install it. If it’s a light bulb camera, it has obvious restrictions. But you can post the wireless, battery-powered models we recommend anywhere. Wired options, however, require a nearby outlet.

Most indoor security cameras store video in the cloud, which is convenient, but you’ll most often have to pay a fee to access them. So, if you don’t want to pay a fee for a cloud service, consider models that let you store them on a memory card. 

Other features to look for

Many brands have introduced privacy features like two-factor authentication to ensure devices are not compromised or hacked. Many brands are also making security cameras that integrate with smart home features and connections to voice assistants like Amazon Alexa, Google Assistant, and others. Some brands even offer professional monitoring services for extra protection with a subscription.

FAQs

Q: Are indoor security cameras safe?

While there have been instances of hackers breaching security camera systems, that risk has pushed companies to roll out features like two-factor authentication, which uses unique codes to confirm the identity of anyone who attempts to access an account. In addition, password managers can help create and maintain long, randomly generated character strings to further reduce potential intrusions. If you follow good password protocols and cyber hygiene on both your camera and your WiFi network in general, WiFi security cameras are very safe.

Q: Should I get wired or wireless indoor security cameras?

Wireless security cameras are great if you don’t want to have to worry about placement, as you’re no longer tethered to power outlets and Ethernet cables. But the more you rely on wireless, the more you need to factor in the cost of WiFi reinforcement and cloud services. Also, many wireless cameras are magnetically mounted, so could be more easily stolen (taking previous footage with it if stored locally). Ultimately, each house’s infrastructure and your needs will determine the best means of installation.

Q: Can an indoor security camera work without the internet?

You’ll need a wireless connection to access the internet if you have a camera that needs to store video footage in a cloud server (via a cloud subscription plan). However, several models can store video locally, on a memory card, hard drive, or other local storage. Additionally, some models use cellular data plans to store video footage. 

Final thoughts on the best indoor security cameras

You may not be able to have eyes in the back of your head, but you can have eyes in your own home. Look for an indoor security camera with a wide frame of view to capture it all, and consider wireless options so placement isn’t a problem. If you’d like to compile a highlight reel of all that’s happened in your home, you can take that video from the cloud or a microSD card and use some editing magic to make it happen. Regardless, you won’t need to sleep with one eye open. Or maybe you will, since you discovered what the dog does when you’re not around.

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best indoor security cameras of 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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The best light bulb security cameras of 2023 https://www.popsci.com/gear/best-light-bulb-security-cameras/ Sat, 18 Nov 2023 14:00:00 +0000 https://www.popsci.com/?p=589102
Four examples of the best light bulb security cameras on a white background
Tony Ware

Protect your home or office with one of these compact and discreet security cameras.

The post The best light bulb security cameras of 2023 appeared first on Popular Science.

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Four examples of the best light bulb security cameras on a white background
Tony Ware

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

Best overall Galayou 360 Light Bulb Security Camera over plain background Galayou 360 Light Bulb Security Camera
SEE IT

With its wealth of functions and excellent affordability, this should be your first choice when shopping for the best light bulb security camera.

Best for monitoring LaView 4 MP Bulb Security Camera and smartphone on a white background LaView 4 MP Bulb Security Camera
SEE IT

With 4 megapixels, solid detection and motion-tracking, Starlight color night vision, and Alexa support, it has the clarity of image and connectivity that you require even up to 30 feet.

Best value two RakeBlue Light Bulb Cameras over a white background RakeBlue Light Bulb Camera
SEE IT

While it’s not 2K, the 1080p resolution should be enough for most applications, and the color night vision and two-way audio come in handy.

You value the safety and security of your home and/or business, so it never hurts to take precautions—and light bulb security cameras can help. These ingenious devices are the size and shape of a traditional light bulb and can be easily installed anywhere you have a light socket. They’re compact, discreet, and—best of all—extremely affordable. While they may look like a light fixture at first glance, they’re actually fully equipped cameras with infrared motion detection that can capture high-quality video. They also offer several other benefits, such as wide visibility, WiFi connectivity, two-way audio, and more. And, thanks to the clever design, they don’t require any additional mounting brackets or wires, making setup no muss and no fuss. If you’re in the market for peace of mind but don’t want to lay out a lot of cash, these best light bulb security cameras should definitely be on your radar.

How we chose the best light bulb security cameras

How do you go about selecting the best of the best when it comes to light bulb security cameras? The most important element that we considered was security. How well does the product fulfill its obligation of protecting you, the resident or businessperson? After ascertaining that, we looked at a variety of additional factors to choose the best light bulb security cameras. These included WiFi connectivity, range of visibility, use-case, and more. Next, we compared the many on the market by looking at both consumer responses and reviews from our industry peers. Lastly, we cross-referenced these points to elements such as price and quality, arriving at our final list.

The best light bulb security cameras: Reviews & Recommendations

The PopSci writers and editors have experience covering wireless security cameras and other home security accessories. We’ve used that experience to narrow down the options. Now all you have to do is pick the one that suits your needs, screw it into a light socket that you already have, and pair it to an app to let you help protect your property in seconds.

Best overall: Galayou 360 Light Bulb Security Camera

Galayou

SEE IT

Specs

  • Picture resolution: 2K
  • WiFi: 2.4GHz
  • Storage: TF card and cloud (subscription required)

Pros

  • Color night vision
  • Two-way audio
  • Voice control via Alexa and Google Assistant

Cons

  • No 5GHz support
  • Not waterproof

You’d be hard-pressed to find a better, all-around deal for the best light bulb security camera than this offering from Galayou. This company knows security cameras, with a variety of well-reviewed products in its catalog.

We highly recommend the 360 Light Bulb Security Camera for a number of reasons. First, it has a stellar picture, with 2K Ultra resolution. This kind of clarity means you can easily make out faces and license plate numbers. This also extends to when it’s dark, with color night vision on board for clear viewing when the sun goes down. Security functions include motion tracking–detection plus following—as well as a siren warning and 360 viewing thanks to the 355-degree pan and 65-degree tilt range.

You control the Galayou 360 Light Bulb Security Camera with a smartphone app. It also supports connectivity to Alexa and Google Assistant for voice control. The included two-way audio means you can even use it as an intercom.

Lack of 5GHz WiFi connectivity may be a deal-breaker for some, and it’s not waterproof, meaning you’ll need to be careful when setting it up for outdoor use. However, with its wealth of functions and excellent affordability, this should be your first choice when shopping for the best light bulb security camera.

Best value: RakeBlue Light Bulb Camera

RakeBlue

SEE IT

Specs

  • Picture resolution: 1080p
  • WiFi: 2.4GHz/5GHz
  • Storage: Cloud (subscription required)

Pros

  • Color night vision
  • Includes two camera units
  • 18 months free cloud storage

Cons

  • No card storage

If value for money is a driving factor in your choice for the best light bulb security camera, look no further than this two-pack from RakeBlue. For the same price as some single-camera products, you can get two cameras and expand the range of your security.

In terms of features, these cameras have motion detection and tracking with 350-degree pan and 90-degree tilt, effectively removing blind spots. While it’s not 2K, the 1080p resolution should be enough for most applications, and the color night vision can come in handy. The two-way audio allows you to speak with people remotely. As with most light bulb security cameras, you interface with the camera via a smartphone app.

While you’re restricted to cloud storage (there’s no card support), RakeBlue does offer a year and a half of free cloud subscription. You’ll have to pay after that, so factor that into your total cost.

Best budget: GuFamily Light Bulb Security Camera

GuFamily

SEE IT

Specs

  • Picture resolution: 2K
  • WiFi: 2.4GHz/5GHz
  • Storage: TF card and cloud (subscription required)

Pros

  • Support of up to 16 simultaneous app users
  • IR-cut filter for better night vision
  • Includes AC adapter base

Cons

  • Not waterproof

Sometimes, the cheapest option is the best option. If that’s the situation you find yourself in, GuFamily’s Light Bulb Security Camera offers plenty of functionality at an extremely affordable price.

With 2K resolution and 360-degree coverage, you’ll be able to see clearly and comprehensively. There’s also IR-cut for clear night vision, although vertical panning stops a little short at 52 degrees. When you’re unable to check the camera feed via the smartphone app, it’s good to know there are motion detection and app alerts. Additionally, GuFamily’s camera utilizes a human filtering function to minimize false alarms. WiFi connectivity is also good with both 2.4GHz and 5GHz options on hand. Additional bonuses include up to 16 simultaneous app users and an AC adapter base for indoor use.

Best outdoor: Symynelec Light Bulb Security Camera Outdoor

Symynelec

SEE IT

Specs

  • Picture resolution: 2K
  • WiFi: 2.4GHz
  • Storage: TF card

Pros

  • Waterproof
  • View up to 9 cameras and 20 users
  • Voice control via Alexa and Google Assistant

Cons

  • Pricier than some other cameras

While most other cameras on this list advertise indoor and outdoor use, they are not waterproof, meaning you’ll need to use them in a covered area. Not Symynelec’s Light Bulb Security Camera Outdoor. Thanks to its waterproofing, it’s rated for outdoor use in a variety of weathers.

Other than waterproofing, it features a number of standard and attractive options. It records images at 2K, making it easy to recognize small details like faces, numbers, and letters. The smartphone app is fairly comprehensive as well, supporting up to nine cameras with access for 20 people, making it a good solution for large yards and businesses. There’s even Alexa and Google support.

While it may be pricier than some other cameras, the waterproofing will ensure that the camera won’t stop working outdoors when you need it. If you have a lot of land to cover—farms and other agriculture-related businesses, take note—this is the camera for you.

Best for monitoring: LaView 4 MP Bulb Security Camera

LaView

SEE IT

Specs

  • Picture resolution: 4 MP
  • WiFi: 2.4GHz
  • Storage: MicroSD card and cloud (subscription required)

Pros

  • High resolution for a light bulb camera
  • AI to filter our false alerts
  • Voice control via Alexa

Cons

  • No 5GHz support

Light bulb security cameras are meant to provide security monitoring at affordable prices. Because they’re easy on the wallet, you don’t expect them to have high resolution like a wired camera. However, if you prefer something with a clearer picture, LaView’s 4 MP Bulb Security Camera is the way to go.

With four megapixels, it has the clarity of image that you require even up to 30 feet. Along with this, you get solid detection and motion-tracking at up to 17 feet, plus an AI algorithm that filters out false reports. The range is 355 degrees and not a full 360, although there is Starlight color night vision for peace of mind even when it’s dark. It also plays well with Alexa for hands-free voice operation.

This 2.4GHz camera is our choice for when monitoring is your top priority.

Things to consider when choosing light bulb security cameras

Compared to some other home security devices, light bulb cameras aren’t too complicated. They all mount the same way—in a standard E27-size socket—meaning there isn’t too much to worry about when choosing the best light bulb security cameras. However, there are a couple of things to keep in mind.

Where you plan to use the camera is important. Most can be used indoors or outdoors, but not all are waterproof. If your chosen location is outside but not in a covered location, you’ll want to go with waterproofing. You’ll also need to decide how clear you want the picture. Most are either 1080 or 2K. Regarding WiFi, most support 2.4GHz, but only some are also compatible with 5GHz. Keep that in mind if that’s important to you.

The remaining options will largely depend on the area that you want to monitor. Range of viewing and number of supported cameras are two things to consider. Lastly, if Alexa compatibility is a deal-breaker, ensure it offers that.

FAQs

Q: Are light bulb security cameras worth it?

In short, yes. A light bulb security camera is an affordable way to effectively monitor and ultimately protect an area, such as a front porch or room in your house. WiFi light bulb cameras are the way to go if you need to keep an eye on something and don’t want to bother with wires and installation.

Q: Do light bulb security cameras work when the light is off?

Light bulb security cameras are all equipped with some kind of night vision, enabling them to function even when there’s little or no ambient light. They have their own LEDs, meaning they can create light to properly record.

Q: Do you need WiFi for a light bulb camera?

WiFi is required to properly set up a light bulb camera, as it pairs to your smartphone via an app wirelessly. Most require 2.4GHz frequencies, but some can also handle 5GHz. Additionally, many are able to save video to the cloud, although this requires an additional subscription. Some may not function properly without WiFi.

Q: What are the disadvantages of light bulb cameras?

Light bulb cameras generally have a more limited field of view compared to larger, wired cameras. The quality of light may also be poor, as they have to rely on a limited set of on-board LEDs. They also may require WiFi to operate properly.

Final thoughts on buying the best light bulb security cameras

Light bulb security cameras are an elegant solution to a casual security problem. You want to keep an eye on an area of your home or office but don’t relish spending a lot of money on the camera itself or installation. By keeping a few variables in mind—indoor or out, supported WiFi frequency band, and picture resolution—you can find the best light bulb security camera to meet your needs. Extras, such as Alexa compatibility and number of people allowed for simultaneous viewing, are the icing on the cake.

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best light bulb security cameras of 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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Save up to 31% on Fujifilm Instax instant film cameras during Amazon’s Black Friday sale https://www.popsci.com/gear/fujifilm-instax-camera-deal-amazon-early-black-friday-2023/ Fri, 17 Nov 2023 19:30:00 +0000 https://www.popsci.com/?p=590341
A grid made of Fujifilm Instax cameras on a plain background
Stan Horaczek

Fujifilm's fun film cameras are a fantastic gift or a great way to make friends at a holiday party.

The post Save up to 31% on Fujifilm Instax instant film cameras during Amazon’s Black Friday sale appeared first on Popular Science.

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A grid made of Fujifilm Instax cameras on a plain background
Stan Horaczek

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

Even serious photographers can appreciate just how fun Instax instant film cameras make photography. Right now, Amazon has one of the most stylish Instax cameras on sale for more than 30 percent off. These deals always go really fast because the TikTok crowd loves an instant photograph. So, if you want one at this price, don’t sleep.

Fujifilm Instax Square SQ6 – Instant Film Camera $89 (was $129)

Fujifilm

SEE IT

This unique-looking camera shoots Instax Square film, which embraces a square 1:1 aspect ratio that’s close to what the original square-ish Polaroids from the past used. This camera offers a simple point-and-shoot process that emphasizes flash and mimics the truly old-school style from decades ago. But the lens is sharp and the photos are surprisingly detailed, so it’s a hit at any party to which you bring it (and potentially too detailed for anyone who wakes up the next day having overindulged).

Fujifilm Instax Mini 11 Instant Camera $59 (was $76)

Fujifilm

SEE IT

If you want an even cheaper overall Instax experience, this is the way to go. This camera offers the same point-and-shoot experience, but it spits out Instax Mini prints, which are smaller and cheaper than their square counterparts.

More Fujifilm Instax Black Friday deals

The post Save up to 31% on Fujifilm Instax instant film cameras during Amazon’s Black Friday sale appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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The best point-and-shoot cameras in 2023 https://www.popsci.com/gear/best-point-and-shoot-cameras/ Thu, 16 Nov 2023 21:00:00 +0000 https://www.popsci.com/?p=587918
Four examples of the best point-and-shoot cameras on a white background
Tony Ware

Traditional and portable point-and-shoot cameras—both digital and film—easily allow you to enhance your photography and artistry.

The post The best point-and-shoot cameras in 2023 appeared first on Popular Science.

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Four examples of the best point-and-shoot cameras on a white background
Tony Ware

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

Best overall Sony RX100 VII point and shoot camera Sony RX100 VII
SEE IT

While quite expensive for a point-and-shoot, this camera offers a lot of quality and high-end features in a tiny package, so we think it’s worth the price.

Best for travel Canon PowerShot G7 X Mark III point and shoot camera Canon PowerShot G7 X Mark III
SEE IT

The one-inch sensor is larger than in a typical compact camera, translating into better low-light shooting, even when not using the built-in flash, and built-in autofocus pixels help track objects for sharp shots even when your subject is moving.

Best instant camera Blue Instax Mini sitting on a countertop in front of a plant Instax Mini 11
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There’s just something special about a camera spitting out an image, and the wait for it to appear seemingly magically to kids of all ages.

Point-and-shoot cameras may be less common these days, in part thanks to smartphones, but there are still some worthy reasons to invest in these pocketable cameras. For starters, even though smartphone cameras have become quite impressive, the sensors in compact cameras are still larger. And the lenses typically have more to offer as well. Plus, sometimes it’s nice to keep the phone tucked away but still be able to take photos. The best point-and-shoot cameras offer great image quality, easy-to-use controls, and compact designs, making them ideal for a wide range of people and situations.

How we chose the best point-and-shoot cameras

The writers and editors at Popular Science have decades of combined experience writing about and reviewing cameras because they’re also the writers and editors of Popular Photography. These picks come from a mixture of personal experience, spec comparisons, user reviews, and editorial reviews.

The best point-and-shoot cameras: Reviews & Recommendations

When picking our favorite point-and-shoot cameras, we emphasized models that perform in a variety of different situations while keeping their sizes small. While some of these models climb up over $1,000, we tried to keep the price relatively low for most selections because these aren’t the most advanced models.

Best overall: Sony RX100 VII

Sony

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Specs

  • Sensor: 20.1MP 1″ Exmor RS BSI CMOS sensor
  • Lens: f/2.8-4.5 9-72mm (35mm equivalent: 24-200mm)
  • Weight: 10.65 ounces
  • Dimensions: 4 x 2.29 x 1.69 inches

Pros

  • Exceptional autofocus
  • Versatile zoom range
  • Large sensor
  • 4K video

Cons

  • Pricey for a point-and-shoot

The Sony RX100 VII is an awesome little camera. Despite the tiny body, it’s packed with a large, one-inch sensor, resulting in excellent image quality for the category. It also has the best autofocus of any point-and-shoot camera, meaning you’ll get more images in focus even when working with moving subjects.

This compact camera offers a 24-200mm equivalent lens, which is a versatile zoom range. And it is capable of 4K video, making this a well-rounded camera suitable for just about everyone. The only downside is the price. It is quite expensive for a point-and-shoot. But it offers a lot of quality and high-end features in a tiny package, so we think it’s worth the price.

Best for travel: Canon PowerShot G7 X Mark III

Canon

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Specs

  • Sensor: 20.2MP 1″ Stacked CMOS sensor
  • Lens: f/1.8-2.8 8.8-36.8mm (35mm equivalent: 24-100mm)
  • Weight: 1 pound
  • Dimensions: 4.13 x 2.4 x 1.63 inches

Pros

  • Large sensor
  • Versatile lens
  • Manual control options
  • Solid flash

Cons

  • A little pricey

The one-inch sensor is larger than what you’ll find in a typical compact camera. This translates into better low-light shooting, even when not using the built-in flash. And the sensor has built-in autofocus pixels that help track objects for sharp shots even when your subject is moving. 

The 4.2x optical zoom lets shooters capture more distant objects without sacrificing image quality, and the 3-inch tilting LCD screen allows for shots from creative angles. Finally, raw photo capture provides extra flexibility for travel photographers who want to perfect images with photo editing software once they return from their trip. It’s a great camera for beginners and more experienced shooters alike.

Best waterproof: Olympus Tough TG-6

Olympus

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Specs

  • Sensor: 12MP BSI CMOS sensor
  • Lens: f/2-4.9 4.5-18mm (35mm equivalent: 25 to 100mm)
  • Weight: 8.92 ounces
  • Dimensions: 4.45 x 2.6 x 1.28 inches

Pros

  • Waterproof
  • Extremely tough
  • Versatile lens
  • Underwater shooting modes
  • Compatible with tons of accessories

Cons

  • Small sensor

This point-and-shoot camera can go pretty much anywhere. It’s waterproof down to 50 feet without a separate case. It’s totally dust-proof, so it won’t suffer if you take it to the beach or deep in the desert. Plus, it’s crush-proof up to 220 pounds, so you can sit on it by accident and still go shooting later in the day. Most compacts can’t stand up to that kind of abuse. 

Toughness isn’t worth much if the camera isn’t very good. This compact offers a relatively small sensor, but it has a versatile 4x zoom lens that will cover most common scenarios on your adventures. And if you fall in love with the camera, Olympus offers a ton of different accessories like action camera mounts and underwater lights to go with it. (Looking for something cheaper but still waterproof? We’ve got you.)

Best film camera: Ilford Sprite 35-II Reusable 35mm Film Camera

Ilford

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Specs

  • Sensor: N/A
  • Lens: f/9 31mm
  • Weight: 4 ounces
  • Dimensions: 4.7 x 2.6 x 1.7 inches

Pros

  • Comes in eight fun color combinations
  • Very affordable
  • Fixed settings make it easy to use
  • Features a built-in flash

Cons

  • Fixed settings may be limiting
  • Plastic lens results in some softness

If you want to get your feet wet with film, the Ilford Sprite 35-II is a fantastic and fun choice. It’s similar to disposable camera in that it has a plastic lens with a fixed aperture and shutter speed. But it’s reloadable, thus producing less waste. And it simply looks cooler than a disposable camera as well.

The Sprite 35-II features a 31mm lens with a fixed f/9 aperture to ensure that your scene is in focus. It also has a fixed 1/120s shutter speed. There is a built-in flash for low-light situations, perfect for shooting indoors. You won’t get precisely sharp and perfect results from this camera, but we think that’s half the fun. It’s a great outlet compared to highly technical cameras and fun to bring along on outings with friends and family. And since it has no settings at all, it’s a true point-and-shoot that is extremely simple to use, even with it being a film camera.

Best instant camera: Instax Mini 11

Abby Ferguson

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Specs

  • Sensor: N/A
  • Lens: f/12.7 60mm
  • Weight: 10.34 ounces
  • Dimensions: 4.24 x 4.77 x 2.65 inches

Pros

  • Affordable
  • Produces fun, tiny instant prints
  • Easy to use
  • Includes a selfie mirror on the lens

Cons

  • Results aren’t the sharpest

There’s just something special about a camera spitting out an image, and the wait for it to appear seemingly magically. The best instant cameras are easy to use and result in attractive prints, which is true of the Instax Mini 11. The results aren’t pristine like you may be used to with your phone or digital camera, but we think that’s part of the charm.

The Instax Mini 11 features a fixed 60mm lens with an f/12.7 aperture that focuses from 11.8 inches to infinity. Or, you can turn the lens to Selfie Mode for a close focusing range of 11.8 to 19.7 inches. And there is a built-in flash, which is ideal for indoor shooting. It is a little slick to hold but comes with a lanyard to prevent drips.

I recently let my nieces and nephews—all under 12—use the Instax Mini 11, and seeing how excited they were was a blast. They all wanted to keep taking photos despite the limited quantity of film I had and ran around showing the rest of the family what they captured. And despite some of them being quite young (and impatient to take a photo), they all managed to take a clear and relatively sharp photo. 

Best for street photography: Ricoh GR IIIx

Ricoh

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Specs

  • Sensor: 24.2MP APS-C CMOS sensor
  • Lens: f/2.8 26.1mm (35mm equivalent: 40mm)
  • Weight: 9.2 ounces
  • Dimensions: 4.3 x 2.4 x 1.4 inches

Pros

  • Large sensor provides excellent image quality
  • Compact and pocket-friendly
  • 40mm lens is sharp and versatile

Cons

  • No zoom
  • Battery life isn’t great

Ricoh’s GR IIIx is a fantastic pick for street photography, largely thanks to its compact design. It is pocketable, so you can easily keep it on you when out and about. And it won’t draw much attention when you take it out to snap a photo. It also has slick all-black styling and an easy-to-hold design, even when shooting with one hand.

This discreet look is furthered by the lack of a zoom lens. It uses a fixed 40mm focal length (35mm equivalent), so you won’t lose the compact size when taking photos. 40mm is also an ideal focal length for street photography, as it is wide enough to get some context in the scene but not so wide that you end up with loads of extra space around your subject. If you do want something wider, the GR III is essentially the same, except it features a wider 28mm equivalent lens.

The GR IIIx image quality is excellent, partly thanks to the relatively large sensor. Images are sharp all the way to the edges, even when shooting wide open at f/2.8. And it produces vibrant, attractive colors. Interested in learning more? Check out our full review of the GR IIIx on Popular Photography.

Best for content creators: Sony ZV-1

Sony

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Specs

  • Sensor: 20.1MP 1″ Exmor RS BSI CMOS sensor
  • Lens: f/1.8-2.8 9.4-5.7mm (35mm equivalent: 24-70mm)
  • Weight: 10.4 ounces
  • Dimensions: 4.15 x 2.36 x 1.71 inches

Pros

  • Excellent lens
  • Large sensor
  • Very compact for its specs
  • Above-average autofocus features

Cons

  • Can feel a little cramped with big hands

Sony’s ZV-1 is a camera truly designed for vloggers and, as a result, is packed with features to make recording yourself easier. The auto exposure settings keep your face bright and clear. It even centers your face and quickly adjusts background blur with the push of a Background Defocus button. And the little camera gets Sony’s impressive autofocus abilities, so if you are showcasing other people or products, the camera will quickly find focus for you.

The forward-directional onboard mic and detachable windscreen will help you get great sound, leaving you fussing with levels in post less. There’s also a handy flip screen so you can preview the frame and capture the perfect shots and angles, making it one of the best point-and-shoot cameras for vlogging.

Best budget: Panasonic LUMIX DC-FZ80

Panasonic

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Specs 

  • Sensor: 18.1MP 1/2.3″ MOS sensor
  • Lens: f/2.8-5.9 3.6 to 215mm (35mm equivalent: 20-1200mm)
  • Weight: 1.35 pounds
  • Dimensions: 5.1 x 3.7 x 4.7 inches

Pros

  • Massive zoom range
  • Responsive autofocus
  • 4K30p video recording
  • Easy to hold

Cons

  • Not as compact as other options

Panasonic’s Lumix DC-FZ80 is an affordable bridge camera, offering a DSLR-like body with easy-to-use controls. Because of the deep hand grip, it’s an easy camera to hold than the other point-and-shoots mentioned on our list. It isn’t as compact as a result, so it is a tradeoff, but for many, the classic feel is preferred. 

The built-in lens provides a whopping 60x zoom, making it suitable for just about any situation you find yourself wanting to photograph. And it’s autofocus is quite responsive, so you’ll be more likely to get sharp photos as well. And it’s capable of 4K video, making it a good tool for getting started with video as well. And best of all? It’s cheaper than most alternatives.

Things to consider when shopping for the best point-and-shoot cameras

Point-and-shoot cameras are small and compact cameras that can create sharp, vibrant images. This makes them the best camera for beginners, a good option for travelers, and even a worthy choice for some professional uses. Here are some features to consider when choosing the right one for you.

Are you a true beginner?

A point-and-shoot camera is designed to make the process of photography as simple as possible. They typically feature fully automatic exposure and focus so that you can, as the name implies, point the camera and snap a photo with nothing more than a press of a button. If you are a true beginner and want the easiest-to-use camera, you’ll want to look for models with simple menu systems and fully automatic controls. 

That said, some point-and-shoots offer more settings than others. If you are slightly beyond beginner status or want a camera to grow into, check to see what settings the camera allows you to change. You may want to adjust things like ISO, shutter speed, and aperture down the line, as opposed to relying on auto exposure modes.

Will you travel with your camera?

One of the main purposes of a compact camera is that the camera is, well, compact. With typical dimensions of roughly 2.5 x 3.5 x 1.5 inches, point-and-shoots are specifically designed to easily fit into pockets, purses, fanny packs, and other small compartments. And unlike hefty DSLRs or mirrorless cameras, point-and-shoot cameras weigh way less than a single pound. And if you’re worried about safety, the discreet size of compact cameras makes them less of a target for theft.

While all point-and-shoot cameras are pretty compact, there are still size differences across available cameras. Be sure to pay attention to the dimensions and weight of the cameras you are considering if that is something important to you.

Do you need a tough camera for an active lifestyle?

If you live for the outdoors—hiking steep mountain trails or backpacking through desert Canyons—you need a point-and-shoot camera that can handle adventure. Rugged and waterproof cameras are built to endure and capture the extreme environments you love exploring. Taking electronics to the beach is usually a big no-no, as even a single grain of sand can cause damage. Yet rugged models can resist sand, allowing you to take all the sunset shots you want.

For us less risky folk, these tough cameras can survive your average accidental drops, spills, and kicks. Some of them may be overkill for general use, however. If you don’t intend to take your camera on rugged adventures, you may be able to save some money by getting a camera without extensive protective qualities. 

FAQs

Q: How much are the best point-and-shoot cameras?

The best point-and-shoot cameras can range anywhere from a measly $100 to over $1,000 if you want a compact with advanced features, a decent sensor, and an excellent lens. If you’re planning to create real work with it, expect to spend close to $1,000. But if you just want something to mess around with, go cheap.

Q: Do professional photographers use point-and-shoot cameras?

Professional photographers do, in fact, use point-and-shoot cameras, mainly for the same reasons amateur or beginner photographers do. The built-in point-and-shoot lens is sharp and wide, making for quality and immersive photos. Being able to operate more advanced compact cameras in full manual mode and adjust aperture and shutter speed is an obvious draw for photographers who want control of their images. But the biggest bonus is that point-and-shoot cameras are lightweight and pocketable, so there’s no need to lug around extra equipment.

Q: Are point-and-shoot cameras better than iPhone?

The iPhone’s sensor and other smartphone cameras may offer impressive software-boosted features, but there are still many benefits to a point-and-shoot camera. Point-and-shoot cameras can have better image quality, a true optical zoom, more ability to manipulate settings, and are less expensive than new-generation iPhones. Higher-quality raw photos are also definitely a major pro, allowing for more data to be pulled from an image for editing purposes.

Final thoughts on the best point-and-shoot cameras

No matter the setting, creative vision, skill level, or age of a photographer, there are high-quality options that meet every need. The ultimate advantage of a point-and-shoot is its size and portability, making it the perfect camera for travel and adventure, as well as documenting day-to-day life.

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best point-and-shoot cameras in 2023 appeared first on Popular Science.

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The best action cameras in 2023 https://www.popsci.com/gear/best-action-cameras/ Thu, 16 Nov 2023 18:00:00 +0000 https://www.popsci.com/?p=587877
Four of the best action cameras are sliced together.
Abby Ferguson

Whether you’re shooting down the slopes or catching a wave, an action camera can record the most exciting moments.

The post The best action cameras in 2023 appeared first on Popular Science.

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Four of the best action cameras are sliced together.
Abby Ferguson

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Best overall The GoPro Hero 12 Black action camera is placed against a white background with a gray gradient. GoPro Hero 12 Black
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The Hero 12 offers class-leading stabilization with exceptional video quality and durability.

Best for vlogging The DJI Osmo Action 4 action camera is placed against a white background with a gray gradient. DJI Osmo Action 4
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The Osmo Action 4 offers excellent low-light performance and dual touchscreens for easy use.

Best for 360-degree video The camera, selfie stick, lens cover, and memory card from the Insta360 X3 Get-Set Kit are displayed against a white background with a grey gradient. Insta360 X3
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The Insta360 X3 provides immersive 360-degree footage of your adventures.

Action cameras are a high-speed ticket to capturing the most immersive and engaging footage possible. They bring viewers as close to your experiences as they can be without actually being there. These video cameras excel in environments where stability and durability are key to attaining the highest caliber of footage, so they are popular amongst surfers, bikers, climbers, and other athletes. Plus, vloggers, video production teams, and hobbyists of all kinds can benefit from the compact and easy-to-handle design. From travel photography to underwater photography, the best action cameras provide a totally unparalleled video production experience to users of every interest and passion.

How we chose the best action cameras

Some writers and editors at Popular Science are also writers and editors at Popular Photography and have decades of experience with just about every camera brand and genre out there, including action cameras. As an adventure-lover and active individual, I have found myself in my fair share of situations ideal for action cameras. We chose the cameras included here through a mix of hands-on experience, user and editorial reviews, and brand knowledge. 

When selecting the best action cameras, we focused on a variety of features and specifications. They should foremost be compact and offer easy mounting solutions, making them easy to use without obstructing the action. Action cameras should also be durable and able to withstand epic adventures, including water trips. Lastly, we looked at video and photo quality, stabilization, and other camera-specific features. 

The best action cameras: Reviews & Recommendations

Whether climbing, mountain biking, surfing, or simply wanting to document your travels, these action cameras will help you capture your best (or sometimes worst) moments. 

Best overall: GoPro Hero 12 Black

Abby Ferguson

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Specs

  • Max video resolution: 5.3K at 60 fps
  • Max framerate: 240 fps at 2.7K
  • Photo resolution: 27 megapixels
  • Waterproofing: 33 feet
  • Dimensions: 2.8 x 2 x 1.3 inches
  • Weight: 5.4 ounces

Pros

  • Improved photo performance
  • Longer run times with the Enduro battery
  • Award-winning stabilization
  • Vertical video support

Cons

  • Not much of an upgrade over the Hero 11
  • Low-light performance is still mediocre

The GoPro Hero 12 Black is among the most well-known models of action cameras thanks to its durable and full-featured reputation. This latest model features the same sensor as the Hero 11, which is the largest sensor in a GoPro yet. The large sensor makes it possible to crop video to vertical orientation without losing out on most of the scene so that you can share your epic adventures on social media. And it allows you to change digital lenses for different perspectives. 

The camera specs of the Hero 12 remain largely the same as the Hero 11. It’s capable of stunning 5.3K video recording at up to 60 fps, though now you can record HDR video at this highest quality. Or, you can get up to 240 fps at 2.7k if you want dramatic slow-motion. The photo quality remains at 27 megapixels, and you’ll still have access to time-lapse and night modes, including star trails and light painting.

What is new is the Bluetooth audio connectivity options. Now you can connect a wireless mic for better audio quality. Or you can connect wireless headphones to monitor audio levels and help with voice commands in noisy settings. The Hero 12 also offers improved battery life, which was a pain point in past versions. Combined with the Enduro battery, you can get twice the battery life of the Hero 11. That means you can record continuous 5.3K 60p video for up to 70 minutes. And a standard tripod thread on the underside of the camera opens up mounting possibilities even more.

GoPro improved its already impressive stabilization in the Hero 12 with HyperSmooth 6.0. Even videos of the most rugged activities will be smooth. The new AutoBoost option will automatically reduce cropping, keeping your framing as you saw it while shooting. It’s waterproof to 33 feet without a case, and GoPro built it with improved cold weather performance, so you can use it for capturing your winter sports. The Hero 11 is a well-rounded, impressive action camera ready for anything you throw at it. 

Best for vlogging: DJI Osmo Action 4

DJI

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Specs

  • Max video resolution: 4K at 120 fps
  • Max framerate: 240 fps at 1080p
  • Photo resolution: 10 megapixels
  • Waterproofing: 59 feet
  • Dimensions: 2.8 x 1.7 x 1.3 inches
  • Weight: 5.1 ounces

Pros

  • Image quality has been improved
  • Waterproof down to 52 feet
  • Front and rear touchscreen
  • High-capacity battery for long recording sessions

Cons

  • Video quality tops out at 4K
  • Limited photo quality

DJI built plenty of upgrades into the fourth iteration of its action camera, and it is ready for seriously epic adventures. It’s waterproof down to 59 feet without special housing and features a color temperature sensor to automatically adjust the color of your video even if you are deep below the surface while scuba diving. Should you want to go even deeper, with a waterproof case, the camera can go to 210 feet. 

For activities on land, the camera can function as cold as -4 degrees Fahrenheit. You’ll be able to document even your freezing-cold ski trips. It utilizes a unique magnetic quick-release plate that is convenient and easy to use. And you can mount the camera vertically, meaning no cropping is required in order to create social-media-ready video. For vloggers, the live stream support at multiple resolutions is a huge benefit. 

The DJI Osmo Action 4 is capable of image-stabilized 4K video up to 120 fps. DJI claims that there are no recording limits other than the promised 2.6-hour battery life when recording 4K 60p video, so long, single takes are possible. It offers the equivalent of an 11mm full-frame lens, so you can catch all of the action. The RockSteady stabilization does a great job of smoothing out video. And the HorizonSteady mode keeps your shots level and adjusts for any horizontal rotation. Unfortunately, photo resolution is limited to 10 megapixels, but if your focus is vlogging, that likely won’t matter as much anyway.

Best for 360-degree video: Insta360 X3

Abby Ferguson

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Specs

  • Max video resolution: 5.7K 360-degree, 4K single-lens
  • Max framerate: 60 fps at 4K
  • Photo resolution: 72-megapixel 360-degree, 18-megapixel single-lens
  • Waterproofing: 33 feet
  • Dimensions: 4.5 x 1.8 x 1.3 inches
  • Weight: 6.3 ounces

Pros

  • Impressive stabilization
  • 360-degree video is highly immersive
  • Lots of editing options
  • Excellent photo and video quality

Cons

  • App is a little confusing to use

If you want truly immersive videos of your action adventures, you can’t beat the Insta360 X3. This camera can record 360-degree video at up to 5.7K and 30 fps. Then, you can use either the Insta360 mobile or desktop apps to edit your video and reframe your shots how you want to showcase the best parts of each moment or show off the full 360-degree view at once. 

This action camera is highly versatile, thanks to the ability to use a single lens along with the dual lenses used for recording 360-degree video. You can either record selfie content with the rear lens or show off what’s in front of you with the front-facing lens. And it features a handful of shooting modes, such as up to 8K 360-degree timelapse and 4K slow-motion. The 2.29-inch touchscreen makes it easy to adjust settings and see what you are recording. 

The X3 is a durable camera and is waterproof down to 33 feet without a separate housing. It features a 6-axis gyroscope and uses Insta360’s FlowState stabilization for smooth video, even with activities like mountain biking. And the Horizon Lock mode keeps the shot level even as you move and rotate. 

A man sits in a convertible on a track with a blue sky around him.
This is a 360 snapshot that I took from a 360-degree video of an autocross event. Abby Ferguson

Best small: GoPro Hero 11 Black Mini

GoPro

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Specs

  • Max video resolution: 5.3K at 60 fps
  • Max framerate: 240 fps at 2.7K
  • Photo resolution: 24.7 megapixels
  • Waterproofing: 33 feet
  • Dimensions: 2.1 x 2 x 1.5 inches
  • Weight: 4.7 ounces

Pros

  • Tiny form factor is less intrusive 
  • Award-winning stabilization
  • Excellent video quality
  • Two mounting points

Cons

  • No display for framing
  • No dedicated photo mode

For those who are extra concerned about wind resistance and drag, the GoPro Hero 11 Black Mini is the way to go. This camera is 13 percent smaller than the Hero 11 Black, making it more suitable for mounting on a motorcycle helmet, surfboard, or airplane. It also features mounting feet on the bottom and back of the camera, opening up more options for how you mount it. 

Despite the smaller size, the Hero 11 Mini gets many of the same features and specs as its big brother. It uses the same larger sensor, allowing for vertical videos, and is still capable of 5.3K 60p video with class-leading stabilization. Unfortunately, there is no photo mode on the Mini version. Instead, you’ll have to rely on grabbing 24-megapixel stills from videos. 

Another difference between the Mini and regular-sized Hero 11 is the lack of a screen on the Mini. That means you’ll need to rely on the Quik app for camera setup and framing help, but it’s one less thing to break on the camera, which is nice. It also features a built-in battery, so you won’t be able to swap batteries out when one dies. But GoPro promises 73 minutes of battery life when recording 5.3K 30p, which is plenty for most situations. 

Best for beginners: Insta360 GO 3

Insta360

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Specs

  • Max video resolution: 2.7K at 30 fps
  • Max framerate: 120 fps at 1080p
  • Photo resolution: 6.6 megapixels
  • Waterproofing: 16 feet
  • Dimensions: ​​2.1 x 1 x 0.9 inches
  • Weight: 1.3 ounces

Pros

  • Stabilized video
  • Unique magnetic mounting options
  • Versatile modular design with the Action Pod
  • Tiny size is very convenient

Cons

  • Photos are only INSP or DNG
  • Built-in memory is limiting

If the GoPro Hero 11 Mini isn’t small enough for you, the Insta360 GO 3 is the smallest form factor that action cameras come in. It weighs just 1.3 ounces, which is light enough to put on your hat and barely notice. The tiny size makes it feasible to put in locations that you otherwise couldn’t. This modular camera utilizes a unique magnetic mounting system that is fast and simple to use. And it comes with a few different mountain devices right in the box to get you started, including a magnet pendant and Easy Clip for wearing the camera on your person. 

The GO 3 tops out at 2.7K 30p video, which is the main disadvantage of this camera. But if you just want to capture memories or share your action adventures on social media, 2.7K is more than enough. And there are no recording limits at that resolution, so you can record long takes. It also allows for 120fps when backing off the resolution to 1080p, offering up slow-motion footage. And you’ll have access to Insta360’s impressive stabilization for smooth video.

This tiny action camera is waterproof to 16 feet on its own. It comes with the new Action Pod, which, although it adds bulk, extends the battery life from 45 minutes to 170 minutes. It also adds a 2.2-inch flip touchscreen, which is very convenient and adds versatility to the camera. And it’s all very easy to use with simple controls and AI editing tools to take most of the work out of your hands. 

Best budget: AKASO Brave 7 LE

AKASO

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Specs

  • Max video resolution: 4K at 30 fps
  • Max framerate: 120 fps at 720p
  • Photo resolution: 20 megapixels
  • Waterproofing: IPX7, 131 feet with included case
  • Dimensions: ‎2.44 x 1.61 x 1.26 inches
  • Weight: 4.64 ounces

Pros

  • Comes with waterproof housing
  • Front and rear-facing screen 
  • Stabilization is fairly effective
  • Affordable

Cons

  • Photo and video quality are lacking
  • Image stabilization results in heavy crop

Most action cameras are quite expensive and come with extensive lists of features. Not everyone needs the latest and greatest camera, though. If you just want a durable, basic action camera to document your travels, the AKASO Brave 7 LE is a great choice. This isn’t the latest Akaso model (that would be the Brave 8), but the balance of features and price make it worth the purchase. The camera itself is IPX7 rated, but it comes with a case that makes it waterproof to 131 feet. The case also makes it more rugged and durable, allowing you to worry less about dings and falls. 

The Brave 7 LE is capable of 4K 30p video or 720p at 120 fps for slow motion. It offers 6-axis electronic stabilization, which is pretty good considering the price of the camera. It does result in a significant crop in your footage, though. For still photos, it can take up to 20-megapixel images. 

This budget action cam features a front and rear screen, which makes it easier to frame your shots no matter which way you point the camera.  It comes with two batteries, a remote, waterproof housing, and multifunction mounting kits, so you have everything you need to get recording right away. And it supports a WiFi connection, making transferring your photos and videos easier. 

Things to consider when looking for the best action cameras

The best action camera for your needs will depend on the nature of the filming environment and your ultimate use of the footage. Considering the size, waterproofing, video quality, and budget is essential whether you’re traveling, vlogging, or just starting out on your action camera journey.

Stabilization

One of the most important aspects of any action camera is how effective its image stabilization is. Action sports typically result in jarring movements, making footage unwatchable if it isn’t stabilized effectively. That said, if you’re primarily using an action camera for casual use on your travels, you may be able to get away with less stabilization than others. And you can make some adjustments in editing if you would like. But, if you are a mountain biker, trail runner, or recording any type of activity with lots of movement, you will want to look for a camera with the best possible stabilization. 

Mounting options

An action camera won’t do you much good if you can’t mount it in a way that enables you to actually record your activity without holding it. For example, you may want a way to mount the camera to a helmet or the end of a surfboard, which are two very different mounts. So, before purchasing a camera, be sure that the company makes a mount specifically for the activity you want to record.

Waterproofing and build-quality

Action cameras should be durable since they are meant to be used for, well, action. Most are ruggedly built and able to withstand lots of abuse. That said, depending on what type of sports or activities you plan on using the camera for, you may want to invest in more protection for the lens or camera as a whole. If so, be sure to check what accessories are available prior to purchasing. 

For those who want to take their camera underwater, knowing the waterproofing is key. Most cameras these days are waterproof to fairly deep without any additional case. For example, the GoPro can be submerged down to 33 feet. But if you want to use the camera for scuba diving, you’ll need to invest in a case to take it deeper than that. We always recommend purchasing waterproof housing directly from the company that made the camera to ensure proper fit, as you don’t want to risk the case flooding with water.

Photo and video quality 

What photo and video quality you need from your action camera depends on how you intend to use the footage. If you are just wanting the camera to document your travels and adventures for the sake of memories or maybe to share on social media, you don’t necessarily need 4K video quality. But, if you want to create YouTube videos of your content, or maybe even have grander plans than that, then you will want to go with the highest quality possible. 

Likewise, if you primarily want to record videos, you don’t necessarily need to pay attention to photo specs. But, if you want more flexibility, be sure to check what the camera can produce in terms of still photos as well.

Size

While all action cameras are compact, some are smaller than others. If you partake in sports or activities where drag and wind resistance is critical, such as surfing, motorcycle or automotive sports, or flying an airplane, the smaller the camera, the better. Smaller cameras also allow for more unique mounting opportunities, as they can be placed in locations that larger cameras cannot. Of course, there are usually sacrifices with smaller cameras, including lower video and photo quality and shorter battery life. It’s simply a matter of deciding what is most important to you.

FAQs

Q: How do I choose an action camera?

Most models of action cameras include similar features across different brands, but the key factors to consider are the intended environment of use, the resolution required, and the desired weight and size of the camera. When in doubt, a 4K camera with a highly durable casing should fare well in a large majority of situations.

Q: What is the best alternative to a GoPro?

The DJI Osmo Action 3 is one of the best alternatives to a GoPro, thanks to its durable construction and mounting flexibility. This class of action camera is set apart by being compatible with a large range of proprietary accessories, which enables them to excel in almost any environment.

Q: Can action cameras be used for photography?

Yes. Action cameras are used for photography all the time—the high-megapixel sensors that help an action camera excel at capturing high-resolution video are the same that allow units to take high-quality still photos. Many units include such a photography mode by default, but double-check before buying if it’s a must-have feature on your list.

Final thoughts on the best action cameras

The main traits found in all the best action cameras on the market are high resolution, high-speed video capture, and compact durability. Whether you’re looking for a camera for beginners, a waterproof camera, a vlogging camera, or some combination of all three, consider the main activities and the environment that you plan to film to help you make your final choice.

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best action cameras in 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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The best wired security cameras of 2023 https://www.popsci.com/gear/best-wired-security-cameras/ Wed, 15 Nov 2023 21:00:00 +0000 https://www.popsci.com/?p=586328
Four of the best wired security systems are sliced together against a white background.
Abby Ferguson

Today’s wired security cameras are capable, versatile, convenient, and comprehensive.

The post The best wired security cameras of 2023 appeared first on Popular Science.

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Four of the best wired security systems are sliced together against a white background.
Abby Ferguson

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

Wired security cameras is a somewhat vague, catch-all term that covers a number of types of security cameras. Often, they’re referred to as PoE security cameras, which stands for “power over Ethernet” and means that the cameras are connected by Ethernet lines for both power and for enabling the captured video footage to be downloaded. However, these cameras are also part of a system: In this case, it is an NVR, or “network video recorder,” system since the video is stored locally on a server in your house. You may also come across an older type of security camera system, called a DVR, or “digital video recorder system, which relies on coaxial cables instead of Ethernet lines. Many of these cameras are also referred to as IP cameras, which stands for “Internet Protocol,” which means they can send data over the internet, although many of these cameras simply send their video over a Local-Area Network (or LAN) instead of online. Regardless of going IP, POE, or DVR, the best wired security cameras are now significantly easier for consumers to install than they have been in the past. 

How we chose the best wired security cameras 

I’ve written about many types of different cameras, including security cameras, for a number of publications over the years, including PCMag.com, Consumer Reports, The New York Times, Popular Photography, Popular Science, Tom’s Guide, and Gearbrain. I brought my expertise in this area to help discover the best wired security cameras. I also looked at critical reviews, user recommendations, and did a lot of research to narrow down our list to find the best models.

To find the best ones, I carefully considered a number of factors, including specific features such as video resolution, video frame rates, night vision capability, and audio, as well as more expansive qualities, like ease of use, versatility, and smart-home compatibility.

The best wired security cameras: Reviews & Recommendations

Historically, wired security camera systems require you to hire a professional to install the systems. And even today, you might consider hiring a professional, since the security cameras need to be connected via Ethernet lines, which can be a bit challenging to install. You’ll find a variety of wired security cameras on this list, which should also accommodate a wide range of budgets and needs, from inexpensive models that cost as little as $40 to more feature-packed models and bundles that can cost $1,400 or more. One of our wired security camera picks should give you a steady eye on your driveway, backyard, or any room in your home and can help complement and strengthen a home security system.

Best overall: Lorex 4K with 4TB Wired NVR System with Nocturnal 4 Smart IP Bullet Cameras

Lorex

SEE IT

Specs

  • Video resolution: 4K resolution at 30 fps
  • Field of view: 110.4 degrees to 45 degrees (optical zoom-lens field-of-view range)
  • Power: PoE
  • Night vision: Yes
  • Size: 10.8 x 3.7 x 3.7 inches (camera)

Pros

  • A rugged four-camera system designed to withstand all weather conditions
  • Each camera includes an optical zoom lens
  • Excellent in low light
  • Color night vision
  • Comes with a very large 4TB hard drive for local storage 

Cons

  • Expensive
  • Some consumers may need professionals to install

Although this bundle is expensive, it’s worth the price: For starters, it features four 8-megapixel rugged-and-waterproof cameras that can capture high-quality 4K resolution in low-light conditions. It also comes with advanced color night-vision capabilities to further enhance low-light video footage. Each camera comes with a 4x optical zoom lens and a very durable camera exterior (IP67 rated), which ensures protection against harsh weather conditions. The Lorex system also includes advanced people-counting analytics and heat mapping capabilities. This system also includes a large 4TB security-grade hard drive, which is designed for advanced processing and 24/7 recording capabilities.

Specs

  • Video resolution: 4K resolution video at 25 fps (both models)
  • Field of view ( E1 Outdoor): 94 to 50 degrees (horizontal) and 53 to 30 degrees (vertical)
  • Field of view (RLC-823): 105 to 31 degrees (horizontal) and 55 to 17 degrees (vertical)
  • Power: PoE
  • Night vision: Yes (both models)
  • Size: 4.6 x 4.6 x 3.3 inches (E1 Outdoor); 7.91 x 8.58 x 8.58 inches (RLC-823A)

Pros

  • Very good price for two 360-degree cameras
  • Each camera includes an optical zoom lens
  • Comes with smart detection and auto-tracking features
  • Both models include color night vision

Cons

  • Both cameras have a frame rate of just 25 frames per second for 4K video

This pair of 360-degree cameras offers a lot of value for the money. Not only do both cameras come with the ability to pan and tilt nearly 355 degrees horizontally, but each camera has an optical zoom lens that allows you to more clearly focus on the scene. Each also has 4K video resolution, to capture video footage with clearer details, which is especially important if you’re using it as an outdoor security camera. Each also comes with color night vision, two-way audio, and more.

Best with dome-type POE camera: Annke H800 8MP PoE Security Camera System

Annke

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Specs

  • Video resolution: 4K resolution at 15 fps 
  • Field of view: 123 degrees
  • Power: PoE
  • Night vision: Yes
  • Size: 6.1 x 6.0 x 5.6 inches

Pros

  • Easy to set up
  • Both models include color night vision
  • Comes with large 2TB hard drive for local storage

Cons

  • Frame rate is only 15 frames per second
  • Lens is fixed, with no optical zoom

This wired security camera system bundle from Annke offers a lot of value for the money: It gives you four PoE dome cameras, which are designed to provide extra protection from the weather and the elements as well as intruders trying to tamper with the camera units. It captures video in 4K but uses H.265+ compression, which allows you to record longer videos and consume less bandwidth without losing 4K quality. The included NVR comes with a 2TB hard drive for storage but can be expanded to 10TBs. However, the camera lenses lack optical zooms, and the 4K video footage is captured at only 15 frames per second, which is lower than other systems. 

Best smart: Swann’s 8-Channel/4-Camera Home Security Camera System

Swann’s

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Specs

  • Video resolution: 4K resolution (frame rate not listed) 
  • Field of view: 93 degrees
  • Power: PoE
  • Night vision: Yes
  • Size: 3.94 x 3.94 x 3.94 inches

Pros

  • Easy to set up
  • Both models include color night vision
  • Offers smart detection and other smart features
  • Comes with large 2TB hard drive for local storage

Cons

  • Lens is fixed, with no optical zoom
  • Frame rate not listed and may be less than 30 fps

There’s a lot to like about this four-camera 4K wired security camera system from Swann. The camera units capture video at 4K resolution video, which includes color night vision capability for better quality video in very low-light settings. The system is also easy to use and easy to use. What makes it smart is that it comes with face recognition, human and vehicle detection (via heat detection), as well as alerts and notifications to your phone via the Swamm Security app. The system comes with a pre-installed 2TB hard drive. However, the lens on the camera is fixed and lacks optical zoom, which makes it a bit less versatile than other systems. Also, the frame rate for the 4K video is not listed, which means it may be less than 30 frames per second.

Best budget: EZVIZ C3N

EZVIZ

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Specs

  • Video resolution: 1080p resolution at 30 fps
  • Field of view: 104 degrees
  • Power: wired
  • Night vision: Yes
  • Size: 2.83 x 2.83 x 5.91 inches

Pros

  • Inexpensive
  • Easy to set up
  • Offers the option of either Wi-Fi or wired connection
  • Works with Amazon Alexa
  • Can store video clips on cloud or microSD memory card

Cons

  • Not exclusively a wired security camera system
  • System isn’t as robust as true wired PoE security systems

This very inexpensive security camera offers the option of using either an Ethernet connection or a WiFi connection. So, if you’ve never had a security camera system, you can get a feel for how both a wired and wireless security camera functions. It shoots at 1080p resolution and gives you the option of storing video clips in the cloud, starting at $3.99 a month

What to consider when buying the best wired security cameras

Most security cameras, as well as security camera systems, can be broken down into two main groups: Wireless security cameras, which as the name implies, generally connect to your home wireless network in order to store the video footage it records, as well as enabling other functions; and wired security cameras, which are connected via cables for power, storing video footage, and accessing the Internet.  

Although wired security camera systems offer some of the same features available with wireless systems, they’re a little more complicated to install, since you’ll need to run Ethernet cables to provide both power and connectivity. However, there are other features and capabilities that they do share with WiFi models:

Installation: DIY or professional

Before you buy into a wired security camera system, be sure to do some research to see if you can do it yourself, or if you’ll need to spend extra money to have a professional install the system.

Video resolution

An important factor when buying a security camera since the higher the resolution, the more detailed the video footage can be. So, as far as video resolution goes, you’ll want to make sure that you buy a system that at least can capture 1080p-resolution video. Of course, you’ll find many recent models that include features that capture 2K or 4K resolution. Be sure to also check that the cameras can catch the video at a frame rate (frames per second) that you need: 30 frames per second will provide you with smoother, less jittery video than lower frame rates (25 fps or 15 fps).

Angle of view

Another important technical specification is the angle of view, which indicates how wide or how narrow the lens is on the security camera. The higher the number, the wider the view. The lower the number, the greater the telephoto effect.  

Video recording options

A network video recorder will include a number of important options that you’ll want to check. See if you need an NVR that uses cloud storage to store video clips, or if you only need your video stored on-premise or using a local drive. There are other features to check as well, including the ability to set alerts, remote access, the ability to search video clips using artificial intelligence tools, and more.

Specific features you find important

Most wired security camera systems include some of the latest features that might be important to you, such as night vision, the ability to capture 360-degree coverage of a scene, mobile app access, and more. However, you’ll need to research and compare the features with other comparable models or systems to see if they fit your specific needs.

FAQs

Q: What are the advantages of a wired security camera system?

One reason you might choose a wired security camera system is if you don’t have a good home wireless signal coming from your home WiFi network. Since wired security cameras connect via Ethernet cables, the signal is always consistent and reliable. Another benefit is that, in the long run, you can save money: Most PoE cameras store video locally, onto an NVR’s hard drive or SSD, which means you don’t need to spend extra money on cloud storage. 

Q: What kind of Ethernet cables are used to connect PoE security cameras?

You can use either Cat 5E or Cat 6 cables for your PoE security cameras. Either of these types of cables will power the wired security cameras and allow you to download video from the individual cameras to your hard drive or SSD. 

Q: How many cameras can be used with an NVR wired camera security system?

Most NVR systems allow you to connect as many as 8 or 16 PoE cameras to your system via Ethernet cables, depending on the model. There are some models that may be able to handle more, but it’s important to remember that the NVR needs to power each PoE camera via Ethernet cables. So, the more cameras you have in your system, the more power the NVR needs.

Final thoughts on the best wired security cameras

In theory, criminals can hack into almost any type of wireless or wired security camera system. However, wired home security cameras are more difficult to compromise since they don’t need to be connected to the internet. Wired systems can simply use a local-area network to power the cameras and download video. But, there are many wired systems that offer WiFi features, too. Make sure you choose a wired security camera with plenty of built-in safety and privacy features. You want peace of mind for your home; you want to feel safe installing security cameras, too.   

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best wired security cameras of 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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The best mirrorless cameras of 2023 https://www.popsci.com/gear/best-mirrorless-cameras/ Sun, 12 Nov 2023 16:00:00 +0000 https://www.popsci.com/?p=588434
Four of the best mirrorless cameras are sliced together against a white background.
Abby Ferguson

These mirrorless cameras will help you get your best shot no matter what you like to capture.

The post The best mirrorless cameras of 2023 appeared first on Popular Science.

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Four of the best mirrorless cameras are sliced together against a white background.
Abby Ferguson

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

Best for pros The Nikon Z8 mirrorless camera is placed against a white background with a gray gradient. Nikon Z8
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The Z8 offers impressive specs across the board for pros.

Best APS-C The Fujifilm X-T5 mirrorless camera is placed against a white background with a gray gradient. Fujifilm X-T5
SEE IT

It’s simply a fun and fantastic camera to shoot with.

Best low-light The Nikon Z6 II mirrorless camera is placed against a white background with a gray gradient. Nikon Z6 II
SEE IT

NIkon’s Z6 II excels when the light gets dim.

If you have been paying attention to the camera market over the last decade, you’ve noticed mirrorless cameras overtaking DSLRs as the most dominant category in interchangeable-lens cameras. While Canon, Nikon, and Pentax still sell plenty of DSLRs, more than a half-dozen companies—including Canon, Fujifilm, Nikon, Olympus, Panasonic, Sigma, and Sony—are fully committed to their mirrorless systems. The market has expanded so much that there are now mirrorless cameras for every type of shooter, from the video-focused to the photography purist. No matter what you are looking for, the best mirrorless camera will help you get the shot.

How we chose the best mirrorless cameras

We have been writing about and reviewing cameras for decades and have personally used most of the major cameras released in recent years. This list is a result of extensive hands-on testing, market research, user feedback, editorial reviews, and spec comparisons. While the mirrorless market has grown substantially in recent years, there are still only a handful of companies making the cameras that you really want to buy. We looked at the entire mirrorless camera landscape and chose the models that best fit the needs of different kinds of shooters. 

Best mirrorless cameras: Reviews & Recommendations

The options for mirrorless cameras have expanded to include something for just about every situation you may find yourself in. Whether you want a compact, budget-friendly vlogging camera, a professional-level, high-resolution beast, or something in between, there is a mirrorless camera that will work for you.

Best with in-body image stabilization (IBIS): Canon EOS R5

Canon

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Specs

  • Resolution: 45 megapixels
  • Sensor size: Full-frame
  • Lens mount: Canon RF
  • Image stabilization: Sensor-Shift, 5-Axis
  • Memory card slots: Dual slot: CFexpress Type B and SD/SDHC/SDXC (UHS-II)
  • Weight: 1.62 pounds
  • Dimensions: 5.43 x 3.84 x 3.46 inches

Pros 

  • High-resolution sensor
  • Articulated screen
  • Up to 8 stops of stabilization with some lenses
  • Advanced video features

Cons

  • Expensive

Although it’s a little pricey, the full-frame Canon EOS R5 delivers excellent stabilization. You’ll get up to 8 stops in combination with some Canon IS lenses. Other impressive parameters include speedy (and accurate) autofocus and tracking thanks to its Dual Pixel CMOS AF II system. It’s dust and water-resistant to withstand the rigors of outdoor photography and comes equipped with dual memory card slots, including a CFexpress. This is essentially the mirrorless version of Canon’s stalwart 5D DSLR line. As a result, it can handle just about anything a pro photographer could need it to do in a relatively compact body.

If you don’t need the 45-megapixel resolution and super-high-res video chops found in the R5, the Canon EOS R6 Mark II offers much of the same in terms of focusing and stabilization with a more reasonable 24.2-megapixel resolution and matching SD card memory slots. You can read more about the R6 Mark II in our full review.

Best for pros: Nikon Z8

Nikon

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Specs

  • Resolution: 45.7 megapixels
  • Sensor size: Full-frame
  • Lens mount: Nikon Z
  • Image stabilization: Sensor-Shift, 5-Axis
  • Memory card slots: Dual slot: CFexpress Type B/XQD and SD/SDHC/SDXC (UHS-II)
  • Weight: 2 pounds
  • Dimensions: 5.7 x 4.7 x 3.3 inches

Pros 

  • Fantastic image quality
  • Offers lots of on-body controls
  • Fast burst shooting
  • High-quality video

Cons

  • No mechanical shutter
  • A bit difficult to get right now

The Nikon Z8 is essentially the Z9 in a more compact and affordable package. It’s $1,300 less than the flagship Z9 yet features the same sensor, processor, and autofocus capabilities. And it weighs more than half a pound less than the Z9. Of course, that’s in part because the Z8 lacks a built-in vertical grip, but the more compact form factor makes it an ideal choice for videographers or those who prioritize weight in their setup. 

The Z8 is a true hybrid camera with impressive specs and features across the board. It’s capable of 8K 60p 12-bit raw recording internally in the N-RAW format. You can record at 8K 30p for roughly two hours continuously. And it offers 4K 120p for slow-motion footage. 

The 45.7-megapixel sensor results in excellent image quality for photos. And if you like a still from a video clip, you can grab 33-megapixel stills from 8K footage or 11MP stills from 4K footage. The Z8’s autofocus is also superb, with accurate and fast subject detection and tracking. 

Best for pros runner-up: Sony a1

Stan Horaczek

SEE IT

Specs

  • Resolution: 50.1 megapixels
  • Sensor size: Full-frame
  • Lens mount: Sony E
  • Image stabilization: Sensor-Shift, 5-Axis
  • Memory card slots: Dual slot: CFexpress Type A and SD (UHS-II)
  • Weight: 1.6 pounds
  • Dimensions: 5.07 x 3.81 x 2.74 inches

Pros 

  • High-resolution sensor for superb detail
  • Advanced and impressive autofocus
  • Fast burst shooting
  • Plenty of tactile controls

Cons

  • Expensive

The Sony a1 is a camera built for those who want serious performance from their camera. The specs are impressive across the board. It offers a 50.1-megapixel sensor with stacked back-illuminated design and integrated memory. That sensor allows for 15 stops of dynamic range and the ability to capture tons of detail from a scene. It also handles noise extremely well, so you can get away with higher ISOs.

One area that the a1 really shines is burst shooting. It’s capable of up to 30 full-sized raw frames per second with the electronic shutter. That’s faster than just about everything available at that quality. The autofocus is equally impressive. It’s extremely fast and accurate, and it can focus down to -4 EV, so you can shoot in dark situations and still use autofocus. 

The a1’s electronic sensor is able to read out at a whopping 1/260th second, which allows you to sync a flas at up to 1/200th second. And, with the mechanical shutter, you can sync flash up to 1/400th second without relying on a high-speed sync. It’s an ideal camera setup for studio photographers and sports photographers alike. And with the 8K 30p and 4K 120p video, it makes for an excellent tool for videographers or hybrid shooters as well.

If the burst shooting isn’t as important to you as resolution, the Sony a7R V offers an impressive 61 megapixels, resulting in truly stunning image quality even for the most serious pixel peepers. The a1 produces massive files, though, so be sure to have hard drives ready.

Best for low light photography: Nikon Z6 II

Nikon

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Specs

  • Resolution: 24.5 megapixels
  • Sensor size: Full-frame
  • Lens mount: Nikon Z
  • Image stabilization: Sensor-Shift, 5-Axis
  • Memory card slots: Dual slot: CFexpress Type B / XQD and SD/SDHC/SDXC (UHS-II)
  • Weight: 1.4 pounds
  • Dimensions: 5.3 x 4 x 2.7 inches

Pros

  • Superb image quality overall, but especially in low-light
  • Intuitive controls and menu systems
  • Compact
  • Exemplary metering system

Cons

  • 24-megapixels may feel a little low for some shooters

The well-rounded, full-frame Nikon Z6 II mirrorless camera is equipped with great still and video features. Its low light capabilities range from minimal image noise at high ISOs and, critically, excellent low light AF—down to -4.5EV, one-stop lower than its Z6 predecessor. That means it can focus in the moonlight—even when it’s less than a full moon. As a bonus, the Nikon Z6 II is equipped with a special low-light autofocus mode that takes its capabilities an additional two stops, providing a good balance between minimal levels of image noise and effective autofocus in very low light.

The Sony A7S is another solid option, especially if you shoot a lot of video or you don’t need a ton of megapixels. The 12-megapixel resolution seems paltry to many still photographers, but that low resolution comes with extremely clean high-ISO images.

Best for vlogging: Sony ZV-E1

Sony

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Specs

  • Resolution: 12.9 megapixels
  • Sensor size: Full-frame
  • Lens mount: Sony E
  • Image stabilization: Digital, 5-Axis
  • Memory card slots: Single slot: SD/SDHC/SDXC (UHS-II)
  • Weight: 1.1 pounds
  • Dimensions: 4.8 x 2.8 x 2.1 inches

Pros 

  • Compact and lightweight
  • Excellent stabilization
  • Good in-camera audio
  • Superb autofocus abilities

Cons

  • Low resolution isn’t great for photography
  • Single SD card slot

The Sony ZV-E1 is a full-frame mirrorless camera tailored to serious vloggers and content creators. Unlike its smaller sibling—the ZV-1 II—the ZV-E1 is an interchangeable lens camera, allowing you to choose from the vast selection of Sony and third-party lenses available for E-mount. Despite the full-frame sensor, the camera is very compact and lightweight, weighing only slightly over a pound, making it easier to hold even if you are filming yourself. 

The ZV-E1 is capable of 4K 120p video or full HD up to 240p. The Cinematic Vlog setting makes it easy to create cinematic footage with a single touch, putting controls such as aspect ratio,  frame rate, look mode, mood, and AF modes on one screen. The 5-axis optical image stabilization is highly effective. And when you need even more stabilization, the dynamic active mode stabilization utilizes AI recognition and tracking to crop footage automatically to keep focus on the subject. 

As we’ve come to expect from Sony cameras, the ZV-E1’s autofocus abilities are very advanced. It offers Multiple Face Recognition to track multiple people in a single frame, and the Product Showcase Setting makes it easy to switch focus between a product and subject. The main downside to this camera is the 12.9-megapixel sensor. While the 12.9-megapixel sensor could be limiting in terms of still photos for some, for professional vloggers, this camera is the best choice at the moment.

If you are a vlogger who doesn’t want to fuss with lenses or spend so much on a camera, the ZV-1 II is the next best thing. It features a built-in 18-50mm equivalent lens with 4K 30p video and plenty of content creator-specific tools.

Best for vlogging runner-up: Sony a7C

Sony

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Specs

  • Resolution: 24.2 megapixels
  • Sensor size: Full-frame
  • Lens mount: Sony E
  • Image stabilization: Sensor-Shift, 5-Axis
  • Memory card slots: Single slot: SD/SDHC/SDXC (UHS-II)
  • Weight: 1.1 pounds
  • Dimensions: 4.9 x 2.8 x 2.4 inches

Pros 

  • Compact form factor fits in camera rigs
  • Flip-around screen makes for easy vlogging
  • Advanced autofocus tracking with nearly 700 AF points
  • 4K and 1080p footage at high bitrates

Cons

  • No viewfinder might be a downside for hybrid shooters
  • No 4K at 60 fps

Size and weight matter when you’re holding a camera pointed at yourself all day long, and Sony’s A7C is one of the most compact full-frame mirrorless cameras on the market. It has everything a vlogger needs, including 4K capture, a screen that flips forward so you can monitor your shot in real time, and a microphone jack for accessories. It also offers advanced autofocus that keeps you or your subject in focus without much fuss on your end. 

The small, rectangular form factor makes attaching gimbals and other filmmaking equipment easy. That comes in handy when you’re trying to maximize your production value and have viewers slamming those like and subscribe buttons on YouTube. There isn’t an electronic viewfinder, which makes it a bit harder to use in bright sunlight, but video is rarely shot while looking through a viewfinder anyway. 

Best APS-C: Fujifilm X-T5

Stan Horaczek

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Specs

  • Resolution: 40.2 megapixels
  • Sensor size: APS-C
  • Lens mount: Fujifilm X
  • Image stabilization: Sensor-Shift, 5-Axis
  • Memory card slots: Dual slot: SD/SDHC/SDXC (UHS-II)
  • Weight: 1.2 pounds
  • Dimensions: 5.1 x 3.6 x 2.5 inches

Pros 

  • High-resolution sensor results in lots of details
  • Capable of up to 20 fps
  • 6.2K maximum video resolution
  • Excellent feel to the controls

Cons

  • Viewfinder feels small compared to full-frame models

The Fujifilm X-T5 is a truly fantastic camera. In fact, one of our editors calls it one of the most enjoyable cameras he’s ever used. It offers lots of tactile controls, including an ISO dial and physical switch for shutter drive modes. These keep you from digging into menus nearly as often as other cameras. The body feels like a small SLR, including a physical dial for shutter speed, which makes the camera feel like an analog one. 

Fujifilm built the camera around a high-resolution 40.2-megapixel sensor that does a great job of grabbing lots of detail from a scene. It comes with Fujifilm’s excellent film simulation modes, which could save you time when it comes to throwing it up on a monitor and editing. And the autofocus is responsive and accurate.

While the camera is primarily for still shooters, there are plenty of impressive features for video creators. For example, it can shoot up to 6.2K 30p video or oversampled 4K footage. And it offers plenty of video capture formats, including F-LOG2 and Apple ProRes Raw.

Best budget:  Canon EOS R100

Canon

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Specs

  • Resolution: 24.1 megapixels
  • Sensor size: APS-C
  • Lens mount: Canon RF
  • Image stabilization: None
  • Memory card slots: Single slot: SD/SDHC/SDXC
  • Weight: 12.6 ounces
  • Dimensions: 4.6 x 3.4 x 2.7 inches

Pros

  • Extremely compact and lightweight
  • Affordable
  • Compatible with all RF lenses
  • 4K 24p video

Cons

  • Fixed rear display
  • No touchscreen functionality

The Canon EOS R100 is a relatively new release that happens to be the most affordable camera in Canon’s R line yet. It’s also the smallest, weighing just 12.6 ounces with the battery and memory card. Despite the small size and affordable price, it has a lot to offer. For starters, the 24.1-megapixel sensor will provide image quality on par with the M50 Mark II. But you get the benefit of RF lenses, as well as EF lenses with an adapter. That opens up a lot of possibilities for glass.

The R100 is capable of cropped 4K 24p video or full HD at 60p. It utilizes Dual Pixel AF with 3,975 autofocus points and supports subject detection and Eye Detection AF. And Eye Detection works even when the subject is further away for full body shots. Unfortunately, the rear screen is fixed, meaning it can’t be flipped around for selfies or vlogging, and it isn’t a touchscreen. But, for the price, the R100 is hard to beat for those wanting a casual yet capable camera. 

What to consider when shopping for the best mirrorless camera

Choosing the best mirrorless camera for you depends on your needs. Are you looking for a mirrorless camera for beginners or something more specialized? Buying something below or at your level may hinder your development as a photographer or videographer when you outgrow its features. However, buying a pricy pro body may clutter up your shooting experience with features you’ll never even use. We’ll take a look at some of the parameters that will help you make the best choice.

In-body image stabilization

Image stabilization, which is available in some cameras and lenses, goes by different acronyms and names across brands—VR (vibration reduction), OIS (optical image stabilization), and SteadyShot, to name a few. Image stabilization senses the movement of the camera while you’re taking the picture and makes adjustments—either in the camera or in the lens or both—in order to counteract that shake and prevent blurry photos. It can also help smooth out video when shooting handheld. 

Many mirrorless cameras offer IBIS (in-body image stabilization). One of the great things about IBIS is that, by default, every lens you use is image-stabilized, which is like an instant upgrade to your current non-IS lenses. As a bonus, IBIS and IS lenses can often work together to deliver even greater levels of stabilization.

Image stabilization is measured in steps or exposure stops. Put simply, each step or stop of IS decreases the shutter speed needed to maintain a blur-free image. Obviously, the more stops, the better when you’re shopping for a mirrorless camera with IBIS. It’s important to realize, however, that some of those numbers reflect a combination of in-body stabilization and lens stabilization to get the maximum effect.

Low-light performance

Photographers often encounter low-light situations where the choices are either to boost the ISO and risk image noise, miss the shot, or use a flash. The latter isn’t always the best option, especially if you want to capture the scene’s ambiance, or flash is prohibited. Keep in mind that most mirrorless cameras do not have built-in flash anyhow; rather, they have a hot shoe to attach an external flash.

Flash aside, there are three basic elements of low-light photography to consider. First, full-frame cameras are typically better at low-light photography since their larger sensor size gathers more light. You also need to consider how well the camera keeps image noise at bay while maintaining good detail and sharpness and whether the camera’s autofocus can function well in low light. The latter is measured as minus “x” EV.

Low-light performance will be key to getting the shots you want if you frequently shoot indoors—whether at parties or indoor sporting events. And even if you shoot outdoors, higher ISO settings can come in handy for capturing fast action like sports, which requires extremely short shutter speeds to freeze motion. Higher ISO does result in higher noise levels, but you can improve noise with a laptop and some time editing.

Video

While you can vlog or record video with pretty much any mirrorless camera, there are features that make vlogging easier and combine to deliver the best footage possible. Two key features in a mirrorless camera for video are an articulated LCD and a microphone jack. The former lets you flip the LCD out and away from the camera to view yourself as you’re filming. At the same time, an external microphone can be mounted on the camera’s hotshoe without blocking the LCD. In-body image stabilization is ideal since it steadies the shot regardless of what lens you use and can help steady video when handholding the camera.

In the end, vlogging doesn’t always require 4K resolution, but it’s always better to have the option if and when you need it.

FAQs

Q: Why are mirrorless cameras better than DSLRs?

There are a few ways in which mirrorless cameras outperform DSLRs. In general, mirrorless cameras and their lenses are generally smaller and lighter if only because they don’t need a mirror inside to flip up and down. Mirrorless cameras have electronic viewfinders that show the same information and image as the LCD, so, conveniently, there’s rarely a need to move your eye from the EVF to the LCD—including when reviewing images.

DSLRs also use dedicated autofocus sensors that exist outside of the imaging sensor. If the two sensors get out of alignment, the camera needs adjustment, or the photos will turn out blurry. Also, regarding autofocus, mirrorless cameras offer extremely accurate face and object tracking that DSLRs typically can’t match.

Q: What’s the best mirrorless camera?

The best mirrorless camera truly depends on an individual’s needs and priorities. The Nikon Z8 is one of the most impressive and well-rounded mirrorless cameras available right now, thanks to the high-resolution sensor, impressive video specs, and excellent autofocus. But the Z8 is more camera than many need. From a budget perspective, you can’t beat the Canon EOS R100, which offers some advanced features at a very affordable price.

Q: How do the different size sensors affect picture-taking on mirrorless cameras?

One of the main differences is how sensor size impacts a lens’s angle of view. A full-frame sensor delivers the same angle of view as it would on a 35mm film camera. An APS-C sensor “crops” the image by 1.5x or 1.6x (Canon). Attaching a 100mm lens, for instance, will look more like a 150mm lens on an APS-C camera. Micro Four Thirds sensors double the effective focal length, so a 100mm lens delivers a 200mm equivalent focal length. That can be both a positive and negative depending on your needs. If you want longer reach, the smaller APS-C sensors can offer it. If you want wider lenses, it’s easier to achieve on a full-frame body.

Q: Are mirrorless cameras good for close-up shots?

A lens will determine whether a mirrorless camera is good for close-up shots, not the camera itself. Lenses all have different minimum focusing distances, or how close you can get to your subject while still getting a focused image. For the best close-up shots, you’ll want a macro lens, as they can focus close and offer a large magnification ratio. But just about any lens with a short minimum focusing distance will work well for close-up shots.

Q: Is autofocus better on mirrorless cameras?

Yes, autofocus is better on mirrorless cameras. This is largely due to the fact that most companies haven’t released new DSLR cameras in a few years, so mirrorless cameras simply contain the latest technology to enable better autofocus. That includes AI-based features that are able to detect and track eyes and faces with superb accuracy and reliability.

Final thoughts on the best mirrorless cameras

Shopping for the best mirrorless camera is really a personal issue. It’s important to think about what kind of images or videos you want to capture and then find the features that make it possible—whether it’s low light, video for vlogging, or action shots. Don’t be fooled into thinking you need the latest and greatest to make the best decision. There are plenty of solid options at various price points, including budget models.

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best mirrorless cameras of 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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Grab this beginner-friendly drone on sale for only $80 https://www.popsci.com/sponsored-content/beginner-friendly-4k-drone-deal/ Sun, 12 Nov 2023 14:00:00 +0000 https://www.popsci.com/?p=587446
A beginner-friendly drone flying through the mountains and sunset.
Stack Commerce

Capture stunning image in 4K ahead of Black Friday.

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A beginner-friendly drone flying through the mountains and sunset.
Stack Commerce

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This 4K dual-camera drone is designed to cater to beginners, and it’s on sale for $79.97 until Nov. 16.

Drones have become so mainstream that practically anyone can buy themselves one, but what hobbyists need to understand is that not all quadcopters cater to beginners. Some have incredibly complex mechanisms that you might as well just train to become a pilot and obtain a flying license. But there are also entry-level options that accommodate beginner flyers. Case in point: this 4K dual-camera drone is designed for first-time pilots, and for a limited time, it’s on sale for $79.97. It makes for a great present for anyone who’s looking to take their adventures to the skies.

This beginner-friendly quadcopter makes drone photography and videography a cakewalk. Great for kids and novices alike, it has features that make flying effortless, including optical flow positioning that keeps the drone in a hovering state while fixated on an object, gesture control that follows movements for capturing photos and footage, and three-way obstacle avoidance that perceives the distance of obstacles and dodges them accordingly. This way, you won’t worry about the drone getting stuck elsewhere.

If taking stunning shots is your goal, this drone comes equipped with an HD 4K front camera that supports a remote 90-degree control angle and a bottom camera with a 120-degree wide angle. Its FPV transmission allows it to reach up to 328 feet, while its precise locking height enhances the drone’s stability to take beautiful content.

Conversely, if your goal is to simply navigate the skies, you’ll want to take advantage of the drone’s other intelligent functions, which include a 360-degree flip, gravity control, headless mode, fixed-point flight, and one key start and stop. It has built-in LED superlights as well, each of which changes according to the environment, making the drone easy to stop anywhere.

Formerly retailing for $119, you can grab this beginner-friendly 4K dual-camera drone on sale for just $79.97 until Nov. 16, 11:59 p.m. PST.

Prices subject to change.

The post Grab this beginner-friendly drone on sale for only $80 appeared first on Popular Science.

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The best baby monitors of 2023 https://www.popsci.com/story/reviews/best-baby-monitor/ Fri, 29 Jan 2021 15:59:00 +0000 https://stg.popsci.com/uncategorized/best-baby-monitor/
baby with flower pattern pants in a crib
Tuva Mathilde Løland via Unsplash

Technology allows you to have ears (and sometimes eyes!) on your baby at all times thanks to the best baby monitors.

The post The best baby monitors of 2023 appeared first on Popular Science.

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baby with flower pattern pants in a crib
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Best overall Nanit Plus - Smart Baby Monitor and Wall Mount: Camera with HD Video & Audio Nanit Pro-Smart Baby Monitor
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This high-definition video baby monitor features sleep tracking and night vision.

Best for vitals tracking A product image of the Owlet Smart Sock 3 Baby Monitor Owlet Smart Sock 3 Baby Monitor
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A wearable smart sock allows parents to keep track of their baby’s vitals.

Best stylish Lollipop Baby Monitor with True Crying Detection Lollipop Baby Monitor
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This baby monitor connects through an app and can detect crying, see in night vision, track sleep quality, and play lullabies and white noise.

People sometimes complain that modern parents are too nervous and overprotective and that parenting “back in our day” was a more relaxed and hands-off endeavor. But anyone with a newborn knows that the early days are a time of incredible joy … and intense neuroses. And if those supposedly “lax” parents of years past had access to the kind of technology we have now, we bet they’d be just as excited to use the best baby monitors.

In fact, in addition to being a practical and convenient way to check in on little ones, baby monitors give parents the freedom to take care of their other duties with peace of mind: They’re always just one cry, coo, or cough away from being by their baby’s side. Understanding your family’s living situation and personal preferences is key to picking the best baby monitor camera and baby items for you, so here are some things to take into consideration.

How we chose the best baby monitors

Being responsible for an entire living being is no easy feat—which means baby monitors have to be up to the challenge. Our selections are based on personal testing (we’re parents ourselves), research, reviews, recommendations, and user impressions from babies and parents—you’d be surprised to know who is more opinionated.

The best baby monitors: Reviews & Recommendations

With Wi-Fi capabilities and even built-in cameras, the best baby monitors will give you peace of mind as your little one slumbers peacefully in their crib. Here are our picks.

Best overall: Nanit Pro – Smart Baby Monitor

Nanit

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Why it made the cut: This overhead baby camera uses computer vision for accurate sleep, sound, and motion tracking, and sends alerts about your baby to your favorite device.

Specs

  • Range: N/A
  • Batteries: N/A
  • HSA/FSA Eligible: Yes
  • Video: Yes
  • Phone-compatible: Yes

Pros

  • 1080p camera
  • Breathing band included
  • Personalized sleep coaching

Cons

  • Video history and data only free for one year

An award-winning, innovative baby monitor, the Nanit offers an impressive variety of video capabilities including 1080p HD bird’s-eye view, night vision, sleep tracking, sound and motion notifications, and temperature and humidity checks. You can even talk back to your baby, thanks to two-way audio. The Nanit Pro is compatible with iOS, Android, Kindle Fire, and Echo Show, which allow you to get sound, sleep, and motion alerts delivered to your devices. FSA/HSA approval gives you peace of mind when it comes to safety certification, and the included Breathing Ware gives you sensor-free motion monitoring for accuracy. Be aware that the Nanit includes a free one-year subscription to your video history and data, but after that, you’ll have to pay for access.

Best audio-only: Motorola Audio Baby Monitor

Motorola

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Why it made the cut: This audio-only baby monitor doesn’t lack features, which include app connectivity, a built-in nightlight, and a high-sensitivity microphone.

Specs

  • Range: 900 feet
  • Batteries: Yes, rechargeable
  • HSA/FSA Eligible: No
  • Video: No
  • Phone-compatible: Yes via app

Pros

  • App compatible
  • Download playable audio for baby
  • Built-in nightlight

Cons

  • Three-hour battery life

This audio baby monitor is a great option, as it’s powered by traditional radio connectivity up to 900 feet. Plus, it uses smart technology to connect to an app via Wi-Fi. A high-sensitivity microphone picks up even the slightest sound and can record and analyze noise to determine sleep quality. Two-way radio functionality allows parents to talk to and soothe a child through the monitor. You can also download songs and stories to play for your baby, as well as monitor room temperature and turn on a nightlight. Downloading the Hubble app on your device gives you access to sleep data and soundtracking.

Best stylish: Lollipop Baby Monitor with True Crying Detection

Lollipop

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Why it made the cut: This flexible baby monitor packs motion and sound sensing in its compact, whimsical design.

Specs

  • Range: N/A
  • Batteries: N/A
  • HSA/FSA Eligible: No
  • Video: Yes
  • Phone-compatible: Yes

Pros

  • Mounts anywhere
  • App connectivity

Cons

  • Sleep tracking and continuous recording only free for 30 days

This unique-looking baby monitor comes in vivid pastels and is made out of flexible non-toxic silicone. The camera is encased in a round white built-in speaker that gives the device the look of a cute cartoon eyeball. Loaded with smart capabilities, it connects through an Android/iOS app and can accurately detect crying, see in night vision, track sleep quality, and play lullabies and white noise. Although the monitor offers sleep tracking and continuous video recording, it’s only free for 30 days—you’ll need to buy a subscription to Lollipop Care to get that functionality year-round.

Best for vitals tracking: Owlet Smart Sock 3 Baby Monitor

Owlet

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Why it made the cut: This smart sock tracks important vitals like oxygen levels and heart rate, along with sleep quality indicators for in-depth data on your baby.

Specs

  • Range: 100 feet
  • Batteries: N/A
  • HSA/FSA Eligible: Yes
  • Video: No
  • Phone-compatible: Yes

Pros

  • Vitals tracking
  • Smartphone alerts
  • Sock is sturdy and comfortable

Cons

  • Expensive for a wearable children will eventually grow out of

Owlet’s smart baby monitor has advanced features which allow parents to track a baby’s vital signs and sleep quality indicators—including heart rate, oxygen levels, wakings, sleep state, movement, and more—with a wearable smart sock. Set up the base station within 100 feet of the baby’s crib and Bluetooth technology will transmit pulse rate and blood oxygen levels. The base station will glow depending on the levels reported, and parents will get alerts on their smartphones. The system can also measure room temperature and humidity levels. The company also offers the Dream Sock Plus, which tracks vitals for children up to five. And, the coordinating app includes sleep prompts and a digital sleep coach to help the wee one go to bed.

Best budget: VTech DM221-2 Audio Baby Monitor

VTech

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Why it made the cut: You don’t need to shell out a lot of cash for a monitor that features customizable volume, two-way audio, and vibrating sound alerts.

Specs

  • Range: 1,000 feet
  • Batteries: 6 AAA batteries (Included)
  • HSA/FSA Eligible: No
  • Video: No
  • Phone-compatible: No

Pros

  • 16-hour battery life
  • 5-level sound indicator
  • Vibrating sound alerts

Cons

  • Battery takes 11 hours to fully charge

This highly rated baby monitor has a range of up to 1,000 feet and provides parents with a vibrating sound alert and LED-light visual when it detects sound. Additional features include a talk-back intercom that allows parents to soothe their baby, as well as a night-light feature and customizable volume. You can also choose to hear sounds from the baby unit all the time, or only hear sounds that exceed a certain level. The parent monitor can adjust the microphone sensitivity of the baby unit, and a belt clip on the parent unit lets you take it anywhere in the house.

What to consider when buying the best baby monitors

Gone are the days when monitors were little more than CB radios delivering crackling noises that might be your child crying or might just be static interference. The best baby monitors are essential, and are much more sophisticated and allow for more technology integration, mobile device usage, stat monitoring, and much more.

Knowing your own needs is important—for example, if you have a small living space, an audio-only model may suffice—and will ensure you get a device that does what it intends and works with your parenting style. Here are some of the variables to keep in mind as you research.

Video vs. audio

Opting for a baby monitor with a high-quality video camera along with traditional audio allows for immediate peace of mind: You can literally see and hear your baby in real-time. The best baby monitors offer high-def video, a wide-screen camera for optimal viewing, night vision, and an alert system if the little one is moving too much. Some cameras offer pivoting to change views, while others are stationary.

A video baby monitor gives parents access and control so they can relax (or, you know, get laundry done). Higher-end models even utilize HD video to obtain data that can then be analyzed to offer sleep-tracking guidance. Apps can take sleep footage and replay it in a timelapse reel, allowing you to observe your baby’s sleeping patterns.

While audio-only devices might seem old-fashioned compared to their shiny new video competitors, they still get the job done. One major advantage of these types of baby products is that they’re generally cost-effective. Some audio-only options even combine older radio technology with newer Wi-Fi and Bluetooth connectivity, as well as some neat bonus features, like a two-way radio, temperature monitoring, sleep analysis, and the ability to download soothing songs and stories to play for your child through the app

It’s important when buying any monitor, but particularly a radio-based one, to consider the frequency range: You need to be sure the signal reaches anywhere you plan to go, potentially even outside. The best baby monitors have rechargeable batteries with a good lifespan. When fully charged and within range, audio monitors can be very reliable, especially if you have spotty Wi-Fi in your home. Hybrid audio-only baby monitors combine older radio technology with the ability to connect via Wi-Fi and smartphones, which gives you more modes of use.

Design

If you don’t want your baby’s room to look like the surveillance hub at a casino, there are styles that combine form and function. Some baby monitors take the necessary camera feature and playfully turn the shape into a friendly robot; others try to minimize size and use rounded organic shapes in bright colors and soft silicone material.

While enjoying the look of the monitor is important, obviously nothing is more crucial than safety and functionality. The best baby monitors offer all the features you want and still look good.

Sleep stats

For the sleep-deprived tech-savvy parent, being able to study your baby’s patterns with the hope of improving them is a pretty cool feature. By gathering digital sound files, high-definition video, and temperature, humidity, and vitals info, apps can provide helpful guidance to get the baby (and you) to sleep. A smartphone app then relays detailed charts and information to help kiddos stay healthy and sleep soundly. Some monitors that provide sleep analysis do this through audio only, some through audio and video, and others include a wearable component to monitor the baby’s oxygen and breathing.

Vitals tracking

Your particular parenting needs will determine which features matter to you. For example, baby monitors that track vitals can measure a baby’s pulse rate and blood oxygen levels via wearables like a sock or blanket wrap, or other non-wearable gadgets. The data is then sent to the product’s base station, which keeps parents informed with real-time updates and alerts in case any abnormalities are detected.

No device will ever replace good parenting, so think of a vitals-tracking monitor as an extra protection measure, like wearing a high-tech belt with suspenders. Especially because technological errors can occur—like server crashes or the wearable getting placed in the wrong position—parents could potentially receive inaccurate results or false alerts. So they should only ever be used as an addition to—not a substitution for—good parenting.

Budget

There are a variety of baby monitors available with a budget in mind. In general, you can get simple video monitors that include one small camera and a transportable parent unit to see and hear your baby (including night vision) and monitor the temperature. However, most video monitors with higher ratings are over this price point. Most monitors in the audio-only category are under $50.

FAQs

Q: How much does a baby monitor cost?

Basic models typically cost under $100. Smart baby monitors warrant a higher price tag and can cost between $200-$400.

Q: How long do baby monitor batteries last?

It depends on the kind of baby monitor you purchase. An audio-only monitor can last anywhere from 8-16 hours. Battery-powered video monitors can last between 7-10 hours. Those powered by an AC adapter or power cord last for as long as you want them to since they’re outlet powered. However, in case of a power outage, make sure your monitor has a backup battery so you can make sure baby is safe despite the dark.

Q: What are the different types of baby monitors?

There are two main categories of baby monitors: audio-only and audio-and-video. However, with the advent of smart baby monitors, there are more subsets of monitors than ever before: audio, audio and video, Wi-Fi camera baby monitors with receivers, Wi-Fi camera baby monitors without receivers, movement-based baby monitors, vital tracking baby monitors, and so on.

Final thoughts on the best baby monitors

Technology has been rapidly changing the baby-monitor market. The best options provide you with a reliable and secure way to check in on your baby to be sure of their safety. With loads of choices, you can go big or small, high-tech or low—but whatever you decide, you’ve now got some of the best baby monitors currently on the market to choose from—so you and your little one can catch some much deserved Z’s.

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best baby monitors of 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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The best bird feeder cameras in 2023 https://www.popsci.com/gear/best-bird-feeder-cameras/ Fri, 20 Oct 2023 20:00:00 +0000 https://www.popsci.com/?p=580793
four of the best bird feeder cameras sliced together against a white background
Abby Ferguson

Bird feeder cameras allow you to see your feathered friends in new ways.

The post The best bird feeder cameras in 2023 appeared first on Popular Science.

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four of the best bird feeder cameras sliced together against a white background
Abby Ferguson

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Best overall A blue Bird Buddy Smart Bird Feeder filled with seed against a white background with a gray gradient. Bird Buddy Smart Bird Feeder
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The Bird Buddy offers stylish design, quality images, and a fun app with real-time notifications.

Best for hummingbirds A blue BirdDock Hummingbird Feeder Camera against a white background with a grey gradient. BirdDock Hummingbird Feeder Camera
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The nectar attachment of this feeder can be swapped out to hold seed as well.

Best budget A white WYZE Cam v3 against a white background with a gray gradient. WYZE Cam v3
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This budget option lets you see the birds without any extras.

Bird feeder cameras make documenting our feathered friends fun and easy, but they aren’t created equally. Some are best for bird-watching in your own backyard, while others are better suited to remote locations. More expensive models have features like solar panels, video options, and smart bird identification, while basic, budget models make feeder photography accessible for just about everyone. No matter what you are looking for, the best bird feeder cameras will allow you to capture quality images of the birds who call your area home. 

How we chose the best bird feeder cameras

There are dozens of bird feeder cameras on the market. Though many of them have the same basic features, they don’t all offer the same level of important features like durability, battery life, and accuracy of species detection. 

To arrive at our top picks, we relied on our own assessment of each device, including hands-on experience with multiple models. Because bird feeder cameras must be durable, weatherproof, and offer long-lasting performance, we also leaned heavily on user experiences and favored well-reviewed products. 

Features like accurate bird identification, solar panel availability, and useful accessories also helped push some models into the limelight. Other options like real-time notification and color night vision were nice to have but not essentials. Still, they didn’t tend to figure into our final decision simply because of their somewhat limited value for bird photography. 

The best bird feeder cameras: Reviews & Recommendations

Choosing a bird feeder camera can be tough. There are dozens of available models, and the prices can range from less than $50 all the way up to $400 or more. The key to finding the right bird feeder camera is not necessarily shopping by price but knowing which features are must-haves and which are not. Not everyone will benefit from AI, for example. You may even prefer to use your own knowledge to identify the birds in your photographs. Below are our favorite options, suitable for a range of situations and users. 

Best overall: Bird Buddy Smart Bird Feeder

Abby Ferguson

SEE IT

Specs

  • AI: Yes, identifies more than 1,000 bird species 
  • App compatibility: Android and iOS
  • Resolution: 5-megapixel photos, 720p video
  • Battery: 4000 mAh rechargeable lithium-ion battery, optional solar panel

Pros

  • Sharp images with a 120-degree field of view
  • Weatherproof from -5°F to 120°F
  • The smartphone app allows you to see feeders all over the world
  • Compatible with an optional solar panel and lots of accessories
  • Three mounting options

Cons

  • No local storage, so it can’t be used without Wi-Fi
  • Video resolution is lower than some competitors

The Bird Buddy bird feeder camera is relatively new, but it has much to offer, so it earns our top spot. The bird feeder is attractively designed, so it will look nice in your yard or on your deck with some solar lights, which is an important feature for many. It’s available in blue or vibrant yellow, so you can choose an option that fits your style best. I really enjoy the look of the blue Bird Buddy on the side of my porch, which is a big plus. 

The camera module is removable, which is important when it comes time to clean the feeder. It can take five-megapixel photos or offers 720p live-streamed video. The image quality won’t be that of your dedicated mirrorless or DSLR camera, but it is nicely detailed and properly exposed even in backlit situations. And being able to tune in to watch live as a bird chows down is pretty neat. 

The camera’s 120-degree field of view is wide enough to capture birds hanging out on the feeder’s side. You can also buy multiple accessories through Bird Buddy to extend the perch or feed different species. With the solar roof (the model we thoroughly tested and reviewed), you’ll never need to think about charging the camera. Without the solar roof, you’ll need to charge the camera every 5 to 15 days.

The Bird Buddy relies on AI to automatically recognize over 1,000 species of birds. The Bird Buddy app notifies you when you have new visitors to your feeder, which is always exciting. You can even browse other Bird Buddy devices all over the world to see species that you wouldn’t otherwise encounter. Plus, the images from your device contribute to migration information for conservation databases. You’ll be helping science progress while getting fun images of your feathered friends. 

Best trail camera: TECHNAXX Full HD Birdcam TX-165 

TECHNAXX

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Specs

  • AI: None
  • App compatibility: N/A, no app available
  • Resolution: 8-megapixel photos, full HD 1080p video
  • Battery: 4 AA batteries give it a working time of up to 6 months

Pros

  • Sturdy trail-cam style feeder
  • 6-month battery life
  • Removable water basin means it can be a feeder or a birdbath
  • Captures slow-motion video

Cons

  • No smartphone app or bird identification features
  • Memory card storage is less convenient than Wi-Fi or Bluetooth

This hybrid bird feeder camera is as tough as any trail camera. However, unlike most trail cameras, it can focus as close as 2 to 6 inches and offers a 100-degree field of view. This means you’ll get much better images of visiting birds than you would with a typical trail cam. The TX-165 takes standard AA batteries but has a working time of up to 6 months. You can leave it in a secure, remote location for a long time without worrying about the battery going flat.

The TX-165 also has a few features you won’t find on other bird feeder cameras. You can fill it with birdseed or fill the removable basin with water and turn it into a birdbath camera. It also takes impressive eight-megapixel images and full HD 1080p video. It’s also capable of 25 frames per second for slow-motion videos. 

Best for bird boxes: Hawk Eye HD Nature Cam

Hawk Eye

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Specs

  • AI: None
  • App compatibility: N/A, no app available
  • Resolution: 700 tvl (television lines)
  • Battery: None (includes a 75-foot power cable)

Pros

  • Compact, so you can hide it almost anywhere
  • Night vision lets you capture clear images in poor light 
  • Durable and temperature-tolerant to between 35°F and 105°F

Cons

  • Only shoots video 
  • Not waterproof
  • Needs to be plugged into a power supply

Birds do a lot more than just eat birdseed, so at some point, you might want to step up to a birdhouse camera. Because the Hawk Eye Nature Cam isn’t built into a feeder, it’s much more flexible than most bird cams. Its small size means you can put it anywhere—on treetops, fence posts, or even in animal burrows (though please exercise caution when putting it down a snake hole). Or it can be wired discreetly into a bird box for a 24/7 look at growing bird families, from egg to fledgling. 

The Hawk Eye Nature Cam is meant for live-streaming to your television set. The video resolution is clear and sharp, with 700 tvl (television lines) and 10 infrared diodes. This lets you view clear video even in the darkened environment of a typical bird box. Note, however, that you will need an RCA to USB adapter if you have a modern TV. 

The Hawk Eye does have a few drawbacks. It has no battery, so you’ll have to mess with a long extension cord to get it set up. It also isn’t waterproof. If you want to attach it to an unsheltered location, you’ll have to build waterproof housing or limit your use to dry weather. Finally, you can connect the camera to your PC and use additional software to grab photos and video segments from the live stream, but it’s not designed to capture high-resolution stills.

Best for hummingbirds: BirdDock Hummingbird Feeder Camera

BirdDock

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Specs

  • AI: Yes, identifies species and alerts you when birds approach 
  • App compatibility: Android and iOS
  • Resolution: 2-megapixel photos, full HD 1080p video
  • Battery: 6400 mAh rechargeable batteries provide 20 to 30 days of operating time 

Pros

  • AI can recognize around 5,000 different species, including hummingbirds
  • Rechargeable batteries provide 20 to 30 days of use
  • Hummingbird attachment is removable

Con:

  • Still photos are much lower resolution than those shot by similar feeders 
  • The app is clunky and difficult to use

The BirdDock is a flexible bird feeder camera that isn’t limited to just capturing photos of seed-eaters. It also offers a removable hummingbird attachment featuring five flower-shaped feeding ports with 0.16-inch holes to keep bees and other insects out.  When you want to switch to photographing songbirds, you can remove the hummingbird feeder and fill the device with seeds. 

Like other AI feeders, the BirdDock will identify species and alert you when one is approaching the feeder. It has night vision, too, which could help you identify other critters that visit your feeder overnight. This bird feeder camera features a 160-degree field of view and can be used with or without an SD memory card. It provides an impressive battery life of up to 30 days. You can also purchase a separate solar panel to keep the device charged in sunny weather.

The BirdDock has two primary drawbacks: It captures still photos at a relatively low resolution of only two megapixels (though it does also capture full HD 1080p video). It also doesn’t have an especially user-friendly app. Some users complain that the bird identification feature isn’t accurate and that the app frequently disconnects from the camera.

Best for bird identification: Netvue Birdfy Pro

Netvue

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Specs

  • AI: Yes, identifies more than 6,000 different species 
  • App compatibility: Android and iOS
  • Resolution: Full HD 1080p video
  • Battery: 5000 mAh rechargeable batteries 

Pros

  • Can identify more than 6,000 different species 
  • Long battery life (the manufacturer claims up to six months of use)
  • Extra features like squirrel recognition and color night vision

Cons

  • The bird identification service costs extra
  • Storing photos on the cloud requires a subscription

The Netvue Birdfy rivals the Bird Buddy with features like ease of use, durability, and photo quality. It has an impressive array of extra features like color night vision. The AI can recognize squirrels, and the built-in microphone lets you yell at them when they’re caught robbing the feeder. You can also upgrade your feeder with add-ons like a solar panel, hummingbird feeder, and perch extension.

The Birdfy has the same features as most other feeders, including automatic capture/motion detection and real-time notification. It takes clear video at close range, provides a 135-degree field of view, and even offers 8x magnification if you want to study the fine details.

Birdfy has an impressive database of 6,000 species, though reviewers note that it isn’t always accurate. When it does misidentify a bird, you have the option to submit a report via the app. This is evidence that Netvue is constantly working to improve its software. 

The primary drawback of the Netvue bird feeder camera is you may have to pay for various subscriptions depending on what features you want access to. For example, if you want to take advantage of the bird identification feature, you must pay for a subscription. Likewise, a subscription is required if you want to store photos on the Netvue Cloud for longer than 30 days. 

Best budget: WYZE Cam v3

WYZE

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Specs

  • AI: No species identification
  • App compatibility: Android and iOS
  • Resolution: 1080p full HD video
  • Battery: No battery

Pros

  • Affordable
  • Weatherproof 
  • Compact for easy mounting

Cons

  • Minimum focus distance is around 12 inches
  • No battery; needs to be plugged into a power supply

Bird feeder cameras with all the bells and whistles can be expensive. A $200 feeder might be outside your budget, or you may not need all the features that expensive bird feeder cameras offer. The WYZE Cam v3 is essentially an outdoor security camera. You won’t be able to fill it with birdseed or attach a hummingbird accessory. But you can mount this sturdy little camera next to any commercial bird feeder or install it close to a high-traffic part of your backyard. 

The WYZE Cam v3 offers all the basic features you need in a bird cam. It’s weatherproof with an IP65 rating. It takes photos when it senses motion, and it has an app so you can see what’s happening outside in real-time. 

The WYZE Cam does have a few drawbacks. One of these is the focus distance. While most dedicated bird cams can focus on subjects as close as a few inches, the WYZE Cam isn’t designed for closeups. You’ll have to mount it at least a foot away from your feeder, meaning you won’t see a lot of detail in your photos. 

The WYZE Cam is also wired. It comes with a weatherproof six-foot USB cable, so you’ll have to install it close to your home. On the plus side, once installed, you won’t have to worry about changing or recharging the battery or losing your video stream on a cloudy day.

Things to consider before buying a bird feeder camera

If you love bird watching but don’t want to sit waiting with your binoculars, a bird feeder camera will allow you to capture photos and videos of birds even when you aren’t around.

A bird feeder camera is meant for permanent outdoor use. This means it needs features you probably don’t consider when shopping for other photography gear. Here are some of the most important things you’ll want to think about when shopping for a bird feeder camera.

Durability

Bird feeder cameras can be subject to some serious abuse. The sun’s UV rays and hot temperatures can degrade plastic casings over time. These devices must also withstand storms and sprinklers, remaining waterproof from season to season. Of course, they should also be tough enough to handle the beaks and claws of visiting critters—not just the birds they’re intended for but other potential visitors like squirrels and mice.

Image quality

The image quality of bird feeder cameras is dependent on a few things. Resolution is the first thing most think of, and indeed, it is important with these devices. If you want clear, sharp images, look for bird feeder cameras with higher resolution. These compact cameras won’t offer numbers you may be used to in smartphones or mirrorless cameras, though. Five to eight megapixels for stills and 1080p for video tend to be the highest available at the moment.  However, if you aren’t concerned with high levels of detail, you could save some money and opt for a device with a less impressive resolution. 

The second factor of image quality is close focusing distance. The majority of shots taken by a bird feeder camera will be up-close. As a result, look for a device capable of getting clear photos at a very short distance. Even as close as a few inches is ideal.  Finally, birds don’t tend to sit still for long. Because of this, the camera should be able to freeze action, even in low light conditions like early morning or cloudy days. 

WiFi connectivity

WiFi isn’t necessarily a critical feature, but it’s something to consider if you’re going to keep your feeder close to your house. Most people don’t want to trek outside daily to download photos or swap out a memory card. A WiFi connection will let you see what your camera captured at any time of day in any weather. Treating it like a smart-home device will save you from having to venture into the cold, heat, or rain unless you need to change the battery or add birdseed.

Pay attention to the range of the device, too. Shy birds won’t approach your device if it is too close to your home. If it’s too far away, you won’t be able to view your photos without exiting your home.

Mounting options

Each bird feeder camera will have somewhat different requirements for how you install them. Some require a pole, some can be mounted to a fence post, and others can be hung. Depending on where you want the feeder and what tools you have available for installation, some of these options may be better than others for your particular needs.

Battery life

Some bird feeder cameras take basic replaceable AA batteries; others rely on solar panels to power internal rechargeable batteries. Either way, you’ll want to pick a camera that isn’t power-hungry. A good battery will ensure you aren’t constantly changing batteries or missing photos because your camera goes dark on a cloudy day. 

Choosing a camera with motion detection is a good place to start. These cameras only activate when there’s something to take a photo of, which helps the battery last longer.

FAQs

Q: How do bird feeder cameras work?

Most bird feeder cameras are triggered by motion. When a bird visits the feeder, the camera will capture a still photo or record video, depending on its design. Some smart bird feeder cameras can also identify species by comparing photos to thousands of stored images of each individual bird species.

Q: What color bird feeder attracts more birds?

A 2017 study found that green or silver bird feeders tend to attract the most visitors, but color preference also seems to be species-specific. Robins in the study, for example, preferred black feeders, while greenfinches and starlings didn’t seem to care about color at all. 

Q: Where should I put a bird feeder camera?

Bird feeders should be placed in open spaces but not too far from potential cover. The Humane Society recommends placing feeders 12 feet from brush and trees. This prevents predators from hiding near the feeder and gives the birds cover to fly to if they feel threatened.

Q: Do infrared cameras bother birds?

Infrared light is invisible to birds, so a camera inside a bird box will give you clear pictures while the bird remains in darkness. 

Final thoughts on the best bird feeder cameras

Once limited to nature photographers with long telephoto lenses and lots of patience, bird feeder cameras have made bird photography nearly effortless and available to almost anyone. That doesn’t necessarily mean any camera will do, though. Thinking about what you want to get out of your investment is an important first step in choosing a feeder. If you’re hoping to get up-close, detailed shots, pay attention to the example shots provided by the manufacturer and uploaded by users. Consider how important good battery life is to you, and ask yourself if you really need a camera that will identify already familiar local birds.

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best bird feeder cameras in 2023 appeared first on Popular Science.

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Bird Buddy Smart Bird Feeder review: A camera that’s not just for the birds https://www.popsci.com/gear/bird-buddy-smart-bird-feeder-review/ Fri, 20 Oct 2023 17:55:00 +0000 https://www.popsci.com/?p=581017
A blue Bird Buddy is mounted on a post in front of a house.
Abby Ferguson

You'll be able to capture quality photos and videos of your avian neighbors with the Bird Buddy.

The post Bird Buddy Smart Bird Feeder review: A camera that’s not just for the birds appeared first on Popular Science.

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A blue Bird Buddy is mounted on a post in front of a house.
Abby Ferguson

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Bird watching seems like one of those rites of passage as you get older. You reach a certain age and boom—you suddenly like studying our avian amigos. I have, apparently, reached that age. But I don’t always have time to tromp through fields with binoculars to catch fleeting feathers. Luckily, bird watching these days is extremely easy thanks to the arrival of bird feeder cameras. These devices are built with compact, weather-resistant cameras that typically detect motion to snap photos and videos when a bird comes to feast. They provide close-up views of the snacking species that wouldn’t be possible any other way.

One of the more popular bird feeder cameras—Bird Buddy—was launched as a Kickstarter and has taken the world of bird feeder cameras by storm. It offers an attractive yet practical design and pairs with an easy- and fun-to-use app. The Bird Buddy camera allows you to capture high-quality photos and videos of birds that visit your feeder, and AI even identifies them for you. I’ve had one up for a few months to put it through its paces and have been impressed with the device.

Abby Ferguson

SEE IT

Overview

  • The Bird Buddy is a modern-looking bird feeder with a removable camera that automatically snaps photos and videos of birds that come to snack. 
  • The easy-to-use app notifies you when you have a visitor and automatically identifies over 1,000 species of birds.
  • The feeder holds 3.5 cups of birdseed and comes with a scoop.
  • It comes with a few different ways to mount the feeder. Additional accessories are available for purchase separately.
  • A Bird Buddy Pro membership unlocks certain app features and higher video quality and costs $2.50 monthly for an annual membership or $2.99 for a monthly plan. 
  • The base-level Bird Buddy costs $239, but we suggest upgrading to the version with a solar roof for unlimited battery life for $299.

Pros

  • Attractive, modern design
  • Very little assembly required
  • Lots of accessories available
  • App is easy and fun to use
  • AI features automatically identify birds and other critters
  • Livestream is available
  • Records quality, highly-detailed photos and videos
  • Holds plenty of birdseed
  • Camera is removable for easy washing
  • Optional solar roof does away with charging the battery
  • Bird Buddy provides frequent updates

Cons

  • Requires a WiFi connection
  • Water pools in the bird feeder, resulting in moldy birdseed
  • Some features are locked behind a subscription paywall

Verdict

The Bird Buddy is one of the best bird feeder cameras available thanks to its excellent app usability, advanced AI, and high-quality images and videos. The sleek design is easy to install, clean, and fill, and the removable camera is a nice addition. The reliance on WiFi won’t work for everyone, but smart-home devices are increasingly common, and it allows for immediate access to your camera’s feed.

A Bird Buddy bird feeder camera is mounted on a post with a green forest in the background.
You can install the Bird Buddy in a few different ways, including mounting to a wall or fence. I went with a third-party wall mount since Bird Buddy’s version was out of stock when I was looking for one, but it has started to sag over time. Abby Ferguson

Bird Buddy setup

Setting up the Bird Buddy involves two parts: Connecting to a WiFi router along with the app and physically installing the bird feeder. The Bird Buddy doesn’t offer any onboard storage, so you’ll need access to a WiFi connection to use the camera and AI features. It uses an 802.11 b/g/n connection at 2.4 GHz plus Bluetooth for connection to the app. You’ll want to install the Bird Buddy app and pair your camera to the app before installing the bird feeder in your yard. 

I had substantial issues pairing my Bird Buddy to my WiFi and connecting it to the app, and had to call customer support for assistance. Luckily, the customer support team was incredibly helpful and patient in working through the troubleshooting, and we eventually got it all set up. It is worth noting that I had an early model, so Bird Buddy has likely solved some of those issues to make the pairing process smoother.

Physical installation is simple, depending on how and where you place your bird feeder. You can hang it, mount it to a one-inch pole with the included bottom mount, or purchase a separate wall mount for attaching to fences or walls. The camera slots right into the designated slot, and it’s easy to plug it into the solar roof (if you opt for that). 

A Bird Buddy bird feeder, filled with birdseed, is mounted on a post with a yard in the background.
The little bird prints for traction are a cute touch. Abby Ferguson

Bird Buddy design & build quality

The Bird Buddy bird feeder features a sleek, modern design with smooth curves. Though looks are subjective, I think it looks much more polished than other bird feeder cameras. It’s available in blue or vibrant yellow. Bird Buddy says it features a “bird-friendly design,” though it doesn’t specify what exactly that means. The perch features a raised bird footprint pattern, providing some grip for talons. 

The birdseed compartment—which holds 3.8 cups—is enclosed by clear plastic on both sides, allowing you and the birds to see the seed level inside. A back door at the top opens to fill the bird feeder up, though it requires careful maneuvering to get the seed inside and not spill it everywhere since it is a rather small opening. The entire back also comes off for easier cleaning. 

Bird feeders and bird feeder cameras are, naturally, outdoor items. As a result, they need to be durable, rugged, and built to withstand the elements. The Bird Buddy ticks those marks nicely. It is made of new and recycled BPA-free plastic and feels solid and sturdy. I have had it up for a handful of months, and after a quick cleaning, it looks brand new. That’s even despite the intense Florida sun constantly beating down on it.

The bottom of a blue Bird Buddy bird feeder with drainage holes and a mounting plate.
There are tiny drainage holes, but I still had issues with the seed molding after we had rain. Abby Ferguson

Water issues

My main frustration with the design of the Bird Buddy is regarding keeping rain out. There are holes in the bottom that drain water in the event of rain, but they are extremely tiny. Of course, that keeps the small seeds from falling out. Butt hose same seeds can clog the holes, preventing thorough draining. Also, the protective roof helps keep some rain out but doesn’t extend beyond the feeder very much. If there is any wind blowing the rain, it will end up in the feeder. As a result, I had issues with water saturating the birdseed and mold forming. 

Granted, this may be a function of where I reside in Florida—a state where strong thunderstorms are a near-daily occurrence in the summer and humidity levels are intense. I had to change the birdseed every week because of the molding. Birds do not like moldy seeds, so I don’t get as many visitors. That’s especially true if I don’t stay on top of cleaning things out. It also means that I’m dumping out seed regularly and cleaning the feeder frequently. Neither of these is ideal and keeps birds away for longer. It may be less of an issue with different birdseed mixes or locations, but it has severely limited the number of birds I attract. 

The camera module of the Bird Buddy rests in front of the bird feeder on a table.
The camera module pops out, which makes cleaning much easier. Abby Ferguson

Camera module details

The Bird Buddy’s camera is housed inside a plastic case. It is weather-resistant, though Bird Buddy doesn’t provide an IP rating. It does say that it can operate in temperatures between -5°F and 120°F. As a result, it will work in most locations throughout the year. The camera module measures 5.1 x 2 x 1.5 inches and fits securely in the bird feeder with the help of a magnet in the back.

The camera takes five-megapixel photos and 720p HD live-streamed video. It is capable of 1080p video clips, though you’ll need to pay for a Bird Buddy Pro membership ($2.50 per month for an annual membership or $2.99 per month for a monthly plan). The 120-degree field of view is wide enough to capture birds hanging out on the side of the feeder. There’s also a built-in microphone for recording bird songs as well, which is a fun addition.

Motion detection

Bird Buddy also built a laser motion detector into the camera. This senses movement on the perch and triggers the camera to take photos or videos when a visitor is present (much like a wireless security camera). I don’t have my bird feeder in a location where I can easily keep watch to test how well the motion detection works. But every time I heard a bird making noise, I received a “postcard” (Bird Buddy’s way of telling you a bird was at your feeder), so it seemed just sensitive enough.

You can switch to Power Saver Mode in the app settings if you want fewer notifications or conserve battery. Or turn on Frenzy Mode to see anything and everything, though you’ll have to pay for a Pro membership. 

Power

For power, the Bird Buddy camera utilizes a 4000 mAh rechargeable lithium-ion battery. Bird Buddy says it will last between five and 15 days. Of course, that depends on how many photos it takes, how much you stream live video, and the weather. When it needs a charge, it uses a USB-C cable. I was using the solar roof, which results in infinite battery life. If you want to save some money and don’t opt for the solar roof, the camera is fully removable. That means you won’t need to bring the entire bird feeder (along with any tiny creatures or germs) inside for charging.

The live stream view and gallery view of the Bird Buddy app.
The Bird Buddy app is very easy to use. It offers a live video stream and even provides information about the birds that visit your feeder. Abby Ferguson

Bird Buddy app

I’ve been very impressed with the Bird Buddy app during my testing. It is well-designed in design and usability, with many playful components. It is intuitive to use and easy to find what you need very quickly, even as you are getting used to it. It’s clean and minimal, without too many extra things going on.

The app uses AI to automatically identify over 1,000 species, which includes squirrels and rare birds. Unfortunately, I have only had Red-Winged Blackbirds at my feeder, so I haven’t been able to test how accurate the AI identification is beyond that single species. But it always got the Red-Winged Blackbird right, so there’s that. 

When a bird visits your feeder, the app notifies you with a “postcard.” These postcards are then saved to your gallery so you can pull them back up anytime. They can even show multiple photos or videos of the same bird if they stick around for a bit. Should there be photos in a set that aren’t worth saving, you can discard them to keep your gallery from getting too cluttered.

Your gallery is sorted by bird type. Tapping on each lets you open all photos and videos the camera has captured over time of that particular species. The page for each bird species will also provide information on that bird so that you can learn more. That includes personality type, what they eat, where they are typically found, how big they are, and what they sound like. For example, the Red-Winged Blackbird page tells me that they are brawlers, open lovebirds, and social butterflies who like to eat insects and seeds and are as big as a slice of pizza.

Two screenshots of the community video and photo feeds in the Bird Buddy app.
The community features are a fun way to see birds beyond your own backyard. Abby Ferguson

Community features

Beyond content from your feeder, you can see photos and videos from feeders worldwide in a few different ways. First, you can add some to your list of feeders and receive postcards from them like it is your own feeder. However, if you want to add more than one feeder for more than 72 hours, you’ll need a Pro membership.

If you don’t want to add a feeder, you can still scroll through photos and videos from the community. It’s like social media just for bird content. Birdbuddy TV is a video feed of publicly shared videos from Bird Buddy users. Or you can scroll through photos from the community, applauding people’s results. You can even help identify species by tapping the Wingbuddy link at the top of the Community page. 

A Red-Winged Blackbird sits in a bird feeder eating seed.
I was impressed with how sharp the images from the Bird Buddy were and how it handled really high-contrast scenes. Abby Ferguson

Image & video quality

A bird feeder camera doesn’t do much good if the photos aren’t clear enough so you can actually see your avian visitors. The five-megapixel resolution may not seem very impressive, especially compared to smartphones and dedicated cameras. While you won’t be able to print these images to poster size by any means, the camera does offer plenty of quality for viewing on your phone. 

The images are clear and sharp, especially when the bird hangs out on the perch. The camera can’t focus much closer than that, though. My main visitor liked to sit right in the birdseed, so it was frequently out of focus, but even still, I could see good amounts of detail with vibrant colors. The auto exposure overall does great, even in extremely high-contrast lighting situations. There were times that the bird was blurry from moving during the exposure, but that wasn’t the norm. 

The Bird Buddy video quality is also really good. The footage is clear and well-exposed. If you want higher-quality video, you can upgrade to a Bird Buddy Pro membership, though I have not tested it, so I can’t comment on how much better that video looks. 

A blue Bird Buddy bird feeder mounted to a post on a front porch.
Abby Ferguson

So, who should buy the Bird Buddy Smart Bird Feeder? 

Bird feeder cameras are becoming more and more popular, with new options seeming to pop up regularly. Spending $299 (for the solar roof version) may seem pricey for a bird feeder camera. But the Bird Buddy is priced similarly to other devices, including its closest competitor, the Netvue Birdfy Pro. So, what makes the Bird Buddy stand out? 

The Bird Buddy includes a durable yet attractive build, an integrated solar panel for infinite battery life, multiple mounting options, and an easy-to-clean design with a removable camera, which gives it the edge for most users. It’s also remarkably easy to install, with essentially no assembly beyond popping the camera into the feeder. Add to that the easy-to-use and fun app with minimal features behind a paywall, and it takes a clear lead. It’s a connected device that makes you feel a bit more connected with the natural world. If you are interested in keeping an eye on the bird species in your area, it’s hard to beat Bird Buddy. 

The post Bird Buddy Smart Bird Feeder review: A camera that’s not just for the birds appeared first on Popular Science.

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The best video cameras for 2023 as chosen by experts https://www.popsci.com/gear/best-video-cameras/ Wed, 08 Mar 2023 18:00:00 +0000 https://www.popsci.com/?p=516942
The best video cameras
Stan Horaczek

The best video cameras for filmmakers, vloggers, and content creators.

The post The best video cameras for 2023 as chosen by experts appeared first on Popular Science.

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The best video cameras
Stan Horaczek

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Best overall Sony FX30 camera on a plain background with no lens. Sony FX30
SEE IT

This compact and relatively affordable camera is ready for serious filmmaking.

Best compact DJI Pocket 2 camera on a plain background DJI Pocket 2
SEE IT

Despite its small size, this camera shoots super-smooth 4K video.

Best for vlogging Cameras photo Sony ZV-1
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This compact camera offers just about everything you need to get started.

Having a quality video camera will upgrade the production value of whatever you may be shooting. Whether working on a short film, a YouTube channel, or video content for social media, having more than your phone to capture your footage will ultimately make your final product look more professional. Although most modern cameras can shoot 4K video, when selecting a video camera, you should also consider specs like resolution, frame rate capabilities, sensor size, and bit-depth. The video cameras in this buying guide should appeal to a diverse group of videographers and fit various budgets. Of course, you can spend Michael Bay money and get true cinema rigs, but those fall outside the scope of this article because of their cost and complexity. Keep reading to learn more about the best video cameras currently available.

How we chose the best video cameras

When selecting the cameras that appear in this buying guide, we considered video cameras that fit a variety of budgets, experience levels, but also a variety of needs based on the kinds of videos that might get created. We evaluated cameras that would be a good fit for filming documentary films, capturing events, and for YouTube creators. The cameras in this buying guide were selected through hands-on experience, user feedback, and trusted editorial reviews.

The best video cameras: Reviews & Recommendations

Your phone has a video camera baked into it, but these dedicated cameras all offer something the device in your pocket can’t. Here are our specific picks to meet your cinematic (or social media) needs.

Best overall: Sony FX30

Sony

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Why it made the cut: This 4K APS-C sensor camera is optimized for video and offers a wide variety of capture formats, making it our pick for best overall video camera.  

Specs

  • APS-C sensor 
  • 10-bit 4:2:2 S-Log3 capture
  • Shoots oversampled 4K up to 60p

Pros 

  • In-body image stabilization 
  • S-Log3 capabilities with uploadable custom LUTs and S-Cinetone color profiles
  • Rig-ready body 

Cons 

  • No mechanical shutter 

The compact Sony FX30 was built with small-scale filmmakers in mind. The 4K APS-C camera features excellent in-body image stabilization, five thread holes for attaching mounts, and three command dials for straightforward operation. The FX30 can shoot oversampled 4K up to 60p, features the same Log shooting modes found inside Sony’s high-end cinema cameras, and can upload customized LUTs (Look Up Tables, which work like visual styles you can apply to footage) to judge what final image quality will look like. Although it can technically shoot stills, the lack of a mechanical shutter doesn’t make it the ideal camera for the job because moving subjects can look distorted due to sensor readout. However, since it’s a camera designed with filmmakers in mind, we wouldn’t count that as a drawback. 

Best for filmmaking: Blackmagic Design Pocket Cinema Camera 6K Pro

Blackmagic

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Why it made the cut: Blackmagic Design Pocket Cinema Camera combines a high dynamic range, excellent low light performance, and a massive sensor to offer Hollywood-style production value at a fraction of the price. 

Specs

  • Super 35 sensor
  • 13 stops of dynamic range
  • Records in 12-Bit Blackmagic RAW 

Pros 

  • Built in ND filters
  • External controls make it easy to adjust settings while rolling
  • USB-C port allows you to record to external drives
  • EF lens mount makes it compatible with Canon lenses

Cons

  • Have to build out with accessories 

The Black Magic Pocket Cinema Camera makes it easy to capture Hollywood-style video thanks to its high dynamic range capabilities and ability to record in 12-bit  Black Magic Raw. Although it’s pricey compared to many of the 4K and 6K mirrorless cameras currently on the market, it’s a much more affordable option than the ARRI and Red rigs typically found on big-budget film sets. You can shoot 50 fps at 6K and 120 fps at 2.8K. USB-C expansion ports allow you to record directly to external drives. The external controls make it easy to change settings while rolling, plus it has an extremely intuitive interface for easy operation. 

The integrated Canon EF mount gives the camera native access to Canon’s DSLR lenses. Since Canon is phasing out cameras with that mount, there are a ton of great deals out there on the secondary market for extremely high-end lenses.

Best for photo and video: Canon EOS R6 Mark II

Abby Ferguson

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Why it made the cut: This second-generation Canon EOS R6 is an excellent choice for shooting stills and video, thanks in part to a design that keeps video and still settings clearly separated from one another. 

Specs

  • Full-frame 24-megapixel CMOS sensor 
  • Shoots oversampled 4K up to 60p
  • 10-bit C-Log3 

Pros 

  • Supports ProRes RAW workflow with an Atomos recorder
  • Dedicated switch for stills and video settings
  • Offers false color displays

 Cons 

  • Unreliable AF in video mode
  • Histogram unavailable when recording video 

The Canon EOS R6 II made some substantial improvements to video features compared to the original, which is why it’s our pick for best hybrid camera. It’s built around a 24-megapixel full-frame CMOS sensor, a comfortable hand grip, and an intuitive control system that keeps video and photo settings separate. It can shoot oversampled 4K video up to 60p and has an improved system for thermal management—meaning it won’t overheat while shooting. Although the autofocus isn’t always reliable when shooting in video mode, this is still an excellent option for the creator looking for something that can shoot both video and stills.

Best for vlogging: Sony ZV-1

Why it made the cut: A compact camera designed specifically with vloggers in mind, the SV-1 has excellent autofocus and a simple touchscreen interface that makes it easy to control while doing a walk and talk. 

Specs

  • 20-megapixel 1” BSI CMOS sensor
  • Shoots 4K up to 30p
  • 8-bit Log and ‘HLG’ shooting modes

Pros 

  • Has a directional 3-capsule mic for audio 
  • Supports HLG and S-Log2/3 for easy color grading
  • Real-time Eye AF 

Cons 

  • No headphone jack for audio monitoring
  • Limited zoom range

The ZV-1 is a compact, easy-to-use camera that makes it easy to start vlogging without much technical know-how. It has a clever directional three-capsule mic that makes it easy to capture quality audio while recording. It can shoot 4K up to 30p and Full HD video up to 120fps. There is a giant record button on the top of the camera and a simple touchscreen interface that makes operating the ZV-1 extremely intuitive. 

Its autofocus is fast and accurate, and settings like background de-focus and product-showcase mode are aimed specifically at content creators. If you are looking for an easy-to-use, compact camera with 4K capabilities, the ZV-1 has much to offer. 

Best compact: DJI Pocket 2

DJI

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Why it made the cut: This pocket-sized all-in-one gimbal and 4K camera is great for capturing stabilized footage. 

Specs

  • 1/1.7-inch CMOS sensor 
  • Shoots 4K video at 60fps
  • Built-in 3-axis gimbal for smooth, stabilized footage

Pros 

  • Pocket-sized and easy to travel with
  • Offers 140 minutes of recording time on a fully charged battery
  • Fast f/1.8 lens 

Cons 

  • Difficult to operate when attached to smartphone
  • Subpar zoom quality 

This clever all-in-one gimbal and camera makes it easy to capture 4K stabilized footage. As the name suggests, the DJI Pocket 2 is compact enough to fit inside a pocket easily. The Pocket 2 features four mics with directional audio and a feature called soundtracking. The Pocket 2 is great as a secondary camera on a shoot or for capturing BTS footage from the day. Ultimately the Pocket offers an extremely easy way to grab some stabilized footage while shooting video.

Things to consider before buying a video camera 

Before purchasing a camera, it’s important to consider what your goals are and what kind of videos you are trying to create. You should also consider where your final video will be displayed. Streaming services like Netflix and Hulu have specific requirements for video specs that often require shooting on higher-end cameras. If you want to create video content primarily displayed on YouTube or other social media platforms, a mid-range video camera might be a more appropriate choice. Ultimately a person working on a full-length film or a short documentary will have very different needs than someone creating video for a YouTube channel. 

Camera types

One of the most important things to understand before buying a video camera is the different types of cameras available on the market. At the high-end, there are cine-cameras. Cine-cameras are some of the most expensive and largest cameras on the market because they often have the largest sensor, can shoot at very high resolutions, and allow for more flexibility when color grading. 

There are currently several mirrorless cameras aimed at videographers who don’t necessarily need a high-end cine camera. These cameras are great for creating videos that will primarily live on YouTube, making them a nice choice for vloggers, event videographers, and content creators. The nice thing about this set of cameras is that they also can shoot high-quality stills. 

Resolution

You’ll likely want to export 4K footage when you’re done editing, and you’ll need at least 4K capture for that. That’s table stakes at this point. Some cameras offer higher-res shooting which allows creatives to shoot over-sampled 4K footage to provide more detail.

Lens mount

If the camera doesn’t have an integrated lens, you’re going to have to provide some glass, and that plays a huge part in how your productions look. Camera manufacturers (like Sony and Canon) typically offer their first-party lenses to go with their bodies. Other manufacturers like Blackmagic equip their cameras with mounts that can accept lenses from a third party. Many filmmakers also use vintage manual focus lenses on their video cameras because they provide a unique look, and they typically cost a lot less than their modern high-end counterparts.

Heat management

True cinema cameras offer robust cooling because the electronics inside can get very hot as they pull in high-res footage. Dedicated video cameras are better equipped to deal with these issues than most hybrid-oriented mirrorless cameras. Manufacturers often indicate in the specs how long you can expect a camera to go before it runs into heat issues. It’s also worth noting that some modes heat things much more quickly than others. If you’re maxing out resolution and framerate while capturing a data-hungry format, things will get toasty a lot faster than if you’re shooting basic 4K footage.

FAQs

Q: What cameras do YouTubers use for videos?

YouTubers use a variety of cameras to create their videos, but most opt for compact mirrorless cameras when shooting. If there is a particular YouTuber whose style you want to emulate, take a look at the description of their videos, it’s not unusual for YouTubers to explicitly say what gear they are using and include affiliate links to purchase it.

Q: Do I need a 4K video camera for filmmaking?

Having a camera that can shoot 4K is a great tool for filmmaking because it gives you more flexibility with your footage. If your end goal is to have your film streaming on a platform like Netflix, it’s best to shoot in the highest resolution possible. For example, Netflix currently requires content streamed on the platform to be shot on a camera with a true UHD 4K sensor with a minimum of 3840 photosites across.

Q: What cameras do professionals use?

Professional filmmakers working on big-budget projects will typically be shooting on a high-end cine camera. A professional YouTuber is more likely to be shooting video on an advanced mirrorless camera. Professionals who are filming events might use a mixture of the two. Ultimately, the camera that a professional is using on the job depends a lot on the delivery requirements of said job.

Final thoughts on the best video cameras

Choosing the best video camera ultimately depends greatly on what you are shooting and where the final video will end up. It’s not unusual for videographers to shoot on various gear, depending on what a project calls for. When selecting the best video camera, you should always consider what type of gear is the best for getting the job done. 

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio, to video games, to cameras, and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best video cameras for 2023 as chosen by experts appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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The best lavalier mics of 2023 https://www.popsci.com/reviews/best-lavalier-mics/ Tue, 08 Mar 2022 18:16:51 +0000 https://www.popsci.com/?p=427628
best lavalier microphones
Stan Horaczek

Clip on a mic and free up your hands without sacrificing sound quality.

The post The best lavalier mics of 2023 appeared first on Popular Science.

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best lavalier microphones
Stan Horaczek

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Best Overall Sanken Cos-11D is the best overall lavalier microphone. Sanken Cos-11D
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Professional-grade audio in a tiny package

Best For DSLR Sennheiser EW 112P G4 is the best for DSLR. Sennheiser EW 112P G4
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Natural-sounding mic with a powerful wireless kit

Best Mic For Streaming Audio Technica AT899 is the best mic for streaming. Audio Technica AT899
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A wired lav that’s used throughout many industries

Lavalier mics capture clear and clean audio in a small and lightweight package while leaving people’s hands free for other things. It’s a simple mission, and whether they’re used on a movie set, news broadcast, live presentation, or podcast, these ubiquitous clip-on mics have performed it well for decades. 

Lavaliers—also commonly known as a lapel mic, body mic, or, simply, a lav—come in wired varieties that plug into a power source and then directly into a recorder, computer, mixer, or PA system. Wireless models rely on a small transmitter and receiver pack that allow wearers a full range of unencumbered movement. Both can sound excellent, and choosing the right one depends entirely on your goals.

Lavs have a place in any dedicated audio kit, studio, or camera bag—or attached to your computer for Zoom meetings. And because they’re available at a variety of price points, you don’t need to be a professional sound engineer to afford one. We’ve assembled five of the best lavalier microphones to help you cut through the noise and find the one that best suits your needs.

How we chose the best lavalier mics 

When considering which lavalier microphones to include in our recommendations, we relied on our own experience and also consulted with other professionals in the film, TV, streaming, and recording worlds to find out which mics they use. We read trade journals and websites and checked online impressions to see what typical users thought of the equipment. We narrowed the field down to 10 excellent microphones, focusing first and foremost on audio quality and then considering size, types of connectors, power sources, and, of course, price. When evaluating wireless kits, we evaluated the quality of the lav first and then looked at transmitter and receiver specs to check things like the robustness of their signals, their effectiveness in handling interference, and the flexibility of their features.

The best lavalier mics: Reviews & Recommendations

Best overall: Sanken Cos-11D

Sanken

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Why it made the cut: This professional-grade microphone captures the human voice without noticeable coloration, and its small size makes it easy to hide. No wonder you’ll find the Cos-11D on many TV and movie sets.

Specs

  • Frequency Range: 50Hz-20kHz
  • Connection Type: XLR-3M, Locking 3.5mm TRS
  • Polar Pattern: Omni-Directional

Pros

  • Natural, open sound
  • Small and easy to hide
  • Picks up very little clothing rustle
  • Resistant to sweat and moisture

Cons

  • More expensive than many lavs

The Sanken Cos-11D condenser mic has a frequency response of 50Hz to 20kHz and captures wide, open, and natural sound. This 4mm lavalier hides easily under clothes, and a small boost in the upper-mid frequencies helps to counter any muffling effect.

With an omnidirectional polar pattern, the mic captures audio clearly even when positioned off-axis—it’s pretty forgiving when not placed perfectly. A built-in mesh screen helps resist RF interference while also providing a fair degree of protection against sweat and smeary makeup. Sanken makes the lapel mic in various connector configurations to fit any use and it comes with an alligator clip; small snap-on windscreen; and plastic sleeve to help when mounting it under clothes.

Finding fault with the Cos-11D isn’t easy, but this level of quality comes with a higher price tag. If your budget isn’t there yet, or your applications just aren’t as demanding as the professional broadcast world, other mics can deliver excellent sound in almost as small a package for less money.

Best for DSLR: Sennheiser EW 112P G4

Sennheiser Pro Audio

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Why it made the cut: Sennheiser pairs their excellent ME2-II microphone with a flexible wireless transmitter and receiver for a kit that won’t tie up filmmakers or streamers with extra cables.

Specs

  • Frequency Range: 50Hz-18kHz
  • Connection Type: Locking 3.5mm TRS
  • Polar Pattern: Omni-Directional

Pros

  • Rugged construction
  • Easy to set up
  • Comes with transmitter and receiver

Cons

  • Requires a lot of batteries
  • Audio can sound somewhat boxy

Sennheiser’s EW112P wireless kit includes their ME2-II omnidirectional microphone, a wireless transmitter, and receiver. It’s a clean-sounding, affordable kit that’s become a workhorse on indie films, documentaries, live presentations, worship services, business events—basically, any situation where movement is key. The 5.6-ounce receiver won’t weigh down your digital single-lens reflex (DSLR) camera and the transmitter easily slips into a pocket or clips to a belt. 

The microphone 50Hz to 18Khz frequency response doesn’t match those found on higher-end, professional lavaliers. But it still performs well without coloring the sound too much or adding mud to the low-end. The mic handles sudden boosts in volume well. Like other mics with omnidirectional polar patterns, the ME2-II isn’t picky about where you place it. However, it’s susceptible to rustling from clothes, so be careful if trying to hide it. 

The plastic and metal transmitter sends a signal up to 330 feet and features 1680 RF channels to help you avoid interference from other wireless sources. Digital displays on both the transmitter and receiver provide information on battery status, output level, and RF level. Each runs on convenient AA batteries, though you’ll want to buy a lot of them—best practices are that you change batteries before each shoot just to be safe. The kit includes cables terminating in both XLR and 3.5 TRS jacks for connecting the receiver to any kind of camera, as well as a convenient, plastic cold-shoe mount. 

Best for iPhone: Rode smartLav+

Rode

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Why it made the cut: The smartLav+ includes Rode’s iPhone recording app that features editing functions and EQ settings, and can export files to SoundCloud and Dropbox.  

Specs 

  • Frequency Range: 20Hz-20kHz
  • Connection Type: 3.5mm TRRS
  • Polar Pattern: Omni-Directional

Pros

  • Kevlar-reinforced cable resists stretching and tearing
  • Included pop filter to cut down on plosive B and P sounds
  • Custom iPhone recording app
  • Compatible with third-party recording apps

Cons

  • May require a TRRS-to-TRS adapter for use with some DSLRs.
  • No version of Rode’s app for Android devices

Rode has a reputation for building affordable, high-quality mics. The smartLav+ plugs into an iPhone and you can use the company’s custom app to record, edit, and upload your audio. It’s great for anyone looking for a simple, streamlined recording solution that doesn’t require additional equipment. This body mic will work with Android phones as well, but you’ll need a third-party app. You can also plug it into DSLRs and mirrorless cameras, but you consult the camera’s manual to see if you’ll also need a TRRS-to-TRS adapter. 

As expected, this omnidirectional microphone picks up sound from all sides for easy use. It comes with a pop-filter to cut down on plosives—the hard B, P, and T sounds that can wreak havoc on a recording. Kevlar-reinforcing protects the cable from snapping, and the included mic mount includes an extra clip to help with wire management.   

Best mic for streaming: Audio Technica AT899

Audio-Technica

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Why It made the cut: The AT899’s small profile won’t distract your viewers, and it works off an included battery pack or 48v phantom power, making it easy to integrate into any type of streaming studio. 

Specs

  • Frequency Range: 20Hz-20kHz
  • Connection Type: XLR
  • Polar Pattern: Omni-Directional

Pros

  • Professional-quality sound
  • Small profile
  • Multiple power options
  • Includes battery pack

Cons

  • Moderately expensive

The AT899 is a wired lavalier that offers professional-quality sound in a small, flexible package suitable for any streaming studio. The included power-pack connects the mic to any device, including computer interfaces, mobile recorders, or cameras. But this lav also supports 48-volt phantom power for streamlined integration into higher-end mixing consoles, streaming interfaces, or pre-amps.

The low-profile 5mm hides easily under clothes; but even when exposed, it’s small enough that it won’t distract your audience. A wide, flat 20Hz-20kHz frequency response captures the nuances of the human voice and an omnidirectional polar pattern offers flexibility.

You’ll need an XLR to 3.5mm TRS adapter if you want to plug it directly into a DSLR or computer without a balanced audio interface.

Best budget: Giant Squid Audio Labs

Giant Squid Audio Lab Company

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Why it made the cut: This lavalier from Giant Squid Audio Labs has a low price and surprisingly wide frequency response, making it ideal for people with tight budgets. 

Specs 

  • Frequency Range: 20Hz-20kHz
  • Connection Type: 3.5mm TRS
  • Polar Pattern: Omni-Directional

Pros

  • Good sounding for a sub-$100 mic
  • Convenient six-foot cord
  • Low price

Cons

  • Windscreen falls off easily
  • Needs a TRRS adapter for smartphone use

With microphones, you often get what you pay for. However, Giant Squid Labs has done a nice job of delivering a reasonably flat-sounding lavalier for less than $50. Does it compete with a Sanken Cos-11D? Of course not—but the Sanken is about eight times the price. Still, Giant Squid Labs’ 20Hz-20kHz frequency response captures reasonably natural sound—even if it lacks a lot of the presence found in higher-end mics.

This budget lapel mic comes with an alligator clip, small windscreen, and a 6-foot cord. The latter is nice; no one looks great in a Zoom meeting when sitting too close to a web camera. And the windscreen helps cut down on noise when using the mic outside. However, it falls off easily, so consider avoiding heavy winds. The mic connects to a computer or other device using a 3.5mm TRS connector. If you want to use it with a smartphone, you’ll need a TRS-to-TRRS adapter.

Things to consider before buying the best lavalier mics

Wired or wireless

Lavalier microphones come in two basic varieties: Wired and wireless. Wired lavs connect to a small power source (usually an AA battery pack) that plugs into a recorder, PA system, or computer interface. It’s a strong signal path that won’t suffer from any interference. However, the length of the mic cable limits the wearer’s movement.

Wireless lavaliers plug into a small, wearable transmitter that sends the audio signal to a receiver plugged into a recorder or PA system. Wireless lavaliers provide complete freedom of movement, making them useful for video projects or presentations. While the transmitters and receivers have adjustable channels and frequencies to help avoid interference, sometimes they’ll still run into trouble in areas with too many other wireless systems. 

Pick-up pattern

Microphones have something called pick-up (or polar) patterns, which describe the way mics capture or reject sound. Most lavaliers have either omnidirectional or cardioid patterns. The first picks up sound evenly from all sides, a handy trick when there’s no way to perfectly position the mic. An omnidirectional mic attached to someone’s collar will capture sound almost as well as one placed on a lapel or tie. Mics with cardioid patterns, on the other hand, are directional, requiring more careful placement—make sure they’re pointed toward the speaker’s mouth. A less forgiving mic might sound like a big drawback, but because cardioid patterns are better at rejecting sound from the sides, these lavs work well in noisy spaces. When purchasing a body mic, think hard about the environment where you’ll use it the most.  

Power

Many lavaliers are condenser mics, and condensers need external power to operate. And let’s not forget, wireless mics require power for their transmitters and receivers. In either case, most of these body mics, as well as transmitters and receivers, run off AA batteries. Best practices say to change batteries before each use to avoid the risk of bad audio—or transmitters that drop signals entirely. Be prepared to stock up on AAs, and factor that into your budget. Good quality rechargeables will cost more at the outset, but they will cut costs and waste in the long run. 

Some lavaliers also accept 48+ volt phantom power from recorders, mixers, cameras, or other sources. These also have battery packs for use with other equipment. And other mics, like Rode’s smartLav+, can draw power through their 3.5mm jack. 

Connectors

The wires connected to lavaliers can terminate in a number of different jacks, including XLR, 3.5-inch TRS, and 3.5-inch TRRS for use with smartphones. Many companies manufacture their best clip-on mics in a variety of jack configurations. 

Durability

Lavaliers often take a lot of abuse. Not only can they get banged around, but their wires get twisted, and they’re sometimes attached to sweaty bodies. The best clip-on mics are durably built with at least a nod toward protecting them from low levels of moisture. Don’t submerge them, but don’t be afraid to attach them to someone who might be working in the sun all day. 

Attachments

Clip-on mics can attach to people in a variety of ways. Alligator-style clips are common and use a loop made from metal or rubber to hold the mic in place. If you don’t have anywhere to clip something like that, vampire clips use two small pins to attach the mic to clothing (hence the name). There are also magnetic attachments, which have a small metal disk that gets placed inside a shirt, and a small, magnetized loop that connects to it and holds the mic. Third-party manufacturers also make small foam or plastic sleeves that encase mics to minimize the rustling noise when hidden under clothes. Most lavaliers come with at least some basic attachments, but when buying others, find one that isn’t too big or small for your lav. 

FAQs

Q: How do I choose a good lavalier mic?

The most important feature when choosing a good lavalier mic is sound quality. After that, consider how you’ll use it. Do you need something small and easy to hide? Wireless? How rugged should it be? Finally, consider your budget. Generally, cost tends to reflect microphone quality—you get what you pay for, and it’s worth spending a bit more for a reputable piece of equipment that delivers quality over the life of its use. 

Q: Do lavalier mics sound good?

Lavalier mics sound good when used correctly, and in circumstances that warrant their use. If you’re recording a podcast, stage performance, broadcast, or video, they can sound great! In many cases, you’ll want to place them close to the breastbone, which allows the mic to pick up the naturally resonating frequencies of the human voice. However, some mics are meant to be worn on the head using earpieces or other methods—obviously, placement matters to get the most out of them.

Q: Can you use a lavalier mic for Zoom?

You can use a lavalier mic for Zoom as long as you have a way to plug it into your computer. This might mean buying an adapter if your lav uses an XLR connector, or perhaps you’ll have to use an audio interface with your computer. If your clip-on microphone doesn’t include its own power source, make sure the computer’s audio input also sends power.

Q: Are lavalier mics good for filmmaking?

Lavalier mics are great for filmmaking. They’re often used in the film and TV industry, especially when a boom mic isn’t practical. Documentary makers use them all the time, too. In fact, many audio engineers will use both a lav and a boom in order to make sure they capture the best sound they can. 

Q: How much does a lavalier mic cost?

The price of a lavalier depends on many factors. Some lavs cost as little as $25, but don’t expect the best sound or build quality. At the high end, lavs sell for hundreds of dollars and deliver professional sound under demanding conditions. Perfectly serviceable lavs can be found for less than $75, but if you want something approaching professional quality, expect to pay $150 or more (sometimes much more).   

Q: Do lavalier mics need phantom power?

Lavalier mics do not need phantom power, per se, but they do need power. It can be phantom power, but it can also come in the form of an in-line battery pack using AA batteries, or the batteries inside a wireless mic’s transmitter. 

Q: How long does a lavalier mic last?

A lavalier mic will last many years if treated properly. Like all high-end equipment, make sure to store it safely when not in use. Be particularly careful when winding the mic’s cord—don’t force it into too tight a loop or you risk breaking the wire. Keep battery packs or wireless units clean and dry, and try to avoid dropping them. They’re usually robust, but not indestructible. Microphones are an investment, and when treated well, they’ll continue to pay back with great audio. 

Final thoughts on the best lavalier mics

If you’re looking for the cleanest, clearest, professional-quality lavalier for your film or streaming program, and you’re not worried about your budget, then I absolutely recommend the Sanken Cos-11D. It’s become my go-to mic on documentaries and TV shows, and I often pair it with a Sennheiser wireless transmitter and receiver for the most flexibility. 

But I’ve also used mics that cost a third as much. Before I upgraded to the Sanken, I was happy with the Sennheiser ME2-II lav that comes in the EW 112P G4 wireless kit. As long as I placed it carefully and watched my levels, it never let me down. I still carry it in my kit as a backup. 

In the end, great equipment won’t do much if you don’t know how to use it. Take the time to learn proper miking techniques and develop your skills. 

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best lavalier mics of 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

]]>
The best cameras under $1,000 in 2023, according to experts https://www.popsci.com/gear/best-cameras-under-1000/ Wed, 20 Sep 2023 20:00:00 +0000 https://www.popsci.com/?p=571903
The best cameras under $1,000 composited
Stan Horaczek

You don't need to spend as much as you would on a used car to get a great camera.

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The best cameras under $1,000 composited
Stan Horaczek

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Best overall Canon EOS R50 mirrorless camera is one of the best cameras under $1,000 Canon EOS R50
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This beginner-friendly camera offers intelligent auto modes with room to grow.

Best design the Nikon Z fc is one of the best cameras under $1,000 Nikon Z fc
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This retro-styled camera draws inspiration from Nikon’s iconic film SLRs.

Best for vlogging The Sony ZV-1 II is one of the best cameras under $1,000 Sony Z-V1 II
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This all-in-one compact shoots high-res video through a sharp, fast lens.

Survey the market right now, and you’ll find that cameras under $1,000 offer some truly impressive features that were once reserved for enthusiast and even pro models. Since mirrorless cameras took over from DSLRs in the last decade, cameras have gotten smarter, faster, and more compact. If you’re looking to upgrade from a smartphone, learn the basics of photography, step up your vlogging game, or just take pictures that look different from everyone else’s smartphone snaps, the best cameras under $1,000 can help while leaving enough cash left over for memory cards. 

How we chose the best cameras under $1,000

I have been a professional photographer and camera journalist for nearly two decades. During the course of my work at our sibling publication, Popular Photography, I have shot with almost every major camera released in the past decade. In order to choose the best cameras under $1,000, I looked for models with particular strengths that would likely fit specific shooting styles. I emphasized durability, performance, and less tangible variables like access to a large infrastructure of lenses and accessories.

You’ll notice that you won’t find any DSLRs on this list. Everything is either a compact or mirrorless camera. I still like DSLRs, and they can still be great workhorse cameras, but they use older lenses that are only compatible with newer models via adapter. Plus, DSLRs miss out on some very useful features like object-based AF tracking. 

The best cameras under $1,000: Reviews & Recommendations

While we always make specific picks for models that we think will fit your needs, there’s always overlap. Peruse the entire list before getting your heart set on a specific camera.

Best overall: Canon EOS R50

Canon

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Specs

  • Lens mount: Canon RF
  • Sensor size: APS-C
  • Megapixels: 24.2
  • Maximum video resolution: 4K at up to 30 fps

Pros

  • Comes in well-under $1,000, even with a lens
  • Uses Canon’s current lens mount, for which it’s always releasing new glass
  • Super-fast shooting up to 15 fps with electronic shutter
  • Advanced A+ Assist provides useful help for shooting in tough situations
  • Excellent AF
  • Small and light

Cons

  • Very basic weather sealing
  • May feel too small for some, especially when paired with a large lens

Canon’s entry-level mirrorless camera offers a seriously impressive list of specs, considering its roughly $800 price tag. And that includes the standard 18-45mm kit lens. The 24.2-megapixel resolution is tried-and-true as it was the standard for several years before resolutions started to shoot up. This provides a nice balance of easy-to-work-with files and the ability to crop in on an image after the fact. 

The camera weighs just about a pound, which makes it extremely compact. Compared to my professional-grade cameras, it’s noticeably lighter from the moment you pick it up. Despite its entry-level status and diminutive build, the R50 still offers many of the high-end features found in Canon’s enthusiast-level cameras. The object-based autofocus tracking does a stellar job locking onto humans and even animals, keeping them in focus without any extra work on the photographer’s part. It also has a fully articulating touchscreen display and a mic port for external audio.

One thing I particularly like for beginners in the R50: It offers an Advanced A+ Assist shooting mode, which helps simplify the process of capturing images in difficult locations. It’s like auto shooting mode, but a lot smarter. That’s a solid middle ground between total beginners and more advanced users who prefer more manual shooting modes. 

Overall, this is a great all-around camera that will leave money left in your budget for an extra lens like the 50mm f/1.8 STM, which performs way beyond its $169 price tag

Best design: Nikon Z fc

Nikon

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Specs

  • Lens mount: Nikon Z
  • Sensor size: APS-C
  • Megapixels: 20.9
  • Maximum video resolution: 4K at 30 fps

Pros

  • Modeled after one of the best film cameras ever made
  • Ample tactile controls
  • Excellent color and overall image quality
  • Built tougher than most cameras at this price point
  • Easy to adapt vintage lenses
  • Snappy overall operation

Cons

  • No lens—$1,000 only gets you the body unless you find it on sale

The Nikon FM2 is a truly iconic film SLR, and Nikon drew heavily from it to create this enthusiast-grade mirrorless camera. The top of the body offers a robust selection of actual dials to control variables like ISO, shutter speed, and exposure compensation. I personally love navigating through camera settings with tactile controls, so this earns the Z fc tons of points with me. I know many higher-level shooters who feel the same way. 

The body is relatively compact, but it’s easy to hold. The contoured body makes it easy to grasp with your shooting hand, which is good if you want to navigate the controls without removing the camera from your eye. The APS-C sensor isn’t quite as impressive as some more expensive full-frame models, but it provides excellent color and overall image quality. 

The viewfinder is also no slouch. It offers 100 percent coverage in both horizontal and vertical directions. The OLED display in the viewfinder offers 2.3 million pixels of resolution and seven levels of brightness adjustment depending on your needs. 

Feel is truly crucial for creating an enjoyable camera, and Nikon absolutely nailed it with this retro-cool body.

Best for vlogging: Sony ZV-1 II

Sony

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Specs

  • Lens mount: Fixed
  • Sensor size: 1-inch type
  • Megapixels: 20.1
  • Maximum video resolution: 4K up to 30 fps

Pros

  • Extremely compact body
  • Advanced microphone 
  • Fast lens with useful zoom range
  • Screen flips around to the front for vlogging
  • Solid still performance
  • Sports a surprising array of physical buttons

Cons

  • No access to interchangeable lenses

Smartphone cameras have come a long way in recent years, but creators almost always outgrow them. They want more flexibility, better image quality, and the creative control that comes with a dedicated camera. The Sony ZV-1 II is a great step up from a smartphone without making the process overly complicated for people who just want to get up and shoot in a hurry. 

This is a compact camera with an integrated zoom lens. So, you can’t swap the lens out, but you don’t have to worry about buying or choosing a lens every time you shoot. The built-in lens offers the same field of view you’d expect from an 18-55mm lens on a full-frame camera. That makes it plenty wide for capturing several people in the same shot when zoomed out. But it still offers a flattering perspective for portraits when zoomed in. The lens is also fast in terms of aperture, so it performs well in low-light. 

This camera offers several vlogging-specific features that aspiring YouTubers will appreciate. The screen flips around to face the front of the camera, which is necessary for framing a selfie photo or video. The integrated three-microphone array provides considerably better sound than we’re used to out of a built-in microphone. It even has a built-in Product Showcase mode, which tells the autofocus system to prioritize products when they’re held up in front of the lens. So, if you’re doing an unboxing or other product-oriented video, you won’t have to worry about focus. 

If you want something more advanced, check out our list of the best video cameras.

Best full-frame: Canon EOS RP

Canon

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Specs

  • Lens mount: Canon RF
  • Sensor size: Full-frame
  • Megapixels: 26.2
  • Maximum video resolution: 4K

Pros

  • One of very few full-frame options under $1,000
  • Excellent overall image quality
  • Relatively compact body for that big sensor
  • Decent tactile controls 
  • Rotating screen

Cons

  • Shooters coming from Canon DSLRs will miss the joystick and control wheel on the camera’s back

When it comes to camera sensors, size isn’t everything. But, some inherent advantages come with a full-frame sensor. The primary benefit has to do with lenses. Because the sensor is the same size as a single image shot on 35mm film, full-frame cameras like the RP can utilize the entire image circle from high-end lenses. Smaller APS-C sensors only capture a smaller portion of the image, which makes the lenses appear more zoomed in. If you’re switching from a DSLR and you already own some glass, that’s a big deal. 

That 26-megapixel sensor also does an excellent job with color reproduction and low-light performance. Plus, with a larger sensor, it’s easier to get shallow depth-of-field effects (where the subject is sharp, but the background is blurry). 

The Canon RP has been around for several years now, so it doesn’t have the absolute newest guts inside. But it still performs well above its price tag. In addition to excellent still photography performance, it can capture 4K video with image stabilization. 

Best action camera: GoPro Hero 12 Black

GoPro

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Specs

  • Lens mount: Fixed
  • Sensor size: 1/1.9 custom
  • Megapixels: 27
  • Maximum video resolution: 5.3K

Pros

  • Absurdly effective shake reduction
  • Excellent image quality
  • Super-rugged design
  • Built-in front-and-back screens
  • Robust app with remote control functionality
  • Tons of mounting options

Cons

  • Not a huge leap in tech from the Hero 11

The GoPro Hero 12 Black is a heck of a lot of camera for under $400. It offers a surprisingly sharp super-wide angle lens with a revamped image sensor. It shoots high-res, high-framerate video that translates into super-smooth footage. Plus, it has some of the best image stabilization we have ever seen. It’s almost shocking how smooth the GoPro can make even the burliest action shots look. 

The camera sports a front- and back-side touchscreen for navigating menus and composing shots, but it also offers a robust app for controlling the camera and then editing and reviewing footage after it’s shot. 

The new Hero 12 isn’t a huge revolution over the 11 that came before it, but there are some useful upgrades, including a standard tripod socket for easier mounting on non-GoPro accessories. 

With 27-megapixel stills, it’s no slouch in terms of photography, but it really shines in terms of video. Plus, it’s ultra-durable and totally waterproof (GoPros make the best underwater video cameras) without an extra case, so you don’t have to worry about it breaking and costing you even more money. 

Best Sony mirrorless: Sony a6400

Sony

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Specs

  • Lens mount: Sony E
  • Sensor size: APS-C
  • Megapixels: 25
  • Maximum video resolution: 4K

Pros

  • Fast, accurate autofocus
  • Excellent image quality
  • Lots of tactile controls
  • Built-in viewfinder (not always a given in rangefinder-style bodies)
  • Tilting screen
  • Small and light

Cons

  • It’s a few generations old by now

This isn’t the latest addition to Sony’s excellent A6X00 series, but it still has plenty of life in it, especially at its now permanent sub-$1,000 price. It relies on Sony’s proven 24.2-megapixel sensor and a well-regarded rangefinder-style design. Despite its compact nature, it offers plenty of tactile controls, including a mode dial and a function dial. 

The built-in viewfinder is big, bright, and easy to see. That’s not always a given with a camera this small and cheap. Its $1,000 price tag includes a fully electronic 16-50mm kit lens that flattens out when it’s not in use for easy transport. 

This is a fantastic vlogging camera if you want to shoot video. Sony offers an accessory microphone for the camera, and it’s light and compact to hold at arm’s length for an extended period of time. Not bad for an older model that saves you more than $400 compared to the latest and greatest. 

What to consider when buying a camera under $1,000

As stated earlier, this list is made up entirely of mirrorless or compact cameras. DSLRs can still be great, but they lack some of the very convenient features found in their mirrorless counterparts. They’re also not natively compatible with the most recent lenses from various manufacturers. Here are some more variables and terms to consider before making a purchase.

Lens options

Lenses make a huge difference when it comes to the look of your content. Compact-style cameras have built-in lenses, which some shooters like because they keep everything in one tidy package. It’s a matter of simplicity over flexibility. Buying into an interchangeable-lens camera system is more complex. You’ll want to make sure that your camera uses the latest lenses. Most manufacturers have switched their focus to mirrorless lenses over DSLR glass, which means you’ll want to go mirrorless if you want to futureproof your purchase as much as possible. 

Resolution and sensor size

Most cameras on this list have resolution in the 20-30 megapixel range, which should be plenty for most users. When it comes to sensor size, you’ll typically have to choose between full-frame and APS-C. APS-C is about three-quarters the size of a full-frame sensor. Full-frame cameras typically offer better depth-of-field effects, better low-light performance, and increased access to wide-angle lenses. APS-C sensors make telephoto lenses more acceptable, offer smaller lenses, and typically cost less than their full-frame siblings. 

Video features

4K capture is common across the board at this point. Most cameras on this list top out around 30 fps, which is a standard video framerate. Some shooters prefer 24 fps because it simulates the cinema, but not all cameras offer it. Some more high-end cameras also offer 4K video at 60 fps and beyond for smoother-looking footage. Again, that’s something to check for before you buy if it’s important to you. 

You’ll also want to make note of the recording formats. We won’t go deep on those here because they can get extremely confusing, but it pays to know what your workflow looks like before you buy a camera so you know everything will work nicely together.

Manual features

When you’re a beginner, manual mode can seem intimidating. That won’t last forever, though, and you want a camera that you can grow into. Manual mode offers creative freedom for those willing to climb the learning curve. Beginner-friendly features are great for getting started, but eventually, you’ll want to strike out on your own.

Build quality

Most cameras under $1,000 aren’t built to endure super-harsh conditions. If you’re planning on really abusing your camera, consider a model that’s built for it. That’s why we recommend the GoPro so often. You’ll make better content if you’re not worried about breaking your pricey camera. 

FAQs

Q: Which is better: mirrorless or DSLR?

DSLRs aren’t quite dead just yet, but they’re close. Most manufacturers have switched their focus to mirrorless models. You won’t find many (if any) new DSLRs or DSLR lenses hitting the market any time soon. Going mirrorless now will ensure that your lenses will work with future bodies, and your skill won’t need to adapt when you inevitably make the switch. 

Q: Do mirrorless last longer than DSLR?

DSLRs have a mirror box inside that flaps up and down with every shot. Moving parts break down faster than static components, so mirrorless models can last longer for that reason. If you’re asking this question regarding battery life, mirrorless cameras typically die well before DSLRs because they don’t need to power an electronic viewfinder. 

Q: Can modern cameras use vintage lenses?

Mirrorless cameras are great for using vintage lenses. You can typically get some great deals on older glass if you don’t mind using an adapter and focusing manually. That makes them especially useful for shooters who primarily capture video where manual focus is the norm. 

Final thoughts regarding the best cameras under $1,000

Pro cameras still cost you thousands of dollars, but you can get a truly capable imaging machine for less than $1,000. The trick to picking the right one is focusing on your specific niche. If you’re really into still photography, go for something with a full-frame sensor. If you’re an aspiring video creator, get something specifically meant for shooting motion. Whatever you pick, learn how to use it to the best of its abilities. Even the best cameras under $1,000 won’t be worth much without creativity. 

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

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The best home security cameras in 2023 https://www.popsci.com/story/reviews/best-home-security-cameras/ Tue, 16 Mar 2021 15:59:00 +0000 https://stg.popsci.com/uncategorized/best-home-security-cameras/
A lineup of the best home security cameras on a white background
Amanda Reed

Choosing a home security camera can keep your porch packages, family, and home safe.

The post The best home security cameras in 2023 appeared first on Popular Science.

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A lineup of the best home security cameras on a white background
Amanda Reed

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Best overall The Arlo Ultra 2 against a white and blue gradient background Arlo Ultra 2 Spotlight Camera Kit
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4K video and color night vision in a convenient bundle.

Best smart Canary Flex Home Security Camera Canary Flex Home Security Camera
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This versatile camera works indoors and outdoors.

Best budget Blink mini Compact Indoors Plug-in Cam Blink mini Compact Indoors Plug-in Cam
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A feature-packed camera in a small, affordable package.

They say home is where the heart is—and with a home security camera at the heart of it, that home can be safer. After all, your heartful home is where your stuff is, where your loved ones may be, so it could be where your mind is even when you’re out. If you find yourself constantly stressed when you leave home—worrying about your packages, pets, property, etc.—setting up security cameras can offer peace of mind alongside advanced features. Whether outdoors or indoors, security cameras now can be completely discreet if desired, sometimes require as little as two screws or double-sided tape to install, and may offer instant smartphone alerts and even live video you can monitor remotely. No longer a massive investment of money or space, the best home security cameras integrate easily and let you check in on and around your home from the beach or the master bedroom.

How we chose the best home security cameras

We looked at user reviews and critic recommendations and consulted our past security coverage to find the best home security cameras. We paid attention to features like battery life, camera resolution, viewing angle, and storage options to weed out the vulnerable from the proven protected picks.

The best home security cameras: Reviews & Recommendations

There was a time when a security system involved unsightly cameras that had to be professionally installed. Spools of wiring would lead to a VCR, where routinely, you’d need to rewind or replace the tape if you needed to review the evidence following an intrusion (assuming the cassette hadn’t run out, broken, etc.). Well, those days are long gone. One of our picks should help bring you and your home into the digital age if you haven’t already made the switch.

Best overall: Arlo Ultra 2 Spotlight 2 Camera Kit

Arlo

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Specs

  • Resolution: 4K
  • Battery life: 4-6 months
  • Viewing angle: 180 degrees
  • Storage: microSD card

Pros

  • Weather-resistant
  • Built-in siren
  • Long battery life

Cons

  • Expensive

The Arlo Ultra 2 Spotlight kit is where all the bells meet all the whistles, which is what you’d expect from a $600 surveillance system. Included are two wire-free, weather-resistant cameras with up to six months of battery life. A 180-degree diagonal viewing angle offers coverage of every corner, while a spotlight and two-way audio assist in identifying visitors, plus a siren can discourage intruders. The cameras, magnetically connected to a screw-secured mount, can display live 4K video with HDR and color night vision, record to internal storage (a microSD card, sold separately, accessed through the included Arlo Hub), or retain 2K/4K cloud video clips depending on your plan with the (optional) Arlo Smart subscription service. The cameras set up quickly through the Arlo app and play nice with all the major smart platforms—Amazon Alexa, Google Assistant, Apple HomeKit, and IFTTT—making it easily one of the best home security cameras.

Best wireless: Ring Stick Up Cam Battery

Ring

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Specs

  • Resolution: 1080p
  • Battery life: 6 months
  • Viewing angle: 130 degrees diagonal, 110 degrees horizontal, 57 degrees vertical
  • Storage: Cloud (available with subscription)

Pros

  • Robust app
  • Lots of accessories and integrations
  • Indoor- and outdoor-friendly

Cons

  • Strategic placement is important
  • Some features require Ring’s cloud plan

When you hear the brand Ring, you may immediately think about doorbell cams, which is understandable considering the name and how the company started. But the product range includes whole-house solutions at an approachable price (a “Ring of security” is the new branding), including a completely wire-free option in a sleek, cylindrical form factor that’s both indoor/flat surface and outdoor/mount friendly. This Ring Stick Up Cam Battery has 1080p video with a 110-degree horizontal/57-degree vertical field of view, so strategic placement is important. And some features require paying for Ring’s cloud plan, but it’s a quickly up-and-running value with a robust app, particularly great for folks who already have Alexa devices (Amazon now owns Ring). And, because it’s an Amazon product, there are copious accessories (such as solar panels), for those inclined to upgrade.

Best floodlight: Ring Floodlight Cam Wired Plus

Ring

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Specs

  • Resolution: 1080 p
  • Battery life: One year
  • Viewing angle: 140 degrees horizontal, 80 degrees vertical
  • Storage: Cloud storage

Pros

  • Built-in 105-decibel siren
  • Motion-activated lights
  • Works with Alexa

Cons

  • Reviews note problems with controlling the lights using Alexa

The Ring Floodlight cam projects 2,800 Lumens across a wide viewing angle to spook intruders and capture HD video in the harsh light of a soft white glow. Compare that to the 300-375 Lumens of a traditional spotlight cam. While placement isn’t as flexible, constrained to an outdoor, weatherproof electrical box for hardwiring, the Ring Floodlight offers all the same conveniences (night vision, a speaker, and a siren) of its battery-run brethren, plus the extra oomph. And, like products across the Ring line, alerts and video can be sent easily to various Echo speakers/screens, which can also accept commands for the Ring (which, don’t worry, also works with Google Assistant and IFTTT). Software handles everything, including custom scheduling for your floodlights; no physical hub required.

Best smart: Canary Flex Home Security Camera

Canary

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Specs

  • Resolution: 1080p
  • Battery life: 2-3 months
  • Viewing angle: 116 degrees
  • Storage: Cloud storage

Pros

  • Weatherproof
  • Discreet
  • Can choose between wired and wire-free

Cons

  • More robust features only with a Premium Service plan

If you’re looking for flexibility, you’ll find it in both the Canary Flex name and feature set. Housed on a magnetic 360-degree swivel base, this smart security camera can operate wireless or plugged in, features up to 1080p HD automatic night vision video (though 720p is the default on a weak streaming connection), and two-way audio for spooking crooks and soothing children. There’s person and package detection (just don’t expect facial recognition akin to the much pricier Google Nest IQ cam, which is the best smart-home camera for AI if you’re restricting your search to indoor models). There’s no local storage, so you will need to pay for a service, but the Canary camera shares all the standard features of competitors and integrates with both Amazon Alexa and Google Assistant. It lacks a limit on where you can use it, however.

Best starter bundle: Wyze Cam v3 2-pack

Wyze

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Specs

  • Resolution: 1080p
  • Battery life: 6 months
  • Viewing angle: 130 degrees
  • Storage: microSD card

Pros

  • Two-way audio
  • IP65 weather resistance
  • Continuous recording with microSD card

Cons

  • Lacks removable battery

While it won’t win awards for aesthetics (unless you have fond memories of playing with building blocks as a child), the WYZE Cam exceeds in inexpensive efficiency as long as you don’t mind dedicating some in-home space. The WYZE outdoor security camera is weather-resistant for deployment around your home (network) perimeter, but it’s also easily detachable with a “Travel Mode” that allows you to take the camera with you to record video directly to your phone without WiFi. There are sacrifices—like the lack of a removable battery, so you have to dismount the entire camera for charging—but it’s magnetically connected, so that’s just a simple twist.

Best budget: Blink mini Compact Indoors Plug-in Cam

Blink

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Specs

  • Resolution: 1080p
  • Battery life: Two years
  • Viewing angle: 110 degrees diagonal
  • Storage: Cloud storage

Pros

  • Two-way audio
  • Day and night HD video
  • Motion detection

Cons

  • Needs more cameras for more comprehensive coverage

Amazon’s most cost-efficient entry into the security camera market, the Blink mini meets the baseline features of competitors at a $35 price tag. It’s a palm-sized cube, must be plugged in (not uncommon for an indoors model), but is extremely practical. If you want the most approachable way to get 1080p livestream video with infrared night vision into your Alexa-maintained (or IFTTT-automated) monitoring routine, and don’t need native smart features like person/package detection, this is the best minimalist model to pick. It doesn’t feature the same audio triggers as Ring devices, and only saves clips to the cloud. More cameras, restricted to available wall sockets, might be required for the most comprehensive, widescreen coverage, but at this price that’s not a heavy lift.

Things to consider when choosing the best home security cameras

When it comes to picking the best home security cameras for your space, I spy with my little camera eye a lot of options. The size and cost of gear have gone down (units are available from $30 to $300), but the feature set has only expanded.

Easy-to-install models range from black-and-white video to streaming in vivid color, capturing just “standard” HD all the way up to 4K, storing video locally or in the cloud, permanently or temporarily. Some security cameras run 24/7, some are motion-activated, while others only come to life at the press of a button. There are those that have a fixed field of view, others that pan and tilt, some that are ruggedized with floodlights and/or night vision, and ones intended to be near well-lit wall sockets only. You get the idea. In this guide, we’ll walk you step-by-step through the main decision points so you can truly pick the model that will work best for you. (If you’re on the market for a home security system and not just cameras, we’ve got you covered there, too.)

Do you want 4K resolution in your home security cameras?

Regular HD resolution (1080p, or 2 megapixels) is fine if you just need to confirm the presence of your restaurant take-out deliveries and get some protection against porch pirates and trash pandas. But what if you’re in a really high-traffic area, or have some high-value targets outside—an Airstream or a boat, for example. If, in the event of an incident, you want the ability to really zoom in on details, then Super HD (4 megapixels, or 2K) and especially the best 4K security camera (a full 8 megapixels) are the superior choice. If vandalism or an actual intrusion occurs, any footage collected could assist the police and/or insurance claims.

But remember: While wireless is convenient, all the resolution in the world won’t matter if your WiFi is subpar. Most connected security cameras support the 802.11 b/g/n standard and suggest a broadband connection with at least 2Mbps upload speed, but that’s the bare minimum for potentially spotty 1080p. If you want to stream in 4K without lag or pixelation, you need a stable connection of at least 25Mbps. Consider a new WiFi router or a WiFi booster to help expand your network.

Want to go totally wireless for less?

The best wireless security camera is always going to fit your needs and budget. You won’t get 4K at the $100 price point, but you can easily cover every corner without cutting corners (just cost). You can still get the convenience of a removable rechargeable battery and an understated enclosure that can withstand the elements. The most necessary features—at least 1080p HD video with infrared night vision, as well as two-way audio—are there no matter where you are.

An outdoor floodlight camera can offer extra security

Maybe you have a large, but not well-lit yard, and you noticed someone or something has been rummaging through your trash. If you want to find out if it’s a person looking for personally identifiable information or animals appreciating your taste in home cooking, you may need more than a solitary spotlight. Or maybe you have a work shed located in a darker recess of your property. The best floodlight camera will have advanced motion detection but also customized activity zones so that every bird passing by doesn’t trigger it. At worst, you’ll feel more secure and possibly end up with footage of some adorable animals feasting on leftovers.

Do you want a flexible, smart security camera?

Imagine you recently had a child, and you want a baby monitor, but you also plan to get a fancy new grill, and you’ll want to keep an eye on it overnight. You realize you need to slowly build out surveillance systems, but you don’t want them to get locked into any one ecosystem or environment because your needs and/or devices are evolving. In your case, the best security camera will be one that’s low-profile, battery-powered, weatherproof, and swift to install, while not being brand-exclusive like the Ring or Google Nest.

FAQs

Q: Are WiFi security cameras safe?

While there have been instances of hackers breaching security camera systems, that risk has pushed companies to roll out features like two-factor authentication, which uses unique codes to confirm the identity of anyone that attempts to access an account. In addition, password managers can help create and maintain long, randomly generated strings of characters to further reduce potential intrusions. If you follow good password protocols and cyber hygiene on both your camera and your WiFi in general, WiFi security cameras are very safe.

Q: Should I get wired or wireless security cameras?

Wireless security cameras are great if you don’t want to have to worry about placement, as you’re no longer tethered to power outlets and Ethernet cables. But the more you rely on wireless, the more you need to factor in the cost of WiFi reinforcement and cloud services. Also, many wireless cameras are magnetically mounted, so could be more easily stolen (taking previous footage with it if stored locally). Ultimately, each house’s infrastructure and user’s needs will determine the best means of installation.

Q: How much do home security cameras cost?

Home security cameras cost between $35-$600. When it comes to the best budget security cameras, half-priced doesn’t mean half-baked. Motion-activated full HD video with black-and-white night vision, as well as two-way talk, can be within your grasp in a cheap security camera, bringing the ability to interact with third-party smart devices along with it. Don’t expect deep AI to identify people, pets, and packages, but there are always features being added to apps that expand parameters without increasing price.

Final thoughts on the best home security cameras

Before you drill any holes or put a dent in your savings, survey where and when you need surveillance. Take into consideration device support and room for expansion. The best home security cameras will fit the physical footprint and type of activity you need to monitor, giving you consistent, reassuring coverage.

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best home security cameras in 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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The best wireless security cameras in 2023 https://www.popsci.com/gear/best-wireless-security-cameras/ Mon, 18 Sep 2023 20:00:00 +0000 https://www.popsci.com/?p=570963
A lineup of the best wireless security cameras side-by-side
Amanda Reed

Today's wireless security cameras are easy-to-use, easy to install, and easy on your budget.

The post The best wireless security cameras in 2023 appeared first on Popular Science.

]]>
A lineup of the best wireless security cameras side-by-side
Amanda Reed

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

Best overall A Ring Floodlight Cam Pro on a blue and white background Ring Floodlight Cam Wired Pro
SEE IT

Versatile and produces excellent video.

Best with 4K resolution A Lorex 4K wireless camera on a blue and white background Lorex 4K Spotlight Indoor/Outdoor Wi-Fi 6 Technology Security Camera
SEE IT

This camera can detect people, vehicles, animals, and packages.

Best budget A WYZE camera on a plain background Wyze Cam v3
SEE IT

A cheap camera with a cheap cloud storage subscription.

Although security cameras have been around for more than 50 years, do-it-yourself wireless security cameras installed by consumers have only been available for a fraction of that time. Before that, most security cameras needed to be installed by professional technicians. However, a few factors have allowed wireless security cameras to evolve so that average consumers can install and use them: They’ve been designed to be easy to install, use, and understand; because of marketplace competition, DIY wireless security cameras are relatively inexpensive; and technology that interacts with wireless security cameras, like home wireless networks, as well as other technologies, are easier to use and works seamlessly with each other. The best wireless security cameras should fit the needs of almost every consumer and budget.

How we chose the best wireless security cameras

I’ve written about many types of different cameras, including wireless security cameras, for a number of publications over the years, including PCMag.com, Consumer Reports, The New York Times, Tom’s Guide, Gearbrain, and, of course, Popular Science. I’ve also written stories on wireless security systems, video doorbells, and other related security system devices. I brought my expertise in this area to help discover the best outdoor security cameras. I also looked at critical reviews and user recommendations and did a lot of research to narrow down our list to find the best models. 

To find the best security cameras, I carefully considered a number of factors, including video resolution, night vision capability, audio, ease of use, versatility, and smart home compatibility.

The best wireless security cameras: Reviews & Recommendations

Today, you’ll find a very wide range of wireless security cameras and smart-home security systems, which are very easy to install and use. Many of them also include cutting-edge technologies, such as artificial intelligence for detecting people, pets, and objects. They’re available at a variety of price points—from budget models that don’t require a subscription for storing and accessing video that costs as little as $30 to feature-packed models that cost more than $400. One of our picks will allow you to give you peace of mind by protecting your home, both inside and out.

Best overall: Ring Floodlight Cam Wired Pro

Ring

SEE IT

Specs

  • Video resolution: 1080p 
  • Field of view: 140 degrees
  • Power: Wired only
  • System compatibility: Amazon Alexa, IFTTT
  • Storage options: Cloud-based (via subscription) 
  • Size: 12.8 x 7.8 x 8.5 inches 

Pros

  • Versatile
  • Excellent quality 1080p-resolution video
  • Comes with dual-band WiFi
  • Includes two bright adjustable LED spotlights
  • Comes with a remote-activated alarm 

Cons

  • A bit pricey
  • Lacks support for HomeKit and Google Assistant compatibility

Although it’s a bit pricey, there’s a lot to like about this Ring wireless security camera. For starters, like the company’s many doorbell cameras, it’s easy to use and set up. However, since it needs a wired connection, you may be a bit limited when mounting this model outside your home. It produces excellent quality video, assisted by HDR features to provide video footage with better contrast and detail. That can be helpful if the location you’re setting up to monitor is dimly lit during certain times of the day. Of course, that dim setting would also benefit from the two adjustable LED floodlights included on this Ring cam, rated at 3,000 degrees Kelvin and 2,000 Lumen.

There’s a variety of other useful features that also make it worth the price, like color night vision. But it also includes additional smart features, like 3D motion detection, a customizable system, and a bird’s eye view feature, which tracks a visitor (or intruder) on your property and provides you with a record of their path. It also has clear, two-way audio and a loud siren to scare away trespassers. However, in order to access videos and enable some features, you will need to subscribe to a Ring Protect plan, which starts at $3.99 a month.   

Best system: SimpliSafe 10 Piece Wireless Home Security System with Outdoor Camera 

SimpliSafe

SEE IT

Specs

  • Video resolution: 1080p
  • Field of view: 140 degrees
  • Power: Rechargeable battery 
  • System compatibility: Amazon Alexa and Google Assistant 
  • Storage options: Cloud storage only (for both cameras)
  • Size: 4 x 4 x 8.3 inches

Pros

  • Lets you set up a whole security system right out of the box
  • Outside cam has a very good quality video with 140 degrees field of view
  • Easy to install and use
  • Comes with a professional monitoring option
  • Compatible with Amazon Alexa, Google Assistant 
  • Includes convenient magnetic mount

Cons

  • Expensive
  • Lacks support for HomeKit 

If you’re looking to install a wireless security camera and a DIY home security system along with it, the SimpliSafe 10-Piece Wireless Home Security System might be your best bet. It’s pricey but far less expensive than buying the components individually. But even more importantly, it lets you set up a whole security system right out of the box.

What’s in the box? In addition to the two 1080p cameras (indoors and outdoors), it also comes with a base station, keypad, motion sensors, and entry sensors. All the components, including the cameras, connect to the base station, which also includes the ability to generate a loud siren to scare off intruders. Although the inside security camera isn’t the most robust model, the outside camera offers very good quality video with color night vision. What’s also nice is that the SimpliSafe mobile app is nicely designed to let you effectively interact with your entire setup, and it comes with the option of including a professional monitoring system. However, for the price, it would be nice if both cameras had the option to store videos locally. 

Best with 4K-resolution: Lorex 4K Spotlight Indoor/Outdoor WiFi 6 Technology Security Camera 

Lorex

SEE IT

Specs 

  • Video resolution: 4K
  • Field of view: 140 degrees
  • Power: Wired power only 
  • System compatibility: Amazon Alexa, Google Assistant
  • Storage options: Local storage
  • Size: 3.0 x 3.0 x 3.4 inches

Pros 

  • Versatile
  • Excellent quality 4K-resolution video
  • Comes with dual-band WiFi
  • Includes WiFi 6 technology

Cons

  • Doesn’t have a battery backup

As a brand, Lorex has been making very good quality outdoor security cameras for many years. This model is no exception. It stands out because it captures very good quality 4K-resolution video and has a very good 8-megapixel sensor that lets you shoot 8-megapixel photos with more detail and data. It also comes with WiFi 6 technology, allowing faster data transmission with a compatible router to deliver impressive 4K resolution with fast loading time. Plus, it includes 2.4/5GHz dual-band coverage for better connectivity. You can also use one of two smart-motion detection features: Person, Vehicle, and Animal detection or Package detection, although both cannot be used simultaneously. 

It’s not ideal for everyone, though. It’s hardwired, so you may be more limited in where you need to place this model. It also doesn’t have a battery backup, which can be useful for units that are wired. 

TP-Link

SEE IT

Specs

  • Video resolution: 2K
  • Field of view: 104 degrees
  • Power: Wired only 
  • System compatibility: Amazon Alexa, Google Assistant,
  • Storage options: Cloud storage or local storage 
  • Size: ‎5.6 x 4.1 x 2.5 inches

Pros

  • Very affordable
  • Excellent 2K-resolution (2304 x 1296) video quality
  • Versatile 
  • Can connect wirelessly or via an ethernet connection

Cons

  • Lacks support for HomeKit 
  • Lower frame rate than other models
  • Field of view isn’t as wide as other models

Not only is this one of the most affordable security cameras on the market, but it’s also great for those who want to avoid paying extra for cloud storage since you can store video locally by inserting a microSD memory card (up to 128 GB). However, it’s also very versatile since it does offer a subscription plan if you’d rather subscribe to the brand’s cloud service for storing video (Tape Care). Overall, it captures excellent-quality video. However, it has a lower frame rate (just 15 frames per second). It also comes with night vision, but it’s only in black-and-white, and not color. 

Best with cellular: Arlo Go 2 

Arlo

SEE IT

Specs 

  • Video resolution: 1080p
  • Field of view: 130 degrees
  • Power: Battery powered only
  • System compatibility: Amazon Alexa, Google Assistant, IFTTT
  • Storage options: Cloud-based (via subscription); accepts microSD memory card for local storage
  • Size: 3.4 x 2.5 x 4.7 inches

Pros 

  • Very versatile
  • Can use either cloud or local storage
  • Includes color night vision 
  • Powerful Secure Plan features

Cons

  • Pricey
  • Need to pay extra for a cellular plan

One thing almost every outdoor security camera requires is access to your home’s wireless network. But what if you have poor reception or don’t have a WiFi network at all? If you’re one of these people, consider the Arlo Go 2. It not only lets you hook up to a WiFi network, but you can also use a cellular plan. However, if you choose the latter, you’ll have to buy both a cellular plan and SIM card. Also, it only works with Verizon, US Cellular, and T-Mobile. 

It does have color night vision and two-way talk and audio, but it’s not perfect for everyone. For instance, it provides you with the option of using cloud storage via one of Arlo’s Secure plans (plans start at $4.99), which also lets you access special features or store your videos on local storage. Still, if you use local storage, you can’t access the Secure plan features, which include 30-day video recording, person, vehicle, and animal detection (and the ability to distinguish between them), and smart activity zones, which allow you to focus motion detection on a specific area within your camera’s field of view. 

Best budget: Wyze Cam v3

WYZE

SEE IT

Specs 

  • Video resolution: 1080p
  • Field of view: 130 degrees
  • Power: Wired power only 
  • System compatibility: Amazon Alexa, Google Assistant, IFTTT
  • Storage options: Cloud-based (via subscription); accepts microSD memory card for local storage
  • Size: 2.0 x 2.0 x 2.3 inches 

Pros 

  • Very affordable
  • Compatible with major smart technologies
  • Cloud subscriptions are relatively inexpensive
  • Color night vision is very good

Cons

  • Lacks support for HomeKit compatibility
  • Lower frame rate than other models
  • May not be as sturdy as other models

This hardwired security camera is one of the cheapest on the market, but it performs very well, capturing very good quality video. It also provides you with the option of storing your videos in cloud storage or on local storage using a microSD memory card. 

But it’s not the perfect option for all users. For example, those looking for high-res video probably won’t be happy since it shoots just 1080p video. It also shoots at a lower frame rate than other models: For Daytime and Color Night Vision, the frame rate is 20 frames per second (fps), and with Night Vision with IR lights it’s a frame rate of 15fps. However, remember to consider your needs—you’re most likely not looking to produce cinema-quality video. You simply want your security camera to capture decent video. 

What to consider when buying the best wireless security camera

Wireless security cameras continue to evolve at a dizzying pace, with many models coming with better connectivity and cutting-edge technologies, such as artificial intelligence, to improve a host of features. However, if you’re new to these types of cameras, it can be confusing to figure out which features, specs, and capabilities are important for you and your home security system. 

The following factors will help you figure out what’s important before you purchase a wireless security camera or wireless security camera system:  

Video resolution and field of view 

You’ll often see 1080p, 2K, or 4K resolutions in outdoor security cameras. A higher resolution means you’ll get a crisper image. A higher resolution will also fill up your local or cloud storage faster. That’s a problem if your subscription plan or card has a fixed limit to its capacity. If you’re trying to balance subscription costs for cloud storage with what resolution you’ll need, consider how detailed of a picture you’ll need. If you need more detail, go with a higher resolution. 

You’ll also want to check a security camera’s field of view specification, which is measured in degrees and tells you how much of a particular scene your security camera is capturing. The higher the FOV number indicates a wider lens and lets you see more of a particular scene in front of your house.  

Lighting, power options, and storage

Light has always been incredibly important when it comes to capturing digital video and photos. That’s why if you need your outdoor security camera to capture better-quality video or photos, you should consider buying a model with flood lights. Such models not only allow for improved image quality, but they can also act as a deterrent to intruders.

When planning to set up your new outdoor security camera, you’ll need to think about where to install it. This is not as much of an issue for models that only use battery power. However, hardwired connections require a direct connection to your home or an outdoor outlet with a weatherproof cord. This limits where you can place it. You make up for the lack of creative control with video and audio quality, which is better in a hardwired connection. 

In addition to lighting and power options, consider whether you want your security camera to store the video it captures locally, on a cloud-based server, or perhaps both. Most store video in the cloud, which is convenient, but you’ll most often have to pay a fee to access them. So, if you don’t want to pay a fee for a cloud service, consider models that let you store them on a memory card. 

Other features to look for

Because there is a lot of competition in the industry, all security camera brands are continually updating models and adding new features. For example, many brands have introduced privacy features, such as two-factor authentication, to ensure devices are not compromised or hacked. Many brands are also making security cameras that integrate with smart-home features, such as voice technologies, like Amazon Alexa, Google Assistant, and others. And then there are some brands that even offer professional monitoring services for an extra level of protection, but you will generally have to pay more for such services. Make sure you consider additional features that may be important to you and your family.

FAQs

Q: Can wireless security cameras work without the internet?

If you have a camera that needs to store video footage in a cloud server (via a cloud subscription plan), you’ll need a wireless connection to access the internet. However, there are a number of models that can store video locally, on a memory card, hard drive, or other local storage. Additionally, there are some models that use cellular data plans to store video footage. 

Q: How long do wireless security cameras last?

Most wireless security cameras last anywhere from three to ten years, although there are a few factors to consider: Is the camera itself constructed to last? Also, is the camera placed outdoors and exposed to harsh weather? If it’s not waterproof and it’s exposed to the elements in an outdoor setting, the camera might not last more than a few months. 

Q: What is the longest range on a wireless security camera?

Most wireless security cameras made for consumers are designed to capture more of a wide-angle view of a scene, instead of zooming in on a particular subject. That’s why most models can see subjects anywhere from a few feet up to 75 feet away. However, some models are equipped with digital zoom features, which can crop in on the sensor and give the appearance of an optical zoom lens. However, digital zoom works best if you have a higher resolution sensor (such as 2K and 4K resolution) since you’re actually cropping the video clip and losing resolution, which can degrade video image quality.

Final thoughts on the best wireless security cameras

A wireless security camera can provide you with a way to keep a watchful eye on your home, both inside and out. But before you buy, consider the actual space you need to use the security camera or cameras for and what constellation of features on those cameras will best cover that area. If you’re living in a one-room apartment, you might only need one inexpensive security camera. But if you’re looking to oversee a more expansive environment, you may want to buy more than just one security camera. And be sure to always examine the mobile apps for all models to make sure they’re easy to use.

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best wireless security cameras in 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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The best cheap underwater cameras for 2023, as chosen by experts https://www.popsci.com/gear/best-cheap-underwater-cameras/ Wed, 13 Sep 2023 18:55:00 +0000 https://www.popsci.com/?p=570039
The best cheap underwater cameras composited
Stan Horaczek

Your smartphone is water-resistant, but it's not built for underwater photoshoots. Check out these underwater cameras instead.

The post The best cheap underwater cameras for 2023, as chosen by experts appeared first on Popular Science.

]]>
The best cheap underwater cameras composited
Stan Horaczek

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

Best overall Ricoh WG-6 underwater camera RICOH WG-6
SEE IT

It’s worth spending a little extra cash to get a very capable little camera.

Best film camera Kodak underwater disposable film camera Kodak Weekend Underwater Disposable Camera
SEE IT

This film camera offers a retro aesthetic and dead simple operation.

Best budget Minolta 48-megapixel screen waterproof digital camera Minolta 48 MP Dual Screen Waterproof Digital Camera
SEE IT

At less than $100 retail, you won’t have to worry too much about this camera’s well-being.

Many modern smartphones offer some water resistance, but we don’t recommend taking them for a swim, especially when there are solid, cheap underwater cameras on the market. High-end underwater photography rigs can cost thousands of dollars, but you don’t have to have James Cameron money to get great aquatic shots. The best cheap underwater cameras are great for a day at the pool, beach vacations, or even more serious scuba adventures well below the surface.

How we chose the best cheap underwater cameras

The writers and editors at PopSci have decades of photographic experience, as well as the cumulative knowledge of our sister publication, Popular Photography. For this buying guide, we relied on a mixture of hands-on experience, user feedback, editorial reviews, and spec comparisons to find the most reliable, low-cost models. We sought to find a balance of features and budget that would fit the needs of most people. 

The best cheap underwater cameras: Reviews & Recommendations

Before you bring your gear out for a swim, ensure you’re prepared with equipment that meets the needs of what you are trying to capture. Sure, you could put your iPhone 14 Pro Max in a dedicated scuba case, but that can get bulky—and what if there’s a leak? A waterproof camera is a better choice, but not all waterproof cameras are created equal—especially the inexpensive ones. 

Best overall: RICOH WG-6

Ricoh

SEE IT

Specs

  • Resolution: 20 megapixels
  • Sensor size: 1/2.3-inch
  • Memory card Slot: Single SD 
  • Waterproof: Down to 65 feet

Pros

  • 4K video capabilities
  • Built-in ring light
  • Digital microscope mode 
  • Rugged build

Cons

  • Small sensor isn’t the best in dim light

This waterproof camera isn’t the least expensive choice on our list, but it’s packed with advanced features that make it worth spending a little bit more. It has a rugged build, and in addition to being waterproof down to 65 feet, it is also shockproof, crushproof, and can operate in temps down to 14 degrees Fahrenheit. It has built-in GPS and a built-in LED ring light for illuminating underwater scenes. If you’ve ever tried to film underwater only to come out with murky results, you know how important that is. This built-in ring light is particularly helpful if you are shooting closeups in one of the camera’s macro modes.

As for video, it can capture 4K/30p footage and 120 fps when shooting at 1280×720. Although it lacks WiFi, image stabilization, and RAW image support, this isn’t surprising given the affordable price point. Ultimately, it is the combination of features, impressive depth capabilities, and relatively affordable cost that make the Ricoh WG-6 our pick for best overall. This cheap waterproof digital camera should be able to handle whatever adventures you throw it into. 

Best for video: GoPro HERO9

Stan Horaczek

SEE IT

Specs

  • Resolution: 20 megapixels
  • Sensor size: 1/2.3-inch 
  • Memory card Slot: Micro SD
  • Waterproof: Down to 33 feet

Pros

  • Can shoot 5K/30p video
  • Hypersmooth image stabilization
  • Compact design
  • Front-facing live-screen

Cons

  • Confusing menus 
  • Limited battery life 

Buying gear that’s a few generations behind can be a great way to save money when shopping for new equipment. Although the GoPro HERO9 was released over three years, it’s still an incredibly capable camera for shooting underwater. The HERO9 has a front-facing display, can capture 5K/30p footage, and can produce 20-megapixel stills. It’s waterproof down to 33 feet without a case, and it has a number of accessories that make it functional for a wide variety of outdoor water activities.

Hypersmooth 3.0 makes it easy to shoot super smooth videos, even when the waves get rough. In addition to being waterproof, it also happens to be dustproof and freezeproof, and since it’s not quite the newest GoPro, it’s a budget-friendly version if you are looking for a waterproof camera that excels at video. 

Best for kids: YTETCN Waterproof Underwater Camera

Amazon

SEE IT

Specs

  • Resolution: 12 megapixels
  • Sensor size: 1/2.3-inch 
  • Memory card Slot: Single SD 
  • Waterproof: Down to 100 feet with case

Pros

  • Inexpensive
  • Kid-friendly design
  • Built-in custom frames and stickers

Cons

  • Limited image resolution 

This inexpensive, easy-to-use camera is a great choice for parents looking for something to keep the kids entertained on vacation without breaking the bank. Housed inside a plastic case, this kid-friendly cam is waterproof down to 100 feet, has large buttons, a number of built-in frames and stickers, and even some built-in games. It can shoot 1080p video and has a battery life of 2-3 hours. Just ensure your little ones keep this particular camera in its plastic housing—it’s the one thing keeping the camera safe from the elements. 

Don’t expect image quality beyond what you’d get out of an older smartphone camera, but that’s not really the point of a mode like this. It’s built for fun, and it accomplishes that task.

Best film camera: Kodak Weekend Underwater Disposable Camera

Kodak

SEE IT

Specs

  • Film format: 35mm
  • Resolution: N/A 
  • Memory card Slot: N/A  
  • Waterproof: Down to 50 feet 

Pros

  • Easy to use
  • No need to focus 
  • Fun lo-fi film aesthetic 

Cons

  • Expensive to get film processed 

A waterproof point-and-shoot disposable was a mainstay of pool parties and beach days in the pre-digital era—and we love that they’re still available for underwater shooting. It’s easy to use, shoots 35mm film, and there are sure to be some very cool lo-fi effects that you can get without running your photos through a digital filter. Although it’s certainly more expensive to get film developed these days—we’re extremely glad that the OG underwater camera hasn’t gone out of style. 

Best budget camera: Minolta 48 MP Dual Screen Waterproof Digital Camera

Minolta

SEE IT

Specs

  • Resolution: 48 megapixels
  • Sensor size: Full-frame
  • Memory card Slot: Micro SD
  • Waterproof: Down to 10 feet 

Pros

  • Made by trusted brand
  • Full-frame sensor
  • Face detection
  • Inexpensive

Cons

  • Limited depth operation

This waterproof Minolta digital camera isn’t rated quite as deep as some of the others in this buying guide, but it does offer a budget-friendly choice from a trusted and established camera brand. It features a full-frame sensor capable of capturing 48-megapixel stills, has a dual-screen design, and features like face and smile detection make it a great tool for underwater selfies at the pool. It can shoot 2.7K/30p video, has a 16x digital zoom, and built-in image stabilization. It’s waterproof down to 10 feet and under $100, making it a steal for capturing high-quality images in the water. 

What to consider when shopping for the best cheap underwater camera

While we always make specific picks, we also like to offer up explanations of common terms and variables you’ll encounter out on the marketplace. Here are some things to consider.

Budget

Cheap is all relative, and the price of a piece of camera gear has a lot to do with the features that a piece of gear might have. The cameras in this buying guide cost anywhere between about $30 to a few hundred dollars, but within that range, you will find cameras that include a lot of different specs. If you are looking for a higher-end underwater digital camera, buying a model that is a few generations old can be a great way to save. Many of these cameras can be found as refurbished models or on the resell market. More budget-friendly underwater cameras can be just fine if you are looking for something that doesn’t need the highest resolution or the longest battery life. Ultimately, when looking for a cheap underwater camera, you should have some idea of what “cheap” means to you. 

Digital vs. Film

Although digital film cameras are probably what come to mind when thinking about underwater cameras, a disposable underwater film camera can provide an extremely fun and budget-friendly way to capture a family vacation or a day out at the beach. Underwater film photos won’t have the same high-resolution quality, and the cameras certainly won’t include image stabilization or macro modes. Still, if you are interested in a retro aesthetic with an affordable price point, an underwater film camera can be a great choice. 

Depth Rating

The most important thing to consider when shopping for an underwater film camera is its depth rating. This rating refers to how deep into the water you can take the camera, and it will still be protected from the elements. If you are planning to take your camera really deep, it’s important to get one that has a rugged build—the deeper you travel into a body of water, the more potential harm you might be doing to that camera, so you will want to make sure your gear is up to the task. Consider the activity that you are hoping to capture underwater and plan accordingly. 

FAQs

Q: What’s a good underwater camera for snorkeling?

Suppose you are using your underwater camera for snorkeling. In that case, you are going to want something that has the ability to capture high-resolution images and can handle being underwater for a long time. We’d recommend the RICOH WG-6 if you plan to shoot stills or the GoPro HERO9 if you plan to do underwater video shooting while snorkeling. Both of these cameras are compact and have a decent depth rating.

Q: How do you choose an underwater camera? 

Choosing the right underwater camera for you has a lot to do with evaluating your needs as a photographer. Different underwater cameras are designed to do really different things, so comparing specs may not be the most reasonable way to evaluate what camera will be the best fit for your particular needs. Identifying how you plan to use the underwater camera will be the more efficient way to figure out what underwater camera might be best for you. 

Q: Do underwater cameras need housing?

Always check the notes from your particular underwater camera before you take it out for a swim. Many higher-end underwater cameras are rated up to a certain depth before you need to put them in a protective casing. Putting these cameras inside of additional housing typically means that you can take them deeper and continue to use them underwater for longer periods of time. 

Final thoughts on the best cheap underwater cameras

To find the best cheap underwater camera for you, it’s important to consider what your plans entail. If your underwater adventures include plans of scuba diving or snorkeling, selecting a camera that can operate at greater depths for longer periods of time is probably the way to go—but it will likely be on the more expensive side. If you are looking for something to bring to a day at the beach or the pool, a more inexpensive option will probably do the job. With so many awesome products on the market, there is no such thing as a “best product”–—but there is probably a product designed to fit your specific needs perfectly. 

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best cheap underwater cameras for 2023, as chosen by experts appeared first on Popular Science.

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The best photo-editing software for 2023 https://www.popsci.com/gear/best-photo-editing-software/ Fri, 11 Aug 2023 21:00:00 +0000 https://www.popsci.com/?p=562267
Adobe Lightroom Classic with a picture of a car lot in the edit window
Stan Horaczek

Choose the right photo-editing software to get the most out of your images whether you shoot with a pro camera or smartphone.

The post The best photo-editing software for 2023 appeared first on Popular Science.

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Adobe Lightroom Classic with a picture of a car lot in the edit window
Stan Horaczek

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Best overall Lightroom classic with a picture of car doors leaning against a building in the edit window Adobe Lightroom Classic
SEE IT

Get the most out of your photos with robust adjustments and library tools.

Best for precise edits Adobe Lightroom Classic with a picture of a hand holding a fujifilm X-T3 camera in the edit window Adobe Photoshop
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This is the industry standard for image editing, and it’s a well-earned status.

Best budget A screenshot of Cyberlink photo editing software Cyberlink 360
SEE IT

It offers a surprisingly robust set of tools for a cheap one-time fee.

There’s no substitute for a good eye, but photo-editing software makes it easy to give your images a few final tweaks before you share them with the world. Whether you are a smartphone shooter, an enthusiast, or a working pro, the right photo-editing program will help refine your images and, in some cases, help you keep your photo archive organized and easy to find. Although smartphone editing apps have become extremely advanced in recent years, having a dedicated piece of photo-editing software for your desktop computer or laptop will give you even more control. With the right piece of software, you will be able to make precision edits to RAW files, remove unwanted elements from the frame and combine multiple images into a single frame. In this guide, we highlight some of the best photo-editing software currently available. 

How we chose the best photo-editing software

When selecting the photo-editing software that appears in this buying guide, we considered programs that could be used on desktop/laptop computers (both Mac and PC), as well as apps that could be used on a smartphone. We also considered how different kinds of photographers need to edit images. It was important to include pieces of software that were good at batching large amounts of images quickly and software for making precision edits when retouching. 

Several editors and writers on the PopSci staff have extensive professional photography experience and history working at Popular Photography magazine and other popular photography-related publications. The photo-editing software featured here was selected through this experience, hands-on experience, and careful consideration of editorial and user reviews. 

Best overall: Adobe Lightroom Classic

Stan Horaczek

SEE IT

Specs

  • Features photo organization tools and catalog management tools
  • AI-powered editing tools
  • Brush, gradient, and masking tools
  • Starts at $9.99 per month

Pros

  • Offers lens and camera profile corrections
  • Built-in presets 
  • Doubles as a tool for managing photo catalog 

Cons

  • Requires subscription 
  • No automatic file backup

Adobe Lightroom Classic snags our pick as best overall photo-editing software due to its intuitive interface, powerful AI-powered editing tools, and the ability to quickly batch-process images. Although the fully cloud-integrated Adobe Lightroom gets more attention in the spotlight than the desktop-only Lightroom Classic, there is a reason that photo editors stick by this tired and true standard and trust it to get the job done. It’s considered an industry standard in many fields of photography, so if you are looking to get hired as a photo editor or photographer, it’s important to understand the ins and outs of this editing program. It doubles as a catalog management tool, and features like tagging and face recognition make it even easier to search through extensive image catalogs.

As an editing tool, Adobe Lightroom Classic features a familiar set of tools. You can adjust exposure, contrast, sharpness, hue and saturation, as well as crop images. Quick edits in the library module allow you to apply presets to images, while more fine-tuned edits can be made in the develop module. Within the develop module, you will find tools to edit image curves, tweak specific colors, or edit in masks. The spot removal tool helps remove small imperfections from your images, although for more substantial retouching, you will probably want to move the photo into Photoshop. 

The GPU-powered program is a little slower than some other batch-editors available on the market, especially if you are working from an older machine and importing massive high-resolution RAW files. However, with the newer M-powered Mac computers (which are also great for video editing), the program runs impressively fast. 

Adobe Lightroom Classic is part of Adobe’s subscription model, and pricing starts at just $9.99 per month. Although some gawk at Adobe’s subscription model, we think it’s well worth the price given the versatility of its regularly updated features and tools like HDR processing and Panorama Stitching that make once-complex editing jobs a breeze.  

Best one-time purchase: Capture One Pro

Stan Horaczek

SEE IT

Specs

  • Extremely fast 
  • Excellent for RAW conversions
  • Layer-editing capabilities
  • One-time purchase of $299 or $14.92 per month

Pros

  • No-subscription option available 
  • Capture One Live means you can share while shooting
  • Offers wireless tethering for many cameras 

Cons

  • Expensive 
  • Lacks facial recognition 

For photographers who dislike Adobe’s subscription-based model, consider Capture One Pro. Although the program offers a monthly subscription, it can also be purchased for use on a desktop computer for $299. However, keep in mind that if you opt for a one-time purchase, you won’t have access to new feature updates.

Capture One is one of the best photo-editing programs for RAW conversions, wireless tethering, and the ability to share images in real-time while you shoot. These features make it a favorite of photographers who work in-studio and want fast access to their shots. The program includes a cataloging system for image organization and batch editing and the added power of being able to edit in layers.

Many studio pros like this software because it excels when it comes to shooting with the camera connected directly to the computer for instant editing access. This is called shooting “tethered.” Capture One also offers many of the creature comforts found in Lightroom, like styles that replace Adobe’s preset system.

Best for precise edits: Adobe Photoshop

Stan Horaczek

SEE IT

Specs

  • Extremely versatile
  • AI-powered image selection and editing tools
  • Ability to edit in layers
  • Starts at $9.99 per month

Pros

  • Lens profile correction tools
  • Good for image blending and advanced retouching
  • Features tons of image-manipulation tools

Cons

  • Number of options can be overwhelming for newer users
  • Subscription-based model

Adobe Photoshop changed the way photographers could edit their images when it was released in 1990 and remains one of the most powerful tools on the market for digital creators. It’s an excellent piece of software for photographers, graphic designers, retouchers, and digital artists who need to make precise edits to images. Recently, the program has integrated AI-powered editing tools that speed up the editing process. In addition to photo editing, it’s a great piece of software for designers, illustrators, and other digital artists. Adobe Photoshop comes packaged with Adobe Lightroom for $9.99 a month—which makes sense given how often the two tools are used together to complete a photo-editing job. 

Managing large photo libraries with Photoshop can be tricky since it relies on a sibling program called Bridge to keep things organized. If you’re dealing with large quantities of images or you don’t need to do really in-depth edits, then Lightroom is likely easier and more efficient than Photoshop for everyday usage.

Best for smartphones: Adobe Photoshop Express

Stan Horaczek

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Specs

  • Layer-editing capabilities
  • Free smartphone app available
  • Includes basic retouching tools
  • Free app available, $4.99 per month or $34.99 a year for upgraded features

Pros

  • User-friendly
  • Good for fast edits for social sharing
  • Free version available

Cons

  • Requires subscription to edit RAW images and advanced features

The free version of Photoshop Express includes a number of helpful editing tools to make basic adjustments, apply filters, and even work in something akin to layers using the “Mix” module. To unlock advanced features, you will need to pay for a monthly subscription, but for most photographers, these kinds of edits make more sense to make with a mouse or trackpad than on your phone—even if it’s an iPhone 14 Max or another model with a larger screen. If you are looking for something basic to give your images a bit of polish before you share them on social media, this is a great starting point. Some of the editing features feel gimmicky and childish, but it also offers robust tweaks if you can get past the unnecessary (in our opinion) options.

Cyberlink

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Specs

  • Keyword editing and facial recognition
  • Can edit in layers
  • Feature pro-image editing tools
  • $74.99 one-time license or subscription starting at $3.33 a month or $39.99 annually

Pros

  • Non-subscription pricing available 
  • Affordable
  • User-friendly interface

Cons

  • Not widely used by industry pros
  • Limited RAW image file support

This inexpensive alternative to Adobe’s editing programs still offers up a number of pro-level editing tools. It functions a bit like a hybrid of Adobe Lightroom Classic and Adobe Photoshop by offering catalog organization and batch processing features and several tools for more precise editing. It can be purchased as a one-time lifetime license for $74.99 or as a subscription for as little as $3.33 a month or $39.99 for an annual subscription. Professionals do not widely use it, and updates for RAW image support do tend to roll out a bit slowly, so if you are working with a brand new camera or on-site editing for someone who is, it might not be ideal. But if you are someone with older equipment who is primarily making edits for themselves, the low-cost software is easy to use and features a number of fun templates for photographers looking to dabble in graphic design. 

FAQs 

Q: What software do most photographers use?

A photographer’s editing workflow and the software they choose to use is often as unique as a photographer’s vision, and it’s not unusual for it to change over time. How a photographer edits photos will also depend on what they’ve been shooting and how many images need to be delivered. Adobe Lightroom Classic and Capture Pro are two of the most popular pieces of software for photographers who need to edit large amounts of images at one time—like event photographers, e-commerce photographers, and photojournalists. Photographers who work in spaces like beauty and portraiture may prefer to use a program like Adobe Photoshop to work in layers and make precision edits while retouching. Ultimately, it’s not unusual for photographers to run an image through a few different editing programs to create their final deliverables.

Q: Which software is easy for photo editing?

The photo-editing software included in this buying guide is all extremely intuitive. Although most smartphones offer very simple ways to edit images with tools like cropping, adjusting brightness, contrast, hue and saturation—a dedicated piece of photo-editing software will make your edits a little more precise. Ultimately, we think that the pieces of software included in this guide are a great starting point for novice photographers just learning to edit their own images.

Q: How do I edit raw photos?

Having a piece of dedicated software to edit images is the best way to edit a RAW image and gives you way more leeway in image editing. A RAW file type needs to be edited with a RAW photo editor and will give you the ability to adjust almost anything in the image—meaning you can often “save” a photo even if your exposures are way off. Many of the programs in this buying guide include RAW photo editors so you can simply import your files and begin editing. 

Final thoughts on the best photo-editing software 

When selecting the best photo-editing software, it’s important to consider what you will be shooting, how many images you will be shooting, and the adjustments you will make to your images. If you want to break into the photo industry full-time, an industry-standard program like Lightroom or Capture One will be extremely useful in landing jobs. If you are editing images just for yourself, it’s okay to stick with an inexpensive app or program that is more geared toward photo enthusiasts for the time being. Ultimately photographers use a wide variety of programs to edit their images, and it’s not unusual for a shot to pass through a few different programs before it’s ready to be shared.  

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best photo-editing software for 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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Get the GoPro Hero11 Mini Black for just $200 right now at Amazon https://www.popsci.com/gear/gopro-hero11-mini-black-best-buy-deal/ Tue, 25 Jul 2023 15:55:00 +0000 https://www.popsci.com/?p=558973
GoPro Hero 11 Mini Black action cameras in a pattern
Stan Horaczek

Save $100 and every memorable moment as you shoot ultra-smooth 5.3K video with up to 8x slow motion and excellent stabilization.

The post Get the GoPro Hero11 Mini Black for just $200 right now at Amazon appeared first on Popular Science.

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GoPro Hero 11 Mini Black action cameras in a pattern
Stan Horaczek

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You know how it goes on the internet: If there’s no video of something, it basically didn’t happen. However, you’ll never run into that problem again if you jump on this absurd GoPro deal at Amazon right now. You can currently snag a GoPro Hero11 Mini for just $199. That’s a full $100 off the normal $299 price tag of one of the best action cameras.

GoPro Hero11 Mini Black $199 (Was $299)

GoPro

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As the name suggests, this is essentially a miniature version of the GoPro Hero11 Black flagship action camera—an essential accessory if you’re an athlete, adventurer, or parent of one that wants to document thrills and spills. The biggest difference here is that the Mini doesn’t have any built-in screens for composing shots or navigating menus. Instead, you connect the camera to your phone and preview your shot or change your settings that way. Old-school GoPro cameras worked similarly, and it’s really not a hindrance once you get everything set up.

Other than that, this is basically the same camera as the much more expensive GoPro Hero11 Black flagship camera (and there’s an Amazon sale on the excellent, screen-equipped Hero11 Black below if that is a dealbreaker for you). The Mini (also available at Best Buy if that’s your preferred retailer) shoots up to 5.3K video with GoPro’s impressive Hypersmooth 5.0 technology. Built-in mounts make it super versatile and easy to attach to just about anything. Plus, it’s totally waterproof down to 33 feet, so it’s definitely not afraid of water. The whole camera weighs just 4.7 ounces, so you won’t feel it too much when you strap it to your chest and shred gnar (or chase your kid around the playground).

More GoPro deals (and one drone deal for those sweeping aerial shots)

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These HD digital camera binoculars are now only $122 https://www.popsci.com/sponsored-content/hd-digital-camera-binoculars-deal/ Thu, 01 Jun 2023 13:00:00 +0000 https://www.popsci.com/?p=544927
A pair of binoculars on a white background
Stack Commerce

Give the gift of viewing a 1-kilometer range at 12X magnification with these HD digital camera binoculars.

The post These HD digital camera binoculars are now only $122 appeared first on Popular Science.

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A pair of binoculars on a white background
Stack Commerce

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Are you searching for the perfect gift for the adventurer-dad in your life? Allow them to experience the ultimate fusion of telescope and digital camcorder capabilities with the HD Digital Camera Binoculars. These advanced binoculars are now on sale for only $121.99, just in time for Father’s Day.

This remarkable gadget lets users capture indoor and outdoor moments with great precision and detail, and just in time for Father’s Day, you can gift your dad these fantastic binoculars for only $121.99 (reg. $199). You’ll have to act fast, though, as they must be ordered no later than June 5 to ensure on-time delivery by the holiday.

With its 12X magnification and exceptional focus adjustment, these HD binoculars excel at recording high-quality videos and capturing stunning photographs. These binoculars are ideal for obtaining unforgettable memories, whether your dad’s camping, bird-watching, traveling, or engaging in various activities like traveling.

Dad can capture high-quality content in any environment with the HD Digital Camera Binoculars, which boast impressive video resolutions of 1440x1080p and 1280x720p and image resolutions ranging from 1.3M to 5M. Equipped with a premium full glass HD lens, this device records videos at a smooth 30 frames per second in 1080p, while its decisive autofocus ensures stunning 720p resolution at 60 frames per second. 

Thanks to its waterproof, anti-dust, anti-fog, and anti-shock design, Dad can confidently take this gadget anywhere, regardless of the weather conditions. And with a weight of 15.8oz, these compact binoculars can easily be stowed in Dad’s pant pocket, jacket, or bag.

The HD binoculars offer a range of additional features, including a 750mAh battery, support for JPG and AVI formats, an anti-reflective coating that enhances light transmission and prevents water filtration, a convenient 2″ LCD screen, and much more. Thanks to its budget-friendly pricing, you can gift your dad professional-quality video content without breaking the bank.

Make your dad’s day this holiday and upgrade how he records his next outdoor adventure.

Give Dad the HD Digital Camera Binoculars for just $121.99 (reg. $199) this Father’s Day. Hurry, June 5 is the last day to order to ensure on-time delivery.

Prices subject to change.

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The best shotgun mics in 2023 https://www.popsci.com/reviews/best-shotgun-mics/ Fri, 06 May 2022 17:00:05 +0000 https://www.popsci.com/?p=439316
Various shotgun mics from Rode, Shure, and Neumann
Abby Ferguson

Capture every nuanced note and subtly spoken word with these great microphones.

The post The best shotgun mics in 2023 appeared first on Popular Science.

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Various shotgun mics from Rode, Shure, and Neumann
Abby Ferguson

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Best overall Sennheiser MKH 416 is the best shotgun mic overall. Sennheiser MKH 416
SEE IT

Professional sonics and build capture the sound and fury of whatever you’re doing, wherever you are.

Best compact Rode NTG3B is the best compact shotgun mic. Rode NTG3B
SEE IT

A relatively moderate price tag but wide frequency response means this giant sound from a small package.

Best for DSLR Rode VideoMic Pro+ is the best shotgun mic for DSLR. Rode VideoMic Pro+
SEE IT

Able to run off of AA batteries, with a build that belies its affordable price tag, this is a perfect beginner mic.

Shotgun mics are flexible tools for capturing natural, focused sound for film and television, environmental recordings, sporting and live events, vlogs, or voice-overs. Their narrow pickup pattern rejects noise from the sides and, to a certain extent, the back, keeping the focus on your subject. The best shotgun mics are light enough to mount on a camera or carry on a boom pole all day and, in many cases, built with enough durability to survive the rough-and-tumble life of location recording. 

Plenty of times, you’re on the street or live streaming and don’t have the luxury of individually miking people, or you’re filming a scene where you can’t have a visible lavalier mic. That’s why you’ll find top-notch shotgun mics throughout the professional world—often accompanied by professional-level prices. But shotguns have been around for a while, and these ubiquitous tools of the trade are often inexpensive enough that even beginners and budget-minded users can add quality equipment to their kit bags. 

With every reputable—and less than reputable—microphone manufacturer producing them, it’s sometimes hard to figure out which shotgun mics deliver on their promise of great sound. So to help you out, we’ve rounded up a list of tips, advice, and the best shotgun mics.  

How we chose the best shotgun mics

We based our selection of the best shotgun mics on our own personal experience in the film, TV, and professional audio worlds, as well as conversations with other professional audio engineers and filmmakers, experts at equipment rental houses, and musicians. We consulted specialty review sites, industry trade magazines, and blogs, and read through the online impressions of typical users to see if performance typically matched a mic’s promise. In evaluating our selections, we prioritized sound quality and looked at construction (including moisture resistance), price, size, and how each microphone is powered.

The best shotgun mics: Reviews & Recommendations

Shotgun mics are ideal for recording dialogue on a movie set, the action on the court at a basketball game, or animals out in nature. It’s important to note that no shotguns will reject all off-axis sound. But they do an excellent job of keeping the focus on your subject.

Best overall: Sennheiser MKH 416

Sennheiser Pro Audio

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Specs

  • Weight: 6.17 ounces
  • Length: 9.84 inches
  • Frequency response: 40 Hz – 20 kHz

Pros

  • Wide frequency response for clear, natural sound
  • Tight polar pattern isolates sound sources
  • Moisture resistant

Cons

  • Expensive

Sennheiser’s name repeatedly pops up when discussing the best microphones, and the venerable German manufacturer doesn’t slack off with their flagship MKH 416 shotgun mic. This professional-grade piece of kit has a wide 40-20,000 Hz frequency response, with a hyper-cardioid polar pattern at the low to mid frequencies that does an excellent job of rejecting off-axis sounds while zeroing in on the dialogue and other mid-frequency sources.

The shotgun works great indoors or out across various environments, thanks to an RF condenser design that’s highly moisture-resistant. And the MKH 416’s compact and light construction makes it easy to mount the mic on a boom pole without sacrificing maneuverability or tiring out your operator.

Make no mistake; you can get excellent shotgun mics for less money. But as good as they are, none provide the combined level of sonic quality, robust construction, and all-around utility of the MKH 416.

Best compact: Rode NTG3B

RØDE Microphones

SEE IT

Specs

  • Weight: 5.75 ounces
  • Length: 10.4 inches
  • Frequency response: 40 Hz – 20 kHz

Pros

  • Wide frequency response for natural sound
  • Moisture resistant 
  • Easy to mount on a camera or boom

Cons

  • Slightly thinner sounding

Rode makes excellent mics. And thanks to its relatively moderate price tag, the NTG3B represents a common first step into the world of high-quality microphones. But thanks to its wide, natural 40-20,000 Hz frequency response and excellent build quality, it’s also the last stop for many pro and semi-pro indie filmmakers, documentarians, broadcast journalists, podcasters, and in-house audio-video teams.

It has excellent off-axis rejection, and its RF condenser technology protects it from moderate moisture. It isn’t quite as sensitive or directional as our top pick, Sennheiser’s MKH 416, but it usually costs about $300 less—and includes a handy metal case. For all but the most demanding users, that is often worth the trade-off. It’s still not what we’d consider “budget-priced,” but you definitely get what you pay for in terms of sonic integrity and build. 

Best for DSLR: Rode VideoMic Pro+

RØDE Microphones

SEE IT

Specs

  • Weight: 4.3 ounces
  • Length: 6.69 inches
  • Frequency response: 20 Hz – 20 kHz

Pros

  • Built-in shockmount resists handling noise
  • Extremely compact design
  • Multiple power options
  • 3.5mm TRS connectors

Cons

  • No XLR connectivity
  • Off-axis rejection could be better

Rode designed this compact and handy shotgun mic with mobile journalists, vloggers, and run-and-gun shooters in mind. It connects to cameras or audio recorders via a 3.5mm TRS cable and features an integrated shockmount that protects it from handling noise. The VideoMic Pro+ also has a built-in cold-shoe mount—so no extra arms or connectors are needed to mount it on your camera. 

The mic can be tuned to handle different recording environments, with buttons providing low-cut filters at 75 Hz or 150 Hz. You can also boost the frequency at 7 kHz if things start sounding a bit muddy. The mic has adjustable gain, as well, to help compensate for very loud or soft sounds. 

The VideoMic Pro+ won’t accept phantom power, but it does allow you to use AA batteries, Rode’s rechargeable battery, or an external battery that can connect via USB. 

With a shorter barrel, this shotgun mic sometimes has trouble rejecting off-axis sounds, especially in environments with large and noisy crowds. But if you want to keep your kit low-profile and nimble, this trade-off might be worth it.

Premium pick: Schoeps CMIT 5

Schoeps

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Specs 

  • Weight: 3.35 ounces
  • Length: 9.88 inches
  • Frequency response: 40 Hz – 20 kHz

Pros

  • Natural sound
  • Three switchable filters
  • Shielded against electronic interference
  • Compact design

Cons 

  • Very expensive.
  • Sensitive to environmental issues

Shoeps makes some of the best-sounding microphones in the business, and the CMIT 5 is no exception. It has a frequency response of 40-20,000 Hz tuned to provide flat, transparent, natural audio. But it also has three filters in case some additional acoustic sculpting is required: increase vocal clarity with a 5 dB boost at 10 Hz; roll off some bass at 300 Hz to offset proximity effect; or do a steep cut below 80 Hz to help wrangle handling-noise from a mic boom. It’s designed to perform best when paired with a high-gain mic preamp and is ideal for high-end applications like capturing dialogue, foley work, sound effects, or recording nuanced instruments.

However, Schoeps mics are some of the most sensitive to environmental issues like humidity. You don’t want to bring the CMIT 5 into the jungle or shoot down in Florida outside of an environmentally controlled building. This microphone is for the studio, concert hall, or closed set.

Remember that the best of the best comes with a high price tag, and the Schoeps CMIT 5 might be more microphone than many people outside the professional field need. 

Most versatile: Shure VP89M

Shure

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Specs 

  • Weight: 4.9 ounces
  • Length: 9.41 inches (Capsule), 4.02 inches (Preamp)
  • Frequency response: 50 Hz to 20 kHz

Pros

  • Unique modular capsule design
  • Excellent sound quality
  • Switchable low-cut filter
  • Rugged yet lightweight build quality

Cons

  • Requires 11 to 52 VDC phantom power

If you record in various situations, you typically need multiple shotgun mics to suit each scenario. But the Shure VP89M offers a unique modular design with interchangeable capsules, so you can stick with one mic even across indoor or outdoor applications. This version has a medium capsule, but you can also purchase short and long capsules to round out your kit. 

Shure built this mic around a Class-A transformerless preamplifier. It features a switchable low-cut filter to assist with less-than-desirable bass frequencies. The Medium capsule provides a narrow 50-degree acceptance angle, while the Long capsule offers a narrower angle, and the Short is wider. The mic produces a clean and natural sound that is very well-balanced. And it can easily pick up sound from up to 10 feet away, making it a worthy long-range mic option.

The Shure VP89M features a standard XLR 3-pin output. The aircraft-grade aluminum alloy construction adds to its durability but keeps the mic lightweight, making it easier to use for long periods. And it can operate in a wide range of temperatures and humidity levels. Though you must purchase the different capsules separately, this comes with a windscreen and carrying case. 

Best professional: Neumann KMR 81 i

Neumann

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Specs 

  • Weight: 5 ounces
  • Length: 8.9 inches
  • Frequency response: 20 Hz – 20 kHz

Pros

  • Warm, clear sound
  • Works in a variety of situations
  • Low sensitivity to wind and handling noise
  • Compact enough to mount on a camera

Cons

  • Expensive

Neumann makes some of the best microphones, and the KMR 81 i is no exception. It has a steep price tag, but you get a lot for that high price. It is a super-cardioid mic and uses a pressure gradient transducer and an interference tube depending on the wavelength of the frequency for versatile use. 

The Neumann KMR 81 i is compact and light enough to be used on a camera for handheld shooting. Though the mic is specifically designed for film and TV applications, it also works well for recording individual musicians, orchestras, and more. The limited off-axis coloration keeps the sound consistent even if the subject is moving around. 

Most importantly, the KMR 81 i produces a high-quality, clear, warm sound. The 90-degree recording angle picks up just the right amount of sound. It offers switches to control a 200Hz low-cut filter and a -10dB pad to reduce traffic and wind noises. It also comes with a windscreen for even better results when outdoors. You’ll also get a leather carrying case and a one-year warranty.

Best mini: Rode VideoMicro II

Abby Ferguson

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Specs 

  • Weight: 1.4 ounces
  • Length: 3.1 inches
  • Frequency response: 20 Hz to 20 kHz

Pros

  • Very compact and lightweight
  • Affordable
  • Straightforward and easy to use
  • Excellent sound quality

Cons

  • Only supports 3.5mm analog output

The Rode VideoMicro II, is, as the name suggests, tiny. At only 3.1 inches long and weight 1.4 ounces, it’s smaller than just about everything out there. This small shotgun mic is ideal for beginners getting into filmmaking or vlogging, partly because of its compact size. It’s also very simple to use. You mount it to your camera’s hot shoe, plug in the 3.5mm TRS cable, and you are good to go. It can even connect to a smartphone or tablet should you want to.

The VideoMicro II is also reasonably priced, under $100. But, despite the budget-friendly price, it produces quality sound. It comes with both foam and furry windshields, which do an excellent job of filtering out background noise. And Rode’s built-in HELIX isolation mount system keeps noise from any knocks and bumps down to a minimum. 

The mic has no physical controls, so you are more limited than when using more expensive models. But it only draws a tiny bit of power from your camera, so you won’t have to cut recordings short to charge back up. The short form factor even makes it feasible to use on gimbals, making it an ideal microphone choice for run-and-gun videographers and vloggers.

Best budget: Audio-Technica AT897

Audio-Technica

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Specs 

  • Weight: 5.11 ounces
  • Length: 10.98 inches
  • Frequency response: 20 Hz – 20 kHz

Pros

  • Inexpensive
  • 80 Hz low-cut switch
  • Lightweight
  • Battery and phantom powered

Cons

  • Susceptible to moisture
  • Slightly brittle sounding 

With microphones, you often get what you pay for. But Audio-Technica’s AT897 delivers high-quality results while still costing less than $250. Its wide 20-20,000 Hz frequency response, with a switchable roll-off at 80 Hz, allows the mic to capture very natural sound. That said, the response across all those frequencies could be flatter, and you can expect some brittleness in the higher end that you won’t find on more professional-grade mics. Off-axis sound rejection is good but not great.

The AT897 is built like a tank, and while I wouldn’t suggest tossing it onto concrete or driving over it with a truck, it’ll generally survive the mishaps you’re likely to encounter when recording on location or out in nature. However, it’s susceptible to moisture and high humidity, so keep an eye on the weather if you’re using it outdoors. 

A nice bonus: This mic can run off an AA battery, which is particularly handy when the budget doesn’t allow for recorders or cameras that supply phantom power—for instance, in a classroom. Despite some shortcomings, this is an excellent shotgun microphone for beginners who want to develop their technique, schools, or anyone operating under a tight budget while still wanting plenty of features and quality. 

Things to consider before buying the best shotgun mics

Microphones have polar, or response, patterns, which describe how they “hear” sound sources depending on where they’re placed. A shotgun microphone is a type of mic with a very narrow, front-facing response known as a “supercardioid” pattern. This means the mic mostly picks up sound from whatever you point it at while rejecting sound from the sides and, to a lesser extent, the back.

Frequency response

Frequency response is measured in Hertz (Hz) and describes how well the microphone captures sound at different frequencies. Shotgun microphones tend to have very wide, flat responses—that is, they pick up a range of frequencies more or less equally well—to better represent what the human ear can hear. They’re often tuned a bit to help emphasize dialogue and other mid-range frequencies. 

Condenser vs. dynamic microphones

There are two main types of microphones: condenser mics and dynamic mics. In very basic terms, microphones use diaphragms that vibrate when hit by sound waves. These vibrations generate electronic impulses that can be recorded or converted directly back into sound. Condenser mics have very thin diaphragms sensitive to subtle, quiet, nuanced sounds. But they’re more delicate and susceptible to heavy handling and moisture.

Dynamic mics, with their thicker diaphragms, aren’t as good with nuance but do very well when blasted with loud noises. They’re also robust and can survive a lot of abuse. (Singers usually use dynamic mics on stage; if you’ve ever been to a punk show, you’ve seen the damage they can withstand.) 

Because shotguns are meant to capture even whispered dialogue, they’re almost always condenser mics. Some mics—like those in Sennheiser’s MKH series—use RF condensers in their capsules versus AF condensers, which do a better job of resisting humidity. But it’s important to understand the options and even test a mic to ensure you get the right one for the job at hand.

Length

Shotgun mics come in various lengths, from a compact 3 inches or 4 inches to more than one-foot long. Consider how you’ll use the mic when deciding whether you want a compact one. If you’re mounting it on a camera, a smaller profile makes the mic lighter and much more maneuverable. Longer shotguns tend to have tighter polar patterns; they’re great when recording concerts or sporting events, and you want to minimize the overwhelming crowd noise. But put one on a camera, and you’re liable to poke someone’s eye out!   

Power

Like all condenser mics, shotguns require some power source. They usually rely on 48v phantom power delivered from a recording device, mixer, or camera. But some also have an option of using an AA battery, which can be a lifesaver if you find yourself in a situation where phantom power isn’t available. (For instance, some wireless rigs don’t deliver power themselves, so pick up and power up those rechargeable batteries.)

FAQs

Q: How do I choose a shotgun mic? 

When choosing a shotgun mic, look for one that suits the projects you’re likely to work on. Are you an indie filmmaker? A vlogger? Do you like to livestream content? Do you record music? Are you working indoors or outside? How controlled an environment will you be recording in? Also, consider your budget—spend enough to get a mic that will serve you well as your projects develop, but not one that completely empties your wallet or provides features you know you’ll never need. 

Q: How good are shotgun mics?

Shotgun mics are great if used correctly and for the right application—just like any mic! If you need to pick up specific sound sources, like an actor delivering dialogue or a guitarist playing on a street corner, shotgun mics are ideal because of the way they minimize surrounding (off-axis) noise.

Q: How much does a shotgun mic cost?

Shotgun mics cost anywhere from about $200 to $2,500. But you often get what you pay for, and lower-priced mics sometimes sacrifice sonic clarity and off-axis rejection or might not be built well enough to protect them from bangs and bumps. On the other hand, the highest-priced mics are designed for professionals in demanding situations, and many people won’t need to take advantage of all those mics offer. Many excellent shotgun mics can be found in the $300-$800 price range.

Q: Is a shotgun mic good for YouTube?

A shotgun mic is great for YouTube. Anything that captures audio clearly and helps you deliver your creative vision is a tool you want in your kit. 

Q: Can you use a shotgun mic to record music?

Yes, you can use a shotgun mic to record music. A good quality shotgun has a flat frequency response and directionality, making it very effective at capturing warm and subtle tones.   

Final thoughts on the best shotgun mics

If you’re shopping for a shotgun microphone, you’ve got a lot of options—that’s the good news. Manufacturers like Sennheiser and Rode make mics at different prices that all deliver excellent audio. The trick is figuring out which mic suits your needs best without accidentally overspending. It’s not easy—and that’s the bad news. Navigating all these microphones takes time and careful research. It also helps to use the mics before you buy one so you can tell from first-hand experience if it’s right for you.

That said, our own experience working with these mics professionally takes us back, time and again, to the classic Sennheiser MKH 416. It’s hard to beat the sound quality, which is simply excellent. But if you can’t quite afford one, Rode’s NTG3B, our pick for the best compact shotgun mic, is an excellent second choice. It sounds almost as good and has the same resistance to humidity. I’ve used both in professional settings and never had any complaints. 

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best shotgun mics in 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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The best dash cams under $100 in 2023 https://www.popsci.com/gear/best-dash-cams-under-100/ Wed, 14 Sep 2022 17:00:00 +0000 https://www.popsci.com/?p=469338
Best dash cams under $100 sliced header
Tony Ware

We help you track who is aggressively braking in front of your car—without breaking your budget.

The post The best dash cams under $100 in 2023 appeared first on Popular Science.

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Best dash cams under $100 sliced header
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Best Overall HP F650 HP F660
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Loop recording, a wide angle lens, and G-Shock sensor are just some of the features of this easily installed option.

Best 2-Channel Ssontong Dash Cam is the best 2-channel dash cam under $100. Ssontong Dash Cam
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Including a backup cam with guidelines and a sensitive G-Sensor, this bundle (also available with four channels) offers a full value.

Best Parking Mode Vantrue N1 Pro is the best parking mode dash cam under $100. Vantrue N1 Pro
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Superior night vision, quality collision and motion detection, plus battery protection help make sure your car is monitored even in the dark.

For years, dash cams for cars have been a great way to catch hit-and-run automobile accidents, staged pedestrian accident scams, and even Russian meteor showers. For a long time, having this ability to monitor what really happens on the exterior of your car, and being able to carefully review the data after the fact, has seemed like a luxury. It was something you might have appreciated but didn’t necessarily seem like something that’d be worth the extra buck to put in your car. But now, the year is 2022 and the best dash cams under $100 that we’ve collected are actually solid, working units ready to help you out in a pinch. 

How we selected the best dash cams under $100

Selecting budget products can always be a bit tricky due to manufacturer shortcuts, inferior hardware, and the possibility of outright fraud. Fortunately, for dash cams, there are still high-quality products in the budget range. To find the best of the best, we scoured dash cam reviews from critics and real-world users, combining these with peer suggestions to select dash cams that boasted good specs but also provided intensive value for the cost. Highlighting cams across the full price spectrum—from the REXING V1 at just under $100 before tax to the Angel Case Dash Cam sitting at under $40—was also made a priority. In the end, we were able to compile a list of dash cams that you will be able to select something from.

The best dash cams under $100: Reviews & Recommendations

The following dash cams provide quality in a variety of different situations for people of all budgets. While none are particularly specialized, it is quite incredible that we were able to find one that can handle many channels well, another one that handles parking mode and night vision well, and yet another one that can handle fairly extreme temperatures, all on one budget list. As a result, it is our firm belief that you’ll be able to find something worthy of both your dash and your wallet from the following selections.

Best overall: HP F650

Why it made the cut: This is a quick installation product that will get you started and dash cam ready within minutes.

Specs

  • Storage: 32GB MicroSD
  • Viewing angle: 150 degrees
  • Resolution: 1080P front

Pros

  • Warning system
  • Low effort installation
  • Loop recording with event highlights
  • Locks video clips when an accident occurs

Cons

  • No rear-facing camera

The F650 is a dash cam from your favorite laptop and printer maker, HP. It has a lot of features built-in that you will certainly want, but probably weren’t necessarily expecting to come together in one budget model. The F650 has simple, stick-on installation, and smart loop recording that locks files around the time of collisions. The dash cam’s 150 degree field of view means it’ll capture view of four lanes of traffic.

If you get into an accident, the F650’s G-Shock sensor will trigger, which will lock any video it records to prevent it from being overwritten. This is handy if you need to present evidence to the police several days after the incident occurs. This dash cam records video onto a MicroSD card, and while HP doesn’t include one in the box, you can get a 32GB card for well under $10.

It goes without saying that the HP F650 tops our list due to its insane value for the cost and its feature-packed nature. Like a lot of HP products, the F650 isn’t the best possible model out there but is instead an affordable product that tries its best to provide value to average customers. We wish it had a rear-facing camera to record video of what’s happening in your vehicle, but that isn’t a dealbreaker considering its sub $50 price.

Best 2-channel: Ssontong Dash Cam

Ssontong

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Why it made the cut: The Ssontong Dash Cam comes with a fully featured backup cam, all for under $50.

Specs

  • Storage: 32GB SD
  • Angle of view: 170 degrees front / 140 degrees rear
  • Resolution: 1080P front / 720P rear

Pros

  • Includes backup cam with guidelines
  • Sensitive G-Sensor
  • Full value for price
  • Bundles available for four channels

Cons

  • Low angle of view rear cam

While the HP F660G has a second cam, the Ssontong’s second channel cam acts as a full backup camera with guidelines and everything. While the rear cam isn’t quite up to the standards of a backup cam proper (it has a low 140-degree angle of view), you are also getting it as part of a complete system for under $100. Note, too, that the Ssontong can become a four-channel system and has bundle deals available if you wish to expand the system to be larger.

The Ssontong comes alive when you aren’t driving quickly via the G-Sensor, which rapidly detects vibrations. Even small wiggles, such as from a shut trunk or when you go back into your car to retrieve the bag you left in the back, will trigger it into full recording mode.

Overall, the Ssontong takes the throne for low-budget multi-channel dash cams. Even if you upgrade to include more channels, which might take you over $100, you’re still getting discounts and good deals at every corner. Ultimately, the Ssontong is a solid choice worthy of its dollar value.

Best parking mode: Vantrue N1 Pro

Vantrue

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Why it made the cut: The Vantrue N1 Pro works wonders at night, making its 24-hour parking mode worth every dollar.

Specs

  • Storage: Up to 256GB MicroSD (not included)
  • Angle of view: 160 degrees
  • Resolution: 1080P 

Pros

  • Superior night vision
  • Quality collision AND motion detection
  • Battery protection

Cons

  • Front cam only

The Vantrue N1 is a seemingly standard forward-facing dash cam but—much like vampires, werewolves, and teenagers—doesn’t begin to show its real power until night falls. Again, it’s not bad during the day with the standard 1080P resolution, relatively good 160-degree angle of view, and high storage capacity. You can even get GPS functionality for around $20 more if you buy the N1 Pro add-on, which will put the total purchase right around the $100 mark. However, what you really want to see is how it functions at night.

When engaged in parking mode, you have a couple of modes to explore. First, there is collision-detection mode, which requires no extra steps to use. When your car is hit during parking mode, your Vantrue N1 camera will come alive and take a quick 20-second video for you to review later. The other option is a slightly more complex motion-detection mode, which requires a bit of wiring so the cam has access to your car’s battery. Your battery is protected from draining completely even while this mode is engaged due to battery protection mechanisms.

All of these great parking features go hand-in-hand with the “SONY Sensor.” This night vision brand is well-received by customers and actually works pretty well in a variety of environments. Combined with the recording modes above, you’re likely to have a good parking-mode experience with Vantrue. If it only had an included rear cam, it’d be just about perfect.

Best heat handling: REXING V1

REXING

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Why it made the cut: If you’ve ever worried about heat (or cold) affecting a dash cam, you can relax with the REXING V1.

Specs

  • Storage: Up to 256GB MicroSD (not included)
  • Temperature range: -20 degrees to 176 degrees Fahrenheit
  • Angle of view: 170 degrees

Pros

  • Best temperature range
  • Sharp, clear image
  • Phone support

Cons

  • Tax could take it over $100
  • Front cam only

As heat does affect cams to some degree, you’ll want some tough heat resistance if you are expecting to blast through yet another summer heat wave and possibly leave the cam in your car. With a 176 degree Fahrenheit max, way above the 117 degrees your car can become after an hour in 95-degree heat, the REXING V1 is a cam you can feel truly secure leaving in any conditions.

Furthermore, the REXING V1 can even function down at an extreme: -20 degrees Fahrenheit. Compare that to the Vantrue N1 Pro’s already ambitious -4 to 158 degrees Fahrenheit range and you’ll see that you’re gaining 28 degrees of flexibility with the REXING V1.

All of this comes with a high-quality cam that produces sharp, clear imagery. In addition to the typical loop recording, the REXING V1 is also capable of connecting with your phone and you can offload clips that way as well. If only it came with a rear camera that was just as capable, it’d be perfect.

The only other downside I can really see for this one is that it is on the higher side of product costs. If you encounter any sales tax, you’ll probably slide over $100. It’s a technicality, but worth mentioning!

Best budget: Angel Case Dash Cam

Zhrmghg

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Why it made the cut: The Angel Case may not be easily pronounceable, but it is an ultra-low budget, legitimate dash cam with outstandingly good customer reviews.

Specs

  • Storage: Up to 32GB MicroSD (not included)
  • Angle of view: 170 degrees
  • Resolution: 1080P 

Pros

  • Quick installation
  • Fully featured
  • Incredible customer satisfaction

Cons

  • Cheap suction mount
  • Front cam only

For your super-budget needs, the ultra-affordable Angel Case is here for you. This cam is under $35 dollars and comes fully featured, making it our cheapest dash cam pick. It has the loop recording (with locks for special events), the parking modes and G-Sensors, and even the night vision you expect from higher models. Its installation is remarkably quick, too, though it does use an admittedly cheap suction-cup mechanism.

It’s worth noting that Angel Case has something special, in that it is one of the best-rated dash cams on Amazon. Not just in the best budget dash cams but in all of them, though the outrageously low price certainly is a contributing factor. Customers just love it and that certainly makes it something worth checking out.

Still, there are things to be desired coming from the Zhrmghg. In addition to somewhat more secure mounting, it’d be nice to see a rear cam, too. However, it is hard to expect too many extras when you’re getting sub-$50 quality. The Zhrmghg will serve you well and get you far beyond that bare minimum of peace of mind that you’re after.

Things to consider before buying dash cams under $100

Overall, selecting a dash cam under $100 isn’t too far off from buying other dash cams for your car. However, when looking at low-price products, different trends and problems will emerge. So, while things like resolution and screen type are still important, you may run into more important problems or have different concerns altogether as a budget customer. Here’s what we suggest you look at, specifically, when searching for the best dash cams under $100:

Recording time

How much time can a dash cam under $100 record for? It’s actually a pretty complex question, that won’t have the simple numeral answer you’re hoping for. At the most basic, you have to worry about power supply, but also the dash cam’s storage capacity. When you’re working within price limitations, there is a chance that either one of these factors will become the limiting one.

Manufacturers are, of course, aware of the difficulties of giving you something functional while keeping within tight production budgets. While not all companies will be dedicated enough to give you something functional, there are some pretty intelligent design features that make dash cams under $100 workable. Here are just a few of them I’ve seen quite a bit of:

Shake-on recording: You might be aware of systems that make a note of when activity is detected so you can come back and review the relevant footage later. Unfortunately, that mechanism won’t save battery and storage space. Instead, dash cams with shake-on recording come “alive” when the car is shook or jostled, recording what happens in these key moments.

This tech comes by many names, such as “collision detection” or “G-sensor,” but all of them work similarly. While the feature is fairly ubiquitous, more advanced units have settings that will let you determine the threshold for turning on. For example, if you park in a parking tower that vibrates a bit as cars drive by, you might not want just any bump setting off your dash cam. 

Loop recording: First-In-First-Out, or “FIFO,” is one of the first rules of the kitchen. It also appears as “loop recording” for dash cams and can make for a really good file storage system when you’re working on a budget. Instead of stopping future recordings when the system becomes full, dash cams with this style of recording start deleting your oldest files automatically to make room for new stuff.

This system has the advantage of making sure the latest information is taken into account but you do run the risk of losing something important if you don’t regularly backup your data. Many dash cams with shake-on recording will designate files taken around the time of a shaking incident as important and ‘lock’ them for later viewing.

All of the dash cams on our list use loop recording and it isn’t hard to figure out why—the system is a fantastic complement to the way dash cams operate. Still, if you’re planning on searching for your own budget dash cam, this is a keyword to look out for.

SD storage: Dash cams, and especially those under $100, typically store footage to an SD or MicroSD storage card. In many cases, a card will be provided with the purchase, but double-check to be sure.

This supplied card probably won’t have as much storage space as the ones we’ve detailed in our best MicroSD and SD card articles, considering the cost restrictions. If you are concerned about the storage space of the card given, be sure to check those articles out. Also, pay careful attention to which type of memory card your purchased dash cam uses, as MicroSD and SD are not the same!

Lastly, some of the dash cams on the list actually have a storage maximum. In other words, they aren’t designed to work with cards above a certain value. So, getting the best MicroSD or SD card isn’t necessarily going to be the best decision for your dash cam experience.

Viewing angle

Viewing angle becomes very important when you’re trying to get as much information as possible. Having too narrow of a view angle, and subsequently completely missing out on an accident that you should have been able to capture, completely misses the point of having a dash cam in the first place. On the other hand, if your viewing angle is too wide you could encounter other problems, such as barrel distortion, which causes straight lines to appear awkwardly bent. A viewing angle between 150 degrees and 170 degrees will be best in most cases.

Night-vision quality

If you’re wanting to know what goes bump in the night, or at least what bumps into your car at night, then you’ll need some degree of night vision. There is a lot of technical jargon, mixed with some company labeling, so expect to see a lot of different claims out there. Examples include technical explanation, such as using f/2.8 aperture lenses, or more vague gestures that reference the brand name’s “special” night-vision formula.

Luckily, you don’t really need to look at numbers or technical stats to understand night-vision quality—you need to look at pictures or at least get a sense of what you’ll be able to see. In reality, when it comes to night vision quality, your best friend is going to be user reviews, image stills, and word of mouth.

FAQs

Q: How much does a dash cam under $100 cost?

A dash cam under $100 will cost you around $30 at the very lowest. On the high end, you might, somewhat paradoxically, expect to go to around $120 if you decide to buy all of the add-ons, attachments, or extras. All of the dash cams presented in this article are under $100 and will stand as relatively decent quality dash cams even without possible extras. Depending on your local laws, some sales taxes may apply and push the price over $100 as well. In any event, there are decent, fully working dash cams available at the $50 price point.

Q: How much should I spend on a dash cam?

You should spend what you can afford on a dash cam. In most cases, a dash cam is a nice extra to avoid any additional “he said, she said” in the event of a car accident. If you’re concerned about this, something is better than nothing and you don’t really have to have top-of-the-line equipment to get an okay picture. For average people looking for peace of mind, or people like Uber drivers that spend a lot of time on the road but don’t want to spend too much money, any of our best dash cams under $100 should reduce your nerves and give you that extra bit of security you’re after.

Q: Do I need a rear-facing dash cam?

You don’t absolutely need a rear-facing dash cam, or any dash cam for that matter. However, if you want to catch detailed footage of any accidents you will need them. Since getting rear-ended by drivers not paying attention is possible, a rear-facing dash cam is quite beneficial. However, some people are not as interested in them as front-facing dash cams due to license plates always being in the. Note that some states, such as Maryland, require front and rear license plates and therefore get the most out of rear-facing dash cams.

Final thoughts on the best dash cams under $100

By now you should have a good idea of what dash cam you want for your car, depending on your needs. Additionally, you’ll have a firm idea of what the best dash cams under $100 have to offer in case you decide to do some further digging. In any event, while your package is on its way, be sure to check out the easiest way to install a dash cam so you’re 100% ready when it arrives!

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best dash cams under $100 in 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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The best digital picture frames for 2023 https://www.popsci.com/gear/best-digital-picture-frames/ Wed, 25 Jan 2023 18:00:00 +0000 https://www.popsci.com/?p=507101
The best digital picture frames can showcase the best of your photos.

Store and showcase your favorite digital photos with these smart frames.

The post The best digital picture frames for 2023 appeared first on Popular Science.

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The best digital picture frames can showcase the best of your photos.

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

Best overall Aura Mason Luxe digital picture frame product image Aura Mason Luxe Smart Frame
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With unlimited storage, an intuitive app, and the ability to be oriented either portrait or landscape, the 2K Aura Mason Luxe frame truly has everything you could want.

Best touchscreen Sammix makes the best digital picture frame with a touch screen. Sammix Digital Picture Frame
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Maximum usability is the name of the game with the SAMMIX digital picture frame, which boasts touchscreen capabilities, motion-sensor activation, and more.

Best budget The Aluratek 8-inch is the best digital picture frame at at budget-friendly price. Aluratek Digital Photo Frame
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This frame is all about simplicity: Just plug in your USB full of photos and watch a slideshow of memories come to life.

Whether its Mother’s Day, Grandparents’ Day, or just any day that ends in “y,” a digital picture frame helps make even the smallest moment make a big impression as favorite memories and unexpected flashbacks pop up. Created to store your most cherished memories and put them on display, these smart frames—many of them wirelessly connected—exponentially increase how many photos can be showcased. For the indecisive among us, this is really good news. And for those who hate clutter, getting rid of 25-plus picture frames and replacing them with a single digital one is even better news. And a digital picture frame you can remotely update for a loved one truly is the gift that keeps on giving. Which leads us to the most important question: How do you pick just one? By reading our informative guide, that’s how! Here’s our selection of the best digital picture frames.

How we chose the best digital picture frames

To make our selections, we honed in on the following criteria:

Storage: Whether in the cloud or on your USB flash drive, photos have to live somewhere. We looked at what kind of storage each photo frame provides and the pros and cons of each option.

Design: If a photo frame is going to live in your home or office long-term, it has to look good. All of the frames in this list are not only functional but aesthetically pleasing as well.

Usability: With any technological advancement comes the difficulty of adjusting to new tools and gadgets. We made sure to select picture frames that provide a friendly user experience.

Size: Like traditional picture frames, digital ones come in different sizes. We included several different options in this category and explained the benefits of each.

Customization: Looking at family photos can be an intimate experience; we made sure to include what level of personalization each picture frame provides.

The best digital picture frames: Reviews & Recommendations

On the surface, a digital photo frame looks almost exactly like the traditional photo frame it was designed to replace. But with many hidden technological features and perks, these well-rounded rectangles are a whole new ball game.

Best overall: Aura Mason Luxe Smart Frame

Tess Ware

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Why it made the cut: The Aura app enables anyone in the family with a smartphone to add photos to the Mason Luxe picture frame from anywhere, making it the best choice for a household with lots of memories or members to put on display.

Specs

  • Screen size/type: 9.7-inch screen
  • Connection type(s): WiFi enabled
  • Storage type(s): Unlimited cloud storage

Pros

  • A sleek, stone-inspired hand-speckled design makes this frame appropriate for almost any room
  • Portrait or landscape orientation
  • Extremely high resolution for an ultra-crisp display
  • Compatible with Amazon Alexa, Google Assistant

Cons

  • The most expensive frame in this roundup

Aura makes digital picture frames that stand out for the full-featured technology contained in their chic minimalist design. Thanks to 2.4GHz WiFi capabilities and free unlimited cloud storage, you could send tens of thousands of photos (or short videos) to any Aura Mason Luxe frame on a home network and still not run out of space. Once invited to contribute, anyone with the Aura app on on iOS or Android phone or tablet can edit and add photos from anywhere in seconds, with none of the hassles that come with using email. Once the photos are in the frame, the 2K 2048×1536 (256dpi) display—which can be set up either portrait or landscape, and automatically rotates the screen if reoriented—presents them intelligently cropped in chronological order or randomly shuffled, though you can adjust the speed as you see fit. Auto-dimming technology automatically adjusts brightness for the environment, plus shuts the frame off at night. And an interactive touch bar lets you change photos, view details, and more if you don’t want to reach for your phone.

A straightforward setup process makes it easy to gift an Ausa Mason Luxe, which will display a personalized welcome message/image as soon as its online. Gunning for the “Best Son of 2023” award, the PopSci gear team’s associate managing editor sent one of these frames to his mother for his birthday, and she’s been constantly delighted as new pictures of her other son in Japan, grandchild on the soccer field, or contemplative granddog (shown above) pop up every few days. From the recipient herself: “What I have enjoyed the most … is the burst of joy every time I see a photo of a loved one or a picture a loved one has shared with me!”

Got a bigger family or group of friends but want to spend a little less? Consider the $149 Aura Carver Smart Frame, which has a 10.1-inch HD (1200×800 150dpi) display with a landscape orientation within its modernist setting. While it’s a lower resolution than the Mason Luxe and vertical images will be displayed as pairs, the horizontal alignment means there’s still lots of room for a crowd of smiling faces, as well as beautiful vistas. Aura’s convenient, beautiful digital picture frames check every box regarding usability, accessibility, and aesthetics.

Best large: Pix-Star Digital Photo Frame

Pix Star

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Why it made the cut: This extra-large photo frame from Pix-Star is best for displaying your loudest, proudest moments (in both photo and video form).

Specs

  • Screen size/type: 15-inch IPS LED screen
  • Connection type(s): WiFi enabled, USB stick, SDHC card, or SDXC card
  • Storage type(s): 8GB internal memory
  • Additional features: Motion-sensor activated

Pros

  • Share photos and videos via the Pix-Star app
  • 8GB internal memory
  • Motion sensor activated

Cons

  • Large display could make low-res images look pixelated

Pix-Star made this 1024×768, 4:3 photo frame with your biggest memories in mind: those moments that, even when condensed into a photo, seem to jump out from the screen. Think weddings, graduations, international vacations—the memories that really deserve front and center display are about to have a serious moment.

Conveniently, Pix-Star has an app via which you can share images from anywhere in the world, meaning that even if you can’t be with your loved ones at the moment, you can still send them memories of a happier time. Pix-Star doesn’t have cloud storage, though, so you’ll have to rely on the frame’s internal storage. But with 8GB (around 30,000 images), it’s unlikely that you’ll run out of room. Additionally, you can connect a social media account and share photos directly from your Facebook or Instagram profile, for example. Other ways to share include a USB stick, SDHC card, or SDXC card. Simply pick the 25 photos you’d like to display on this (huge!) screen and connect via whatever form is easiest for you.

Best small: Atatat Digital Frame With IPS Screen

Atatat

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Why it made the cut: This digital photo frame allows you to add background music, adjust the brightness, edit the slideshow, and more, making it one of the most customizable picture frames.

Specs

  • Screen size/type: IPS screen
  • Connection type(s): USB
  • Storage type(s): 128GB
  • Additional features: Adjustable brightness, background music

Pros

  • IPS screen for optimized viewing
  • Comes with a remote control
  • Multiple slideshow modes

Cons

  • No app or WiFi capabilities
  • No cloud storage

This digital photo frame may not have the bells and whistles of a more technologically advanced frame, but what it lacks in features, it makes up for in customization of what it does and does well. Here you’ll get an alarm clock, calendar, personal music (uploaded via USB), multiple languages, a remote control, and adjustable slideshow settings to create a truly personalized viewing experience. 

With only 7 inches of screen, this is also one of the most compact digital photo frames. Despite being physically small, it has tons of storage: 128GB, to be exact. What’s more, an IPS screen makes for a much better viewing experience than an LED screen, so every photo you upload will look its best. Take this frame with you wherever you go, or find it a permanent home in your space. The options are endless with a small, portable screen like this one.

Best touchscreen: Sammix Digital Picture Frame

Sammix

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Why it made the cut: It’s never been easier to set up, share, and enjoy a digital picture frame. Sammix’s laundry list of capabilities empowers every user, and a separate app means you can share photos from anywhere in the world.

Specs

  • Screen size/type: 10-inch IPS touchscreen
  • Connection type(s): WiFi enabled
  • Storage type(s): 16GB

Pros

  • Easy setup with an IPS touchscreen
  • Turns on and off via motion sensor
  • Built-in 16GB storage

Cons

  • Instant sharing only works with a 2.4GHz WiFi network
  • No built-in battery

Sammix makes sharing images with loved ones easy; it’s as simple as downloading their app, Ourphoto. With a 2.4GHz WiFi network, adding photos to the frame can happen in seconds. Other features include a motion-activated on/off switch so that the slideshow automatically starts up when you walk into the room; a user-friendly touch-screen interface; and a sleep mode for evening or naptime. 

This Sammix frame isn’t perfect; the instant sharing only works with a 2.4GHz network (so if you have a 5GHz network, this may not be the frame for you). And the frame won’t work unless it’s plugged in since it doesn’t have a built-in battery. Otherwise, Sammix does an excellent job of making the user experience accessible, and the IPS screen keeps things looking crisp. Lastly, additional features like background music, video compatibility, an alarm clock, a calendar, and daily weather reports make this digital picture frame a winner, though not quite top of its class.

Best budget: Aluratek Digital Photo Frame

Aluratek

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Why it made the cut: Though Aluratek lacks a lot of the fancier features seen in other products, it’s much better priced than those items and still performs the most important duty of a photo frame: displaying your photos!

Specs

  • Screen size/type: 7-inch screen
  • Storage type(s): USB flash drives, SD cards
  • Additional features: Automatic slideshow, high-quality wood frame

Pros

  • Compatible with both USB flash drives and SD cards
  • Various display and transitions options for your slideshow
  • Frame adjustable for both horizontal and vertical orientation

Cons:

  • No built-in battery
  • No remote control
  • No touchscreen

It’s back to basics with the Aluratek digital photo frame. It’s wallet-friendly, but there’s a price: It doesn’t boast many of the features that come standard in other frames. There’s no battery, no remote control, no touchscreen, and no built-in memory. However, let’s not be deterred by the overt simplicity of this frame. For a very affordable price, the Aluratek frame performs the same basic function as the pricier frames. And without all of those gadgets, you may find it’s much easier to use, too. 

Regarding storage, no built-in memory means that capacity will depend entirely on the size of your USB or SD card. Further, you’ll have to keep this frame plugged in for it to work, so be sure you have a spot in mind to display it that’s near an outlet. Choose from landscape or portrait orientation, select from several slideshow options, and you’re all set to enjoy this frame.

Things to consider before buying a digital picture frame

Unlike traditional photo frames, purchasing a digital picture frame isn’t necessarily a small expense. So it’s important to be intentional about what features you prioritize and whether or not there are features you can live without. And as technology advances, we should all be conscious of what gadgets could become obsolete in the near future. For example, will you really still have that SD card in 10 years, or will everything be on the cloud? Here are some more considerations:

Essential features

First, ask yourself if you’re OK with a digital picture frame that requires an outlet or whether you would pay extra for a built-in battery. Then do the same for features like motion-sensor activation, WiFi capabilities, and the like. Do you need them, or are they irrelevant?

Style

You won’t be able to change out the color or size of your frame, so make sure it’s timeless.

Extra perks

When so many digital picture frames boast almost the exact same set of tools, it’s the additional features that really start to stand out. Think about those extra features—the motion-sensor activation, the background music, the weather reports—and decide which ones are make-or-break for you. Understanding your own preferences and priorities is the easiest way to weed out imperfect options and find the right frame for you.

FAQs

Q: Are digital picture frames worth it?

In a word: Yes. These days, we take photos of almost everything we do, but most of our documentation never sees the light of day; rather, images sit hidden in cellphone albums, forgotten or ignored. Purchasing a digital picture frame is the easiest way to put these images on display and remember important moments that, though long passed, still carry immense importance. That, then, is the true worth of a digital picture frame: The ability to hold onto precious memories and display them almost without limits is the true worth of a digital picture frame.

Q: What size digital photo frame is best?

There’s no one-size-fits-all answer to this question, as it depends on your space and preference. Do you have a huge hole in your gallery wall that is just begging to be filled? Or are you planning on squeezing a frame onto your already crowded desk? Take some measurements and shop accordingly. 

Q: How many photos can a digital frame hold?

A lot! It depends on the frame’s capacity (or, if it doesn’t have in-frame storage, on your flash drive’s capacity), but, generally speaking, most photo frames can hold tens of thousands of photos.

Final thoughts on the best digital picture frames

After looking at each of these five digital picture frames, we can clearly see that there are several options and priorities to consider before purchase. The capabilities and perks run the gamut, and so do the prices. But, compared to the other four options or simply viewed as a standalone product, the Aura Mason Luxe Smart Frame is unmatched. Combining high-tech features with an easy user experience and a chic design, this photo frame will stay useful—and beautiful—for years to come.

Why trust us

Popular Science started writing about technology more than 150 years ago. There was no such thing as “gadget writing” when we published our first issue in 1872, but if there was, our mission to demystify the world of innovation for everyday readers means we would have been all over it. Here in the present, PopSci is fully committed to helping readers navigate the increasingly intimidating array of devices on the market right now.

Our writers and editors have combined decades of experience covering and reviewing consumer electronics. We each have our own obsessive specialties—from high-end audio to video games to cameras and beyond—but when we’re reviewing devices outside of our immediate wheelhouses, we do our best to seek out trustworthy voices and opinions to help guide people to the very best recommendations. We know we don’t know everything, but we’re excited to live through the analysis paralysis that internet shopping can spur so readers don’t have to.

The post The best digital picture frames for 2023 appeared first on Popular Science.

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The best coin batteries of 2023 https://www.popsci.com/gear/best-coin-batteries/ Wed, 01 Feb 2023 18:00:00 +0000 https://www.popsci.com/?p=508566
Keep your watches, remotes, and cameras ready to go with the best coin batteries.

Keep your cameras, watches, remotes, and more powered up.

The post The best coin batteries of 2023 appeared first on Popular Science.

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Keep your watches, remotes, and cameras ready to go with the best coin batteries.

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Best overall The Panasonic 2016 is the best coin battery overall. Panasonic CR2016
SEE IT

Power key fobs, calculators, and other small electronics with the CR2016 battery.

Best for watches The LICB LR1130 is the best coin battery for watches. LiCB LR1130
SEE IT

Keep watches, children’s toys, and more powered up with this affordable 15-pack of alkaline batteries.

Best budget The AmVolt LR44 is the best coin battery at a budget-friendly price. AmVolt LR44
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The LR44 batteries in this budget-friendly value pack are ideal for clocks, toys, watches, and more.

Coin batteries are tiny energy sources that power mobile devices, computers, remotes, toys, key fobs, calculators, electronic thermometers, flashlights, watches, and more. These batteries come in a wide range of different sizes and voltages. But while there are many different types of coin batteries, it’s important to note that even if two different batteries have the same voltage, only the type of battery specified by the device will work properly. In addition, some coin batteries also have safety features, such as a bitter-tasting coating, to discourage kids and pets from swallowing them. Keep reading to learn how to choose the best coin batteries for your devices.

How we picked the best coin batteries

Coin batteries are known by this name because of their shape and because people often had to put a coin into a slot to twist open the compartments to change the batteries. Key factors that helped to select the top products included the battery type, battery shelf life, safety features, and the overall value of the product.

While coin batteries can be used in many different electronic devices, not every device uses the same type of coin battery, and the different types are not interchangeable. With this in mind, the top products are each a different type of coin battery. In addition, we considered the value and battery shelf life together because while it may seem like a great bargain to invest in a 30-pack, you may risk not being able to use all of them before the end of their useful life.

Finally, safety features aren’t something most people consider when purchasing batteries, but some coin batteries can cause death within two hours of being swallowed, so products that attempted to prevent accidental ingestion were considered superior to similar products.

The best coin batteries: Reviews & Recommendations

Our extensive research into more than 40 different coin batteries is backed by years of firsthand experience dealing with a wide variety of different devices that required specific types of batteries to operate.

Best overall: Panasonic CR2016

Panasonic

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Why it made the cut: These CR2016 coin batteries are excellent for key fobs, alarm sensors, clocks, watches, and many other electronic devices.

Specs

  • Type: CR2016
  • Quantity: Two batteries
  • Voltage: 3 volts

Pros

  • Child-resistant packaging
  • Shelf life of up to eight years
  • Advanced sealing technology reduces the chance of chemical leaks
  • Temperature resistant from 14 to 140 degrees F

Cons

  • Only two batteries in a pack

Ensure that your wall clock and alarm clock tell the correct time by replacing dead batteries with a Panasonic CR2016 coin battery. This pack includes four lithium coin batteries that have a nominal voltage of 3 volts and can last for up to eight years. Just keep in mind that this is the batteries’ shelf life, so a battery installed in a device will likely need to be replaced within that eight-year window.

These coin batteries should be used only in devices that require CR2016 batteries to ensure that the device receives the appropriate amount of power without any ill-fitting connections that may cause internal damage to the battery compartment. The batteries come in a child-resistant package that must be opened carefully with scissors. This attempts to prevent the batteries from being swallowed by kids and pets. Additionally, the batteries are resistant to extreme cold and hot temperatures, ranging from 14 to 140 degrees Fahrenheit, though exposure to these temperatures will still degrade the batteries’ life.

Best for cameras: Duracell 2032

Duracell

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Why it made the cut: Designed for various electronic devices, such as cameras and medical devices, these CR2032 batteries are one of the most frequently used coin batteries.

Specs

  • Type: CR2032
  • Quantity: Four batteries
  • Voltage: 3 volts

Pros

  • Bitter coating to deter ingestion by children and pets
  • 10-year shelf life
  • Child-resistant packaging
  • Popular battery type suitable for many devices

Cons

  • Only four batteries in a pack

One of the main benefits of using a coin battery instead of a standard cylinder battery is that coin batteries are lightweight, making them ideal for portable devices such as flashlights and watches. Used in cameras, computer motherboards, key fobs, watches, garage-door openers, toys, doorbells, medical devices, fitness trackers, and more, these CR0232 batteries are one of the most popular types of coin battery available, and this small package of four will likely be put to good use quickly.

The Duracell CR2032 3 Volt coin batteries are an excellent option for homes with kids and mischievous pets because not only do they come in a child-resistant package, but they also have a bitter-tasting coating to deter kids and their furry friends from putting them in their mouths. Each 3-volt battery can last for up to 10 years; however, it should be mentioned that some users found that they received an old, dated package with batteries that were already dead. This situation should be able to be resolved by the company with a replacement package, but always make sure to check the date of manufacture to ensure that the products are indeed new.

Best for remote controls: Energizer 2450

Energizer

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Why it made the cut: Store these lithium batteries for up to 10 years or use them immediately in various electronic devices for reliable, long-lasting power.

Specs

  • Type: CR2450
  • Quantity: Two batteries
  • Voltage: 3 volts

Pros

  • Child-resistant packaging
  • 10-year shelf life
  • Leak-resistant casing

Cons

  • Only two batteries

In contrast to the short shelf life and battery life of alkaline coin batteries, these Energizer 2450 3 Volt lithium coin batteries can last for up to 10 years before the stored energy is fully discharged, which should be more than enough time to put these two batteries to good use instead of worrying about throwing them out unused. Additionally, each battery is individually sealed and cannot be accessed without scissors. While the packaging may frustrate some adults, it was intentionally made difficult to open to protect kids and pets from accidentally swallowing the batteries.

These coin batteries have leak-resistant casings to prevent the battery wall from rupturing and leaking chemicals into the package or within a device. This product only comes with two batteries, so users with more than two devices that operate on CR2450 batteries will need to purchase more than one of these two-packs.

Best for watches: LiCB LR1130

LICB

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Why it made the cut: Keep track of the time, stand out during a presentation, and double-check calculations with these LR1130 alkaline batteries for watches, laser pointers, calculators, and more.

Specs

  • Type: LR1130
  • Quantity: 20 batteries
  • Voltage: 1.5 volts

Pros

  • Affordable 20-battery pack
  • Leak-resistant casing
  • Individually sealed compartments for each battery in the package

Cons

  • Short shelf life could lead to wasted batteries

While alkaline batteries are known to have a shorter shelf life than most lithium batteries, they are still a popular choice for powering a variety of electronic devices because they cost less than lithium batteries, and the short shelf life isn’t a concern if the batteries are going to be used immediately. This 20-pack of LiCB LR1130 coin batteries can last up to three years, giving users a decent amount of time to use them in small electronics such as watches, calculators, children’s toys, laser pointers, electronic thermometers, and more.

These alkaline coin batteries are made with a leak-resistant casing to help prevent the batteries from rupturing and damaging the devices. To help protect the batteries that are not currently being used, the package has individually sealed compartments for each battery. 

Best budget: AmVolt LR44

AmVolt

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Why it made the cut: The three-year shelf life and leak-resistant construction help preserve the batteries both when in use and when stored for later use.

Specs

  • Type: LR44
  • Quantity: 15 batteries
  • Voltage: 1.5 volts

Pros

  • Leak-resistant casing
  • 15-battery value pack
  • Compatible with a wide variety of devices

Cons

  • Packaging is not child-resistant

The AmVolt LR44 1.5 Volt coin battery is an affordable option that can be used on numerous electronic devices, including laser pointers, watches, clocks, calculators, cameras, remote controls, toys, flashlights, cholesterol-testing meters, blood glucose testers, and digital voice recorders. This impressive range of uses makes the 15-battery value pack with a three-year shelf life an ideal option for most homes. 

Additionally, these LR44 1.5V coin batteries are made with a leak-resistant casing intended to prevent the battery from rupturing. However, if these batteries are exposed to extremely high temperatures, even this resistant casing may bulge and break. Also, it should be noted that the packaging of these batteries is not child-resistant, so the package needs to be kept out of reach of kids and pets.

Things to consider before buying coin batteries

Before grabbing the first coin batteries that look like they might work, take some time to learn about the various factors that are important to think about before your purchase, such as the battery type, the battery life, and any safety features that can help prevent accidental ingestion.

Coin battery types

 It’s necessary to differentiate between the various coin batteries because even if two coin battery types have equal voltages, the different types are not interchangeable. With this in mind, it’s necessary to check each electronic device to determine the specific type of coin battery the device needs to operate.

Some of the most common types of coin batteries include CR2032, CR2016, CR450, LR44, and LR1130, but there are many more. They also typically come in alkaline or lithium options and may differ in voltage, though 1.5V and 3V are standard voltages for coin batteries.

Battery life

The life of a coin battery is difficult to determine because the rate at which the stored energy is absorbed and used depends on the amount of energy used by the particular device, the frequency with which the device is used, and the number of batteries in the device. For this reason, manufacturers do not often provide this detail; instead, they advertise the shelf life of the battery, which refers to the amount of time the battery can remain effective while not being used.

Alkaline batteries are an affordable option for low-power devices like watches, and they can last up to three years, but they have a short shelf life compared to lithium batteries, which can last up to 10 years in some cases. If you are looking for a battery value pack, remember that even when batteries are not in use, they can still lose the stored energy and become useless.

Safety features

Coin batteries certainly don’t seem as dangerous as poison or power tools. Still, if these little batteries are accidentally eaten they can cause serious harm to the body’s interior. They may even lead to death if the powerful chemicals inside the batteries leak out. Due to this inherent danger, many coin battery manufacturers have improved the battery packaging in an attempt to prevent kids and pets from opening the packages and swallowing the batteries.

Additionally, some companies have added a bitter flavoring to the exterior of each battery so that if a child or pet puts the battery in their mouth, the bitter taste will make them want to spit the battery out and avoid ingesting batteries in the future.

FAQs

Q. What is the most common coin battery?

The most frequently used type of coin battery is the CR2032 battery. It’s a non-rechargeable lithium coin battery regularly used in calculators, watches, fitness trackers, and other small electronic devices.

Q. How long do coin batteries last?

On average, coin batteries will have a shelf life of about two to three years; however, some lithium coin batteries have longer shelf lives and have been known to last up to 10 years without needing to be replaced. It should be noted that the battery life can be diminished by extremely cold or hot temperatures, so the batteries must be stored at room temperature and sheltered from wind, rain, and snow.

Q. Are all 3V coin batteries the same?

The voltage of two or more coin batteries can be equal, but they cannot be used interchangeably. For instance, the CR2016 and CR2032 are both 3-volt batteries. Still, they have different dimensions—the CR2016 is thinner than the CR2032, so a CR2032 battery would not physically fit in a battery compartment made for a CR2016 battery.

Q. Are coin batteries dangerous?

One of the problems with coin batteries is that their small size makes them easy for children and pets to swallow. Once ingested, the child or pet may experience internal harm from electrical currents, physical pressure on sensitive tissues, and leaking chemicals from the battery. To help prevent this, some manufacturers have given the batteries a bitter flavor that discourages children and pets from putting the batteries in their mouths. However, it’s advised to keep coin batteries out of reach of small kids and pets to avoid a trip to the hospital or vet clinic. 

Final thoughts on the best coin batteries

The child-resistant packaging and convenient four-pack make the Panasonic CR2016 coin batteries an excellent option for a home with kids or pets. Still, if you need LR44 batteries, the 15-pack of AmVolt LR44 coin batteries is an affordable option for watches, clocks, remotes, and even game controllers.

The post The best coin batteries of 2023 appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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Blackmagic 6K Pro: The budget camera filmmakers have been waiting for https://www.popsci.com/story/technology/blackmagic-6k-pro-cinema-camera/ Fri, 19 Feb 2021 22:05:48 +0000 https://stg.popsci.com/uncategorized/blackmagic-6k-pro-cinema-camera/
Blackmagic 6K Pro camera with angled viewfinder.
The angled viewfinder is an available add-on to make the camera feel more like a DSLR-style mirrorless camera. Blackmagic Design

At 1,500 nits, it’s noticeably brighter than an iPhone 12 Pro.

The post Blackmagic 6K Pro: The budget camera filmmakers have been waiting for appeared first on Popular Science.

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Blackmagic 6K Pro camera with angled viewfinder.
The angled viewfinder is an available add-on to make the camera feel more like a DSLR-style mirrorless camera. Blackmagic Design

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By now, you’ve seen cameras—even those attached to smartphones—with specs boasting the ability to shoot 8K footage. It’s an impressive number and it looks great on marketing material, and it does comes in handy for some specific purposes. But for many pro and high-end shooters, it’s still overkill. Here is our Blackmagic 6K Pro review.

This week, Blackmagic Design introduced a new model in its Pocket Cinema Camera, the 6K Pro. Like the rest of its siblings, the 6K Pro utilizes Black Magic’s slightly odd-looking body design with a Super 35mm sensor inside and a Canon EF mount (its autofocus DSLR lenses) on the front.

Blackmagic 6K Pro camera ports
A true cinema camera like this offers more useful connectivity compared to a hybrid camera like a Sony Alpha or Canon EOS. Blackmagic Design

The back of the camera, however, is where you’ll find the biggest upgrade, at least from a usability standpoint. The new 6K Pro now has a five-inch tilting HDR touchscreen display with a 1920 x 1080 resolution. It also puts out 1,500 nits of brightness, which is enough illumination that it should be easy to see even in bright surroundings. For reference, the iPhone 12 Pro maxes out around 1,200 nits on its brightest HDR setting.

Inside, Blackmagic has equipped the 6K Pro with the same color processing tech found in its IMAX-worthy (and 2020 Best of What’s New award-winning) URSA Mini Pro 12K. The extra resolution allows for oversampled 4K footage, which pulls in more details than native 4K. That can come in handy later for editing and color grading.

Blackmagic 6K Pro tilting screen with menus
The tilting screen is a big upgrade over the previous model. Blackmagic Design

In addition to the sensor itself, the 6K Pro includes motorized neutral density filters that can block two, four, or six stops of light coming into the camera. If you’re a still shooter, this may not sound very handy, but it’s extremely useful for video. Shooting with shutter speeds that are too short can make video look jittery, which can be cool for John Wick-style action sequences, but doesn’t really work in many other instances. By reducing the amount of light hitting the sensor, neutral density filters allow shooters to shoot at slower shutter speeds and wider apertures, even in bright settings.

For power, the 6K Pro draws on Sony’s NP-F570 batteries, which are extremely common and portable between different devices in the cinema world. Adding the optional grip ups the capacity to two batteries for extra-long recording sessions. The previous models utilized the common Canon EP-L6 cells, which aren’t as versatile and don’t provide the same kind of battery life.

Blackmagic 6K Pro cinema camera front
The camera has an EF Canon mount for lenses. Blackmagic Design

While the 6K Pro’s body is built to fit easily into a cinema rig, Blackmagic also sells a removable electronic viewfinder that sits on top of the camera to give it a more DSLR-like form factor. It comes with four interchangeable eye-pieces depending on what the shooter feels most comfortable with. The finder tilts upward, which makes it look and feel similar to the modular EVF found on the original Fujifilm GFX medium format camera.

Blackmagic 6K Pro: Final thoughts

For all that firepower, Blackmagic is asking $2,495 for the camera body, plus $495 if you want the additional viewfinder. The grip will cost $145.

The post Blackmagic 6K Pro: The budget camera filmmakers have been waiting for appeared first on Popular Science.

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The most exciting entertainment innovations of 2022 https://www.popsci.com/technology/best-entertainment-innovations-2022/ Thu, 01 Dec 2022 22:00:00 +0000 https://www.popsci.com/?p=488475
It's the Best of What's New.
It's the Best of What's New. Paramount Pictures, Skydance and Jerry Bruckheimer Films

A film that takes you inside Navy fighter jets, a projector that can display on the ceiling, and a super-bright gaming monitor are the Best of What’s New.

The post The most exciting entertainment innovations of 2022 appeared first on Popular Science.

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It's the Best of What's New.
It's the Best of What's New. Paramount Pictures, Skydance and Jerry Bruckheimer Films

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The entertainment category for Best of What’s New used to primarily contain devices meant for consuming content. But that’s changed. While our Grand Award Winner goes to a big-budget movie this year, you’ll find an increasing number of devices meant for actually making content. Self-flying drones, all-encompassing camera rigs, and even high-end monitors give people the opportunity to make their own content rather than simply consuming it. Other items on this list—primarily the earbuds—provide a reminder that content is a constant part of our lives. We’ve changed the content we consume for entertainment, but more than that, we’ve changed the way we interact with it. And these gadgets help shape that relationship.

Looking for the complete list of 100 winners? Find it here.

Grand Award Winner

Top Gun: Maverick by Skydance Media/Paramount: A high-speed upgrade to practical filmmaking

Paramount Pictures, Skydance and Jerry Bruckheimer Films

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We’re all too used to watching computer-generated action sequences in movies. When Hulk smashes up the scene or aliens attack a city, we know it’s fake. The sequel to Top Gun, which arrived in May—36 years after the original—did it differently. Actors trained in real aircraft to prepare to climb into Navy F/A-18F Super Hornets, and when they did, they experienced crushing G forces as the jets maneuvered at speeds that ranged from about 250 mph to more than 400. To film it, the studio turned to custom cameras carefully mounted within the cockpits, and other aircraft like the L-39 CineJet shot while airborne, too. That approach, plus scenes shot on both the USS Theodore Roosevelt and USS Abraham Lincoln aircraft carriers, all add up to give the film a degree of excitement and verisimilitude that’s rare. While the film is still a product of Hollywood that made some use of CGI, and doubles as a recruiting vehicle for the Navy, we still salute its commitment to capturing the thrill and speed of Naval aviation.

Freestyle Projector by Samsung: An advanced projector that handles its own setup process

Samsung

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Samsung’s Freestyle fixes one of our biggest complaints with projectors: that moving them to find the perfect angle is a pain. The floating, tube-shaped all-in-one projector is attached to its frame on a pair of hinges, which lets it be tilted up or down with very little force. The Freestyle can be twisted a full 180 degrees, allowing it to be pointed forward for a traditional viewing experience, or vertically to play games on your ceiling. You can use your phone to enable “smart calibration,” which adjusts its brightness and color settings based on the color of your walls and the room’s lighting conditions. The Freestyle’s fun form factor and smart settings are complemented by impressive hardware features, like native 1080p resolution, stereo speakers, and an HDMI port for connecting external devices. There’s also a USB-C port in case you’d like to connect the Freestyle to a high-capacity power bank to take it on the go.

Frame TV Anti-Glare Matte Display by Samsung: A 4K TV that isn’t afraid of a bright room

Samsung

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A couple of years ago, Samsung imagined a creative way to make use of a large, borderless, high-resolution screen when you’re not using it to watch videos or play games: displaying famous artwork on your wall. The problem was the TV’s LCD panel, which reflected light and made older paintings look like they were displayed on a screen rather than a canvas. That changes with the second-generation Frame, which has an anti-reflective matte display. Despite the change in technologies, Samsung says you’ll still be able to see a billion colors on the screen, and that it’ll continue to automatically adjust its color balance based on your brightness preferences. If you can’t justify the cost of an original Rembrandt, Samsung’s new Frame will be the next best thing.

Linkbuds by Sony: Earbuds that mix your audio with the real world

Sony created its LinkBuds to be the antithesis of noise-canceling headphones. They let outside sound in so you never need to take them out. The buds have a hard-shelled body, which means they won’t create a tight seal around your ear, and boast a circular cutout, which Sony calls an open ring. The ring gives LinkBuds their unique look, and is also where the earbuds’ driver is located. Sound is fed from the ring through the bud into your ear, along with some noise from the outside world. You’ll hear cars honking, airplane engines, and people on the street. But if you’re a runner who wants to hear a vehicle approach, this is a feature, not a bug.

QC II earbuds by Bose: Active noise cancellation that works across every frequency

Typical noise-canceling headphones have trouble blocking out sound in the middle frequencies between roughly 120Hz and 400Hz. That allows sounds like voices to occasionally get through. Bose has totally reconfigured its noise-canceling algorithm and hardware setup in order to fill in that ANC gap without creating uncomfortable ear pressure or compromising audio quality. The company adjusted its noise cancellation and tuning to a user’s body by measuring the way a chime reflects off the inside of your ears back to the earbuds’ microphones. The attention to detail paid off, as outside noises are greatly reduced even if you’re not listening to music. Bose offers three listening modes by default, but you can create custom ones using the company’s app if you’d like to crank active noise cancellation all the way up, or mellow it out.

Ronin 4D by DJI: An all-encompassing cinema rig and steadicam for creators on a budget

DJI’s Ronin 4D rig looks like a futuristic weapon pulled from a Star Wars flick. In reality, it’s a full-featured cinema rig that combines a number of essential movie-making tools into one compact and extremely stable camera rig. The modular system includes DJI’s flagship Zenmuse camera, which can capture 6K raw video at up to 60 fps or 4K video at up to 120 fps. It also boasts a full-frame sensor and interchangeable camera mounts. The whole imaging rig sits on a 4-axis gimbal that stabilizes footage so convincingly that it sometimes looks like it was shot on a dolly or a crane. Because the whole system is modular, you can swap parts like monitors, storage devices, batteries, and audio gear on the fly and customize it for your shooting needs.

Alienware AW3423DW QD-OLED Gaming Monitor by Dell: The first gaming monitor with a new brighter version of OLED tech

OLED monitors typically provide unmatched contrast, image quality, and color reproduction, but they lack brightness. Quantum dot (or QLED) displays crank up the illumination, but lose some of the overall image impact found on an OLED. Enter QD-OLED. Like a typical OLED display, each pixel provides its own backlight. But the addition of quantum dots adds even more illumination, giving it a total peak brightness of 1,000 lumens while maintaining the certified HDR black levels to create ridiculous levels of contrast. And with its 175Hz native refresh rate, and super-fast 0.1-second response time, you can’t blame this pro-grade gaming monitor if you’re always getting eliminated mid-game.

Arctis Nova Pro Headset for Xbox by SteelSeries: A gaming headset that works across all of your machines

SteelSeries

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Gaming headsets typically require players to pick a platform for compatibility when you buy them. Some work with a console as well as a PC, but SteelSeries has given its Arctis Nova Pro headset the hardware it needs to work with Xbox, PS5, PC, and even the Nintendo Switch—all at the press of a button. Its secret lies in the GameDAC (short for digital audio converter), which connects to multiple systems and pumps out high-res certified sound with 360-degree spatial audio from whatever source you choose. Plush ear cups and a flexible suspension band ensure comfort, even during long, multi-platform gaming sessions.

Skydio 2+ drone by Skydio: A drone that follows commands or flies itself

Skydio

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Crashing a drone is bad for your footage—and your budget. But this high-end flying machine avoids obstacles with an advanced system that adjusts more than 500 times per second to prevent disaster. A fish-eye lens allows the drone to see 360 degrees around the craft. A dual-core Nvidia chipset generates a 3D-world model with more than 1 million data points per second to identify and avoid anything that might get in its way. With all those smarts, creatives can simply tell the drone to track them or program complex flight paths and the Skydio2+ will capture 4K video at 60 fps on its own. The drone also comes with more than 18 predetermined paths and programs that can make even basic action look worthy of a Mountain Dew commercial.

Dione soundbar by Devialet: True surround sound on a stick

Devialet

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Most soundbars allow buyers a chance to expand their audio system and add satellite speakers or at least a subwoofer. The Dione is different. It’s a totally stand-alone system that relies on nine 41mm drivers and eight built-in subwoofers in order to fulfill the entire sonic range you need to enjoy everything from high-pitched tire squeals to rumbling explosions. Thanks to its Dolby Atmos integration, it mimics a true 5.1.2 surround sound system. The sphere in the center of the bar contains one of the 41mm drivers; it rotates to allow the soundbar to achieve its spatial audio ambitions, whether it’s sitting on a TV stand or mounted somewhere around the television. Devialet’s Speaker Active Matching technology watches over the entire array to make sure none of the individual drivers surpass their optimal operating frequencies, and it even has a dynamic EQ mode that brings up dialog—so you can finally turn off the closed captioning and still understand what the actors are saying.

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Apple iPhone 14 Pro Max review: Welcome to the Dynamic Island https://www.popsci.com/gear/iphone-14-pro-max-review/ Wed, 14 Sep 2022 13:03:49 +0000 https://www.popsci.com/?p=469697
iPhone 14 Pro max
The flagship iPhone makes some noticeable changes. Stan Horaczek

Apple's flagship iPhones get upgraded camera hardware, a new chip, and a clever replacement for the notch.

The post Apple iPhone 14 Pro Max review: Welcome to the Dynamic Island appeared first on Popular Science.

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iPhone 14 Pro max
The flagship iPhone makes some noticeable changes. Stan Horaczek

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I leave my smartphone sitting face down on my desk most of the day. I hear it vibrate. I pick it up and it shows me my notifications. I didn’t realize quite how ingrained this whole process is in my psyche before I started testing the iPhone 14 Pro Max and its always-on screen display. Now my phone sits face-up so I can see those tantalizing notifications without having to lift the device. I like it.

I’ve been living with Apple’s flagship iPhone as my main device for roughly a week now. And while its new features don’t profoundly shift the overall experience, it feels like a different phone in many small, but impactful ways. Some of that comes from iOS 16, the new iPhone operating system, but the device itself offers a few hardware tweaks that ripple throughout the entire iPhone experience. So far, I like them. And combined with a substantial leap in camera hardware, Apple’s flagship phones offer a bigger upgrade than you might expect based on what you can see on a feature list or spec sheet.

Stan Horaczek

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Welcome to the Dynamic Island

The iPhone 14 Pro Max’s overall shape and industrial design haven’t changed much since the iPhone 12 ushered in a return to flat edges and glass faces. Apple has, however, made a big change to the sensor array found at the top of the screen. Instead of a notch that fades into the screen’s bezel, the front-facing camera and Face ID sensor now reside on a thin, pill-shaped area called the “Dynamic Island.”

While the overly dramatic name inspires hard eye rolls, it’s more than an aesthetic update to the previous models’ notch (which I will now call the “Lazy Peninsula”). The Island can display app-specific information that you can expand and interact with by pressing and holding on the Island. 

For instance, if you’re listening to music on Apple Music or Spotify, the Island will display a tiny thumbnail of the album art and a small moving icon to let you know that music is currently playing. If you tap and hold the Island, a set of basic audio controls expand out from it. 

That space also displays information about other typical activities. You’ll see the little unlocking icon every time Face ID works. That’s where you’ll see the connection notification when your AirPods sync with the device. The space doesn’t feel wasted the way it did with the notch. 

Making the Island useful prevents it from feeling like an eyesore. I find the Island hard to ignore. That thin band of screen between the Dynamic Island and the bezel makes the black space more noticeable. It has only been a week with the device and I’m sure it’ll fade from my attention over time. For now, I still see it even when it’s not providing mildly useful information. 

Always on

The iPhone 14 Pro Max and iPhone 13 Pro Max brightness comparison
Both phones next to each other (with the 14 Pro on the left and the 13 Pro on the right) show the difference in max brightness. Stan Horaczek

As I mentioned earlier, the new iPhone 14 Pro and Pro Max offer an always-on screen similar to what you’ll find on an Apple Watch. Even if you’re not touching the phone, a quick glance at the device will reveal all of the notifications piling up at the bottom of the display. Apple claims it can enable this feature by dropping the screen’s refresh rate all the way down to 1Hz, which means the screen only updates once every second as opposed to the typical 60Hz or 120Hz modes. 

As with other always-on phone screens, I find myself picking up the device less often. With previous iPhones, I was prone to picking up my phone to see what kind of notifications were waiting for me. Then, because I’m already holding the phone, I might as well just check my apps. Then it’s 20 minutes later and I’ve accidentally watched 13 TikToks about how to go hunting for rare action figures at Target stores in my area. It’s easier to avoid distractions when I can let the phone lie. 

On the downside, iOS 16 and the always-on screen have tricked me into thinking my phone was ringing on several occasions. The notifications stack near the bottom of the lock screen where the “swipe to answer” slider would have previously shown up. 

Again, it has only been a week, so I may slide back into my same habits after a while, but only time will tell. For now, I’m opening my phone less, which I consider a plus. 

Refresh and so clean

The screen’s always-on nature isn’t the only screen upgrade present in the iPhone 14 Pro and Pro Max. When you pick between the two, you’re essentially deciding between a 6.1-inch screen on the Pro or a 6.7-inch screen on the Max. I prefer the larger Max model because I figure a flagship should be a flagship, and if I’m going to watch YouTube videos reviewing obscure Russian camera lenses until 2 a.m., I want to do it on the biggest screen possible. 

Both the Pro and the Pro Max offer up to 120Hz refresh rates, which I consider one of the most tangible reasons to upgrade over a standard iPhone 14 or 14 Plus (though you could also get it in the 13 Pro and Pro Max). Smooth scrolling spoils eyeballs for paltry 60Hz devices with their jutter-laden on-screen motion. Games that support 120 fps also look great. Psychedelic rhythm racer Thumper looks impressive even with tons of wild colors, shiny surfaces, and inexplicable tentacles waving all over the screen. 

Compared to the iPhone 13 Pro and Pro Max, the 14 Pro and Pro Max offer higher overall brightness. Apple says it’s more than twice as bright, with a maximum output of 2,000 nits, which is the same as its Studio Display. I compared the 13 Pro Max directly to the 14 Pro Max and found that the newer phone is, in fact, brighter. It’s not a huge difference, however, at least under normal settings. It does improve visibility in bright settings, though, so you’ll reap the benefits if you spend a lot of time staring at your phone outdoors.

A16 Bionic chip

iPhone 14 Pro Max
I tested the phone a lot with Lightroom Mobile, including on this large film scan. Stan Horaczek

A brand new chip typically makes for a great marquee selling point when companies announce a new phone. With the iPhone 14 Pro and Pro Max, Apple has introduced its new A16 Bionic chip, while the A15 Bionic has moved down into the standard iPhone 14 models.

New smartphone chips always promise faster performance than their predecessors. You can likely easily find in-depth benchmarks online to tell you exactly how much faster the new chip really is but those numbers hardly ever translate directly into your real-life experience. I edit video and huge raw photo files on my iPhone 13 Pro Max without issue. Unless you’re really pushing the iPhone hard with elaborate games, computing power likely hasn’t been an issue for you. 

In terms of real-world performance, the iPhone 14 Pro and Pro Max feel snappy and didn’t stutter even under heavy tasks. I tried editing some 8K video shot with the phone and used Adobe Lightroom to process a few of the phone’s native 48-megapixel raw files. The processes were quick and lag-free. The new chip does provide some advantages that you may not even notice, however, like upgraded image processing, which powers Apple’s revamped HDR process. 

I’m not worried about the A16 Bionic’s ability to handle any commercial app I can throw at it. At least not yet during my testing.

Camera upgrades

iPhone 14 Pro Max vs iPhone 13 Pro Max
The camera arrays of the iPhone 14 Pro Max (top) and the iPhone 13 Pro Max (bottom) look similar. Stan Horaczek

Hardware updates in new camera phone models make it tough to get excited. Companies typically make the lenses a little brighter and the sensors a little bigger to help their overall performance. The software updates and the image-processing upgrades usually make a more tangible difference on overall image quality. For the first time in a while, that isn’t the case. With the iPhone 14 Pro and Pro Max, the hardware matters.

We’ll start with the lenses because they’re simpler. You still get three individual camera modules with their own lenses, but the focal lengths have changed a bit. The 48MP main camera is now slightly wider-angle than previous models. If you’re familiar with lens focal lengths, it’s now a 24mm equivalent compared to a roughly 28mm equivalent before. The ultra-wide camera stays around 13mm, as it was before, and the telephoto is still around 77mm, so not much has changed there. 

The sensor, however, looks much different. It now relies on a feature called pixel binning to create highly detailed 12-megapixel images with a brand new 48-megapixel sensor. This isn’t a new concept. In fact, Nokia first brought it to smartphones a full decade ago with its Pure View devices and it often shows up in modern Android phones. It’s popular for good reason. By essentially combining groups of four pixels into larger photon receptacles, the sensor collects light more effectively. That’s especially handy in low-light situations.

This new sensor structure fundamentally changes the way the iPhone’s camera works, at least behind the scenes. When you press the 2x zoom button, the camera can now simply crop into the high-res sensor and deliver a full-resolution final image without having to rely on computational photography to fill in details that might otherwise get lost. 

If you want to shoot in raw, you can also now get a full 48-megapixel image out of the iPhone. That’s useful if you’re the type of photographer who edits images later. 

Camera performance

iPhone 14 Pro max sample image
Look! Shadows! Stan Horaczek

I’m working on a much more in-depth camera-specific review for our sibling publication, PopPhoto.com, because of the considerable hardware change. For now, I can say that the 14 Pro and Pro Max introduce some tangible differences when it comes to camera performance. 

Moving to a slightly wider lens on the main camera may not feel like much of a shift, but I find it fairly noticeable. It can fit more of the subject in the frame now, which is good for capturing sweeping landscapes without introducing the distortion that comes with the main camera, or group photos in tight spaces. The overall image quality has also noticeably improved. I typically use the high-contrast picture style in the camera menu because I think the default style typically washes out black areas and shadows too much. I found that the 14 Pro and Pro Max handle that noticeably better, at least in my early testing. 

That wider viewing angle comes with some quirks, though. Try to get close to a subject and you’ll likely find that the phone switches into its dedicated macro mode before you get as close as you wanted. Because the macro mode relies on the ultra-wide camera, you don’t get the full image quality you wanted out of the main camera. Switching focal lengths also fundamentally changes the field of view, so the background will suddenly look farther away from your subject and you’ll notice some perspective distortion. I quickly turned off auto macro mode because I found the switching very annoying. 

iPhone 13 vs iPhone 14 angle of view
The iPhone 13 Pro Max image (left) appears slightly more zoomed in than the iPhone 14 Pro max image (right). Stan Horaczek

Overall image quality, however, has improved in both photos and videos. The main camera captures tons of fine detail—in fact, sometimes it’s a little too much. The edges of objects can start to look a little crunchy. Still, it’s better than I’ve seen on some other high-end smartphones. 

Images shot in dark settings also seem improved simply because they’re more likely to let shadows look like dark shadows. 

I admittedly haven’t shot many videos with the 14 Pro or Pro Max just yet, but it looks solid in my early impressions. The new Action Mode provides impressively smooth footage while walking or riding in a vehicle. I considered the iPhone 13 Pro one of the very best smartphone cameras for video before and that hasn’t changed in this generation. 

The cool stuff I can’t test

Apple announced a few very interesting new features that I can’t really test. The new Car Crash Detection feature relies on a series of built-in sensors (which includes everything from the microphone to the barometer) to sense when you’ve been in a wreck so it can notify emergency services and your chosen emergency contacts. Apple has a solid track record with its Fall Detection feature, so I’m inclined to believe the Car Crash Detection will work as well. I hope I never find out. 

The new SOS feature allows the iPhone 14 Pro and Pro Max to communicate with emergency services via a satellite connection that will work in many places typical cell service can’t reach. It’s a very clever system that relays text-based messages to rescuers using an aggressive compression technology that minimizes required bandwidth to cut down on transmission times. 

These are both very cool and novel features, and I hope they work in case I need them someday. 

The rest of the iPhone 14 Pro and Pro Max experience

I have been using the Pro Max for about a week and I find that the always-on screen really doesn’t have much of an effect on overall battery life. I typically finish the work day with more than a third of my battery life left—half if I didn’t use the device all that much. That’s still plenty of juice to go to the gym, watch a bunch of random videos, fall asleep without putting my phone on the charger, and waking up to a device that’s not even in the red yet. That’s one of the benefits of carrying a giant phone. Overall, it’s extremely similar to the iPhone 13 Pro Max under regular usage.

It’s worth pointing out that all of the iPhone 14 models have ditched the SIM card tray and now rely solely on Embedded Sim cards, or eSIMs, in the US. This made my activation process a little more involved as my T-Mobile service needed a nudge from the company before I could get it working on this device. If you’re used to simply swapping SIMs into your new phone without having to do much in the way of logging into your account or talking to customer service, there might be a hiccup. 

So, who should buy the iPhone 14 Pro and Pro Max?

Once again, the highest-end iPhone is the best iPhone. That shouldn’t come as much of a surprise at this point. If you’re already using an iPhone 11 or later, there probably isn’t quite enough here in terms of features to make it worth rushing out and dropping at least $999 on a new 14 Pro or Pro Max. If you’re coming from an older device, though, this is likely the move if you can stomach the cost because it’s going to offer you the most future-proof performance.

If you’re trying to decide between the Pro and the Pro max, just get the screen size you prefer. The Pro Max offers a battery advantage due to its sheer size, but the hardware is basically identical otherwise. There’s no difference in camera hardware like there was in earlier models.

It seems likely that the new quad-pixel camera will eventually trickle down into lower models and Apple will refine it over time. More and more apps will likely support integration for the Dynamic Island, which older phones won’t be able to take advantage of. That will leave you on your own smartphone version of a lonely island. Nobody wants that.

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Creative Live! Cam Sync V3 webcam review: A little elbow grease https://www.popsci.com/gear/creative-live-cam-sync-v3-review/ Tue, 06 Sep 2022 19:30:00 +0000 https://www.popsci.com/?p=467246
Creative Live! Cam Sync V3 webcam review
Creative's latest budget webcam features strong specs, but doesn't work perfectly out of the box. Mike Epstein

This budget camera has strong specs, but needs some TLC.

The post Creative Live! Cam Sync V3 webcam review: A little elbow grease appeared first on Popular Science.

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Creative Live! Cam Sync V3 webcam review
Creative's latest budget webcam features strong specs, but doesn't work perfectly out of the box. Mike Epstein

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In my mind, the world of webcams is fairly static. Most models, at least the best ones, cost between $100-$300. The less expensive ones offer 1080p resolution at 30-60 frames per second, which is as good as most video call platforms can handle. The more expensive ones can go up to 1440p or even 4K. Despite the growing need for everyone to have a webcam, there hasn’t been a surge of affordable options elevating the quality of camera you can to your desktop for less than $100. Creative Labs’ newest webcam, the Live! Cam V3, shows that it is definitely possible to elevate the budget webcam, but also highlights the challenges of doing so. 

On paper, the 1440p webcam looks like a higher-quality camera than many of our favorite webcams at just $50, or literally half the price. Despite the resolution bump, the image quality you’ll likely achieve with the Live! Cam Sync V3 out of the box falls well short of more expensive cameras. It produces a darker, warmer image, and lacks a strong configuration app to let you fine-tune your settings in real-time. However, if you’re willing to work at it (and maybe buy a key light), the Creative Live! Cam Sync V3 gives you more to work with than many budget webcams.

Mike Epstein

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What is the Creative Live! Cam Sync V3 webcam?

We have to start by talking about money. The most important thing to keep in mind when looking at the Creative Live! Cam Sync V3 is its price. At $49.99, it costs roughly half as much as most of Logitech’s webcam did at launch. It is, at least by our standards, a “cheap webcam,” and that categorization is important because there is a very deep divide between the webcams that cost more or less than $100 (or did when they first launched).

The Cam Sync V3 is a 5MP webcam that can shoot photos and video at up to 2560 x 1440 pixels, more commonly known as 1440p. (Creative calls it “2K,” but 1440p is the more common term; it’s also sometimes called “Quad HD” or “QHD.”) The frame rate is limited to 30 frames per second at any resolution, though that’s not a huge loss. Most webcams limit their framerate to 30fps at their highest settings. 

It also boasts an extremely wide field of view, up to 95 degrees, which means it naturally captures a lot of your surroundings. Sitting at my desk, the Cam Sync V3 captures most of my office, rather than simply my head and shoulders. That can be very helpful if you need a webcam for a classroom, or conference room, or simply want to get a few people in your shot. When you want to tighten the picture for a standard video call, you can tap a button on the webcam for 2X, 3X, and 4X digital zoom. You can also adjust the position quite a bit: The standard, tripod-mountable monitor clip stand has a joint that rotates 360 degrees horizontally and provides plenty of vertical tilt.

The Cam Sync V3 is fully equipped for video calls, which means it comes with a built-in microphone as well. More specifically, it features a dual, omnidirectional mic array, which also works great for recording groups or people who plan to stand off-center. I found the mic quality was fine—neither exceptional nor particularly problematic. That’s par for the course with most webcams: great for casual calls, but you’d never want to use one to record a podcast or make a video.

Creative Live! Cam Sync V3 webcam review
The privacy shutter in full effect. Mike Epstein

Last, but not least, it features a built-in privacy shutter, so you can cover the lens when you aren’t using the camera. This paints a very promising picture at any price, but especially when we’re talking about $50.

Sometimes the specs don’t tell the whole story

Despite the specs, the picture quality you get out of the Cam Sync V3 is very inconsistent. Depending on what app you use, it may vary greatly. For example, when trying it out with the Windows Camera app, my whole room looked extremely orange, even when I switched to using cooler light sources with more blue light. (I happen to have an overhead light and key light with “cool” and “warm” settings.) In Google Meet, the image was more malleable but also defaulted to an oddly warm picture. Finally, moving into Open Broadcaster Software (OBS), I was able to fine-tune my settings to the point where the picture looked bright and neutral.

In all of the software I tried, I found the camera captured much less light than my Logitech C922 Pro, so my room looked much darker and created deeper shadows on my face. The difference was large enough that I ended up using a small key light to brighten up my face when taking video calls, which I don’t have to do with a more expensive webcam.

Once I found a piece of software that let me fine-tune my picture and then spent a few minutes dialing in how my picture looked, I was very happy with the picture I got with the Cam Sync V3. It’s sharp and clear without any graininess or digital fuzz, even at the higher zoom levels. Of course, using OBS—a program most commonly used for recording Twitch streams and YouTube videos—for work calls is a comparatively extreme measure that I don’t expect too many people will want to take. And, no matter what you do, you will likely need to spend more time thinking about how your room is lit than with more expensive webcams.

The real problem is the software

Technically, Creative does offer a configuration app, called the Creative app, which allows you to adjust many of the core picture and sound settings. It also offers some basic AI-assisted ambient noise cleanup for the microphone. Unfortunately, the app doesn’t allow you to test your adjustments with a real-time image, so it can be very hard to use. Meanwhile, companies like Logitech not only make it easy to configure your picture quickly, but their software includes tools for enhancing your image or customizing it with custom backgrounds. For most people, who aren’t looking to build a camera setting for everyday video calls, you’re effectively restricted to the most basic functionality.

So, who should buy the Creative Live! Cam Sync V3 webcam?

Creative Live! Cam Sync V3 webcam review
Mike Epstein

The Creative Live! Cam Sync V3 is a great option for people with more time than money. You can get a great, high-quality photo or video image out of it if you’re willing to put in some time to find the right setting and make sure your room is properly lit. For many people, particularly those who use their webcam for work, this will probably be too big a barrier. The difference between a camera that requires a real setup and a true set-it-and-forget-it option is less than $100, so we’d recommend most people spend a little more and save a little time. If you want to save a few bucks and/or enjoy spending time tinkering, though, it may be a hidden gem.

The post Creative Live! Cam Sync V3 webcam review: A little elbow grease appeared first on Popular Science.

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The failed photo gadgets that were supposed to ‘change everything’ https://www.popsci.com/gear/failed-photo-gadgets/ Mon, 05 Sep 2022 22:00:00 +0000 https://www.popsci.com/?p=467601
RIP Pixy drone.
RIP Pixy drone. Snap Inc.

Snap's Pixy selfie drone has officially been cancelled—here are some of our other favorite failures to launch.

The post The failed photo gadgets that were supposed to ‘change everything’ appeared first on Popular Science.

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RIP Pixy drone.
RIP Pixy drone. Snap Inc.

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

This article was originally featured on Popular Photography.

Just four months after launching, Snap (the company formerly known as Snapchat) has grounded its Pixy selfie drone. The diminutive $230 drone got middling reviews and suffered from low presales. Somewhat understandably, given the current economic climate, Snap CEO Evan Spiegel told staff that future development was being halted as “part of broader reprioritization of company resources.”

But the Pixy’s swift crash from grace got us all thinking here at PopPhoto about other products that were announced with great fanfare and then—just didn’t do much. Some are pure vaporware and never even launched, others were just colossal flops. These are some of our favorite defunct photo gadgets.

Light L16

Cameras photo
The Light L16 camera fizzled out like yesterday’s can of soda. Light

The Light L16, announced in 2015, crammed 16 different smartphone cameras into one super-sized smartphone-sized package. It could take 52-megapixel images with a full-frame equivalent focal length of between 35mm and 150mm. Because every image was a composite of the 16 cameras, the resulting depth map made it possible to adjust the focus and depth-of-field in post. Light claimed the L16 offered DSLR-like image quality and great low light performance—though the reviews (when it finally launched in 2017) said otherwise, and considered some of the user experience “a chore”. 

Instead of working on a follow-up, Light took a huge $121 million funding round from SoftBank and established partnerships with mobile phone companies like Nokia. 

That didn’t work out either, and in 2020 the company abandoned consumer imaging to focus on the automotive industry. It was quietly acquired by John Deere earlier this year. Presumably, there is no plan to release a consumer camera. 

GoPro Karma Drone

Cameras photo
The GoPro Karma drone launched in 2016. Then they started randomly falling from the sky. GoPro

For action camera company GoPro, the drone market must have seemed like a gimme. Plenty of drones were (and still are) using its Hero line of cameras to capture aerial footage, so why not cut out the middleman and release its own drone?

When the GoPro Karma launched in 2016 the reviews were fine. It wasn’t as feature-filled as DJI’s offerings, but the removable stabilizer grip was considered a clever touch. Then they started falling out of the sky. GoPro had to issue a recall and then re-released it a few months later. 

Understandably after that fiasco, consumers weren’t that interested in the Karma, and with sales also poor for the company’s other products, the company was restructured and scrapped its entire drone division in 2018. 

Lytro in general

Cameras photo
The Lytro Illum was the brand’s second product. The user experience left much to be desired. Lytro

Unlike many companies on this list, Lytro managed to launch two products that actually did what they claimed to. Unfortunately, the underlying light-field technology—while undeniably impressive—just didn’t really deliver in the real world. 

Lytro’s schtick was that its cameras took photographs at multiple depths. The resulting merged image could have the focus and depth-of-field edited in post. This genuinely worked with both 2012’s Lytro Light Field Camera and 2014’s Lytro Illum—but the user experience left a lot to be desired

Photographers, it seemed, preferred having a nice-to-use, high-resolution camera, even if it meant handling focusing and aperture themselves. 

Lytro pivoted to VR, flailed around a bit, and was then sold to Google in 2018—who promptly shut it down. 

Kodak’s “New” Super8 camera

Cameras photo
We’re still waiting for this one, Kodak… Kodak

In 2018, Kodak announced a brand new Super8 camera. Despite shooting film, it had a few digital touches like an LCD viewfinder and an SD card slot. It was due out later that year and we even got some test footage.

And then… nothing. 

So you can imagine how surprised we were when researching this article to find that, at least according to Kodak’s website, it’s still in development. Sure, it doesn’t look like it’s been updated since 2018, but there is a reservation form where you can sign up to purchase a camera—should they ever materialize. 

Nikon DL series 

Cameras photo
We really, really wanted to see these come to market, especially the 18-50mm. Nikon

In 2016, Nikon announced the DL series of 4K compact cameras designed to go head to head with Sony’s RX100 series. There would be three models with different zoom ranges: the DL 18-50, DL 24-85, and the DL 24-500. All were due to cost less than $1,000 and, at least from a spec perspective, looked like they could be a great option for street and travel photography. 

But then there were problems. An issue with the integrated image processing circuits caused a delay. And that delay turned into a full-blown cancellation in 2017 without even a single unit sold

(Nikon’s KeyMission foray into action cameras was equally misguided, but at least the cameras made it to market.)

The post The failed photo gadgets that were supposed to ‘change everything’ appeared first on Popular Science.

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Why it’s worth carrying more than one gadget https://www.popsci.com/why-you-should-carry-multiple-gadgets/ Tue, 09 Apr 2019 10:20:37 +0000 https://www.popsci.com/uncategorized/why-you-should-carry-multiple-gadgets/
A person sitting outside during the summer, with their feet up on a metal fence, reading a book on an e-reader.
Maybe it's a little easier for you to kick back and relax with an e-reader instead of a phone. Perfecto Capucine / Unsplash

Your phone can do everything... but should it?

The post Why it’s worth carrying more than one gadget appeared first on Popular Science.

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A person sitting outside during the summer, with their feet up on a metal fence, reading a book on an e-reader.
Maybe it's a little easier for you to kick back and relax with an e-reader instead of a phone. Perfecto Capucine / Unsplash

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

This story has been updated. It was originally published on May 16, 2019.

The rise of the smartphone has cut down the number of gadgets we need to carry with us. Most people see no reason to weigh themselves down with gear when one device can be a camera, audio recorder, e-reader, digital music player, document scanner, and much more.

This versatility means less stuff in our pockets and bags, but there’s a case to be made for not using your phone for everything—at least not all the time.

Digital cameras can snap better photos

A digital camera hanging around the neck of a person wearing a red shirt.
An actual digital camera can get you better shots and at least help you look like you know what you’re doing. Mario Calvo / Unsplash

Smartphones have undoubtedly revolutionized photography. With cameras in nearly everyone’s hands, we’re now documenting and sharing much more of our lives than ever before. From social media to breaking news, phone photography has changed the game.

It’s fair to say phones have eaten up the cheap compact camera market, but the jump in quality from a phone to a pro-level DSLR camera is still a significant one, even as mobile cameras continue to get better.

Control over lenses, particularly zoom levels, is a big factor. Even with top smartphones now finding ways to offer 5x optical zoom, an actual camera can go way, way beyond that and get you much closer to the action.

Tweaking the amount of light that hits a camera’s sensors is also crucial for getting the best shots, and DSLRs simply give you more control and more options. Most phones don’t offer much in the way of controlling aperture, light sensitivity (ISO), and shutter speed settings, so users can’t easily customize how much light reaches the lens.

For fast-moving action, detailed close-ups, or really low-light situations (especially when a flash is necessary), it’s still worth carrying a standalone digital camera and a lens or two. You’ll find you generally get better shots and can capture them more easily, too.

E-readers can help you read more comfortably

A person in a hammock outside, reading an e-book on a Kindle.
Break out an e-reader if you’re hoping to hang out in a hammock, free from bothersome notifications. Perfecto Capucine / Unsplash

Smartphones function perfectly well as e-readers—there’s even an official Kindle app for iOS and Android that lets you do without an actual Kindle entirely. Both Apple and Google make dedicated e-book apps for their platforms too.

So why bother packing a separate e-reader into your backpack or suitcase? A few arguments can be made for it, not least that the e-ink screen of a Kindle or similar device is much easier on the eyes than the bright display of a phone.

As well as mitigating eye fatigue, dedicated e-readers last much longer between battery charges. Amazon’s most basic Kindle ($90 on Amazon) stays juiced for around four weeks, according to the manufacturer, so you don’t have to worry if you forget to pack its charger.

[Related: How to efficiently charge your devices]

E-readers also have the benefit of doing just one job, so your reading won’t be interrupted by WhatsApp notifications or incoming emails. When you want to unwind on vacation or simply concentrate during a lunch break, that’s a bonus.

Phones are still good for short bursts of reading, of course—and the aforementioned Kindle apps will sync reading positions with a dedicated e-reader—but for serious digital reading it might be better to use a separate device.

Digital music players can keep you immersed in sound

iPods in the Apple Museum.
There’s a case to be made that iPods and their ilk don’t just belong in a museum. AlenaKr / Depositphotos

Remember, the iPod was Apple’s first breakthrough portable gadget before the iPhone came along and scooped up all its sales.

Today, the main reasons you would want to pack a separate digital music player are similar to the arguments for using an e-reader: you’ll be able to listen to your tunes without distractions, and it will give you more battery life while saving your phone’s power cell.

Another factor is portability. Something like the Mighty music player ($120 on Amazon) can sync your Spotify playlists for offline listening and is small enough to strap on your arm or keep around your neck—perfect for that early morning run.

Apple discontinued the iPod Touch earlier this year, but is still offering support and selling them while supplies last. It works with Apple Music, Spotify, and every other music app on iOS, while offering access to a whole host of other apps and games as well.

If you need something cheap and compact that’s not going to light up every five minutes with a new messaging alert, or run out of battery in half a day, a dedicated music player still has appeal, particularly for runners, cyclists, and frequent travelers.

Smartwatches are a little more portable

A man's arm resting on a wooden table, with a smartwatch on his wrist.
Smartwatches keep much of what you need at your fingertips. Luke Chesser / Unsplash

Plenty of us rely on our phones to tell the time and, probably, to wake us up in the morning. If you think about it, though, there’s a compelling argument for using a smartwatch, or even a regular watch, to do the job instead.

For a start, it saves you from having to fish around in your pocket or bag (and then getting distracted by 100 Instagram notifications) every time you just want to know what time it is.

[Related: Trying to use your smartphone less? Get a smartwatch.]

When it comes to exercising, a smartwatch also gives you access to apps like maps and calls, right from your wrist. Alternatively, a smartwatch will let you leave your phone at home, but still take your music with you.

For the outdoor adventurer, higher-end smartwatches can provide accurate directions to and from your destination long after your phone’s battery has died. And once it’s time to hit the hay, smartwatches can track your sleep without being intrusive, too.

So, a smartwatch can be a useful extension of, and in some cases, a complete replacement for, a smartphone. You’ve got plenty to pick from as well, including the Apple Watch Series 7 ($400 and up from Apple), and the Garmin Instinct ($175 from Amazon).

Digital radios keep the party going, but don’t drain your phone

A person reclining in a white room with a portable radio by their feet.
You don’t have to get a radio this big, but maybe you want that retro look. Eric Nopanen / Unsplash

You might be used to streaming radio stations through your phone, but a pocket digital radio might be worth taking along in some situations.

First up: battery life. These small radios will last for hours between charges, so your smartphone can take a breather or spend its precious battery on other tasks.

Second: data usage. Even if you’re on a generous cellular plan, you’re going to be using a big chunk of data trying to stream radio stations to your phone. That won’t happen with a dedicated radio, and you’re more likely to get a signal in crowded spots, too.

If you want to crank out the tunes at a beach or picnic without using your phone’s data or battery, you can spring for a bigger portable radio. Sure, it’ll mean more bulk when you’re packing, but it might be worth the extra weight.

With good-quality models costing as little as $35 on Amazon and offering Bluetooth connectivity and memory card support (for your MP3s), radios are worth considering as complements to your phone.

Portable gaming systems let you play on the go

A person playing with a Nintendo Switch over a white marble countertop during the day.
Portable gaming systems like the Nintendo Switch can provide that console gaming feeling no matter where you are. Corey Motta / Unsplash

Another type of gadget smartphones have nearly killed off is the portable gaming console, because a phone with a huge selection of games is, effectively, the same thing.

Some portable systems live on, though, and they’re worth taking with you. Most notably, there’s the Nintendo Switch ($300 on Amazon), which gives you a bigger screen and better graphics than a smartphone can offer, and plugs right into your TV when you get home.

Unlike your phone, the Switch has its own controllers, and can offer a better overall gaming experience. As mentioned during the discussion of other gadgets on this list, it will also save you from draining your phone’s battery while gaming.

The explosion of smartphone use has largely scared manufacturers away from portable gaming devices, but older systems like the Sony PlayStation Vita ($285 and up on Amazon) and Nintendo 3DS ($300 and up on Amazon) are still around and worth considering.

Even so, it’s really the Nintendo Switch that’s currently carrying the torch for portable gaming systems. Fans of gaming on the go can only hope its popularity is enough to prompt the development of a few more gadgets just like it.

The post Why it’s worth carrying more than one gadget appeared first on Popular Science.

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Some cameras now have bird autofocus modes. Do they work? https://www.popsci.com/gear/bird-af/ Mon, 18 Jul 2022 01:00:00 +0000 https://www.popsci.com/?p=456589
Scarlet macaw. ISO 140, 1/125 sec, f/6.3, @ 800mm. 
Scarlet macaw. ISO 140, 1/125 sec, f/6.3, @ 800mm. . © Hudson Henry

Flagship cameras like the Nikon Z9 and Sony a1 now include bird-specific autofocus modes, but are they effective? We investigate.

The post Some cameras now have bird autofocus modes. Do they work? appeared first on Popular Science.

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Scarlet macaw. ISO 140, 1/125 sec, f/6.3, @ 800mm. 
Scarlet macaw. ISO 140, 1/125 sec, f/6.3, @ 800mm. . © Hudson Henry

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This article was originally featured on Popular Photography.

We like to say it’s not about the gear, that a photographer with any camera can create good photos. And in most situations that’s true.

Then there’s bird photography.

To get the highest quality photos of feathered subjects you need special equipment: zoom lenses with a lot of reach, plus (ideally) image stabilization to compensate for the exaggerated movement caused by being zoomed so far in. You also need a camera body with a focusing system that can lock onto such dynamic aerial targets.

Those systems are reinforced with AI technologies. Some high-end cameras now even feature Bird AF (autofocus) modes that identify and track birds, some with priority for focusing on avian eyes. Examples include the Nikon Z9Sony a1Fujifilm X-H2S, and OM System OM-1 bodies. Other models, like the Sony a9, include Animal AF modes that look for animals and birds of all types.

These use the same detection principles as Face and Eye AF modes, but with the added complexity that birds and animals move faster than your Uncle George. An eagle yanking fish out of a creek for dinner isn’t going to stop and pose, or come closer to the camera if you ask it nicely (then again, George might not either). But with the right equipment and AI assistance, you can capture that moment with tack-sharp focus.

How it works

A number of elements go into making Bird AF and Animal AF work well. On top of the core autofocus systems, the camera needs to understand what it’s looking at. The camera manufacturers’ developers feed thousands of photos containing birds and animals (and cars, planes, and other objects on some systems) to the autofocus software, and train it to recognize similar visual patterns.

The software also requires fast hardware to process what the camera sees in real-time. The image sensor absorbs a frame of the incoming light information, passes it off to an image processor that determines if anything in the frame matches the objects it understands, and then directs the lens mechanisms to adjust the focus. All of that happens in milliseconds. Then the sensor sends a new frame’s worth of data and the process is repeated so you get real-time tracking and focus lock for when you decide to press the shutter button.

Bird AF in the wild

The technology is impressive, but how well does it work in the field? I reached out to two photographers I know to get their perspectives. Hudson Henry shoots all sorts of subjects but recently returned from a workshop in Costa Rica where he hauled a Nikon Z9 and an AF-S NIKKOR 800mm f/5.6E FL ED VR into the jungle to capture birds, monkeys, and other elusive inhabitants. Marie Read is the author of the book Mastering Bird Photography (Rocky Nook).

When I asked Henry about his experience on his trip, he replied by email, “I can tell you [Bird AF] worked just shockingly well, with the Z9 picking up just about every bird’s eye I had reasonably sized in the frame.”

Occasionally, the feature was spoofed by areas that were similar to bird eyes. “There were lizards with big spots on the sides of their faces that fooled it,” he says, “and butterflies that had eye-like markings that wanted to lock as eyes, necessitating single point selection at times. But all-in-all it was just shockingly good on a wide array of birds and wildlife.”

Cameras photo
In addition to a standard subject tracking mode, the flagship Nikon Z9 also includes a bird tracking mode. Nikon

Read’s experience is with a Sony a9, which offers Animal AF, not specifically Bird AF. But she says the shift to the technology has been substantial.

She writes, “It’s hard for me to tease out the effects of the ‘animal eye’ function from the general increase in the proportion of sharp shots that I experienced after I made the switch to the mirrorless Sony a9 from Canon DSLRs three years ago. I get many more in-focus keepers in a burst of images than I ever could have achieved before the switch. Sony’s tracking AF is astonishing!”

She also points out the significance of Bird AF and Animal AF features for anyone looking to get into bird photography, writing, “Scroll through any online nature photography forum and it will be obvious that there’s been a huge increase in great bird shots, including some amazing action images, in recent years. The downside is now, the bar has been raised so high.” The best way to stand out from the crowd? Become much more creative with compositions and lighting.

Getting the shot

Henry and Read both offer their strategies for using AF tracking, including bird and animal detect features, to capture their targets.

To get the shot, Henry takes full advantage of the Nikon Z9’s customizability, setting up the camera to seamlessly switch between a variety of AF modes. He writes, “I use a hybrid AF method for birds and wildlife that I teach on my YouTube channel. ‘Wide’ or ‘Small’ area AF on the shutter release (kind of like group in the DSLR days) for fast erratic subjects like birds in flight, with a conversion to ‘3D-tracking’ (Nikon’s name for subject tracking) on the back button to follow a subject you pick up all over the frame. I program a front function button that converts the shutter AF to single point AF-C for those subjects where the eye detection is missing and you need to direct the point. But I leave the 3D-tracking on the back button. A press of the Function 3 button flips the shutter button AF between’ Wide Area’ and ‘Single Point’ that way.” 

Cameras photo
Common Tern. ISO 1250, 1/2000 sec, f/6.3, @ 600mm. © Marie Read

As with so much of photography, a varied approach is required depending on the circumstances. Read shares, “As a Sony a9 shooter, for me the important things are selecting the optimal AF area size and whether or not to use tracking. Because my subjects are usually moving, in general, I use ‘Tracking: Flexible Spot Medium.’ I usually start out with the AF area positioned in the center of the screen but then I move it around as necessary for composition. For birds in flight where the flight pattern is extremely fast and erratic (think small terns or swallows), ‘Tracking: Zone’ can work well, but [it works] best if against a clean background. One more thing to fine-tune AF is via ‘Tracking Sensitivity.’ Sony offers settings from 1 (Locked On) to 5 (Responsive). I have mine set to 2.”

Sometimes the tracking isn’t necessarily better than good old-fashioned manual spot-focusing. Read writes, “It’s not the best idea to shoot a bird against a busy background, especially if it is small in the frame, but in that case try an even smaller AF area (i.e. Sony’s ‘Tracking: Flexible Spot Small’). Shooting through vegetation, which can give a lovely vignetted effect if done properly, is another place where you’d want to use the smallest AF area. You might need to turn the tracking function off to avoid the camera focusing back and forth.” 

Good bill hunting

Good bird photography still requires more equipment than your average camera body and kit lens. And of course, you need to put yourself in the position to photograph birds in their habitats. But with Bird AF and Animal AF technologies in the latest camera models, you’re far more likely to end up with more sharp keepers than in the past.

The post Some cameras now have bird autofocus modes. Do they work? appeared first on Popular Science.

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The tiny Polaroid Go is lots of fun, but a little awkward https://www.popsci.com/gear/the-tiny-polaroid-go-is-lots-of-fun-but-a-little-awkward/ Sun, 12 Jun 2022 17:00:00 +0000 https://www.popsci.com/?p=449536
Polaroid's new camera
Polaroid recently released the world's tiniest instant camera in two new colors, red and black. Marissa Wu / Popular Photography

Moody colors and a double exposure feature cater to those with a fondness for old-school vibes.

The post The tiny Polaroid Go is lots of fun, but a little awkward appeared first on Popular Science.

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Polaroid's new camera
Polaroid recently released the world's tiniest instant camera in two new colors, red and black. Marissa Wu / Popular Photography

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

This article was originally featured on Popular Photography.

Instant photos sure pack a nostalgic punch. Maybe it’s the tangible aspect of a real photo in your hands instead of one floating in the cloud. Maybe it’s the way the images come out just a little imperfect that adds to the charm. But whatever it is, there’s no denying that where there’s instant film, there is fun being had. And no company is more synonymous with instant photography than Polaroid. 

With the release of Polaroid Go’s two new colorways, we decided to finally give this tiny camera a whirl for ourselves. In short: it’s definitely a delight. Pocketable and extremely portable; the design should appeal as much to the younger set as to those who grew up with the original. It creates prints in miniature (though personally, I find the colors leave something to be desired), and has a fun double exposure feature for the adventurous experimentalist. 

Cameras photo
The Polaroid Go easily fits in a pocket or purse and is compatible with Go Film, available in packs of eight photos. Marissa Wu / Popular Photography

Polaroid Go keys specs

  • f/12 and f/52 apertures
  • Focal length of 51.1mm
  • Shutter speeds ranging from 1/250 to 1 second
  • Automatic flash, can be disabled 
  • Viewfinder doubles as a selfie mirror
  • Double exposure mode
  • Self-timer, but no tripod mount
  • LED frame counter window
  • Compatible with Polaroid Go film, 8 shots per pack
  • Pocket-sized
  • Built-in battery with USB-C charging, 120 shots per charge

What’s new

In addition to the classic white, the Polaroid Go now comes in black and red models. In tandem with the release of the camera bodies, the company also debuted a set of lens filters in red, yellow, and blue, as well as a matte black-edge Go film.  

Polaroid Go handling and design

As the world’s smallest instant camera at 4.1 inches long, 3.3 inches wide, and 2.4 inches tall, the Polaroid Go makes compact efficiency its middle name. With the camera in hand, all the buttons you’d need—shutter, flash, and power—are situated together on the right side while the viewfinder is on the left.

On the front of the camera, the lens sits center, flanked by the flash on the left and the viewfinder on the right—the latter doubles as a selfie mirror thanks to a reflective coating. Because of the compact nature, I sometimes found my finger obscuring the flash, but overall, I appreciated the size of the Go, which felt manageable. However, I do have fairly small hands, so I could see how the diminutive size of this camera could be a major point of frustration. 

Cameras photo
The Go’s size feels manageable, and all the buttons you need are grouped on one side. Marissa Wu / Popular Photography

The camera’s shooting options are all controlled by the flash button. Press it twice in rapid succession to activate the double exposure mode. Activate or deactivate the self-timer by holding it down for two seconds. Hit it once to turn the flash on and again to turn it off. And that’s it. Everything else is automatic, so just press the shutter when you’re ready.

The entirety of the camera is basically plastic, which makes it incredibly light and easy to handle while still feeling solid. There’s nothing fragile about it, and it happily dangles from the included wrist strap for easy access. Essentially, the Go is the mini version of the Polaroid Now, but the layout and lens do allude to the extremely classic SX-70 Land Camera.

In use

Loading the film is self explanatory. Line up the arrows on the cartridge with those on the camera and drop it in, chunky end first. Unlike the larger cameras, which load from the front, the Polaroid Go has a little film hatch at the bottom. Do not peel off the tape on the cartridge; you’ll need it to pull it out after it’s empty. 

To test the Go, I took it on a spin at my local botanical garden and also to a Waffle House (as one does in the South) to see how it’d do at night. I shot a mix of flash/no flash and a handful of double exposures (plus one selfie).

I admit that I was already smitten before the first picture, purely on the basis of its size. My current obsession is the pocket camera. And while the Go is indeed a portable dream, there are other features worth discussing, for better or worse. 

Cameras photo
The double exposure feature was confusing to use. Here’s the experimental image. Marissa Wu / Popular Photography

Double exposure confusion

The camera has a nifty double exposure feature that’s activated by quickly hitting the flash button twice. Once in this mode, the frame counter will flash “1” indicating it’s time for the first shot. Tap the shutter and the counter will flash “2”; hit it again, and voilà, your double exposure ejects out.

While this feature is fun, it can at times be confusing, specifically when there’s a delay between the first and second exposure. For example, I wanted to do an overlay of flowers at the botanical garden with my typewriter at home. So, I put my camera in double exposure mode, took a photo of the typewriter, and turned it off. According to Polaroid, the camera will “remember” you’re in double exposure mode, so when you arrive at your next location and turn it on, you can make the second photo.

However, this is where things got tricky. After I arrived at the gardens and turned on the camera, the film counter no longer showed I was in double exposure mode. This made things confusing. Did I lose the picture of my typewriter? Did I need to put the camera back in double exposure mode for it to work? I tried that, but the counter started at “1” again, so I took it out of double exposure mode, took a picture of some roses, and waited to see what would happen. As it turns out, you don’t need to put the Go back in double exposure mode for that second shot. My final image was my typewriter/flower overlay as planned.

Cameras photo
If you like the aesthetic of a harsh flash, the Go delivers. This is a small fountain I came across in the botanical gardens, which was under heavy shade. Marissa Wu / Popular Photography

Remember to turn off the flash…

As far as flash is concerned, I preferred to keep it off in broad daylight. But, it perfectly delivers the harsh ‘90s candid vibe, if that is what you’re after. However, one thing that frustrated me—particularly with double exposures—is that the flash is automatically activated. This meant I had to remember to disable it each time I went to take a new shot. I’m forgetful and thus ended up firing it a few more times than I had planned.  

A flimsy film shield

Like the other Polaroid cameras, you only get eight shots per pack of film, which is fine. What I did find odd (and somewhat counterintuitive to the whole ‘instant’ promise) was the awkward film shield that rolls out on top of the photo after it’s printed, as well as the necessity to wait five seconds before pulling the print out of the slot. The film shield is just a thin sheet of dark gray plastic that rolls out with the picture to protect it from light. Though you are supposed to let the Polaroid develop in the dark, other instant cameras I’ve used do not require such a feature. You simply stuff the picture in your pocket as fast as possible. I’m not particularly fond of the shield as it felt that I might accidentally bend it.

Cameras photo
Top and bottom rows used flash, middle row, no flash. Note the difference flash makes in the bottom middle photo vs. the center photo (no flash). Marissa Wu / Popular Photography

Finally, while I love the compactness of this camera, I did have a couple of scares, including nearly wasting a precious sheet of already scarce film by accidentally pushing the shutter button. Since I’m right handed, I would always reach for the camera with that hand, but the shutter is also on the right side. It doesn’t help that I’m also notorious for forgetting to turn off any camera—I have had plenty of “what is that?” shots in the past. 

Polaroid Go Image quality

Objectively, I would describe the Polaroid Go image colors as moody ‘90s nostalgia with exuberant sepia undertones. With or without flash, there’s a hazy imperfection that lends a certain charm. Am I head-over-heels? Not exactly, but in a way that is more so personal taste than quality. 

Compared to photographs I have made with the Polaroid One Step and the Fujifilm Instax Wide, the latter two produce cleaner, brighter images. I tend to favor this in my work. However, the Polaroid Go is a vibe—I see many people shoot their film (instant or not) this way, so it’s by no means bad. 

Cameras photo
Instant film test left to right: Instax wide, Polaroid 600, and Polaroid Go. The Go produces a 2 by 2-inch image (excluding the frame). Meanwhile, Fujifilm Instax square film produces a 2.44-inch image. Overall, Polaroid 600 film captured the most washed-out looking images, while Instax was most vibrant. Polaroid films come in packs of eight, while Fujifilm sells in packs of 10 at a nominal price difference. Marissa Wu / Popular Photography

Compared to…

Polaroid’s main competitor in the instant space is Fujifilm, which offers a fine line of products, too, and at a slightly (emphasis on slightly) lower price point. Cameras like the Fujifilm SQ1 will also produce a square image, and you can snag a pack of 20 frames at a little less than $1 each on Amazon. Meanwhile, 16 Go photos will cost you about $20.

That being said, the Polaroid Go is a solid choice if you value a compact design, as the Fujifilm options are a lot bigger. It also comes down to your stylistic choice and how you want your colors to turn out. The Go flash covers up to two meters (6.56 feet), while Fujifilm claims that its flash on the SQ 1 is effective up to 7.2 feet.

Overall, the Go rides on a retro reputation

Overall, the Polaroid Go really appeals to those who love the brand and what it’s represented over the years. From the retro, reminiscent design to the vintage cast in the film, it’s definitely something that’ll bring back (and preserve) memories, new and old. 

However, the price of the film and hiccups in user experience design leave a little bit to be desired. And with the price of film these days, saving a few pennies never hurts. It ultimately comes down to your personal artistic preferences, which should then dictate the system you buy into. 

Pros 

  • Fits easily in a small bag or pocket
  • Can be operated by one (small) hand without much trouble
  • Flash can be disabled
  • Double exposure mode creates the potential for cool shots
  • Self-timer mode is handy for more complex selfies

Cons

  • Polaroid Go film is more expensive than the competition
  • Double exposure mode is confusing if you turn off the camera between shots
  • Colors are muddier/moodier than the competition (this is subjective taste)
  • The film shield is a little awkward/flimsy, and so is waiting five seconds before pulling out the picture
  • Flash cannot be permanently disabled; you must remember to turn it off for each shot

The post The tiny Polaroid Go is lots of fun, but a little awkward appeared first on Popular Science.

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The Insta360 Sphere easily captures amazing 360-degree drone footage https://www.popsci.com/gadgets/insta360-sphere-drone-review/ Sun, 29 May 2022 23:00:00 +0000 https://www.popsci.com/?p=446482
Insta360
The Insta360 cameras allow drone enthusiasts of all skill levels to capture amazing footage. Insta360

You don't need to be a pro to get these results.

The post The Insta360 Sphere easily captures amazing 360-degree drone footage appeared first on Popular Science.

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Insta360
The Insta360 cameras allow drone enthusiasts of all skill levels to capture amazing footage. Insta360

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This article was originally featured on PopPhoto.

Drone enthusiasts know that the DJI Mavic Air 2/2S is equipped with a great camera, but there’s a catch: it can only shoot flat footage. For those wanting a 360-degree view on their flight, Insta360 recently released the Sphere, a 360-degree drone camera that allows creators to capture crazy footage by attaching the dual camera to the drone and then adding the desired effects after the flight.

One of the challenges of recording such footage is the requirement that the drone pilot have deft mastery of their aircraft to create the dramatic dives, swoops, twists, and turns. Insta360 Sphere now puts that ability in the hands of less-experienced drone operators by capturing every angle with the ability to add effects during the editing process.

Cameras photo
One of the fun features available in the Insta360 editing software. Insta360

How the Insta360 Sphere works

Mounted on a DJI Mavic Air 2/2S drone, the Sphere captures 360-degree 5.7k footage as the craft flies. The operator does not need to execute any maneuvers to capture unique perspectives. Piloting the drone forwards and backwards more than suffices as the Sphere does all the heavy lifting.

This is what video shooters call an “invisible” camera. Ordinarily, a 360-degree camera will capture the drone in its field of view, which requires extensive editing in post-production to remove. The Sphere employs a pair of cameras—one facing out from the top of the craft and the other pointing down from the bottom, attached to the drone with a locking mechanism. This arrangement cuts the drone from the image completely. 

“Insta360’s proprietary dynamic stitching algorithm makes the whole drone (including the propellers) disappear automatically, leaving the user with glorious, uninterrupted shots,” the company writes. 

Insta360 claims the Sphere won’t disrupt the drone’s GPS signal nor remote control. This is a worthy highlight, as a previous product, the One R Aerial Add-on, blocked the Mavic 2’s GPS signal, which made flying considerably more challenging for amateurs.

Editing Insta360 Sphere footage

Insta360 employs its proprietary image stabilization system, FlowState, which is also used in other products such as the One X, X2, and Go 2. FlowState promises to reduce shakes and vibrations, even in windy conditions. 

Cameras photo
Insta360’s proprietary FlowStabilization technology promises to smooth out even the choppiest videos.
Insta360

Intuitive framing tools allow you to readjust the angle and direction of the camera in post-production using either an app or your desktop. You also have the ability to create multiple edits from the same flight using the video captured by the Sphere and the drone’s own camera. With just a tap, the software can simulate complex aerial cinematic techniques like daredevil barrel rolls and dolly zooms with a simple command.

How to buy the Insta360 Sphere

The Sphere is now available on the Insta360 website for $429.99. Those who want the Memory Card Kit, which comes with a 64-gigabyte MicroSD card, will pay $439.99.

The post The Insta360 Sphere easily captures amazing 360-degree drone footage appeared first on Popular Science.

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The safest way to carry your film and camera across land and sea https://www.popsci.com/diy/train-ship-film-camera/ Thu, 28 Apr 2022 01:00:00 +0000 https://www.popsci.com/?p=439725
A photo of a person with a film camera traveling in their car.
Deposit Photos

Before your take the train, go on a road trip, or board a ship with your film camera, here are some things you should know.

The post The safest way to carry your film and camera across land and sea appeared first on Popular Science.

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A photo of a person with a film camera traveling in their car.
Deposit Photos

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This article was originally featured on Popular Photography.

Welcome to part three of our series on traveling with film and analog cameras. In previous installments, we covered general guidelines for traveling with film as well as air travel with film. In this article, we’ll talk about travel by car and train, both of which are particularly film-friendly; and traveling by water, which requires a bit more care.

Traveling with film by car

Car travel is great for film photography, as you’ve got plenty of space to bring all of the gear you want, and unlike air travel, you don’t need to worry about sending your precious film through airport scanners that could potentially damage it.

Your film and film cameras will be fine just about anywhere in your car; however, film prefers cool and dark conditions, and if you can maximize those, all the better. Avoid packing film or film cameras where they will be in direct sunlight, such as near windows or under hatchback tailgates. If possible, cover your gear with a towel or blanket to protect it from the sun.

Some cars have “hot spots” in their trunks: Hybrids and electric cars may have batteries or motors that warm the trunk floor, while mid- and rear-engine cars may have front-mounted radiators that bake the contents of their frunk (front trunk). Before traveling, take your car for a lengthy drive, then feel around your trunk to check for hot spots. 

Amtrak does have some restrictions on photography; they don’t want you taking pictures of other passengers or railroad personnel. Railroad staff may be overly cautious about photography on station platforms, as many train buffs have wandered into the path of an oncoming train while trying to get that perfect shot. If you’re using your camera on the platform, be hyper-aware of your surroundings and avoid platform edges. Don’t ever go near railroad tracks to get a photo! Trains are significantly wider than the tracks they run on, and many modern trains are electric or pushed by locomotives at the rear, which means you may not hear them coming.

If you are checking bags with cameras, bear in mind that some Amtrak train routes are run by buses, which means your luggage will be crammed and stacked into the underfloor bays. On the trains themselves, carry-on luggage that does not fit on overhead racks may have to be stored in common areas that are out in immediate sight and accessible to all. We recommend keeping cameras in small carry-on bags that will fit near your seat. Amtrak’s long-distance coaches have lots of legroom and their sleeping cars offer plenty of personal space, so there should be no shortage of room for your gear.

Travel with film by sea

Cameras and film have two enemies on the water: The water itself and the salt air (if you’re on the ocean). You need to protect your gear from both. 

Small, fast boats can generate a lot of spray and give your camera a good soaking. A weatherproof camera like the Pentax IQ Zoom WR should be fine, as will a fully waterproof camera like a Nikonos or a Canon Sure Shot A-1. Obviously, sea spray should be avoided at all costs for non-waterproof cameras, as the salt water can find its way into crevices and cause fatal corrosion. Consider bringing a waterproof disposable like the Kodak Water & Sport or Fujifilm Quicksnap Waterproof—and definitely bring one if you’re planning to swim.

Dropping your camera into the water is a bigger hazard than you might imagine. Your author’s grandfather, an experienced sailor, put wrist straps on every tool he had on his boat. His rule was “Tie it to your if you don’t want it to go into the drink.” Whether you’re on a small boat or a big liner, every camera should have a wrist or neck strap. Neck straps can be used the traditional way or securely wrapped around your wrist. Remember, all it takes is one good jostle to knock your camera out of your hand and into the water.

If you’re traveling on saltwater, opening the camera exposes its innards to salt air. A little bit won’t do much harm, but it’s best to minimize exposure just to be safe. Film changes are best done indoors or below decks. Same for lens changes, but if you must change lenses on an open deck, take your time and be deliberate. Remember, a dropped lens will roll—likely somewhere inaccessible, including straight to Davy Jones’ Locker. Always assume you are in imminent danger of dropping your gear into the water (because you are). 

As with all forms of travel, consider leaving your best gear home and traveling with cameras that can be repaired or replaced if something bad happens. Happy travels!

The post The safest way to carry your film and camera across land and sea appeared first on Popular Science.

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How to protect your camera gear from theft https://www.popsci.com/diy/tips-camera-anti-theft/ Sat, 23 Apr 2022 23:00:00 +0000 https://www.popsci.com/?p=438986
Photo of camera in a tourist's bag.
No camera is worth putting your life in danger. Deposit Photos

Be aware, be prepared, and follow some of these practical tips.

The post How to protect your camera gear from theft appeared first on Popular Science.

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Photo of camera in a tourist's bag.
No camera is worth putting your life in danger. Deposit Photos

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This article was originally featured on Popular Photography.

A new report by ABC 7 News in San Francisco has revealed where a lot of stolen electronics—including cameras—are sold. It’s a good reminder that expensive camera gear is very easy for thieves to sell, which makes it such a tempting target. You can check out the full video to see it all in action, but more importantly we’ve gathered up our best advice for safeguarding your kit. 

What’s going on in San Francisco?

Whether it’s down to large amounts of media coverage or genuine underlying social issues, San Francisco seems to have an outsized camera theft problem. It’s not that photographers aren’t at risk everywhere, but in San Francisco they seem to be targeted more deliberately. 

Here at PopPhoto, we covered a photographer being followed home from the Golden Gate Bridge and robbed at gunpoint just a few months ago. Our colleagues at Petapixel have paid even more attention to the issue, covering the Canadian camera crew that got robbed at gunpoint last month, a San Francisco Chronicle photographer getting robbed (also at gunpoint) while on assignment, and a woman who got shot after refusing to give up her camera gear—all in the last year. One Petapixel contributor even had his camera stolen while it was rolling.

The report from ABC 7 adds an important bit of context to all this. It shows how easy it is for thieves to sell stolen cameras, laptops, and other expensive electronics at the side of the road—sometimes within an hour of the robbery taking place. Sadly, it also shows how little the police are able to do about it. It’s no wonder that photographers, who can easily be carrying thousands of dollars worth of equipment, are such lucrative potential targets.

Your gear is not worth your life

No amount of photography gear is worth losing your life over. As a European, one of the things I find most concerning about all the reports of camera theft from San Francisco is that many involve a gun. Just in the news stories linked above, one person was shot and another had their family members shot at. It’s hard to deny that—particularly in the US—there is a very real risk of getting hurt in a camera gear robbery. If someone does threaten you, hand over your gear and walk away.

Similarly, very few photographs are worth risking your life—or your gear—for. The point of this article isn’t to say “no one should take photographs in San Francisco,” but it’s pretty clear that popular photography spots, like the parks overlooking the Golden Gate Bridge, are riskier environments, and so you should weigh up your options when planning your shots. If something doesn’t feel right, walk away.

How to protect your camera gear 

Whether you’re in San Francisco or any other city, there are some simple, sensible steps you can take to lower the risk of getting robbed. I’ve traveled the US, Mexico, Europe, and Southeast Asia with my camera gear without ever having anything stolen.

Be discreet. Don’t advertise you’re a photographer. If you’re in a busy or potentially risky environment, don’t keep your camera out. You might miss a few photos, but you lower your chances of being robbed. 

Conceal valuables. Don’t use an obvious camera bag and, where possible, hide other gear like tripods. A normal looking messenger bag—I use the Peak Design Everyday Messenger—just fits in better in most places. When I’m bringing a tripod, I often wrap it in a sweatshirt. 

Hide branding. If you shoot with particularly valuable gear—say a Leica or Hasselblad—cover the logos with tape. It won’t stop a theft, but it will make it seem like you are carrying hundreds or thousands of dollars worth of equipment, not potentially tens of thousands of dollars worth. 

Carry selectively. Don’t bring all your gear everywhere. If you know you probably won’t need a certain lens or your flashes, leave them at home. At least then if you do get robbed, you won’t lose everything. 

Downgrade your kit. Bring an old camera as a travel camera. I still shoot with a Canon 5D Mark III but when I upgrade to an EOS R, I’ll keep it as a beater camera for riskier situations.

Pay attention to your surroundings. It’s easy to get caught up working an image, so make sure to keep checking your environment. If someone appears to be paying you undue attention, walk away.

Don’t shoot alone. Go with your partner, a friend, or another photographer. You’ll be less of a target and someone is there to help out if things do go wrong.

Insure your gear. You might need specialized camera insurance to cover everything, but if you photograph a lot, it can be worth it. At least that way, if a disaster happens, you can recover.

And no matter what, don’t take silly risks, don’t try and defend your camera gear, and if someone holds a gun in your face, hand them your camera and walk away.

The post How to protect your camera gear from theft appeared first on Popular Science.

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GoPro drops a niche new action cam for FPV drones https://www.popsci.com/gadgets/gopro-hero10-black-bones/ Thu, 14 Apr 2022 01:00:00 +0000 https://www.popsci.com/?p=437375
GoPro Hero10 Black Bones
Hero10 Black Bones in action. GoPro

GoPro's newest action camera keeps it simple, with no screen and no battery.

The post GoPro drops a niche new action cam for FPV drones appeared first on Popular Science.

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GoPro Hero10 Black Bones
Hero10 Black Bones in action. GoPro

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This article was originally featured on Popular Photography.

GoPro has just announced a surprising new camera: a stripped-down version of its Hero10 Black called the Hero10 Black Bones. For an extra $50, it weighs a lot less but doesn’t come with a battery or screen. Confused? Here’s what you need to know.

What is the Hero10 Black Bones?

The GoPro Hero10 Black costs $499.99 (or $349.99 with a 1-year GoPro Subscription). It has a rechargeable battery, front and rear screens, and is waterproof to 33 feet, but weighs 5.4 ounces.

The GoPro Hero10 Black Bones, on the other hand, costs $499.99 (or $399.98 with that GoPro Subscription), doesn’t have a battery, has no screens, and isn’t waterproof, but weighs just 1.9 ounces.

Crucially, both come with the same great 1/2.3-inch sensor and GP2 processor, HyperSmooth 4.0 in-camera stabilization, and the ability to shoot 5.3K footage at 60 fps, 4K footage at 120 fps, and 2.7K footage at 240 fps. 

Who is the Hero10 Black Bones for?

Okay, so there is a reason that GoPro is stripping out a load of headline features from its flagship action camera and then charging an extra 50 bucks to save 3.5 ounces. 

The Hero10 Black Bones is designed exclusively for first-person view (FPV) drones—the kind of drone that’s often used to shoot footage like Tesla’s recent fly-through of its Gigafactory in Berlin or the video of a drone flying through a bowling alley that went viral last year. These drones normally have a low-latency camera connected to a VR headset so the pilot can fly, and a second camera (often a GoPro but sometimes a 35mm film camera!) to capture high-quality footage.

In an interview with The Verge, GoPro Head of Product, Pablo Lema, explains that many of these FPV pilots have already taken to chopping the bits they consider unnecessary off their GoPros in an attempt to lighten them so the drone can stay in the air longer. The DIY approach, however, is not without its downsides. According to Lema, this often leads to the camera overheating, especially on takeoff or landing. 

The Hero10 Black Bones is GoPro doing the weight saving for FPV pilots, and adding a heatsink and some venting to solve any overheating issues. Sure, as a niche product it is a bit more expensive, but it still has a warranty unlike a Franken-GoPro that someone has taken a knife to. 

How does the Hero10 Black Bones work without a battery?

In a word: soldering. 

The Hero10 Black Bones is designed to be connected to your drone’s battery through its Power Connector port. It’s got a built-in regulator circuit so it can run off anything from 5V to 27V, depending on what LiPo battery is keeping your drone in the air. 

How do you control the Hero10 Black Bones?

Since there are no screens, controlling the Hero10 Black Bones is a little different. There are a few ways though:

How to buy a Hero10 Black Bones

If you’re in the US, you can buy a Hero10 Black Bones from GoPro right now for $399.98 with a Go-Pro subscription, or $499.99 without one. (Yes, it’s odd to us too.) 

To get the most from it, however, you’ll also need your own custom FPV drone—and some soldering skills. 

The post GoPro drops a niche new action cam for FPV drones appeared first on Popular Science.

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How to travel with film cameras today https://www.popsci.com/diy/film-cameras-flying-travel/ Fri, 08 Apr 2022 22:00:00 +0000 https://www.popsci.com/?p=436506
A photo of an old film camera on top of a pile of photographs.
Flying with an analog film camera poses its own set of challenges. Deposit Photos

Here's what to consider when planning and executing your trip with your film cameras, lenses, and equipment.

The post How to travel with film cameras today appeared first on Popular Science.

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A photo of an old film camera on top of a pile of photographs.
Flying with an analog film camera poses its own set of challenges. Deposit Photos

We may earn revenue from the products available on this page and participate in affiliate programs. Learn more ›

This article was originally featured on Popular Photography.

There was a time when traveling with film cameras was a no-brainer: Nearly all cameras used film, and you’d find all the support you needed almost anywhere you went. Today, the rise of digital photography and changes in transportation security make traveling with film gear more of a challenge.

In this three-part series, we’ll cover the specifics of traveling with film by air as well as by land and sea. For this first part, we’ll discuss some general guidelines, including cautions about traveling with film and what you should bring on your trip.

[Related: How photographers fly without ruining their film]

The perils of traveling with film

We love film and hate to speak ill of it, but the truth is that shooting travel photography on analog is not a sure thing. Unseen camera faults and mistakes in technique and/or handling can cause problems with your photographs, and unlike digital, you may not realize your photos didn’t come out until you get home. There’s also the potential for damage or mistakes in processing.

Does this mean you should avoid film photography for travel? Absolutely not! Film gives its own special look to travel photos and we wouldn’t miss that for the world. However, there’s nothing wrong with doing what our film-only forbears couldn’t, which is to use modern technology as a backup. If you’re facing that once-in-a-lifetime photo opportunity, there’s nothing wrong with snapping an extra shot on your phone or a digital camera, just in case.

Traveling with film: What film to bring

Back in the day, no matter where you were headed, you could almost always find film—and often good-quality processing—at your destination. Not so today, so modern film photographers will most likely be carrying both new and exposed-but-unprocessed rolls. This is particularly tricky with regards to air travel, which we cover in Part 2 of this series.

[Related: How photographers fly without ruining their film]

If you’re traveling with film, you’ll want to take plenty with you; running out of film on a trip is never fun. What kind of film should you bring? We prefer to stick to film stocks we know and like. We’ve experimented with unfamiliar emulsions while traveling, only to get home and find that new-to-us film didn’t give us the look we were looking for. Our recommendation is to experiment at home and travel with film you know.

It’s a good idea to check the weather conditions at your destination to help determine what speed film you’ll need. If it’s bright and sunny, we’ll pack mostly ISO 100 film with a couple of rolls of ISO 400 in case the clouds roll in. If we’re expecting inclement weather, we up the proportion of faster film. For indoor photography, many filmies pack some ultra-high-speed film (such as Delta 3200 or T-Max 3200) or a flash. Another option is to shoot ISO 400 or 800 film at 1600 and push-process it. (Be sure to note which rolls need pushing!)

It’s worth noting, though, higher-speed films are more susceptible to the negative effects of airport X-rays. And if you’re bringing along film faster than ISO 400, we recommend carrying it on board (this goes for all film, actually) and requesting a “hand inspection” at security. We’ll cover this more in part 2.

Alternatives to bringing your own film

If you’re traveling to a large city, you may be able to buy film locally. Do a little Googling and be sure to call or email ahead to make sure local stores have adequate stock of your film(s) of choice. If you regularly mail-order film, you may be able to get your mail-order house to ship film to your lodgings; be sure to call ahead to your hotel to make sure they can receive packages for guests. Alternatively, you can mail film ahead to your digs. This method isn’t foolproof—packages do get lost or delayed—so it’s best to bring a couple of rolls with you, just in case.

If you use a mail-order lab for processing, consider mailing your exposed film to the lab directly from your trip. That’ll save some bulk in your luggage (and an X-ray inspection if you are flying).

The case for bringing more than one camera

Digital cameras offer variable ISO settings and can switch seamlessly between color and B&W, but film cameras can’t do that, and mid-roll film changes are time-consuming (and difficult or impossible on some auto-wind cameras). That’s the reason why, back in the film days, avid photographers frequently traveled with a second camera (or third). One camera might be loaded with color film, the other with B&W, or one with slow film and one with higher-speed film. If you travel with a second camera, we recommend keeping that extra camera unloaded until you know what you need it for, to provide you with extra flexibility.

Traveling with 35mm point-and-shoot cameras

If you’re a compact point-and-shoot photographer, you’re in great shape—after all, P&S compacts were designed with travel photography in mind. A compact camera with a zoom lens will give you the most flexibility, but the 35mm lens fitted to many fixed-focal-length cameras works nicely for travel snapshots.

Most point-and-shoot cameras are made to withstand a little foul weather, but if you are concerned about getting seriously rained on (some vacation!), consider a “weather-resistant” camera like the Pentax IQ Zoom 90 WR. There are other fully-waterproof compacts like the Canon Sure Shot A-1, but if underwater film photography is on your agenda, consider a one-time disposable camera like the Kodak Water & Sport or Fujifilm’s Quicksnap Waterproof—that way you don’t have to worry about your hard-to-replace camera getting damaged.

Traveling with 35mm SLRs

SLRs give you more creative control over your photos, but they do add bulk, which can slow you down while traveling. SLRs come in all shapes and sizes, and we recommend smaller ones for smoother travel. Older manual-wind cameras (particularly the Olympus OM-series and Pentax M-series) and later-model plastic-bodied SLRs (like those from Minolta and Canon) are among the lightest and easiest to travel with. Pro-level cameras like the Nikon F4 are bulky and heavy.

But isn’t pro-level gear best for travel? Not necessarily: A once-in-a-lifetime trip might seem to warrant your best film equipment, but there’s an argument to be made for leaving your nicer cameras home. Remember, with film—and unlike digital—it’s not the camera that determines image quality, but rather the lenses and the film stock. For travel, consider taking older bodies that you don’t mind getting knocked around a bit, and which will be easier (and cheaper) to replace if they get lost or stolen.

If you’re bringing a second camera body, it should be one that is lens-compatible with your primary body so there’s no need to bring a second set of lenses. Your backup camera need not be anything fancy or expensive. A $20 Nikon N65 makes a great backup for your Nikon F5 or N90s and takes up little extra space in your camera bag.

What lenses should you bring? If you’re using an autofocus SLR, a pair of zoom lenses in the 24-70mm and 70-200mm range should meet most of your needs. For manual-focus SLRs, the standard wide/normal/tele “prime trifecta”—28mm, 50mm, and 135mm —will suit you well. Again, consider the value of your equipment and the difficulty of replacing it in the event of breakage or theft. We’d much rather risk a $25 Vivitar lens than a $250 Nikon lens. Consider fitting a UV filter to all of your lenses to protect them from damage.

Traveling with other types of film cameras

35mm rangefinder cameras give you the portability of a compact, and most offer the creative control of an SLR, so they’re great travel companions. The only thing that gives us pause is their value: Some of us find it hard to relax and enjoy our trip while worried about damaging or losing our $5,000 Leica.

Point-and-shooters might want to consider a bridge camera, which offers the creative control of an SLR in a more compact package. Their wide-range zoom lenses make them great for travel, and they offer a variety of automatic, semi-automatic, and manual modes.

Instant cameras are great for snapshots, but not so great for landscape or architecture photos—and with the high cost of film, instant travel photography can get very expensive very quickly.

What about medium- and large-format gear? A small TLR like the Yashicamat or Mamiya 645 takes up only a little more space than a bulky 35mm rig, but bigger cameras like the Mamiya RB67 and Pentax 67 can really weigh you down, as can large-format cameras, which generally require a tripod. We tend to reserve the bigger gear for trips by car. If you do take large and expensive gear via commercial travel, be sure to keep it with you and avoid checking it at all costs.

What else should you bring with you?

If you have extra space in your film kit, here are a few items you should consider bringing, in order of importance:

  • Extra batteries. Manual-wind cameras use button batteries that last for years; one extra set should suffice. For auto-wind cameras with a higher power appetite, it’s best to know before you go how many rolls a set of batteries will get through, and bring lots of extras.
  • Extra lens-cleaning cloths. Travel is filthy business!
  • Filters. It’s a good idea to have a good-quality UV filter on all your film-camera lenses to protect from damage. A circular polarizer can be very handy for reflective surfaces (cars, windows, water). If you’re shooting B&W film, consider a yellow or red filter to bring more contrast and texture to the skies. 
  • Film Changing Bag. If you have the space, a dark bag is a handy thing to carry. We’ve had old cameras jam while traveling, and a dark bag provides a safe place to open the camera and retrieve your film.

One last tip: Don’t forget to vacation!

We love traveling with film gear because it presents so many opportunities to take great photos, but we try to avoid seeing our entire vacation through a camera lens. Always be on the lookout for good photo opportunities, but make sure you take time to enjoy and experience the sights with your own senses.

The post How to travel with film cameras today appeared first on Popular Science.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

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Record this year’s adventures with these drones & cameras on sale https://www.popsci.com/sponsored-post/drones-and-cameras-on-sale/ Fri, 21 Jan 2022 14:00:00 +0000 https://www.popsci.com/?p=421268
Drones photo

Capture 2022 in an elevated way.

The post Record this year’s adventures with these drones & cameras on sale appeared first on Popular Science.

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Drones photo

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We’re living in a “pics or it didn’t happen” world. If you failed to capture a specific moment, did it even occur in the first place? And sure, it’s always a must to document your memories and adventures for later viewing, but why stop at pictures?

Capture 2022 in an entirely different way by scoring adventure cameras and drones that let you take your photography and videography to new heights. Here are 10 options to choose from, all of which are on sale for a limited time:

FITT360: Hands-Free Neckband Camera

Dubbed as the world’s first neckband type wearable 360-degree camera, the FITT360 is a device that you wear around your neck for hands-free and hassle-free recording. It uses three FHD cameras to capture everything around you and connects directly to the app to stitch the recorded footage into a 360-degree format. It usually retails for $599, but you can get it on sale for $489.99.

HD Digital Camera Binoculars

Drones photo

With a clear field of vision, 12x magnification, and precise focus adjustment, this camcorder and telescope hybrid is ideal for capturing even the most minute of details. Waterproof, anti-fog, anti-dust, and anti-shock, you can use it for hunting, bird watching, hiking, or taking photographs of wildlife, landscapes, travel, and more even in the harshest weather conditions. It normally goes for $199, but you can get it on sale for $129.95.

Global Drone 4K Platinum Version

Drones photo

This quadcopter pretty much ticks all of the boxes in what you’d want in a drone: 4K video capability, 360-degree roll and flip technology, and 3-level flight speed. It’s crafted out of high-strength and resistant-engineered plastics too, making it lightweight and durable. Originally $119, it’s on sale for $109.95.

Mini Helicopter UFO RC Drone

Drones photo

Designed to be kid-friendly, this mini helicopter has sensors on each side and at the bottom to protect it from collisions and built-in LED lights for maximized fun. It’s also built with a flexible barrier for added durability. Usually $50, you can grab it on sale for $21.95.

Dark Gray Eachine E58 4K HD Camera Flying Drone

Drones photo

Thanks to this drone’s headless mode, you no longer have to adjust the position of the aircraft before flying it. It’s also capable of finding its way back to you automatically with its one-key automatic return function. Of course, with its 4K/1080p wide-angle camera, you can capture the best images and videos with better highlights and shadows. Typically $225, you can score it on sale for $62.95.

Newest Gray E68 Drone 2 with 4K/1080P Wide-Angle Camera and WiFi

Drones photo

This drone comes with a remote control to help you navigate it from a higher distance. It’s equipped with a 4K HD camera for crystal-clear images, and an altitude hold mode that stabilizes the drone’s flight. It also has a partner app that allows you to view what you’re capturing on your smartphone in real-time. It usually retails for $320, but you can grab it on sale for $79.95.

EXO X7 Ranger 4K Dynamic Camera Drone

Boasting a 4.1 out of 5-star rating on Amazon, this drone equipped with a 4K video camera, with a 1/3 in-camera sensor, and a 3 axis gimbal is ideal for beginners. Its dual camera delivers a more dynamic range, brighter colors, and a soft look, while its 120 camera tilt lets you capture bird-eye shots and skyline shots. It formerly retailed for $327, but you can get it on sale for $277.99.

Black Drone with Dual HD 4K Camera

Armed with a 3-axis mechanical gimbal and electronic image stabilization, this 4K drone can capture steady photos and footage. With a control distance up to 1,200 meters, you can navigate it from a taller height or a longer distance via the accompanying remote control. It typically retails for $89, but you can grab it on sale for $74.95.

4K Action Pro Waterproof All Digital UHD WiFi Camera

Drones photo

Record all the fun parts of your adventures with this waterproof, shockproof, and dustproof camera that lets you view the live feed on your phone. It can record high-quality and stable video in stunning 4K resolution and has a built-in Gyro stabilizer and in-body sensor stabilization feature to get the perfect shot every time. It formerly retails for $149, but you can get it on sale for $49.99.

Alpha Z PRO 4K + Flying Fox 4K Wide Angle Dual Camera Drones Bundle

The only thing better than one drone is two drones. This deal nets you two quadcopters, both of which feature a 4K front camera, a 720p bottom camera, and a sleek design. Both drones are capable of not only capturing picturesque shots, but also executing all sorts of moves and tricks. Buying them separately would set you back $398, but you can get both on sale for only $174.99.

Prices subject to change.

The post Record this year’s adventures with these drones & cameras on sale appeared first on Popular Science.

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Film photography is expensive, but these tips can make it cheaper https://www.popsci.com/diy/film-photography-save-money/ Wed, 05 Jan 2022 23:23:39 +0000 https://www.popsci.com/?p=418869
Zenit film camera with two hands holding a strip of negatives
Take your film photography to the next level by developing your own photos—for cheap. NorWood Themes / Unsplash

Get the cost down to 25 cents per shot or less.

The post Film photography is expensive, but these tips can make it cheaper appeared first on Popular Science.

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Zenit film camera with two hands holding a strip of negatives
Take your film photography to the next level by developing your own photos—for cheap. NorWood Themes / Unsplash

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This story originally featured on Popular Photography.

One of my many, many pet peeves is folks who discourage would-be analog photographers by telling them film is too expensive. They cite $25 rolls of slide film, $20 E-6 developing, and $40-per-shot drum scans, and declare film as a financial quagmire compared to “free” digital photos.

The fact is that while film can be expensive, it doesn’t need to be. My 35mm B&W photography costs me less than a quarter per frame—not just for film, mind you, but for film, processing, and scanning. And here’s the punch line: I’m actually spending more than I have to. If I did things differently, I could be shooting B&W film for less than 14 cents per photo. And while color film is more expensive, it need not cost much more than what I currently spend on B&W.

Stick with me through this article and a bit of math, and I’ll explain how I do it.

Step 1: Save on film by rolling your own

Three bulk white boxes of Ilford camera film
Buying film in bulk can save a lot of money. Aaron Gold

Many popular B&W emulsions are sold in 100-foot bulk rolls, which the photographer winds onto reusable 35mm cassettes. 100 feet yields approximately eighteen 36-exposure rolls. A bulk roll of my favorite film, Ilford HP5 Plus, sells for $89.99, which works out to $5 per 36-exposure roll (about $3 cheaper than pre-rolled HP5+) or 13.9 cents per photo. 

My beloved HP5+ is hardly the least-expensive film on the market. I also like Ilford’s Kentmere 100. At ~$70.00 for a 100-foot roll, it costs just 11 cents per shot. Freestyle’s Arista EDU film costs $51.99 per 100-foot roll—just 8 cents per exposure.

Bulk rolling has advantages beyond costs savings. Chief among them, you’re not stuck with 24 or 36 exposures. When I buy a used camera, I don’t need to burn a whole roll of film to test it out; instead, I’ll whip up a 5-exposure test roll. For general use, I load around 25 exposures per roll, though this does increase my development costs slightly, as you’ll see in the next section.

What about equipment? You’ll need film cassettes, which sell for around $1.25 each. They last for years, making their per-shot costs basically negligible. Some photographers use a bulk loader to wind film onto the cassettes. A loader costs around $50, and if you only keep it ten years—chances are it’ll last five times that long—it’ll add about a third of a cent per frame to your film costs. Me, I don’t use a bulk loader; I simply spool up my film in my dark bag.

My film cost (Ilford HP5 Plus): 13.9 cents per picture.

Buying color film

Color film for still photography is difficult to find in 100-foot rolls; however, you can still save money by buying in quantity. A five-pack can save a couple of bucks per roll, and if you can find a dealer who will sell you a “brick” of film, you can drop your costs much closer to bulk-roll levels.

Black and white film developer chemicals in brown bottles labeled with tape
B&W film is very easy to develop at home.  Aaron Gold

Step 2: Save on film development by doing it yourself

I develop all of my own B&W film, and not just because it saves money. I genuinely enjoy the process. If you’ve never done it, don’t be intimidated—B&W development is dead-easy and hard to screw up. Also, it’s a huge cost savings over lab development. 

For those unfamiliar, there are four (or so) types of chemicals needed (developer, stop bath, fixer, and a washing agent) and some basic hardware. Let’s look at the costs of each.

Developer

There are several choices of B&W developer; I’m very fond of Kodak D-76. It’s sold as a $9.99 package of powder, which mixes with a gallon or so of distilled water (about 99 cents). For most of my developing, I dilute this stock solution 1:1 (so, ad another 99-cent gallon of distilled water). If I use my single-roll developing tank, that’s enough for about 23 rolls of film, which comes out to 52 cents per roll. That’s 1.4 cents per frame for 36 exposures, but since I shoot 25-exposure rolls, my cost is 2.1 cents per frame.

Granted, I don’t always spend that much. I have a two-roll tank that uses about 25% less developer per roll than if I develop two rolls individually in a single tank. Besides D-76, I also use Kodak HC-110, a liquid-concentrate developer that costs about 35 cents per roll. And there are cheaper alternatives to Kodak developers: LegacyPro’s L-76, for example, is identical to D-76 and sells for $6.99. (As a former resident of Rochester, New York, I use Kodak developers out of loyalty—or perhaps guilt for shooting Ilford film.)

Other chemicals

I use Kodak Indicator Stop Bath and Ilford Rapid Fixer, both sold as concentrates that are mixed with water. Stop costs 0.9 cents per roll; fixer, 11.2 cents. I use Kodak Photo-Flo 200 as a rinsing aid, which adds another 3.8 cents per roll. That breaks down to 0.4 cents per frame for 36 exposures or just under 0.7 cents for 25-exposures.

Again, there are more cost savings to be had. Some people use water instead of stop bath (but for less than a penny a roll, I think it’s worth splurging on). I change my stop and fixer every 25 rolls, but they could probably go longer—there’s an easy test for fixer (drop in a scrap of unexposed film and time how long it takes to clear), and Kodak stop bath changes color when it’s done (hence “Indicator” in its name). As with developers, there are cheaper alternatives from brands like LegacyPro and Arista.edu.

Equipment

I was lucky to have my developing tanks, reels, and thermometer given to me. This meant I only had to buy a dark bag/film changing bag (a light-proof bag with arm-holes, used to transfer the film from the cassette to the developing tank), measuring beakers, and bottles for mixed chemicals. (I buy brown bottles of hydrogen peroxide and empty them out.) In all, I spent less than $40, but if you’re starting from scratch, you might spend closer to $150. Most of this equipment will last forever, but if you only get ten years out of it, and like me, shoot about 35 rolls per year, that’ll average out to about 2 cents per frame. (For me, the costs are half-a-penny per photo.)

My developing costs (D-76, single-roll tank, 25 exposures): 3.3 cents per photo.

DIY developing for color film

Color film development used to be so cheap and widely available that doing it yourself wasn’t considered cost-effective. Today you can buy C-41 (color negative) developing kits that contain all the needed chemicals in a single box. Color is a bit more fiddly to develop than B&W—temperature control is paramount—but not much more difficult. Equipment is the same as for B&W, plus something to keep the chemicals warm. Many DIYers use a sous vide immersion cooker, which costs around $75.

CineStill sells a one-liter C-41 kit that costs $27.99 and processes 8 rolls—$3.50 per roll (way cheaper than commercial developing!) or 9.7 cents per frame. Arista EDU makes a one-gallon kit that develops 32 rolls; at $79.99 it breaks down to $2.50 per roll or about 7 cents per frame. (Color processing chemicals, once opened, have a short shelf life, something to keep in mind when choosing quantities.)

Shooting slides? There are development kits for E-6 processing, too. An eight-roll kit from Arista EDU costs around $5.50 per roll, while a 32-roll kit brings the costs down to $3.59 per roll.

Step 3: Save on scanning with your own scanner

Film negatives of cars on a flatbed scanner
You can get decent film scans from a flatbed scanner like the Epson V550 or V600. Dan Bracaglia

I scan all my own film with an Epson V550 flatbed scanner (which has since been replaced by the Epson V600). Some photographers buy third-party scanning programs, but I’ve been happy with Epson’s own software, which I find works well for B&W, color negatives, and color slides. Obviously, the Epson can’t compare to a drum scanner, but I am very happy with the results I get—I think they’re fine for editing and sharing photos online.

I paid $195 for my V550. If I only get five years out of it—I’m hoping for more!—and if I shoot 35 rolls per year, my scanning costs are about $1.11 per roll. At 25 exposures per, that’s 4.4 cents per scan. Of course, if I keep the Epson longer, or if I shoot more film, that lowers my per-shot costs even further.

My scanning costs: 4.6 cents per photo.

Adding up the costs—and how I could save more

If I shoot a 25-exposure bulk-loaded roll of Ilford HP5 Plus (13.9 cents per frame), develop with D-76 (3.3 cents), and scan with my Epson (4.4 cents), I’m at 21.6 cents per frame. I buy my supplies locally, so I have to add 9.5% for sales tax. Grand total: 23.7 cents per frame, or $5.93 to shoot, develop and scan a 25-exposure roll of B&W film.

Still, I could be spending far less. If I shot Kentmere 100, loaded each cassette with 36 exposures, developed with LegacyPro L-76 in my two-roll tank, and kept my scanner for ten years, my costs would drop to $4.91 per roll—just 13.6 cents per photo. To put that in perspective, for the price of a new Nikon Z7 kit, I could shoot, develop and scan one roll of film per week for twelve years—and still have some cash left over to buy a decent 35mm camera.

Color is more expensive, but not overly so. With bulk purchasing and home developing and scanning, it’s easy to get color negative film down to $10 per roll (27.8 cents per shot) or less. Even the cost of pricey slide film can be greatly reduced.

So the next time you hear someone disparaging film as prohibitively expensive, please help me out by setting them straight. In fact, you might want to ask how often they replace their digital rigs and how much that costs—and then explain how much money they could save by shooting film.

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This camera is as small as a grain of sand—but it still takes great pictures https://www.popsci.com/technology/what-is-a-metasurface-camera/ Mon, 13 Dec 2021 22:17:59 +0000 https://www.popsci.com/?p=415514
Translucent metasurface camera shown on a finger tip on a black background
The developers of this tiny camera hope the technology will some day make its way into your smartphone. Princeton University/University of Washington

Nanotechnology for the win.

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Translucent metasurface camera shown on a finger tip on a black background
The developers of this tiny camera hope the technology will some day make its way into your smartphone. Princeton University/University of Washington

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This story originally featured on Popular Photography.

With the rise of smartphones and mirrorless cameras, photography gear has gotten more compact over the past decade. But for some uses, like medical imaging and miniature robotics, current camera tech still proves far too bulky. Now, researchers have pushed the boundaries of what’s possible with an experimental camera that’s similar in size to a grain of salt and yet offers image quality that’s an order of magnitude ahead of prior efforts on a similar scale.

What’s a metasurface camera?

Designed by a team of researchers from Princeton University and the University of Washington, the new system is detailed in a paper published last week in the peer-reviewed journal Nature Communications. It replaces the complex and bulky compound lens found in most cameras. With a metasurface that’s just 0.5mm wide, the camera is studded with 1.6 million cylindrical “nanoposts” that shape the light rays passing within.

The metasurface camera is said to provide image quality on par with a conventional camera and lens that is 500,000 times larger in volume. After comparing the sample images in the paper and YouTube video above, we’d say that’s perhaps a little too generous, but we don’t want to take away from the team’s achievements in the least, as they’re certainly impressive.

How it compares to other cameras

Conventional compound cells next to neural nano-optic cells to show contrast of light passing through in a diagram on black
Neural nano-optics remove the need for bulky conventional compound optics.  Princeton University/University of Washington

The combination of a 2/3-inch sensor and an Edmund Optics 50mm f/2.0 lens used to provide the conventional camera comparisons still has noticeably better image quality, especially in the corners. But at the same time, the metasurface camera’s results are deeply impressive when bearing in mind its spectacular size advantage. And the results it provides are also far in advance of what was achieved by the previous state-of-the-art metasurface camera just a few short years ago.

Compared to the earlier metasurface cameras, the new version differs in the design of its individual nanoposts as well as in its subsequent image processing. The nanotubes’ structure was optimized using machine-learning algorithms which prioritized image quality and field-of-view. The image processing algorithms, meanwhile, adopted neural feature-based deconvolution techniques. Finally, the results of the new image processing were fed back to allow further improvements to the nanotube structure.

These strategies have clearly worked well, yielding a huge step forward from the results possible with past efforts. While the compound optic still has a pretty obvious advantage in terms of fine detail, color, contrast, vignetting and corner sharpness, the gap between technologies is certainly shrinking.

What’s next

Next up, the research team is planning to increase the metasurface camera’s computational abilities. This should allow not only another step forwards in terms of image quality but also other capabilities such as object detection.

In the longer term, the study’s senior author, Felix Heide, suggests that the goal is to break into the smartphone market. Heide predicts that one day, you could see the multiple cameras in your smartphone replaced by a single metasurface that turns its entire rear panel into a camera. Is the era of awkward camera bumps soon to meet its end? We can only hope.

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6 cool camera tricks you can do on the new Pixel 6 phones https://www.popsci.com/technology/pixel-6-camera-tricks/ Tue, 16 Nov 2021 19:00:00 +0000 https://www.popsci.com/?p=409226
rear view of the Google Pixel 6 phone
Get more from the camera on your Pixel 6 or Pixel 6 Pro. Triyansh Gill / Unsplash

Google's latest flagship devices come with some smart photo wizardry.

The post 6 cool camera tricks you can do on the new Pixel 6 phones appeared first on Popular Science.

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rear view of the Google Pixel 6 phone
Get more from the camera on your Pixel 6 or Pixel 6 Pro. Triyansh Gill / Unsplash

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Google’s brand new Pixel 6 and Pixel 6 Pro come with some heavyweight camera features you just won’t find on other smartphones.

Make the most of these tools by knowing what they are and how to use them, so your photos really stand out from the crowd.

1. Action Pan

Use the Action Pan feature if you are shooting a moving object that you want to keep in focus while the rest of the image is blurred. It works well for a car driving down a street, or a snowboarder going down a hill.

[Related: The Google Pixel 6 brings a new chip and lofty, AI-powered promises]

Open the Camera app on your Pixel 6 or Pixel 6 Pro, and swipe along the modes underneath the shutter button—Camera will be the default. Tap Motion, choose Action pan and then tap the shutter button as normal to capture an image. 

Your device will process the picture in the background, and when you go and look at the finished product in Google Photos, you should see the main object of the shot in focus against a blurred background.

2. Long Exposure

Long Exposure is the opposite of Action Pan, as it blurs moving objects in the picture frame while whatever is still remains in focus. This feature can add movement to the spinning ferris wheel at a circus, or a waterfall, for example, yielding some really professional-looking results.

From the Camera app, swipe across the camera modes to find Motion, choose Long exposure and then tap the shutter button as normal. You’ll need to keep your Pixel stable for a few seconds while the camera captures the long exposure.

As with Action Pan, the processing takes place in the background, so head over to the Google Photos app to see the results. 

3. Real Tone

Google says the Real Tone feature will “represent the nuances of different skin tones for all people beautifully and authentically.” This means that the Pixel 6 will automatically process photo enhancements (white balance, color, brightness, and exposure settings) to better suit a subject’s skin tone. This will come especially handy when you have multiple people in the same shot.

This is an automatic feature, so you should notice improved results from the get-go thanks to the Artificial Intelligence-packed Tensor chip inside the Pixel 6 and the Pixel 6 Pro.

4. Magic Eraser

The Magic Eraser— available exclusively on the latest Pixel phones—works like a quick Photoshop trick and lets you remove objects and people from your shot with just a couple of taps.

For this one, you have to go directly to Google Photos. Tap on the image you want to work with, tap Edit, then choose Tools, and Magic Eraser. You can either tap on a marked area to accept the suggestions the app makes, or draw around an object or person you want to get rid of. You’ll see the results after a few seconds. 

Despite its name, the Magic Eraser works better on some photos than others, as it needs a constant background to work with, like a wall or a sky. But when it works, well, it really does look like magic.

5. Optical and digital zoom

The rear camera on the Pixel 6 doesn’t offer anything in terms of optical zoom, but the Pixel 6 Pro has 4x optical zoom built-in. This is a new high bar for a Pixel phone, and it means you can get four times closer to the action without losing any image quality. To activate it, just tap the 4 above the shutter button while taking a picture.

On top of that, both the Pixel 6 and the Pixel 6 Pro offer Super Res Zoom. This digital zoom lets you go way beyond the optical zoom capabilities to let you get even closer to your subject and get much sharper, less pixelated images. To do this, Super Res Zoom captures several frames at once and uses that information (plus some smart Google algorithms) to fill in the details, like colors, lines, and shapes, that aren’t there. 

6. Night Sight

You can only find Night Sight, Google’s super-strength camera night mode, on the company’s smartphone range, but you’ll find the best version of it in the Pixel 6 and Pixel 6 Pro. You can find this feature in the list of modes underneath the shutter button in the Camera app.

When Night Sight is active, Google’s software will work wonders with the darkest parts of your picture, using AI interpolation to enhance the details the phone camera has captured.

[Related: Google’s Night Sight photo mode is great—here’s how to fake it with your smartphone]

There’s also an astrophotography mode for shooting the night sky. Your Pixel will notify you it has enabled this feature automatically when you point your device at the night sky for a few seconds. Google recommends using a tripod and getting as far away from urban lights as possible, as exposure will take several minutes. But when it’s over,  you should be left with a fantastic night sky shot.

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Nikon’s new 125x zoom camera has a lens that would be impossible on a DSLR https://www.popsci.com/nikon-p1000-has-125x-zoom/ Mon, 18 Mar 2019 21:35:56 +0000 https://www.popsci.com/uncategorized/nikon-p1000-has-125x-zoom/
Nikon P1000

That much zoom pushes into telescope territory.

The post Nikon’s new 125x zoom camera has a lens that would be impossible on a DSLR appeared first on Popular Science.

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Nikon P1000

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Nikon

SEE IT

The concept of “zooming” on a smartphone camera is mostly a lie. They often “zoom” by simply cropping the image to narrow the angle of view or adding an extra camera module with a more telephoto lens to handle the longer shots. Both methods come with downsides in terms of usability and image quality. Dedicated camera makers like Nikon know this, and the company’s latest long-lens camera is an emphatic reminder of just how different dedicated camera lenses can be from their smartphone counterparts.

The Nikon P1000 has 125x optical zoom, which means it starts a little wider than your typical smartphone camera lens, and can zoom far enough that you can focus on objects that are literally miles away depending on your vantage point.

In camera terms, the 125x lens has an equivalent focal range of 24mm to 3000mm. To put that in perspective, the massive, telephoto lenses you’ll typically find on the sidelines of sporting tend to hover between 400mm and 600mm. Those high-end lenses have higher-quality glass, more advanced motors, and wider apertures for letting in more light, but in terms of pure zoom, the P1000 is in a totally different league.

Nikon P1000 lens comparison

Nikon P1000 lens comparison

Zooming all the way to its longest setting doubles the length of the P1000.

We could in theory design the same spec lens for a DSLR, but it would be nearly impossible to create the parts and assemble such a lens in the factory,” a Nikon representative told us via email. “Thirty years ago Nikon developed an AI Zoom-Nikkor 1200-1700mm f/5.6-8P IF-ED lens, and it weighed 16kg! And that’s for 1200-1700mm. If you were to design and build a 24-3000mm DSLR lens for an FX-format sensor, you might need a truck to carry it. To give you a rough idea of size, a 3000mm lens with a maximum aperture of f/8 built for a DSLR sensor would need to have a front lens element with a diameter of about 360mm (more than 14 inches)!”

While you don’t need a truck to carry the P1000, it’s still a sizable chunk of gear. It weighs roughly 3.1 pounds and extends to a length of 14 inches at full-zoom. A considerable amount of that weight comes from the 17 glass elements in the lens (arranged into 12 groups).

Keeping the camera steady at an equivalent of 3000mm can be difficult, even on a tripod, but Nikon equipped the P1000 with its latest vibration reduction technology, which it claims can mitigate camera shake by up to five stops. “Dual Detect VR is so-called because the system calculates and corrects for the direction and amount of camera shake using two methods simultaneously: an angular velocity sensor and imaging information from the image sensor,” a Nikon representative explained. “This enables the kind of enhanced vibration reduction performance required by a camera with this kind of focal length.”

Nikon P1000 zoom example

Nikon P1000 zoom example

The first image was shot at its widest setting, and the second shot is the same scene at full telephoto.

Behind the lens is a 16.1-megapixel backside-illuminated sensor in the 1/2.3-inch format. It’s considerably smaller than the 1-inch sensor found in some other bridge cameras like the Sony RX10, but it’s a function of accommodating all that zoom. Unlike the previous P-model Nikon cameras, however, the P1000 offers RAW photo capture, which should provide more leeway when it comes to noise reduction and exposure recovery.

The P1000 will cost $1,000 when it hits store shelves, and we’re curious to see what kind of performance it can achieve when pushed to its extremes.

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A normal person’s guide to buying an old film camera https://www.popsci.com/how-to-buy-film-photography-camera/ Mon, 07 Jan 2019 21:30:21 +0000 https://www.popsci.com/uncategorized/how-to-buy-film-photography-camera/
Nikon F3 SLR

You don't have be an expert (or a hipster) to enjoy analog photography

The post A normal person’s guide to buying an old film camera appeared first on Popular Science.

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Nikon F3 SLR

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Pentax K1000

Pentax K1000 film camera

This full-manual Pentax SLR is a classic camera for learning the basics of photography.

Today, Kodak announced it was bringing back one of its iconic black-and-white films, TMax P3200, which has been out of production since 2012. It’s a monochrome film that’s extra-sensitive to light, so you can shoot with it in dark settings, and it will give you a gritty, grimy look that so many smartphone filter apps have tried to replicate. But that’s not the only good news in the film photography world at the moment. Kodak is still preparing another iconic film called Ektachrome for market later this year, and a new film SLR from a company called Reflex slated to ship later this year camera just had a crowdfunding run that raised 150 percent of its goal.

In short: Right now is a really great time to try out film photography. Of course, it’s not as simple as your smartphone camera, but that’s the point. It’s a process—and that’s a large part of what makes it great.

Of course, the first thing you’ll need is a camera. Luckily, there are still lots of old film shooters waiting to you take you to hipster photography heaven in thrift stores, garage sales, and online auctions. Sadly, this renaissance has pushed prices on the secondary market up from rock bottom a few years ago. But, if you know what to look for, you can find a shooter that will hold its value while churning through roll after roll of cellulose acetate (the material from which film is made).

Pick your perfect old camera

There are three general types of film cameras: SLRs, compacts, and rangefinders. The type you should pick depends on lots of variables including your budget, shooting style, and even aesthetic preferences. If you see something you think you like, check it out on a site like Camerapedia, which offers tons of useful knowledge about old gear.

Nikon F3

Nikon F3

The F3 is still a popular film camera for higher-end shooters. This one has some bumps and bruises but works perfectly and only cost me $75 at an estate sale.

SLRs

What are they? This is the classic form factor many people imagine when picturing an analog camera. They have interchangeable lenses in the front and a viewfinder that lets you look out through the lens and into the world with some help from a mirror inside. That’s where they get their three-letter name, which stands for single-lens reflex.

Advantages: SLRs are typically the most durable option and, if you’ve ever used a DSLR (which stands for digital SLR), the whole experience should seem familiar. They typically offer manual controls to help you learn, and you can swap the lenses if you get really into it and want to expand your collection.

If you already have a DSLR from a company like Nikon or Pentax, your lenses might even work (a quick Google search for compatibility will confirm it). If you have a modern Canon camera, however, it’s worth noting that their newer lenses won’t work with older film models.

Disadvantages: They’re the biggest cameras out of all the options, and some older models don’t offer much in the way of assistance when it comes to figuring out exposure, so brush up on your aperture and shutter speed knowledge.

Some models to check out: The Pentax K1000 and the Canon AE-1 Program are both iconic film cameras that are perfect for learning. They were extremely popular, so the companies manufactured millions of them, many of which are still around. I’ve paid as little as $5 for a K1000 at a garage sale. The Minolta SRT-101 is another iconic camera you can find on the cheap, but it’s big and heavy compared to those two.

If you want to step up to a slightly higher-grade camera, the Canon A-1, the Nikon FM2, and the Nikon F3 are also excellent choices. Expect to pay well over $100, and sometimes much more depending on condition, for one of these.

All the SLRs mentioned to this point have been manual focus, which means you have to rotate the lens yourself in order to get things sharp. There are plenty of modern autofocus SLRs out there, but they typically aren’t as affordable as their manual counterparts.

One note about old manual-focus SLRs is that the zoom lenses you sometimes see with them are terrible in terms of build and optical quality. If the camera comes with a big Vivitar, Sears, Quantaray, or another third-party lens, be prepared for soft focus and a clunky user experience. Sticking to a lens that matches the camera’s maker is your safest bet until you learn the intricacies of picking out new glass.

Olympus Stylus Epic

Olympus Stylus Epic

There was a time when these were $50. Now, you’re very lucky to find one under $100.

Compact cameras

What are they? They look like black or silver bars of soap, but this segment of the film camera market has taken off over the past two years. They’re also called point-and-shoot cameras, because they don’t offer much in the way of manual controls.

Advantages: If you just want to get the film look without having to learn lots about exposure and other photographic concepts, compacts are a great solution. They’re much smaller than the other types of film cameras, and they often use batteries that are cheaper and easier to find. They’re also conspicuous than a big camera, too.

Disadvantages: Since most compact cameras were designed for mass audiences, many of them are terrible in terms of image quality and build. Again, they don’t offer much in the way of manual controls, which may be a negative depending on your outlook. Also, because of the way their lenses are constructed, they often have to rely on the built-in flash to get the proper amount of light in the photo. Shooting a flash in 2018 immediately draws a lot of attention. You also can’t change lenses if you get sick of the same field of view.

Some models to consider Unfortunately, the demand for any truly excellent compact cameras has spiked hard over the past year or so, thanks in part to their stylish nature. Kylie Jenner, for instance, recently touted the virtues of her Contax T2 (a truly iconic camera), and the average price on the second-hand market spiked several hundred dollars to around $1,000.

Olympus made some excellent point-and-shoot cameras under the Stylus series, and the zoom lens versions are still pretty affordable at less than $100. There’s another version called the Stylus Epic (or the international name, the MJU II), which has an exceptionally sharp lens, and doesn’t zoom. It’s getting more difficult to find them all the time for anything below $200.

If you go thrifting, keep an eye out for pretty much anything made by Contax, Olympus Stylus compacts, or anything in the Ricoh GR family.

If you don’t want to go bargain hunting or drop hundreds of dollars, the Nikon L35AF, which you can often find at estate sales and on eBay for under $100, is an underrated camera that’s bigger than most point-and-shoots, but has a great lens attached.

Minolta Easy Flash

Minolta Easy Flash camera

This is an example of a trap camera for collectors and shooters. It’s not a very good camera in most ways, but it looks really cool. It will work, but you’re better off with something more reliable and well-known.

Rangefinders

What are they? The rangefinder resides somewhere between the compact and the SLR. You compose and focus using a viewfinder held up to your eye, but you don’t actually see through the lens of the camera, as you would with an SLR. The lens is coupled to the viewfinder so it knows when something is in focus. Shooting with a rangefinder is likely different than anything you’ve experienced with a digital camera, unless you’ve used something like the Fujifilm X100F. Try it before you make the leap.

Advantages: Some rangefinders allow you to swap out your lenses, while others opt for a fixed lens system that tunes the glass for that specific camera. They’re typically smaller than SLRs, but offer more manual controls than a compact. They’re also often some of the best-looking cameras around.

Disadvantages: The focusing process will likely take a little getting used to. The good ones are fairly expensive. Many of the older models don’t have a built-in light meter, so you’ll have to get a separate one or use a digital camera as a benchmark.

Some models to consider The Leica M series is often considered the gold standard against which all other rangefinders are judged. Unfortunately, that means most of them cost absurd amounts of money. A Leica M6, for example (which is desirable because it was the last all-mechanical M camera before the company introduced electronic elements in the M7) typically costs more than $1,000 before you add a similarly pricy lens.

In the world of the more realistic purchases, the Canon QL17 ($25-$100) is a great option for a beginner because it has a very sharp fixed lens. It’s small and relatively easy to use as well. The Yashica Electro 35 ($40-$100) is another good, stylish option.

If you want to get the most out of each roll of film, you can opt for a half-frame rangefinder like the Olympus PEN (roughly $150). It shoots photos that are only half the size of a typical 35-millimeter picture, which means you get 72 images on a single roll that usually only holds 36. You’ll lose some image quality as a trade-off, but if you’re going for the low-fi look, it could actually be a benefit.

Canon point-and-shoot

Canon point-and-shoot

If you want a really lo-fi look, these little compacts often do a great job. They’re very reliant on their built-in flash and the lenses usually aren’t very sharp, so they can make images look “dreamy” or “muddy” depending on your outlook. I paid $2.50 for this one—half price!

Making sure it works

Now that you’ve found a perfect picture machine, it’s time to inspect it and make sure everything is in working order. There’s a chance that any dusty, neglected camera you pick up now has been sitting around for a while unless you get it from a shop—and that can lead to problems.

The first thing to check is the battery compartment. Storing a camera with a battery inside often leads to corrosion, which can literally eat away at the inside of the camera as the acid liberates itself from the cell. If you open the battery door and find green gunk, it’s definitely a warning sign, but it’s not necessarily a dealbreaker. Check and see if the parts look intact and make sure nothing is falling off. If it’s just a little battery gunk, you can typically clean the majority of it with some rubbing alcohol and a cotton swab.

If you have a chance to test out the camera before you purchase it, bring a spare battery with you to try it out. Many newer cameras won’t work at all without a battery inside, so you can’t test to see if you can trigger the shutter with the button. Camera batteries aren’t necessarily easy to find anymore, so don’t be surprised if you have to order one from Amazon or another camera shop after googling which one you’ll need. Typical batteries include CR123 and CR2 cells.

Make sure to try out all the moving parts, as well. If there are knobs, twist them. If the lens has a ring used for focusing, turn it and make sure it doesn’t groan from internal friction (if a lens is making a sound like Chewbacca, it won’t be fun to shoot). If there’s a film advance lever, make sure you can push it, because they often jam up; if it’s frozen, you won’t be able to advance your film.

Konica A4

Konica A4

This is one of my favorite film cameras ever. I bought it on a whim and it went everywhere with me for a year before it broke. The experimentation element of this process is part of what makes it great.

One crucial element of your new camera is the light meter that measures the illumination in a scene and tells you which settings to use for your shot. Light meters usually engage when you push the camera’s shutter button (the button you use to take the picture) halfway down. When activated, you’ll typically see an indicator through the eyepiece like a needle that fluctuates or a light that moves around an exposure scale to show you what settings to use. Life will be hard if you try to learn without a working light meter, so make sure it’s operational.

Lastly, check the optics. Use your phone’s flashlight to look through the glass of the lens. If you see little tentacle-like streaks inside—especially around the edges—that’s likely lens fungus, which is extremely difficult to remove and might affect your photos, and not in a good, Instagram-filter way. Some lens glass will also yellow as it ages and, which is similarly hard to treat and can add a tinge to your snaps. (If you’re shooting black-and-white film, however, the yellowing is actually less of an issue, for obvious reasons.)

You also might notice a bunch of dust. While that can be annoying, it’s typically harmless. Film cameras employ a focusing screen, which is a piece of glass underneath the viewfinder. It’s often simple to open and clean out the dots of junk. Little bits of dust inside the lens itself are often inconsequential when it comes to image quality, as long as they’re small.

Nikon L35AF

Nikon L35AF

This Nikon isn’t the prettiest camera, but it has a very sharp lens, which is crucial.

Get some film

By now, you’ve noticed that pretty much every one-hour photo place on the planet has disappeared, which means you should plan on sending your film away for development unless you want to do it yourself (which is totally fun and you should definitely try it, but the subject of a different article!).

If you want to shoot color, start with Agfa Vista (now discontinued), Kodak Gold, or Fuji Superia. They will set you back less than $4 per roll and give you a semi-grainy, and very film-esque look. Expect to pay roughly $11 to have each roll developed and scanned. No, it’s not cheap, but that’s part of what helps the process feel more precious and fun. Labs like The Find Lab and The Darkroom do an excellent job.

If you want to shoot black-and-white, pick up some Kodak T-Max, Kodak Tri-X, or Ilford HP5 (The new TMAX P3200 film from Kodak is aimed at more advanced users since it requires careful processing, which costs extra if you’re sending it out.) All of those stocks have been around forever and there are lots of guides (like ours!) online to help you develop it on your own. You can also send it away to the labs mentioned above, but expect to pay a little more.

Right now, things are relatively great in the film world, but there’s no telling when the boom will end. Film stocks are still going out of production here and there, but it’s easier to shoot film in 2018 than it was five years ago, and that’s a good thing. Let’s hope it lasts.

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Best Video Cameras for Your Next Vlog https://www.popsci.com/story/shop/vlogging-cameras/ Thu, 20 May 2021 21:01:35 +0000 https://www.popsci.com/uncategorized/vlogging-cameras/
A black professional camera hanging over a wooden fence.
Capture the world around you with clarity. iMattSmart, Unsplash

Four high-quality and convenient shooters for today’s talk-show stars.

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A black professional camera hanging over a wooden fence.
Capture the world around you with clarity. iMattSmart, Unsplash

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Social media has provided us with endless ways to get our messages to the masses. At the same time, the cost of video equipment continues to drop even as the number of camera features and level of quality rises. It’s no wonder that video blogging—or vlogging—has become so popular over the last few years. But navigating the world of cameras can be daunting. Can you get away with just using your phone? What about the camera on your computer? Do you need a fancy DSLR or professional video camera? The right tool depends on your personal needs and the style of your show, but there are certain features to look for that makes a camera good for vlogging.

  • LCD Screen: First, you’ll want a sharp LCD screen that rotates—giving you easy access to take self video when necessary. A bright LCD screen will also help you ensure you’re capturing video correctly before uploading onto a larger desktop.
  • 1080p: The camera should shoot at least 1080p—which is full HD. This quality can easily convert across various social media platforms, but is especially useful if you want to create high quality YouTube videos.
  • Audio: Most cameras have lack-luster built-in microphones, so an 1/8-inch audio input is a great feature. This lets you take advantage of the many external microphones available. You can easily record yourself speaking to input without buying a microphone or additional equipment.
  • Auto-focus: High-quality auto-focus is important so you don’t worry about drifting out of focus while taping. Video cameras come with different types of focus—some auto-select eyes, while others have smart-detect for figures. Consider what kind of content you want to create and choose a camera that has an auto-focus feature suited to your needs.

Our Picks for the Best Video Cameras on Amazon

Top Pick Overall: Sony Alpha A6600 Mirrorless Camera

Sony

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Runner Up: SEREE Video Camera Camcorder Full HD 1080P

SEREE

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Budget Pick: kimire Video Camera Camcorder kimire Digital Camera Recorder Full HD 1080P

kimire

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Premium Pick: Sony RX100 VII Premium Compact Camera

Sony

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Popular Science is here to help you choose among the most popular products on Amazon, and hidden gems our experts think are worth checking out.

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DJI’s Mavic Air Drone uses more than a dozen sensors to keep it from crashing https://www.popsci.com/dji-mavic-air-sensors-object-avoidance/ Mon, 18 Mar 2019 19:54:02 +0000 https://www.popsci.com/uncategorized/dji-mavic-air-sensors-object-avoidance/
Drones photo

Cameras, IR sensors, gyroscopes, and more help prevent you from smashing this aircraft.

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Drones photo

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DJI Mavic Air Drone

DJI Mavic Air Drone

The rotors fold into the body on the Mavic Air, just like they did on its predecessor, the Mavic Pro.

There’s a real sense of accomplishment that comes from learning how to nimbly pilot a drone. Unfortunately, that’s also frequently accompanied by a nervous anxiety stemming from the potential for your pricy flying machine to smash into a tree, mountain, building, or any other hard object. Luckily, modern drones have obstacle avoidance tech inside to cut down the chances of collisions, and DJI’s new $799 Mavic Air is chock full of sensors and computers to keep your craft in the air and out of the “drone fails” section of YouTube.

DJI announced the Mavic Air at a press event earlier today in NYC. It was the public’s first chance to see the revamped guidance system, which works similarly to a self-driving car. Sensors look around the environment and processors use algorithms to interpret that data and guide the craft down the path of least obliteration.

Meet the sensors

The most obvious sensors on DJI’s new drone are the seven cameras. The main camera’s primary function is to create 12-megapixel still images and 4K video, but it’s also tied in with the rest for navigation purposes. The other six cameras are arranged in pairs on the front, back, and bottom of the drone. The space between them creates two slightly different perspectives on basically the same field of view, which allows the system to calculate depth. The two-camera setup is a common method for capturing 3D video. The previous version didn’t have rear-facing cameras, which means the Air has considerably more coverage of its 360-degree surroundings.

In addition to the traditional cameras, the Mavic Air has a pair of infrared sensors that face the ground to help create a 3D map of the environment below. This comes in handy when typical cameras struggle, like when there isn’t enough visual contrast for it to make sense of what it sees. So, if the drone is flying over a field of visually identical and ever-shifting grass, the regular camera won’t be able to find many usable landmarks with which to navigate.

There are two inertia measurement units (typically referred to as IMUs) inside, which monitor the angle of the craft as it relates to the horizon (typically referred to as attitude). It also keeps tabs on the craft’s acceleration.

Lastly, of course, it has built-in GPS for when you’re flying it outside and you can get a reliable signal.

The sensors have built-in redundancy in case one system goes out. For example, the downward facing cameras can help orient the drone even if the internal compass experiences interference.

DJI Mavic Air Drone

DJI Mavic Air Drone

The Mavic Air comes in three colors: white, black, and red.

The algorithm

In addition to the hardware upgrades, DJI has also improved its algorithms for crunching all that data it’s sucking in. For instance, instead of stopping when the drone sees an object in its path, it will now examine the 3D map of the terrain it created and look for a clear path around the obstacle. I got to demo this at the announcement even today and it’s impressive, at least in a controlled environment.

When the drone is flying, the IMU tracks its attitude and speed, while the dual cameras image the ground. This helps the drone keep track of its relative position, even when it can’t access GPS. That’s increasingly important for a drone that’s small and light enough to fly around inside.

DJI also claims that these systems increase the reliability with which it can return to the point from which it took off. The camera takes an image of the takeoff point, and the IMUs track the flight progress in real time to help the craft backtrack to where it started. Like the Mavic Pro before it, it also takes a picture of the ground as its taking off and uses that as a reference when it’s trying to return home and land.

DJI Mavic Air Internal

DJI Mavic Air Exploded

If you manage to explode the Mavic Air, it probably won’t look this organized.

The drone is the pilot

Ultimately, it’s clear that DJI has had success with its assistive systems. The company has already revamped the subject tracking features. You have to have to draw a box around the subject you wanted it to track, but now it’s a simple tap. It can track up to 16 individual subjects and lets you switch between them on the fly.

DJI has also added two new automated shooting modes, including one that sends the drone flying in a boomerang shape around a subject that stays centered in the main camera’s frame.

Gesture control, which allows a pilot to guide the drone around using hand motions, have also gotten a serious upgrade in terms of sensitivity and responsiveness. In the short time I was able to experience the drone today, the craft’s responses to gestures seemed much snappier.

The most interesting thing about the Mavic Air, however, is that it’s a pro-grade drone that you don’t really need to fly on your own if you don’t want to. Between the gestures and the automatic flight modes, you could—at least in theory—get decent results without ever touching the joysticks on the included controller or even using the controls in the app.

Even if you’re a more seasoned pilot, better object avoidance is almost always a welcome features. A close call with a pine tree is never fun, no matter how much skill you have.

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DJI’s Mavic Air drone is the best flying machine you can throw in your backpack https://www.popsci.com/djis-mavic-air-drone-is-best-flying-machine-you-can-easily-throw-in-backpack/ Mon, 18 Mar 2019 18:08:25 +0000 https://www.popsci.com/uncategorized/djis-mavic-air-drone-is-best-flying-machine-you-can-easily-throw-in-backpack/
DJI Mavic Air Drone review

It doesn't have the same range as pro models, but it's a lot of drone in a very small package.

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DJI Mavic Air Drone review

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Stan Horaczek

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CES 2018 was conspicuously devoid of new flying machines from drone-making behemoth DJI. Just a few weeks later, however, the company announced one of its most interesting crafts to date. The Mavic Air is the middle child in the DJI lineup, but its water-bottle-sized body and a bevy of high-end features make it one of the company’s most compelling offerings.

With a $800 base price, it sits comfortably between the adorable, consumer-oriented, $500 Spark and the more-powerful, $1000 Mavic Pro, which was introduced back in 2016. Despite how close all these models are in price, they’re quite different, so you have some considering to do before you make your pick.

What is it?

By now, the form factor of a drone like this should be pretty familiar—four blades, a couple antennas, a whole pile of sensors, and a controller that links up with your phone to command the whole thing.

The Air uses a collapsible form factor like the 1.6-pound Mavic Pro, but weighs just 15-ounces and is about the size of three or four iPhone 8 Plus devices stacked on top of one another. It’s seriously portable, especially if you’re already planning on carrying a camera bag with you.

Unlike the Mavic Pro, however, the Air takes its commands via Wi-Fi instead of radio frequency. This may be something many consumers wouldn’t even notice without looking at the spec sheet, but it does have an effect on the flight. Syncing it up, for instance, can be a little finicky if you’re in the vicinity of other familiar Wi-Fi networks. I found that the connection was rock solid if I waited for the drone and app to ready themselves completely before syncing, but when I got impatient, I’d lose connection from time to time.

The drone creates its own Wi-Fi connection, which is broadcasts from two fold-out antennas that double as its landing gear. Because it uses WiFi instead of radio, it can’t touch the four-mile range of the Pro—the Air maxes out around 2.5 miles. While that may matter for some more advanced users, it’s entirely possible that more casual pilots won’t get that far away anyway, especially when you consider the fact that the drone has to stay in your line of sight when you’re flying it.

DJI Mavic Air Controller

DJI Mavic Air controller

The included controller doesn’t have a screen, but it has a direct, wired connection to your smartphone, as well as clamps to hold it in place.

Flying it

You can control the drone with your phone, but it comes with a dedicated controller, which provides a much better experience and enhanced features, like a faster top speed. The controller for the Air is very similar to the one that comes with the Mavic Pro, sporting a pair of sticks, a dial to change the angle of the camera, and buttons to trigger the camera.

It doesn’t have a built-in display, however, to give you details about the craft. It’s not a deal-breaker, but having all that info at a glance and not on the camera preview screen is nice. One thing I actually prefer about the Air controller is that the joysticks unscrew and store inside the controller when they’re not in use, so you don’t have to worry as much about snapping them during transit. They’re small, so losing them isn’t out of the question, but DJI provides an extra set as a backup.

Like the Mavic Pro, the Air can record a detailed log of its take-off point. If you leave this option on, the drone immediately goes up to 20 feet and takes images of the spot from which it took off. This helps it find its way to its exact home later on.

You have a couple options when you actually get the drone up into the sky. Beginner mode limits the speed and the range of the craft, but that’s really only useful if you’re a total beginner or you want to let someone else—like maybe a child—fly it without risking catastrophe.

Normal mode lets you push the drone out to its full range, while sport mode, which requires the controller, pushes the top speed all the way up to 42.5 miles per hour. Sport mode feels very fast, especially with such a little craft. Interestingly, you also get the opposite of sport mode called cinematic mode, which slows down the drone and tapers the speed with which it starts and stops. This is to make the video footage look smoother, even if your thumb work isn’t on par with a bigtime cinematographer.

Crashing it

One advantage the Air has over its bigger sibling is the fact that it has an increased number of sensors—as well as a tweaked object avoidance algorithm—to prevent it from crashing into things like trees, people (as you can see above), or the cubicles of your co-workers who are busy trying to make a magazine and really wish you would “take that stupid thing outside already.”

The Air has cameras on its backside to help keep it from backing up into objects, which is something the Mavic Pro lacks. The object avoidance system that guides the craft has also improved in the air. Now, instead of finding an obstacle and hovering in front of it, the drone references a 3D map created by its onboard sensors to find a path around whatever’s in its way.

This feature takes some getting used to, especially if you’re already really accustomed to the old stop-and-hover method of avoiding a crash. Ultimately, however, I found it to be very effective. The only time we really managed to crash it was in the very tight quarters of our office, where it didn’t have GPS and the tight tunnels created by walls and cubicles played havoc with the air displacement.

The battery life claims 21 minutes of flight time per charge without much wind (gusty conditions require the craft to work harder in order to stay airborn and stable), compared to 29 minutes in the Mavic Pro. In my real world experience, I got roughly 15-17 minutes before the Air started bugging me with the low-battery warning. One particularly windy flight gave me just 13 minutes before it wanted to head home. Still, I found that amount of flight time totally fine for a craft of this size, but I absolutely recommend getting some extra batteries if you buy one.

The camera

You can capture 4K footage at 24 or 30 fps using the Air’s built-in camera. It would have been nice to have 60 fps at 4K, but I definitely wouldn’t expect it at a craft with this price tag. The footage looks rather excellent in bright conditions, but starts to suffer some digital noise when things get a little darker. If you’re looking at the footage on a phone, it’s typically fine, but if you blow it up to a big screen, you can start to see it. Still, the quality is excellent for a tiny camera like this.

The camera is clearly doing some image processing on the back end to try to optimize the picture (pretty much all smartphone cameras do this), and it can get bit carried away. Sometimes it adds a little too much sharpening and saturation to make things look a little unrealistic and jagged around the edges.

The gimbal, which is the system that helps keep the camera steady even as the drone moves around, is one of the most impressive parts of the whole package. DJI has a track record for making excellent stabilizers and this is no exception. When you take off and hover, you might have to wiggle the controller sticks around a little to tell if you’re looking at a static image or an actual video feet. Impressive.

Stan Horaczek

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Automation

While I’ve spent a lot of time comparing the Air to its bigger sibling, it also pulls some features from the consumer-oriented Spark. You can use hand gestures to control the air to perform simple operations like moving forward and backwards, or even taking a selfie. I liked this feature in the Spark and it’s very noticeably improved here. The drone follows your commands with a lot less lag and I didn’t feel like I needed to wave my arms around like a mad orchestra conductor to get it to go where I want.

I still don’t think flying a drone with gestures is very efficient or even really that useful, but it’s certainly a lot better than it was and it makes a really cool trick to impress people.

The automatic shooting modes from the Spark also made their way into the air, with a few new options added as well. The system is based on the Air’s ability to track an object. This used to require actually drawing a box around something on the screen, which worked sometimes, but wasn’t totally reliable. The new version, however, automatically detects subjects and locks on, letting you select something to track by simply tapping on it. It’s much more intuitive and fails less often.

The pre-baked maneuvers include a rocket-mode, which shoots it up into the sky, as well as a move that circles a subject while keeping the camera trained on it. You still need a serious amount of open space to make these work—consider a sporting field or some other kind of area with nothing to smash into—but they look impressive when they work.

Should you buy it?

Now comes the tricky part. There’s a lot to like about the DJI Mavic Air, but it fits a specific type of flyer. The basic functions of the non-folding Spark can probably satisfy most needs of a truly casual pilot for half the price of the Air.

On the other hand, more advanced pros will probably appreciate the extended flight time and longer range of the Mavic Pro.

That leaves the Mavic Air between the two. At the announcement event, DJI used photographer Chris Burkhard as an example of a the target demographic and that seems very apt. If your primary goal is drone footage, the Pro is better, but this is great as an extra tool to have in the bag. It folds down in such a way that it’s actually easier to tote around than the non-folding Spark and you can sneak it into a camera bag a lot easier than you can a Pro.

If you do decide to buy this drone, you should seriously consider getting the “Fly More” package, which costs $1,000, but comes with two extra batteries, a bag, extra blades, and a fold-out charger that can juice up to four batteries at a time.

Ultimately, this drone further solidifies DJI’s title as king of the consumer drones. With GoPro totally dropping out of the drone game earlier this year, and Yuneec skimping on any new products at this level, it’s clear that DJI isn’t giving up the quadcopter crow any time soon.

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Set Your Filter To Infrared https://www.popsci.com/set-your-filter-to-infrared/ Fri, 27 May 2016 18:02:43 +0000 https://stg.popsci.com/story/uncategorized/set-your-filter-to-infrared/
Cameras photo

Hacking cameras to capture infrared light

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Cameras photo

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Most photographers rely on the light that humans can see, known as the visible spectrum. But photojournalist Steven Saphore thinks they could do a lot more with the light our eyes can’t detect. By hacking cameras, he says, photographers can take pictures in the infrared spectrum—just as he does in his World in Infrared project.

While we can’t see infrared light, we experience it all the time in the form of heat, which almost every object on Earth emits. Dark objects tend to radiate more heat than pale ones because they can absorb more light energy. This makes them appear brighter in infrared. In that way, Saphore’s photography flips expectations: Leaves on a tree, for example, might look muted and dark in visible light, but through his lens, they become glowing and vibrant.

“It’s mentally challenging because you are forced to see beyond your perception,” says Saphore. “You can’t detect infrared with your own senses, but you have a tool in front of you that can.”

Saphore’s favorite demonstration is to create infrared images of people with varying skin tones. In the presence of infrared light, the pigment melanin is more transparent. “Differences in skin tone are less obvious,” says Saphore. “It’s hard to make a snap decision based on what you see.”

How To Hack Your Camera

Hack Your Camera

Hack Your Camera

Make your own DIY infrared instrument.

Infrared cameras are often expensive and specialized. But with a few tweaks, any camera, from a point-and- shoot to a DSLR, can snap infrared images.

All cameras can capture infrared light, but a filter allows only visible light through. To photograph both, first open up the camera so you can see the lens and the glass filter over it. Carefully remove that filter. (Warning: This might permanently alter your camera.)

To give your images a more washed-out look, you can add a relatively inexpensive (ranging from $50 to $100 and up) filter that will block visible light, leaving only infrared.

This article was originally published in the May/June 2016 issue of Popular Science, under the title “Set Your Filter to Infrared.”

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This $6,400 camera system works with gear from 60 years ago https://www.popsci.com/story/technology/hasselblad-907x-medium-format-camera/ Mon, 17 Aug 2020 15:04:12 +0000 https://www.popsci.com/uncategorized/hasselblad-907x-medium-format-camera/
Hasselblad 970X 50C
The Hasselblad 970X 50C is actually made up of three parts: a back, a body, and a lens. Hasselblad

Hasselblad’s 907X 50C offers a new experience for a classic system.

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Hasselblad 970X 50C
The Hasselblad 970X 50C is actually made up of three parts: a back, a body, and a lens. Hasselblad

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Modern digital cameras typically have a fixed digital sensor inside to capture light. Medium format systems, like Hasselblad and Phase One, however, work a little differently. They employ digital “backs,” which contain a sensor and attach to a camera body with interchangeable lenses. This practice goes back to the film days—it allowed shooters to swap backs on the fly and switch between different film speeds or between color and black-and-white film.

Hasselblad’s cameras have gained iconic status throughout the decades—they’re the cameras that went on the first moon walk, after all. But, those Hasselblad V cameras are boxy and rather bulky. Now, the company has released a new modular system that pairs the CFV II 50C medium format back—the sensor is larger than the typical “full frame” chips found in pro DSLRs—with a 907X slim body, and its X1D lenses.

Because the body is so slim, there’s no room for an optical viewfinder—the typical V-series cameras employ a mirror that flips up and down as you shoot in order to give you a view through the camera’s lens. Since the 907x 50C is digital, you can simply use the screen on the camera back to compose shots, or opt for the optional optical viewfinder attachment, which fits on top of the camera and uses guidelines to help you line up your image.

The camera itself sports a 50-megapixel sensor, which should look familiar from the X1D mirrorless cameras. It measures 43.8 x 32.9 mm, which makes it more than 65 percent larger than a full-frame chip. It also captures 16-bit raw files, which provide more color information than typical digital camera images.

If you want a more traditional experience, you can purchase attach the back directly to many of Hasselblad’s legacy cameras, some of which are more than 60 years old. You won’t get features like autofocus, but it will give you access to iconic lenses like the 80mm f/2.8 Planar, which I personally consider one of the most beautiful pieces of photographic optics you can buy.

Other manufacturers have made cameras similar to this one. Recently, Capture One introduced its Landscape-specific XT series camera system, which employs a similarly slim body to attach a lens mount and digital back. In that case, however, the electronics reside in the lens mount itself rather than the body.

Hasselblad 970X 50C
The slim body doesn’t have room for a mirror, so you have to compose using the screen or an optional viewfinder attachment. Hasselblad

Looking back in Hasselblad’s history, the company has also produced some camera bodies without mirrors on its own. The Hasselblad Flex Body, for instance, didn’t have a mirror box, but it did provide tilting and shifting functions to allow photographers to mess with the plane of focus and field of view. Those are still available, but remain prohibitively expensive considering their specialized use.

If you want a 970X body with a CFV II 50C back, you can expect to pay $6,400 before you have a lens to actually shoot with. Getting glass is going to cost you another $1,099 at least. That’s not cheap, but we’re also not talking about a standard DSLR here. After all, it wasn’t that long ago that getting into medium format digital started around the same price point as a nice family sedan. If you want to upgrade the camera, you can add the $740 control grip as well as the $500 optical finder.

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Understanding the weird Biden-Carter photo could help you take better selfies https://www.popsci.com/science/biden-carter-picture-distortion-explainer/ Tue, 04 May 2021 20:30:00 +0000 https://www.popsci.com/story/?p=363070
Photo in which the Bidens look huge
This photo is a victim of perspective distortion. The Carter Center

It's likely not lens distortion that caused the curious appearance. Instead, it's something called perspective distortion.

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Photo in which the Bidens look huge
This photo is a victim of perspective distortion. The Carter Center

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This post originally featured on Popular Photography.

By now, you’ve probably seen the picture of the President and First Lady Biden hanging out with former President and First Lady Carter. It’s notable for its historic aspects, but it also looks plain weird. The Bidens dwarf the Carters, who are sitting in oversized armchairs. It almost seems Photoshopped. 

I’ve already seen a few explanations kicking around attributing the weirdness to a wide-angle lens, but that’s only part of the story. 

Yes, the photographer almost certainly used a wide-angle lens like the Nikon 14-24mm or Canon 16-35mm zooms. Both are extremely popular with photojournalists who typically like to get close to their subjects and often need to shoot in tight spaces.

When you shoot with a wide-angle lens, you’re going to get some distortion. You’ve probably already experienced this, but if not, fire up your phone’s ultra-wide camera (if it has one) and take a close-up picture of your face. Your nose will be enormous and your ears will fall away into the background. It’s not very flattering unless you’re going for the Johnny Depp in Fear and Loathing in Las Vegas look. 

Super-wide-angle lenses rarely make for flattering portraits, especially up close. That’s in part because of the optical distortion inherent to the lens itself. Light from the very edges of the frame enters the lens at an extreme angle. Pick an object in your room that’s off to one side. (It should be 70 degrees rather than 90 degrees from your line of vision.) Now hold your smartphone or any other camera directly up to your eye. The sensor that catches the light will sit parallel with your face and faces straight ahead.Imagine the path light bouncing off of your off-center subject has to take to make it to that sensor. It’s a seriously sharp turn.

That weird light path leads to distortion. Many high-end lenses (especially zooms) have a glass element inside specifically designed to help correct this. But when you get very wide, it’s hard to overcome the amount of distortion that happens. 

The different kinds of distortion

In wide-angle lenses, you’ll typically experience a phenomenon called barrel distortion in which the whole image appears to bow outward from the middle. For instance, if you take a picture of a square box on a lens with barrel distortion, it’ll look bloated with its edges curving outward. 

The opposite effect is called pincushion distortion in which the image pushes in from its edges toward the middle of the frame. This happens more in longer lenses or at the longest end of a zoom lens. Lastly, there’s a hybrid form of distortion called mustache distortion in which the middle bows out more than the sides. 

It can be hard to pin down exactly what kind of distortion you’re looking at if it’s not a straight-on shot with straight lines in the frame that would appear skewed. To combat any warping, photographers can use optical technique and software like Adobe Lightroom, which automatically applies lens profiles to images shot with specific glass to clean up the optical distortion. Every time you take a picture with your iPhone, it applies similar correction.

The presidential photo doesn’t have any EXIF data left to indicate exactly which lens was in use when it was taken, but it was obviously a wide-angle model. To say that it was simply “lens distortion” that makes the Carters and Bidens look disproportionate seems inaccurate. 

It’s all about perspective

When you move closer or farther away from a subject using any lens, you experience a phenomenon called perspective distortion. This has little to do with the lens and everything to do with the distance between the camera and the subject and the relative distance between objects in the image. 

Lens comparison portraits
I took three photos with my iPhone 12 Pro Max while standing in the same spot. The first was the telephoto lens, the second was the main wide-angle camera, and the third was the super-wide. Stan Horaczek
Crops of the comparison shots
When you crop each image to cover the same basic area, the faces look the same. The lenses haven’t caused much distortion at all. Stan Horaczek
Distance comparison
When you change distance to compensate for the wide angle lens, however, that’s when you start to see lots of perspective distortion. It’s much more about the distance than the lens. Stan Horaczek

Consider that wide-angle selfie you took with your smartphone. To fill the frame with your face, you have to get super close. Now let’s say you had to be four inches away from your face just to get a full-frame headshot. In that scenario, the distance between the tip of your nose and your ears is probably about the same distance.

Take a photo with that same super-wide angle lens from arm’s length and then zoom in on your face. You’ll lose some image quality because your phone’s camera doesn’t have a ton of megapixels, but you’ll also notice that your face looks fairly normal. That’s an example of perspective distortion.

Now consider the picture of the presidential families again. That photographer is almost certainly right up against his subjects due to space constraints, so they have to use a wide-angle lens to fit all the people into the frame. Rosalynn Carter is clearly farther away than any of the other subjects, which is why President Biden looks like a giant next to her. Just look at his foot—it’s almost even with Jimmy Carter’s.It’s the relationship between the objects and the distance from the photographer that matters here. 

If you zoom in on Dr. Jill Biden’s face, which is the closest to the edge of the frame, you’ll see that it doesn’t appear stretched out if at all because it’s facing the camera straight on, so there’s no perspective distortion. With barrel distortion, you’d expect it to shrink as it approaches the edge of the frame. With pincushion distortion, you’d expect her face to stretch. In this case, it really hasn’t done much of either.

Because wide-angle lenses typically require photographers to get closer to their subjects, we often inexorably link the lenses themselves with the distortion effect. But it’s not always that simple. The classic photographic manual called Light: Science & Magic by Fil Hunter, Steven Biver, and Paul Fuqua goes out of its way to clear this up. “When most photographers first use a wide-angle lens, they decide that the lens introduces a great deal of distortion,” it states. “This is not quite accurate. Camera position determines perspective distortion, not the lens.”

So, what can you do with this tedious knowledge? Well, other than boring your friends with the differences between optical and perspective distortion, it could help you take better pictures. That includes selfies. If you hold the camera too close to your face, you’ll exaggerate the distance between your features, which could make you look bad. Try holding the camera a little farther away and then zooming in. Or just lean into it.

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DJI Air 2S drone: A pro-grade aerial camera for under $1,000 https://www.popsci.com/story/technology/dji-air-2s-drone-camera/ Thu, 15 Apr 2021 15:10:35 +0000 https://www.popsci.com/story/?p=283218
A hand holding the DJI Mavic Air 2S Drone
The drone also flies. You don't have to hold it like this all the time. Stan Horaczek

A large image sensor gives the DJI Air 2S drone serious photo and video chops for under $1,000.

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A hand holding the DJI Mavic Air 2S Drone
The drone also flies. You don't have to hold it like this all the time. Stan Horaczek

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Last year, DJI announced the Air 2 drone. It sits between the Mavic Mini and the more advanced (and expensive) Mavic Pro models. While that middle slot can be tough, the Mavic Air 2 actually occupies something of a sweet spot. Now, DJI has announced the Air 2S, which improves upon some of the drone’s most important features, especially the camera. 

DJI Air 2S camera upgrades

DJI Mavic Air 2S camera
The camera represents the biggest upgrade. It has a larger sensor inside for better image quality and low-light performance. Stan Horaczek

Camera quality makes or breaks a drone at this level. Its $999 base price makes it a very attractive option for enthusiasts,pro photographers, and videographers looking to dabble or get started in aerial shooting without an enormous investment. For the DJI Air 2S, the company has increased the size of the camera’s sensor up to a 1-inch model. 

DJI has offered 1-inch sensors before, but typically only in the Mavic 2 Pro, which starts at $1,599. In addition to the sensor size bump, the Air 2S has also gained some new recording modes and software tricks. 

The Air 2S shoots 20-megapixel stills and can now integrate more computational photography into its shooting process. It has a mode that automatically recognizes scenes to choose the right settings, and the HDR mode combines multiple frames together to prevent blown-out skies or muddy shadows. And the 2S now offers a mode called Hyperlight, which is specifically designed to brighten up settings without much light. It’s DJI’s answer to the night mode settings found on many smartphone cameras. 

From a video standpoint, the DJI Air 2S can shoot 5.4K video at up to 30 fps, or 4K video at up to 60 fps. It can also maintain a consistent 150 Mbps bitrate in that footage, which means you’ll get lots of pixels, but they will also look good enough for high-end video productions. 

Because of the extra resolution, the 2S’s camera now offers more robust digital zoom options. It won’t get you the same image quality you’d experience with a dedicated zoom lens, but the 2S can offer a view between four and six times closer depending on the resolution you’ve chosen. 

Other upgrades

DJI Mavic Air 2S Drone sitting flat on the ground
It uses the same form factor as its sibling. Stan Horaczek

Four internal antennas combined with DJI’s latest OcuSync tech give the Air 2S a maximum range of 7.5 miles. Compare that to the stock Air 2’s 6.2 miles..

A fully-charged 2S battery will get you up to 31 minutes of flight time, which is actually slightly shorter than the 34 minutes promised by the Air 2.

All four collision detection sensors now offer improved performance when it comes to preventing crashes. Sensors on the front, back, top, and bottom of the craft now recognize objects from farther away to help avoid potential impacts. When it comes to avoiding other aircraft, the company’s Airsense system warns Air 2S pilots of nearby airplanes and helicopters transmitting ADS-B signals to help them get out of the way.

Price and availability

We’ll have a full Air 2S review to share in the coming weeks. For now, however, you can order DJI’s latest flying machine for $999, which includes the craft, a controller, a single battery, and the necessary cables. As usual, however, the Fly More bundle seems like a better deal, especially if you’re buying your first DJI drone. For $1,299, you get everything from the base version, plus a pair of extra batteries, a battery charging dock, a set of neutral density filters for controlling your shutter speeds during video capture, and a bag in which to carry everything. 

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An obsessive photographer’s guide to the iPhone 8 Plus camera https://www.popsci.com/iphone-8-plus-camera-review/ Mon, 07 Jan 2019 21:27:31 +0000 https://www.popsci.com/uncategorized/iphone-8-plus-camera-review-2/
Camera review iphone 8 plus
Smile for the iPhone 8 Plus camera.

It’s not a big shift in hardware, but Apple has done a lot to cure bad photos.

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Camera review iphone 8 plus
Smile for the iPhone 8 Plus camera.

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iPhone 8 Plus Camera Review
Smile for the iPhone 8 Plus camera. Stan Horaczek

We have an abusive relationship with our smartphone cameras. We take them into dark bars, shoot them into blinding backlight at the beach, and refuse to wipe the pocket goo off their lenses. Then we blame the phone when our pictures don’t look great. It’s the equivalent of holding the phone upside-down, screaming into its earpiece, and then getting upset about sub-par sound quality.

As a photographer, I know how to find good light, but I can also hunt down truly dismal illumination. It’s in those dark places where I put the new iPhone 8 Plus camera to the test. The 8 Plus hardware isn’t much different from its predecessor (it still thrives when capturing brilliant sunsets and lively street scenes), but Apple has clearly done a lot of work on the backend to raise the floor on our worst photos and spit out a higher percentage of good-looking images.

iPhone flash comparison
The left is the iPhone 7 Plus with the flash turned on. The right is the iPhone 8 Plus, which does a far better job mixing light. Stan Horaczek

The flash

It may seem crazy to start a review talking about a flash, but this, to me, is one of the single biggest improvements Apple has made. The flash hardware itself is still terrible; it’s not really a “flash” as much as it’s an LED flashlight that throws light at your subject. However, the iPhone 8 Plus now does a much better job balancing illumination from the flash with the ambient light in your environment.

Instead of a blown-out foreground with a mostly-black background, you now get a surprisingly balanced photo all the way across. Photographers call this slow-sync, because it involves using a longer shutter speed to let the ambient light make its way onto the sensor and match the artificial light from the flash. The technique makes a huge difference and upgrades the flash from something I would literally never use to something I might actually bust out from time to time in a dark place like a bar, a wedding, or even a school. Progress!

iPhone 8 Plus Sample
The autofocus still isn’t DSLR fast on the iPhone 8 Plus, but the lens is extremely sharp and renders fine detail extremely well. Stan Horaczek

The specs

Apple has claimed that the imaging sensor in the main iPhone 8 camera is bigger (typically a larger sensor leads to better photos in low-light), but the company hasn’t shared the specific measurements. There is, however, a method of determining the relative sensor size by comparing the focal length of the lens (which we can see in the metadata attached to a photo) and the camera’s field of view. Doing so, in this case, suggests a very incremental change in sensor real estate.

The rest of the camera module specs are pretty much the same, too. Both rear cameras on the iPhone 8 Plus stick with the 12-megapixel resolution. The main camera has a wide-angle lens (roughly 28mm equivalent) with an f/1.8 aperture, while the portrait camera has a telephoto lens (roughly 56mm equivalent) with an f/2.8 aperture. The phone’s main A11 Bionic processor, however, is the most-important factor when it comes to the iPhone 8 Plus’s overall imaging performance.

As a result of the extra processing power, the 8 Plus can now capture 4K video at 60 frames per second, and 1080p video at 240 fps. The extra speed boost is also a key to a new AI-powered portrait mode that’s meant to emulate professional photo lighting, which hasn’t made its way down to the less-powerful iPhone 7 Plus, despite its similar camera setup.

iPhone 8 Plus camera
Lots of texture and a typically challenging color (cameras often struggle trying to get orange just right) make this a complex scene, but Apple still does an impressive job keeping the edges of the frame sharp and free from distortion. Stan Horaczek

Image Performance

There’s a company called DXO that assigns numerical grades to cameras of all varieties in order to convey their overall image quality. It tests using careful, consistent methods and wonderfully nerdy resolution charts and scenes that evaluate what a camera sensor is truly capable of under controlled conditions. Camera nerds, brand acolytes, and marketing departments love it, but these overall scores paint an incomplete picture when it comes to how humans actually use a camera. I took a more practical approach, bringing the camera into tough photographic situations, and found some noticeable improvements over the iPhone 7 Plus.

A big functional shift is how HDR works in the standard camera app. The High-Dynamic Range mode is now the default; the feature combines image data from more than one capture to prevent highlights from blowing out and shadows from losing too much detail to darkness. This is really noticeable in high-contrast situations like shooting in the noon sun, which is typically a nightmare for maintaining detail in both shadows and highlights. Personally, i find the effect too pronounced at times, making things look reminiscent of a high-end video game, but it produces a very consistent look that’s typically a closer match to what we see with our eyeballs.

iPhone 8 Plus landscape
I would normally bring up the contrast in a photo like this to combat the atmospheric haze, but the version straight out of the camera does a good job illustrating how HDR keeps everything from highlights to shadows from losing detail. Stan Horaczek

Image quality in low-light has always been a challenge for smartphone cameras because of their small sensors, but the iPhone 8 Plus has made some minor gains in this arena over the 7 Plus. It’s most notable when you zoom in to 100% and analyze the images on a pixel-by-pixel basis. You’ll notice the improvement if you’re making big prints or inspecting your files closely in editing software. Images that are exported and shared on Facebook or Instagram, however, won’t demonstrate a remarkable difference.

When it comes to color accuracy, things get kind of complicated. The iPhone 8 Plus uses the True Tone display, which has been ported over from the iPad Pro and changes the color balance of the screen according to the ambient light in your environment. So, when you’re shooting, the color of a red apple might look different under the shade of a barn than it does out in the sunshine.

True Tone clashes with advanced photo apps that allow for manual control over a photo’s color balance. Using your eyes to calibrate a photo for correct color is tricky when the screen changes color. For the average shooter, this is an enhancement, but if you want control over your images, it’s something to navigate around.

iphone apples
Color correcting with True Tone turned on can introduce an extra challenge. These apples are clearly skewing a little cool, but they didn’t look that way when I first adjusted the photo. Stan Horaczek

One thing I have always hated about the iPhone camera is the way it handles lens flare. When a strong light hits the lens—especially near the edges—it can bounce around the glass elements and create interesting picture effects like colorful artifacts or a dreamy haze. Some photographers try to avoid it, while other—hipsters, J.J. Abrams, me, etc.—utilize it as a creative tool. The iPhone 8 Plus makes a clear improvement here. It’s easier to get true, semi-attractive flare without streaks of light shooting across the frame and ruining the image, like the iPhone 7 Plus. The 8 Plus also lacks the ugly purple haze that sometimes happened in earlier models.

iPhone Flare
The iPhone 7 Plus picture on the left has a more distracting flare than the iPhone 8 Plus version on the right. Stan Horaczek

Portrait Lighting Mode

The iPhone 7 Plus introduced portrait mode, which made pictures of people more appealing on a smartphone camera. It leveraged a telephoto lens to cut down on the unflattering wide-angle distortion of the main camera, and it added a fake blur effect that, for better or worse, could sometimes trick viewers into thinking a portrait was shot on a fancier camera. The iPhone 8 Plus still does all of this.

Portrait Mode
The standard Portrait Mode is now called “natural light” and it does a good job under the right conditions. Even here, though, you can see some jagged edges around the hair on the right side of the frame. Stan Horaczek

For the most part, Portrait Mode worked. The fake blur was passable if you didn’t look too closely at often-jagged edges of your subject, and the longer lens didn’t require you to get uncomfortably close for a headshot. But it had serious usability drawbacks and the iPhone 8 Plus doesn’t really fix most of the annoying things about Portrait mode, but instead, added a new AI-driven lighting mode.

The iPhone 8 Plus’s telephoto “portrait” camera still doesn’t have optical image stabilization. Combined with a lens that still maxes out at an f/2.8 aperture, it’s easy to shoot a blurry picture in Portrait Mode unless you’re shooting in bright, even light. The image quality also gets extremely noisy (ugly speckles that muddy up your image), when light gets low. You can sometimes convert to black-and-white and call it “grain,” but that’s only going to fool so many folks.

Portrait mode fail
The Theater Lighting setting is baffling to me and while I got it to work, it was extremely challenging to make it look good. Here’s an example of a common failure. Stan Horaczek

I find the actual Portrait Lighting effects cheesy. Using most of the modes involves moving overly harsh highlights around the face to try and give an image shape where it didn’t otherwise exist. I don’t even think the examples Apple uses in its own commercial look particularly appealing. All the Lighting modes are a gimmicks right now, especially the Theater Lighting mode, which blacks out the background surrounding the subject and punches up the contrast. It’s also worth noting that processing a Portrait Lighting shot takes roughly two seconds, which is much longer than the nearly instantaneous nature of a normal shot. Presumably it takes a lot of processing power, which is why it didn’t make its way to the iPhone 7 Plus—so don’t expect too many tries at a single portrait.

The Portrait Lighting effect exists in part thanks to the switch over to the HEIF photo format, which replaces JPEG with a format that can include multiple images in a single file. Because Apple can now easily attach metadata, such as its editing history or applied effects, to each image, it can save the original file and enable things like Portrait Lighting Mode, or even the fake blur of the regular Portrait Mode later. It’s nice to have the option if you don’t want to be locked into one look with a photo forever. This is something photographers who shoot in raw have been doing for a long time, but now the advantages are extended to snap shooters.

iPhone 8 Plus camera review
Shot in even, overcast light, these apples are rendered nicely by the 8 Plus using the telephoto camera in Portrait Mode with Depth Effect. The color balance is slightly blue, but that’s not out of the ordinary when shooting in shade like this. Stan Horaczek

Video

More resolution and more frames per second aren’t always improvements when it comes to video capture, but 4K video at 60 fps does look rather impressive, and shooting full HD at 8x slow-motion is undeniably fun, especially with amusing subjects like the tongue of a goat. Again, the new high-efficiency file format for video should make that footage take up less space in your device.

Cow
The burst mode is still very handy and underutilized by many iPhone shooters. Hold the shutter button down and it will take photos in rapid succession, then let you pick later. Stan Horaczek

Conclusion

Right now, the iPhone 8 Plus is the best all-around smartphone camera, but it likely won’t be that way for long. The looming iPhone X promises some enhancements, like an optically stabilized portrait lens and horizontally oriented cameras that are optimized for augmented reality, from which the iPhone 8 Plus could have benefitted.

The Google Pixel 2 is also right around the corner, and the original had an extremely impressive wide-angle camera built-in. But, even if those cameras do edge out the iPhone 8 Plus in overall performance, I don’t expect the gap to be a wide one—certainly not wide enough to base an entire buying decision on it. Even if you’re a bad photographer, the iPhone 8 Plus will help make your Instagram feed nicer to scroll through.

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Here’s Facebook’s New Open-Source VR Camera https://www.popsci.com/heres-facebooks-new-open-source-vr-camera/ Mon, 18 Mar 2019 17:33:11 +0000 https://www.popsci.com/uncategorized/heres-facebooks-new-open-source-vr-camera/
Surround 360
Surround 360. Facebook

17 cameras make 3D, 360-degree video

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Surround 360
Surround 360. Facebook

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Surround 360
Surround 360 Facebook
Surround 360
Surround 360 Facebook
Surround 360
Surround 360 Facebook
Surround 360
Surround 360 Facebook

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Canon Invents a New Kind of Camera https://www.popsci.com/gear-gadgets/article/2008-09/canon-invents-new-kind-camera-0/ Mon, 18 Mar 2019 21:25:54 +0000 https://www.popsci.com/uncategorized/gear-gadgets-article-2008-09-canon-invents-new-kind-camera-0/ Popsci.com's resident gear and gadget guru Sean Captain reviews the new Pro SLR, which doubles as a high-end HD camcorder.

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Shutterbugs rejoice! The camera wars are heating up: meaning an avalanche of cool new tech as companies try to one-up each other. Canon’s latest salvo is the EOS 5D Mark II ($2,700 without lens), the extremely long-awaited successor to the popular 5D pro digicam. The Mark II blows away its predecessor in every way, both expected and unexpected.

Here are the key specs:

The full-frame sensor’s resolution nearly doubles from 12.8 to 21 megapixels, but trimming the space in-between pixels allows Canon to pack more without making them smaller.

Light sensitivity goes from ISO 100 to 6400, with the option to expand (i.e. no guarantee of image quality) to ISO 25,600 ¬ matching the near night-vision capabilities of
Nikon’s D3 and D700 cameras.

3.9 frames per second. And if they are JPEGs (vs. RAW), you can shoot an unlimited amount with the latest high-speed compact flash cards.

Full high-def video recording at 1920 by 1080i and 30 frames per second using MPEG-4 compression.

Video capability is the shocker. Not because it hasn’t been done before: Nikon introduced the first SLR to record HD video, the D90, on August 27. But it’s done so much better in the 5D Mark II. The resolution and frame-rate are higher (1080i vs. 720p, 30fps vs. 24fps). And the recording is far more practical because Canon adds autofocus, a feature agonizingly missing from the Nikon D90. Canon not only matches Nikon’s integrated mono mic but adds a jack for an external stereo mic to record at CD quality.

At this point, the 5D Mark II isn’t just an SLR with a cool extra feature, it’s a genuine movie camera. Its ability to take different lenses (nearly everything in Canon’s arsenal) leapfrogs it over all the consumer camcorders with built-in lenses and makes it a budget competitor to professional camcorders like Canon’s own [ XL H1S ](http://www.usa.canon.com/consumer/controller?act=ModelInfoAct&tabact=BoxCo ntentsTabAct&fcategoryid=175&modelid=17035#ModelDetailAct ) ($9,000, with lens).

It’s also bizarre for Canon to make a two-in-one out of a “serious” professional product. We’re more likely to see that with mid-range consumer gadgets. No pro cameraman would pick this SLR over a “real” video camera. But a pro photographer with the Mark II can double as a cameraman, allowing one person to photograph and video everything from traffic accidents to weddings.

That’s assuming this thing actually shoots top-notch video, which we won’t know till we get a review unit in November or December. But given that Canon is one of the top makers of video cameras, we’re optimistic.

The one weird glitch: Canon limits video clips to about 12 minutes so this thing won’t be taxed as a video camera in Europe. That’s probably plenty enough for a single clip. But if you need more, don’t be surprised if firmware hacks start popping up in a few months. According to Canon, there’s no technical reason why the thing can’t shoot longer.

Oh, and what about photos, the main purpose of this thing? Here Canon is aiming directly at the powerful Nikon D700, a camera that I have come to love. In terms of speed, the two companies are pretty well matched. Color has always been simply a personal preference: Some people swear by Nikon, and swear at Canon. Other people do the opposite. But with the Mark II, Canon is introducing new color filters on the image sensor that it claims will produce richer hues.
(Unfortunately, that¹s all we know.)

The real battle will probably be in low-light shooting. Nikon has been the leader recently, snatching a role long held by Canon. It will be a challenge to match or beat Nikon. But if Canon does, it offers the benefit of extra resolution: The D3 and D700 offer 12 megapixels.

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Oppo put a digital microscope in its new flagship smartphone https://www.popsci.com/story/technology/oppo-x3-pro-smartphone-microscope/ Mon, 15 Mar 2021 19:00:00 +0000 https://stg.popsci.com/uncategorized/oppo-x3-pro-smartphone-microscope/
Oppo X3 Pro smartphone
The macro camera has a ring light around it because the phone typically blocks ambient light on the subject when you get that close. Oppo

The X3 Pro has a 60x magnification lens that offers a unique perspective on everyday subjects.

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Oppo X3 Pro smartphone
The macro camera has a ring light around it because the phone typically blocks ambient light on the subject when you get that close. Oppo

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It’s getting more difficult for smartphone manufacturers to differentiate the cameras on their devices. Super-wide cameras are old news now, and we’re now firmly in the era of smartphone cams that have actual optical zoom lenses. Some companies have tried more off-beat approaches, but that’s a gamble, especially when that swanky new infrared camera proves to be accidentally creepy.

This week, Oppo introduced its new X3 Pro flagship smartphone, and it promises to shoot macro photos with a built-in “microlens.” The optics sit in front of a relatively low-res three-megapixel sensor but promise a 60x magnification, which is close enough to reveal details that your eyeball (or your regular smartphone camera) can’t see.

A tiny ring light surrounds the microlens in order to provide even and ample illumination on whatever subject you’re trying to get close to. Ring lights at the front of the lens are common in macro situations because the camera and photographer tend to block the light falling on the subject when getting this close.

The micro camera works a lot like the basic digital microscopes you can get cheaply on Amazon. The camera can only focus on objects close to it, and capturing a great shot can be tricky. The biggest challenge typically comes from the depth of field. When you get super close to an object, the area of the image that appears in focus gets extremely small. In fact, if your hand isn’t totally still while you’re trying to take a macro photo, it’s likely the slight jiggle will be enough to get the wrong part of the subject in focus.

[Related: You should add a macro lens to your smartphone camera]

That makes the X3 Pro’s macro camera better for real-time, up-close exploration. This much magnification can make anything from the weaved pattern in your jeans to something as simple as table salt look really cool, even if it’s difficult to snap a picture that captures the effect.

If you don’t want to opt for an Oppo phone, you can always get an accessory lens for your current smartphone that achieves a similar effect. Moment makes a version that’s excellent, but it is somewhat pricey and requires a specific case to mount the optics. If you’re just curious about seeing things up close and you don’t care that much about image quality, there are tons of options on Amazon that won’t set you back much money at all.

Oppo X3 Pro smartphone
The X3 Pro looks as you’d expect for an Android flagship. Oppo

If you want to get even closer to a subject, those digital microscopes mentioned earlier can go to up to 1,000x magnification for less than $25. Again, don’t expect perfect image quality at that price point, but it’s sure fun to play with.

As for Oppo’s X3 Pro, the phone’s spec sheet reads like you’d expect from an Android flagship phone. It has a 50-megapixel main camera, as well as an ultra-wide shooter with the same resolution, and a 13-megapixel telephoto module.

It has a 120Hz screen with a 3,216 x 1,440 resolution and ample brightness up to 1,300 nits. The whole package relies on Qualcomm’s Snapdragon 888 processor and a 4,500 mAh battery to operate.

There’s no official pricing or release date for the phone just yet, but Oppo is tied directly to smartphone maker OnePlus, so it’s not unheard of that we could see more close-up-photography cameras showing up in those devices as well.

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Sony’s compact FX3 cinema camera has a built-in cooling system https://www.popsci.com/story/technology/sony-fx3-cinema-camera/ Tue, 23 Feb 2021 21:17:22 +0000 https://stg.popsci.com/uncategorized/sony-fx3-cinema-camera/
Sony FX3 cinema camera front without a lens
The full-frame sensor sets it apart from Blackmagic's cinema cameras. Sony

It has the guts of the A7 III, but the body is built specifically for cinema shooting situations.

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Sony FX3 cinema camera front without a lens
The full-frame sensor sets it apart from Blackmagic's cinema cameras. Sony

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Just about every mirrorless camera on the market at the moment—except for oddballs like the weirdly wonderful Fujifilm X-Pro3—works as both a still and video camera. But, heavy-duty video shooting typically requires cinema-specific features like more robust accessory mounts and built-in cooling systems outside the scope of hybrid models. Today Sony has launched its new FX3, which takes the guts from its popular A7S Mark III and packs them into a body specifically built for long video shoots.

As the name suggests, the $3,899 FX3 is a smaller sibling to Sony’s chunky, $6,000 FX6, which employs a more traditional camcorder-style body. Inside, however, the FX3 has the same 12-megapixel, backside-illuminated sensor found inside the A7S III. The resolution seems paltry for any camera that also shoots stills, but it provides enough room for larger pixels for better light gathering, giving it exceptional low-light performance and a maximum ISO setting of 409,600. It also promises a massive 15 stops of dynamic range under the right circumstances.

Unlike the A7 III, however, the FX3 is a true cinema camera. Perhaps the biggest difference comes in the form of the onboard cooling system, which mounts a cooling fan directly next to the image sensor and image processor. Shooting high-resolution footage generates lots of heat, which can limit recording times in some cameras. Canon’s hybrid R5 camera drew early criticisms for overheating after just a few minutes of 8K shooting due to its lack of dedicated cooling. The FX3 should fare much better in that department.

The FX3 doesn’t shoot 8K, but rather matches the A7 III’s 4K, 60-frames-per-second image quality when using the entire frame. Shooters can also bump up the frame rate to 4K at 120 fps if they’re willing to let the sensor crop in a little in order to use a smaller part of the chip in the name of speed.

When it comes to formats, the FX3 offers the exact same options as the A7 III, as well as a few more advanced cinema-specific formats outside the scope of the A7 III.

Sony FX3 cinema camera top view.
Extra mounting points allow for shooters to attach accessories or secure the body to rigs or drones. Sony

While the body lacks a built-in eye-level viewfinder, its squared-off form factor makes it much simpler when attaching accessories like microphones or rigs. It has five 1/4-20 UNC mounting ports (typically referred to as “quarter twenty” or just “tripod sockets”) at various points on the body for securing other gear.

The FX3 ships with an XLR handle, which attaches via the camera’s accessory shoe and adds a pair of high-quality audio inputs as well as a two-channel headphone jack.

In an effort to make the camera easier to use when hand-held, Sony equipped it with five-axis, in-body image stabilization, which moves the sensor to combat camera shake as you shoot. The stabilization now offers an “Active Mode” specifically tailored toward keeping the shot smooth while hand holding the camera. The FX3 also offers Sony’s familiar—and generally excellent—autofocus performance, including a variety of tracking modes.

Sony FX3 cinema camera back view
There’s no eye-level viewfinder, but there is a screen and a familiar selection of buttons. Sony

At $3,899, the FX3 isn’t that much more expensive than the $3,498 A7 III. When you consider the prices of the XLR handle, which is $600 on its own, which is a great deal for cinema shooters. With this move, Sony has gotten closer to Blackmagic’s Pocket Cinema camera territory. It’s hard to imagine the hybrid-style A7 III will stick around the lineup much longer since the FX3 seems like a much better option for video shooters and the 12-megapixel resolution won’t cut it for most photography-specific uses. Perhaps Canon will respond down the line with an even smaller cinema model of its own, which could make this level of video camera one of the most interesting segments in the entire market.

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Analog cameras for people who want to play with photography https://www.popsci.com/story/shop/analog-cameras/ Thu, 04 Feb 2021 17:12:00 +0000 https://www.popsci.com/uncategorized/analog-cameras/
Zink Polaroid Snap Instant Digital Camera (Blue) with ZINK Zero Ink Printing Technology
A modern take on a classic, you can expand the memory of this machine using a microSD card. Amazon

Easy-to-use devices that produce charming images.

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Zink Polaroid Snap Instant Digital Camera (Blue) with ZINK Zero Ink Printing Technology
A modern take on a classic, you can expand the memory of this machine using a microSD card. Amazon

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canon ae-1 camera on a table
Not every analog camera requires a lesson to operate or $1,000 to buy. Chris Lawton via Unsplash

Sometimes it’s nice to take a break from the incessant tweaking and sharing of digital photography. Analog cameras are a charming way to make memories that will exist on a physical plane. Find some affordable, easy-to-navigate analog cameras below.

Accessories included: Fujifilm INSTAX Mini 90

Amazon

SEE IT

This instant analog camera produces credit card-sized photos that you can stick in your wallet or use to make a fun collage on your refrigerator. It auto-adjusts the flash and shutter speed, so you don’t have to do anything but point and shoot. You can even do double exposures to get fancy. This camera is easy to use and durable, which makes it great for young folks and parties.

Indoor and outdoor use: Fujifilm QuickSnap 35mm Camera

Amazon

SEE IT

Add more spontaneity and surprise into your life with a camera that won’t let you immediate look at the photo you just took. Fuji disposable cameras help you capture the energy and the movement of a single moment. Experience the pleasure of the party, vacation, or sunset all over again when it comes time to develop your images.

Plastic body: Holga 120N

Amazon

SEE IT

This toy camera’s plastic body means the images are prone to light leaks, so no photo will come out just as you expect. It produces saturated photos and gives a choice between f/8 (cloudy conditions) or f/11 (for sunny conditions) and a zone focus system to get shots as close as three inches away. This camera also comes with film.

Built-in printer: Zink Polaroid Snap

Amazon

SEE IT

This chic Polaroid camera has the charm of the cameras your parents loved—plus a 10-megapixel sensor and microSD card. The modern fixings empower this camera to take high-quality images that you can save and print in one minute. Prints come out on peel-to-stick 2×3-inch photo paper. There’s also a selfie timer.

Multiple shot types: Lomography Lomo’Instant Automat

Amazon

SEE IT

Lomography is known for its toy cameras, and this instant camera is one of the most advanced on the market. It auto-adjusts shutter speed, aperture, and flash and comes with bonus lenses for close-ups, fisheye shots, and wide angles.

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A Mini SLR https://www.popsci.com/story/gear/node-205236/ Mon, 18 Mar 2019 21:21:47 +0000 https://www.popsci.com/uncategorized/node-205236/
Cameras photo

This new design borrows from both pro cameras and pocket models

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Cameras photo

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The big news in cameras is actually pretty small. A new format with the wonky name “micro four thirds” (referring to the image sensor’s size and 4:3 aspect ratio), combines the interchangeable lenses of an SLR with the compact body of a point-and-shoot. The first model, Panasonic’s G1, is about the size of the most petite SLRs but uses even smaller lenses. A design concept from Olympus shows the potential for more-diminutive future models.

$800 with lens; panasonic.com

Get It: Panasonic G1

$800 with lens; panasonic.com

To shrink the cameras, the companies removed a key part of SLRs—the mirror that sits behind the lens and reflects images into the viewfinder. The downside is that you have to compose shots using an LCD screen, which isn’t as accurate as looking right through the lens of an SLR.

On the upside, you get the other benefits of an SLR in a compact package. The G1’s 12.1-megapixel image sensor, though smaller than most SLR’s, is about six times as large as a high-end point-and-shoot’s. Bigger sensors absorb more light to capture richer details and colors, especially in dim settings. And the ability to change lenses lets you shoot anything from extreme close-ups to wide shots to a warped fish-eye view. Best of all, you’ll finally have room to pack all those lenses in your bag.

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Through A Glass, Darkly https://www.popsci.com/story/science/node-205045/ Mon, 18 Mar 2019 15:40:05 +0000 https://www.popsci.com/uncategorized/node-205045/
Ask Us Anything photo

Optics experts, let's hear from you

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Ask Us Anything photo

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Reader Bob Fately asks:

Post your answer in the comments.

Submit your science and technology questions to fyi@popsci.com.

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High-Def, Low Profile https://www.popsci.com/story/gear/node-204972/ Mon, 18 Mar 2019 21:18:18 +0000 https://www.popsci.com/uncategorized/node-204972/
Cameras photo

We compare three high-definition compact cameras to see which captures the most cinematic footage

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Cameras photo

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New point-and-shoot cameras capture video in the 720p high-def format you’ve seen on TV networks such as ESPN. But all HD is not equal. The algorithm, or codec, that compresses the video onto a memory card affects the quality of the footage and your ability to edit it. We tried out three cameras, each sporting a different codec, to find the best mobile movie rig.

Kodak Easyshare Z1012
Codec: MPEG-4; 8 min. per gigabyte
Video was soft and full of artifacts — errors created during compression — such as jagged lines in place of straight edges. That’s a shame, since the color was generally good, and the 12x zoom lens is handy. The Z1012 can shoot up to 29 minutes of continuous video (versus 10 for the Sony and 15 for the Panasonic), and most software can play or edit the footage.
$280; kodak.com
Editors’ Rating: 5 out of 10

Sony Cybershot T500
Codec: AVC/HD; 12.5 min. per gigabyte
The T500’s sharp video had only minor artifacts, such as fuzziness along the edges in a cobblestone path. And it packs the most footage per gigabyte. High-noon sunlight didn’t wash out colors, but low-light footage was grainy — most likely a product of the sensor or processor, not the codec. One caveat: Only the latest editing software supports AVC/HD.
$400; sonystyle.com
Editors’ Pick
Editors’ Rating: 8 out of 10

Panasonic Lumix LX3
Codec: M-JPEG; 4 min. per gigabyte
The LX3 had the clearest low-light video, but it faltered in midday sunlight, with overexposed highlights and faded colors. (They looked better under soft lighting.) And objects weren’t quite as sharp as on the Sony. The M-JPEG video hogs memory cards, but viewing or editing it on a computer is easy; nearly all programs read the codec.
$500; panasonic.com
Editors’ Rating: 6 out of 10

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Fujifilm’s new 102-megapixel camera is the size of a typical DSLR https://www.popsci.com/story/technology/fujifilm-gfx-100s-meidum-format-camera/ Sat, 30 Jan 2021 14:00:00 +0000 https://stg.popsci.com/uncategorized/fujifilm-gfx-100s-meidum-format-camera/
A front view of the Fujifilm GFX 100S camera with the new short portrait lens.
Because of its size and weight, you wouldn't guess there was a medium format sensor inside. Fujifilm

The GFX 100S is smaller, lighter, and cheaper than its predecessor.

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A front view of the Fujifilm GFX 100S camera with the new short portrait lens.
Because of its size and weight, you wouldn't guess there was a medium format sensor inside. Fujifilm

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Back in 2019, Fujifilm released its first entry into the 100-megapixel medium format camera space. The GFX 100 was a beastly, $10,000 body with an integrated grip-style body similar to a pro DSLR like Canon’s 1D X Mark III or Nikon’s D6. This week, however, the company took some big steps toward making high-res medium format more accessible with the GFX 100S. It boasts a 44 x 33mm (that’s larger than full-frame) sensor with a 102-megapixel resolution, but the cost has dropped to $6,000—and the camera is actually smaller than some full-frame mirrorless models out there.

The form factor is similar to the GFX 50S, which doesn’t have the integrated grip. That brings the GFX 100S’s weight down to just under two pounds, which is roughly a third of a pound heavier than Canon’s R5 mirrorless camera. From a volume standpoint, the GFX 100S is slightly smaller than Panasonic’s S1R, despite the Fujifilm’s larger sensor.

Technical specs

The 102-megapixel sensor inside the GFX 100S is the same one that you’ll find in the earlier, bulkier GFX 100. It uses Fujifilm’s bigger-than-full-frame G format, which isn’t quite as large as the medium format sensors found in other high-end rigs made by companies like Phase One.

That sensor now sits in an image stabilization system that promises up to 6 stops of shake reduction. Combined with a body that’s much lighter than its chunky older sibling, that should make it simpler to get sharp images when shooting from a tripod. Because the stabilization moves the sensor inside the body, it also enables a high-resolution shooting mode that combines multiple shots captured with the sensor in different positions to create a 400-megapixel image with absurd levels of resolution.

In normal shooting modes, the GFX 100S can capture up to 5 frames per second, recording to a pair of UHS-II SD card slots. It uses the same battery as the X-T4 mirrorless camera, and Fujifilm claims it will get an impressive 460 shots on a single charge—but that will obviously vary depending on how much you use the screen and the shooting modes you choose.

Viewfinder

The original GFX system, which debuted back in 2016, had a modular viewfinder that could flip up depending on how you preferred to hold the camera. In an effort to make the new body smaller, the 3.69-million dot OLED finder is fixed in place. Shooters can choose whether they prefer to optimize the finder for detail by maximizing the resolution or cranking up the refresh rate in order to get smoother motion when composing shots. The 3.2-inch touchscreen on the back has two-axis tilt and a 2.36 million dot resolution, which is nothing out of the ordinary.

Video mode

It’s unlikely many people are buying this camera primarily to shoot video, but Fujifilm has made some improvements to its motion-shooting capability. It can pull down 4K footage at 30 fps and send up to 12-bit raw footage to an external recorder via onboard HDMI. That may seem rather paltry compared to the 8K ambitions of cameras like the Sony Alpha 1 and Canon’s R5, but those are much different cameras. If you want to shoot a lot of video, don’t buy a 100-megapixel medium format camera.

How does it stack up against its competition?

Thanks to the timing and the price, the GFX 100S has already drawn some early comparisons to the Sony Alpha 1, but they’re two very different cameras. The Sony checks in at a substantial 50-megapixels, but its larger emphasis is on speed: It can shoot 30 full-res images per second for up to roughly 150 total frames, which makes it capable in fast action situations like sporting events. With its 5 fps framerate and massive files, the GFX 100S is better-suited for commercial and portrait photographers.

That larger sensor and higher resolution do come in handy for creating a specific look, however. The GFX 100S will have more pronounced depth of field effects, and the super high-resolution allows shooters to utilize the center of the frame and crop later, which takes advantage of the lens’s sharpest area.

Compared to the old GFX 100, the 100S seems much more viable for wedding and other types of portrait photography, which require holding a camera for long periods of time. The 100S is more than a full pound lighter than the 3-pound GFX 100, which is a huge difference when you’re trying not to destroy your wrists and forearms.

GF80mm f/1.7 lens

In addition to its new body, Fujifilm has also announced a new short portrait lens to go with it. The GF80mm f/1.7 has the same field of view as a 63mm lens on a full-frame camera. That fast aperture combined with a 9-blade aperture should create some extremely smooth blur effects in out-of-focus areas. It has 12 elements in nine groups and it weighs roughly 1.7 pounds.

It’s not cheap—you can expect to shell out $2,229 for it when it hits the market, but that’s the way of the high-end lens world. That’s the same price as Canon’s full-frame 50mm f/1.2 RF lens, which doesn’t have to cover as large of a sensor.

Look for both the GF80mm f1.7 and the GFX 100S to start shipping in the next few months.

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Sony’s pro-grade Alpha 1 is the first in a whole new category of cameras https://www.popsci.com/story/technology/sony-alpha-1-pro-mirrorless-camera/ Tue, 26 Jan 2021 20:30:33 +0000 https://stg.popsci.com/uncategorized/sony-alpha-1-pro-mirrorless-camera/
Sony Alpha 1 flagship mirrorless camera on white.
Sony's Alpha 1 is a monster of a camera. Sony

It’s a mirrorless camera that can shoot 50.1-megapixel images fast enough for pro sports photographers.

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Sony Alpha 1 flagship mirrorless camera on white.
Sony's Alpha 1 is a monster of a camera. Sony

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Digital cameras built for shooting fast action typically prioritize speed over resolution. Cameras like Sony’s action-oriented A9, Canon’s 1D X Mark II, and Nikon’s D6 all boast megapixel counts in the 20s because high burst-rates and fast transmission times in the field are crucial. Today, however, Sony has announced its new Alpha 1 camera and it’s promising about 50 megapixels in a body that’s fast enough to handle pro-grade sports and action photography.

At its heart, the A1 has a new 50.1-megapixel sensor paired with its new BIONZ XR image processor, which it claims is eight times faster than the previous version. That extra processing power helps the A1 pump out up to 155 full resolution, compressed raw files at 30 frames per second (fps) before the buffer fills up. Drop down to JPEG mode and that cap jumps to 165 total images. That’s a considerable jump from the 20 fps number offered by Sony’s previous flagship, the A9 II and one of its closest competitors, Canon’s R5.

While you’re shooting those fast bursts, the A1 performs up to 120 auto-exposure and autofocus calculations per second. And the electronic shutter doesn’t cause the viewfinder to blackout while you’re taking the photos, so you can continuously track fast-moving objects accurately.

Sony Alpha 1 mirrorless camera back
The back of the camera feels familiar for Sony shooters. Sony

The image capture isn’t the only place where speed has improved. The new 9.44 million dot OLED viewfinder now refreshes at 240 Hz, which should translate into smoother, more accurate motion, even when compared to other cameras running at 120 Hz.

The rest of the stat sheet boasts numbers that are similarly impressive. The autofocus system has 759 phase-detection AF points spread across 92 percent of the image area. Sony claims the Eye AF system, which tracks a person’s eye for sharp focus as they move, is now 30 percent better than it was in the already excellent A9 II. The A1 now also extends eye tracking to birds, which makes sense in a camera so capable when shooting wildlife.

From a video standpoint, the A1 shoots 8K video at up to 30 fps and 4K up to 120 fps, which matches the frame rates promised by Canon’s high-end R5. Canon’s camera, however, ran into some early issues with heat reducing the overall usefulness of 8K capture—the body would require long cool-down times after short recording sessions to prevent damaging the electronics. Sony claims shooters will get up to 30 minutes of 8K shooting thanks to internal cooling structures, but it will be interesting to see how those promises pan out in the real world.

Sony Alpha 1 camera top view
A top view of the Alpha 1 shows plenty of tactile controls. Sony

In reality, the A1 goes beyond 8K, offering 8.6K oversampled footage to capture additional detail. Sony claims more than 15 stops of dynamic range when shooting video (and 15 stops exactly when shooting stills), which is another notable improvement over the A1′s predecessors.

In-body image stabilization promises up to five stops of shake reduction. If you use Sony’s video-specific apps, however, the camera can also record movement data from its onboard sensors while you’re shooting and use that information during the editing process to apply natural shake reduction tech.

At least on paper, the A1 is a monster of a camera, and there’s really nothing else like it out there at the moment. At $6,500, it’s obviously meant for pros, and it offers some features that working professionals will find handy. Its Wi-fi connection works on both 2.4 GHz and 5 GHz bands, to make it more versatile when trying to send files from the field. It also offers a new JPEG “light” setting, which makes compressed files even smaller and easier to transmit back to an editor from the field.

Sony Alpha 1 mirrorless camera ports.
Here’s a look at the ports on the left side of the camera. Sony

It even offers seemingly small improvements that could make a big difference for advanced shooters. The electronic shutter allows for high-speed continuous shooting with flicker reduction to counteract the odd bands of shadow that show up in images when shooting under certain types of lighting. The mechanical shutter allows for flash syncing as fast as 1/400th of a second, which makes shooting flash in bright situations simpler.

Rumors have been speculating that Canon will unveil a pro version of its R-series mirrorless cameras some time in the near future—the Olympics would make a great opportunity to do so. But, Sony has already set a high bar when it comes to true pro mirrorless. While the A1 isn’t cheap, it effectively does the job of both the speedy A9 II and the high-resolution A7R Mark IV. For the moment, it’s in a category all by itself.

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Smartphone lenses that will improve your mobile photography https://www.popsci.com/story/shop/best-smartphone-lenses/ Tue, 19 Jan 2021 20:39:00 +0000 https://www.popsci.com/uncategorized/best-smartphone-lenses/
phone taking photos of food
Crisper memories. Eaters Collective

Sharper pictures for work or Instagram.

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phone taking photos of food
Crisper memories. Eaters Collective

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If you don’t feel like shelling out a cool grand or more for the new iPhone 11 and its (admittedly great) camera, there are plenty of smartphone attachments to upgrade the camera on the phone you’ve already got. From fisheye effects to closeups to long-distance shots, here are some options for all types of photoshoots:

For portraits: olloclip Essential Telephoto 2X, Ultra-Wide Lens Kit

Amazon

SEE IT

This lens allows for a very wide field of view that maintains clarity—perfect for selfies of a large group. This lens also comes with a wireless Bluetooth remote that has a range of 30 feet. When not in use, the Ollioclip easily attaches to a keychain for handy carrying.

Most versatile: Xenvo Pro Lens Kit

Compatible with just about every type of smartphone (Apple, Samsung Galaxy, and Note, Google Pixel, Huawei, and more) this lens kit includes a wide-angle macro lens, a mini rechargeable LED light, and a lanyard. The lens is made out of aircraft-grade aluminum and premium optical glass for durability and clarity.

Top pick: Moment Wide Lens – 18mm Attachment Lens

The Moment 18mm M-series Wide Lens is a favorite of Youtuber Casey Neistat. It’s perfect for adventurers who do a lot of landscape shooting, since it can capture more in a single shot. It’s also good for capturing large groups at dinner. The lens comes with a cap and microfiber carrying bag.

Budget pick: Smartphone Photography Kit

This full kit includes a flexible tripod to secure your smartphone anywhere, including a tree branch, fence post, or uneven surface. It comes with a telephoto lens, a circular polarizer lens, a fisheye lens, and a macro wide angle lens. There’s also a Bluetooth remote for selfies or group shots. The kit is compatible with iPhones, iPads, and Samsung phones.

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Ring lights that will make your selfies pop https://www.popsci.com/story/shop/selfie-rings-for-better-photos/ Wed, 06 Jan 2021 21:02:38 +0000 https://www.popsci.com/uncategorized/selfie-rings-for-better-photos/
selfie ring light near a leaf
See yourself better. Mike Marquez via Unsplash

Look your best in photos and video chat.

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selfie ring light near a leaf
See yourself better. Mike Marquez via Unsplash

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You don’t need to be a YouTube or Instagram influencer to invest in a lighting set up that makes you look amazing—especially when it’s this simple. A ring light produces such flattering images because it acts as a filler light, banishing unattractive shadows, and putting the spotlight on you regardless of the other lights (or lack of lights) in the room. We all take selfies—even if we pretend we don’t. The ones we picked are great for influencers, too.

Best for professionals: Neewer Ring Light Kit

Courtesy Amazon.com

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These days, social media—especially Instagram—can be the difference between making it or breaking it, when running a creative business. A professional ring light will make a huge difference in your photos and videos, even before post-production. Neewer’s ring light is a favorite of makeup artists and hairdressers, especially those who use Instagram live, where photoshop and other editing tricks aren’t possible. It’s got both orange and white-colored light filters and a tripod that’s compatible with smartphones and DSLR cameras.

Runner-up: Sensyne 10′’ Ring Light with 50′’ Extendable Tripod Stand

Amazon

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Sensyne’s ring light is perfect for capturing softly lit selfies, family memories, or professional video calls, and it’s our top pick because of the sheer range of what it can do. It’s got three light settings—warm light, daylight, and cool light—with 10 brightness levels in each setting. The ring light’s tripod extends from 15.7 to 50 inches, which means you can set it on a desk or on the floor. The tripod includes a stand that holds a phone camera vertically or horizontally, and a Bluetooth remote with a range of 30 feet will help capture those family photos.

Best for desks: LED Ring Light 6″ with Tripod Stand

Amazon

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For more flexibility with your lighting rig, this ring light set-up comes with a separate tripod, allowing you to stage your shot without the lighting being directly head-on. This light can be in warm, cool, or a combination of tones, with 11 adjustable light levels. Use it to get perfect lighting for your YouTube yoga class, photos of your new puppy, or lifehack tutorials. The USB charger and shorter tripod make this setup easy to travel with, too.

Best smartphone accessory: Auxiwa Clip on Selfie Ring Light

Amazon

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Front-facing smartphone cameras can capture moments with great photo quality, but they still don’t have a flash (or, at least, one that won’t leave you looking overexposed). Auxiwa’s selfie ring light clips right onto your phone, which means you can take flattering selfies any time, from wherever you are. You can also clip it to your rear-facing camera, for capturing delicious meals or nighttime pics, or around your laptop’s built-in camera.


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Hasselblad’s new $6,400 camera is weird and wonderful https://www.popsci.com/story/technology/hasselblad-907x-camera-review/ Sat, 02 Jan 2021 14:03:00 +0000 https://www.popsci.com/uncategorized/hasselblad-907x-camera-review/
Hasselblad 907X 50C camera on green
I thought I would be cute and shoot the product shots for this review on film. Then, I promptly ruined the roll of film, so here's a stock shot. Sorry. Hasselblad

The 907X 50C camera has a learning curve, but it rewards shooters with beautiful images.

The post Hasselblad’s new $6,400 camera is weird and wonderful appeared first on Popular Science.

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Hasselblad 907X 50C camera on green
I thought I would be cute and shoot the product shots for this review on film. Then, I promptly ruined the roll of film, so here's a stock shot. Sorry. Hasselblad

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Shooting photos with an old-school Hasselblad film camera is a truly wonderful analog experience. They typically employ a waist-level finder, which means you look down at the top of the camera to compose your shot and focus. The lenses are meticulously sharp, and the design adds very few features that aren’t totally necessary. That’s largely what I was expecting when I threw the 907X 50C strap around my neck and headed out to shoot. I quickly realized, however, that this camera is something different. Despite its lofty price tag and its dapper appearance, the 907X is fun—it feels considerably less formal than its film-based predecessors while turning out extremely high-quality images.

What is it?

Hasselblad 907X sample image
The flat raw files stand up nicely to editing. Stan Horaczek

The Hasselblad system has always been modular. The original models employed a film “back,” which held the film in a cartridge. That attached to a body, which enclosed the viewfinder and mirror box that let you see what you were shooting. Then, a lens attaches to the front. The 907X works on basically the same idea, only the body is much smaller since it doesn’t need a mirror. Your viewfinder is the screen on the back of the camera, which shows you a live feed directly from the sensor. It feels like you’re holding a chunky Rubik’s Cube with a lens stuck on the front.

Shooting with it

Hasselblad 907X sample image
The medium format lenses give a nice sense of depth. Stan Horaczek

The first thing you have to do when shooting with the 907X is to figure out how to hold it. The 3-inch, 920,000 dot screen on the back works just fine if you hold it up in front of your face, but the lack of grip makes it feel slightly awkward. When you hold a camera up to your eye, you can actually press it into your face a little to steady it. Holding the 1.6-pound (without a lens) 907X away from your face feels slightly awkward.

The screen flips up, however, so it’s parallel with the ground, which means you can leave it hanging on the strap and look down to shoot, just like you would with a film Hasselblad. I greatly preferred this method because you can put some tension on the strap around your neck, which adds stability.

The screen flips up so it’s totally flat, which is very nice, but sun glare can be an issue when you’re out shooting during the day. Some kind of screen shade would be an excellent addition to fight glare and make the image more visible.

Hasselblad 907X sample image
The auto white balance isn’t exceptionally accurate, but it’s easy to fix in post. Stan Horaczek

The lens mount accepts Hasselblad X lenses, which are typically meant for cameras like the natively digital X1D mirrorless camera. They’re sharp and beautiful, which you’d probably expect from pricy Hasselblad glass.

At first, I was relying heavily on the built-in autofocus, but I quickly realized that’s a mistake in many circumstances. If you’re used to a modern, high-end mirrorless camera, the 907X’s AF will feel paltry. You get 117 autofocus points, but all of them are contrast-based—there’s no hybrid focusing here. When you activate the AF, you’ll likely notice it find your desired subject, the go slightly past it, before snapping back into focus. That’s very typical for contest AF and not particularly conducive to super-fast action. But, that’s now what this camera was made for.

Hasselblad 907X sample image
Glasses and shadows show up with great details. Stan Horaczek

I found the best success when manually focusing. The 907X offers excellent focus peaking, a system which uses stripes and outlines on the camera’s screen to indicate what parts of the image will appear in focus when you take the picture. I found myself focusing more quickly with manual focus compared to AF in many different situations.

Image quality

Hasselblad 907X sample image
This is a severe crop of a much larger image. Stan Horaczek

Inside the 50C back, you’ll find Hasselblad’s 50-megapixel (8,272 x 6,200) medium format sensor, just like you’ll find in the other mirrorless offerings. It has a 4:3 aspect ratio, which is wider than the 1:1 old Hasselblad film cameras used to offer, but not quite as wide as the 3:2 ratio you’d get with a pro DSLR.

The images that come out of the sensor are simply beautiful. If you hit the focus and you get the exposure pretty close, you’re going to come away with a file that will look amazing as a finished image. The larger sensor gives the image a more three-dimensional look than what you typically get, even with a pro-grade full-frame SLR.

Hasselblad 907X sample image
With no tweaking, the colors look wonderfully rich at sunrise. Stan Horaczek

The 50-megapixel resolution offers you a couple options when it comes to shooting. Stick the camera on a tripod and you can meticulously frame your shot to use up every last bit of the sensor to capture a scene. I appreciated the extra resolution, however, because it allows for shooting a little looser and then refining the frame by cropping in post.

The 16-bit files have impressive dynamic range. It performs beautifully in backlit situations and does an excellent job differentiating between similar tones. Even in super-high-contrast settings, it manages to keep the highlights in check while pulling lots of detail out of the shadows.

Hasselblad 907X sample image
I applied perspective correction to this image because the camera isn’t super easy to hold totally level. Stan Horaczek

Who should buy it?

After a few weeks with the 907X, I still find the camera slightly confounding. It’s a genuinely fun camera and it offers a truly unique shooting experience. But, for most shooters, it won’t be terribly practical. That’s usually not a problem, but when the camera body itself costs more than $6,000, you need a concrete reason to lay down a credit card. I could see landscape photographers really appreciating the combination of big resolution with a small camera body. For street photographers, I could see the appeal of the excellent lenses and focus peaking along with the relatively compact form factor (at least compared to other medium format cameras).

Hasselblad 907X sample image
Detail abounds. Stan Horaczek

I didn’t own any vintage Hasselblad lenses when I tested the 907 (I have since acquired some, at least in part due to how much fun I had with the 907X), but I imagine using some old glass via the lens adapter would make this thing tremendously enjoyable. Medium format was never about being the fastest or the most efficient—it was about producing big, beautiful images, and the 907X does that with aplomb.

Hasselblad 907X sample image
The shadows still show good detail in a contrasty scene. Stan Horaczek
Hasselblad 907X sample image
It handles high-contrast images like this one shot at noon. Stan Horaczek
Hasselblad 907X sample image
Stopped down, the lenses resolve an impressive amount of detail. Stan Horaczek


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The best new photography gear of the year https://www.popsci.com/story/technology/best-photography-gear-2020/ Sat, 26 Dec 2020 14:00:00 +0000 https://www.popsci.com/uncategorized/best-photography-gear-2020/
Canon R5
Canon's R5 was the best new camera of the year. Canon

It was a weird year for taking photos, but a good year for new cameras.

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Canon R5
Canon's R5 was the best new camera of the year. Canon

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Canon R5 and R6

No cameras made a bigger splash this year than Canon’s full-frame mirrorless bodies. The follow-ups to the original Canon R line brought a bevy of long-awaited new features, including 45 megapixels of resolution in the R5, and dual card slots for redundant backups as you shoot. I’ve been shooting with an R5 since summer and I’ve been consistently impressed with just about everything it offers, from image quality and autofocus tracking, down to the design and feel. Some early controversies regarding thermal performance and limited UHD video recording made for splashy headlines, but both the R5 and R6 have performed exceptionally in the real world. Now the biggest problem is that it’s hard to find them in stock.

iPhone 12 Pro Max

iPhone 12 Pro Max
The iPhone 12 Pro Max camera has a bigger sensor and a faster lens. Apple Inc.

Smartphone camera hardware has been advancing in small jumps recently, with manufacturers relying more and more on processing power and AI to improve overall imaging performance. This year, however, Apple gave its flagship iPhone an improved camera module with a main sensor that’s 50 percent larger than its siblings. Combined with Apple’s new ProRAW format, the 12 Pro Max is the most versatile smartphone camera around, even if it lacks the super-long-range zoom promises from other manufacturers like Samsung. Apple also added sensor-based image stabilization, which it claims is actually more effective than the lens-based “optical” system.

GoPro Hero9 Black

GoPro Hero9
The GoPro Hero9 Black is the company’s smoothest yet. GoPro

If you haven’t used a GoPro since the Hero6, you’re really missing out on how great the company’s HyperSmooth technology really is. The Hero9 employs HyperSmooth 3.0, which is extremely adept at removing the bumps and shakes from even the most intense footage. Battery life has improved by a third over the previous model, and there’s now a full-color screen on the front of the device for easier selfie-style shooting. Tie that all up with a 5K sensor inside, and the Hero9 still offers plenty of incentive for stepping up from your smartphone camera.

Sony A7S III

Sony A7S III camera
Sony’s A7S III is built for dark conditions and video. Sony

By sticking with its 12-megapixel resolution, Sony’s latest A7S model is a monster in low-light. It finally offers a flip-out display and captures 4K 10-bit footage at up to 120 fps. The electronic viewfinder got a huge resolution upgrade to 9.44 million dots, and—like the Canon mirrorless bodies—it has two card slots built-in. It’s easily one of the best video-shooting mirrorless cameras around at the moment.

Canon RF 800mm f/11 IS STM

Canon 800mm f/11
Canon’s 800mm lens is less than $1,000. Canon

It’s not often you’d see a lens with a relatively tiny maximum aperture like f/11 on a best-of list, but Canon did some truly clever work on its line of affordable ultra-telephoto primes. At just $899, you get a true 800mm telephoto lens—the f/5.6 L version of the lens will set you back just shy of $13,000. The small aperture is a downside in some situations, but if you’re out in the field shooting sports or nature at midday, you’ll probably never miss the extra speed. The f/11 also weighs in under three pounds, while the f/5.6 pro version weighs 9.9 pounds.

Olympus 150-400mm f/4.5 TC1.25x zoom lens

Olympus 150-400mm f/4.5 TC1.25x
The Olympus 150-400mm f/4.5 TC1.25x zoom lens has a built-in teleconverter. Olympus

Built for Micro Four Thirds cameras, this beastly telephoto zoom has a natural zoom range equal to a 300-800mm model on a full-frame body. As the name suggests, however, there’s a 1.25x teleconverter built right into the lens which makes it perform like a 380-1000mm zoom when engaged. That’s a huge amount of reach. Because the image stabilization is capable of combating up to 4.5 stops of shake, you can shoot it without a tripod, an impressive feat for a lens this long.

Nikon Nikkor Z 14-24mm f/2.8 S

Nikon 14-24mm f/2.8
A new version of a classic lens. NIkon

This is a truly classic focal range for Nikon’s wide-angle zoom and the new Z version built for mirrorless cameras is a worthy update. The front element makes it simple to attach filters, which is key for landscape work and can be difficult with ultra-wides with building front elements. It’s built incredibly tough and shows impressive edge-to-edge sharpness, especially when you consider the extreme angle of view.

Fujifilm X-S10

Fujifilm X-S10 camera
Fujifilm’s mid-level camera shares features with its higher-end models. Fujifilm

While most of the exciting action in the camera world happened in the high-end gear this year, Fujifilm’s X-S10 offers much of what you’ll get in its higher-end X-T4 for just under $1,000. You get the Fujifilm color science in a body that weighs 16.4 ounces. It’s weather-sealed and includes sensor-shift images stabilization like the higher-end models. It’s one of the most capable mid-level cameras we’ve seen in  some time.

Hasselblad 907x 50C

Hasselblad 907 & CFV II 50C camera with lens
The Hasselblad 907 & CFV II 50C looks weird, but it’s extremely fun to use. Hasselblad

On the opposite end of the spectrum from the Fujifilm, Hasselblad’s curious camera costs $6,499. All that cash gets you a 50-megapixel medium format sensor attached to a super-compact body equipped with an X-series lens mount. It has autofocus, but it really feels like using an old Pentax SWC, which was primarily designed for street photography and zone focusing. It’s a truly weird camera that takes some getting used to, but once you find the groove, it creates some beautiful images with excellent dimensionality thanks to the large sensor.

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How and when to shoot with Apple’s hidden new photo format https://www.popsci.com/story/technology/apple-proraw-photo-mode/ Wed, 16 Dec 2020 20:33:05 +0000 https://www.popsci.com/uncategorized/apple-proraw-photo-mode/
A holiday decoration photo shot in Apple ProRAW and edited in Lightroom mobile.
Presets like the one from Mastin Labs used here take better to raw images. Stan Horaczek

Apple ProRAW gives iPhone 12 Pro shooters more flexibility in their photography.

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A holiday decoration photo shot in Apple ProRAW and edited in Lightroom mobile.
Presets like the one from Mastin Labs used here take better to raw images. Stan Horaczek

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This week, Apple introduced iOS 14.3. Tucked in with its typical array of bug fixes and new features, the company rolled out its new ProRAW photo format for the iPhone 12 Pro and Pro Max. It’s not on by default—you’ll have to go into Settings > Camera > Formats > Apple ProRAW to enable it—but it could open up a lot more potential from your smartphone photos once enabled.

What is a raw photo?

Right now, you’re almost certainly shooting jpegs (or the less-popular HEIC format) on your smartphone even though raw has been available in some form or another for more than half a decade. When you push the camera button on your device, it captures more information than it needs for a final file—lots more. Jpegs are great because they’re relatively small in terms of storage and they’re almost universally compatible, but it’s what’s known as a “lossy” format, which means it tries to jettison as much of that original image data as possible without affecting the overall appearance of the image too much. That’s fine if you’re just snapping and sharing photos, but try editing that photo in an advanced program like Adobe Lightroom and you’ll miss that extra data.

Raw images hold onto a lot more of that extra image data. So, if you blow out part of the sky in your photo, you may be able to pull the highlights back a bit in editing using bits that the jpeg version of the photo would have trashed. The same basic idea applies if you’re trying to pull up the shadows without introducing lots of ugly speckles known as digital noise.

Editing an Apple ProRAW photo in the native iPhone Photos app.
You’ll notice the difference in file formats when you start editing your photos. Stan Horaczek

What is Apple’s new ProRAW format?

Apple can sometimes take flack for introducing new file formats that aren’t very compatible with different platforms, but ProRAW isn’t like that. It uses the Digital Negative (DNG) format for its base, which is a common standard that most image editing software can read straight away. That’s actually an upgrade in compatibility over most of the major camera manufacturers like Sony, Canon, and Nikon, all of which use proprietary raw formats that don’t typically work with common editing programs right away. Apple and Android phones already offered access to regular DNG files through some advanced apps like Adobe Lightroom, but the files didn’t offer much of an advantage over the smaller jpegs.

ProRAW goes beyond the typical image info included in a normal raw file, however, because it includes Apple-specific data that relates back to its features like Smart HDR and Deep Fusion. That’s one of the big differentiators between Apple’s raw format and those that you’ll get from a typical DSLR.

A comparison of Apple ProRAW versus jpeg.
The photo on the left was shot in jpeg and the photo on the right in ProRAW. You can see that the photo on the right is slightly flatter than the jpeg, which is better for editing. Stan Horaczek

A dedicated camera’s raw files typically emerge looking flat by design. Raw files use the old school photographic mindset that the initial photo is just raw materials that you shape during the editing process. Iconic photographer Ansel Adams considered his negatives the photographic equivalent of a musical score, and the prints were the performances. Starting with a flat, neutral baseline image is the best way to ensure consistent and effective editing.

ProRAW, however, tries to give shooters a starting point that’s much closer to a finished image. The Smart HDR feature combines several images every time you press the shutter button in order to try and provide the correct exposure across the entire image, even when there’s an abundance of contrast. Deep Fusion emphasizes high-frequency details—think textures and patterns with lots of small elements—in order to improve the perceived fine detail. And it’s still using machine learning to recognize specific aspects of an image and tweak the exposures of those areas with local adjustments. It can recognize the sky and know when it might blow out and it can see a face and automatically brighten it up if needed.

When should you use ProRAW?

A house with a tree fallen down in front of it shot on an iPhone in Apple ProRAW.
When there’s a lot of bright sky in a photo, raw files can help keep it from blowing out to pure white. Stan Horaczek

Because ProRAW is still so specialized, Apple requires you to turn it on every time you open the camera app if you want it enabled. It’s a smart policy because ProRAW does have some real drawbacks. First, each image hovers around 25 MB in size, which is 10x to 12x larger than a typical file. You lose the ability to shoot bursts of photos, and many popular photo sharing apps like Instagram can’t handle the raw files—you’ll have to save a jpeg version before you share, which is really inconvenient if you’re just trying to ship a quick picture of your sandwich to your Instagram Story.

If you don’t mind doing some editing to your images, though, raw photos really shine in situations where cameras typically struggle. High contrast is the primary offender. If you’re shooting in a situation where the sky is much brighter than your subject, it will allow you to pull back some detail into the clouds while correctly exposing for the important parts of the image.

If you want to use image presets, they also typically work much better on raw files. I personally like the Mastin Labs presets that I use through Lightroom. The contrast is typically overbearing when applied to regular JPEGs, but it’s more manageable when applied to the raw files.

What should you use to edit them?

Since it’s so early in the life cycle, full support is currently somewhat spotty. Because ProRAW uses the DNG format for its base, you can easily open them in Lightroom, Photoshop, and CaptureOne, but you may not necessarily be able to take advantage of all the editing features the format can afford you. Some apps, like Darkroom, are already optimized for the files.

Is ProRAW any good?

We’ll publish a more thorough qualitative analysis on ProRAW down the road, but initial impressions are positive. It does definitely offer more editing flexibility in tough lighting situations. I hope down the line Apple tweaks it to add a mode that captures both a raw and a jpeg version like many DSLRs do, so it’s easy to upload a shot to an Instagram story in a hurry, but also leaves you with a high-quality raw file to edit later. Eventually the file sizes will also hopefully come down. But for now, it’s a step toward smartphone raw photos that people might actually use.

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The best action cameras to document your ill-advised adventures https://www.popsci.com/story/blogs/gift-guides/best-action-cameras-gopro-dji/ Fri, 11 Dec 2020 01:24:00 +0000 https://www.popsci.com/uncategorized/best-action-cameras-gopro-dji/
person with action camp on their wrist
Shoot on the go. Fabrizio Verrecchia via Unsplash

Risk your body—but not your smartphone—to capture that stunt.

The post The best action cameras to document your ill-advised adventures appeared first on Popular Science.

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person with action camp on their wrist
Shoot on the go. Fabrizio Verrecchia via Unsplash

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Your phone shoots amazing videos, but it can’t go everywhere with you. When you’re flinging yourself down a ski hill at irresponsible speeds or diving to the bottom of a lake to look for lost treasure, it’s best to let your pricy mobile device chill on the sidelines. Action cameras, however, are ready for anything. They’re like that irresponsible friend who’s always willing to accompany you on any bad decision, especially if it will make for some truly excellent internet video. These action cameras can capture your triumphs, failures, and even a high-quality vlog about your recovery process when riding a picnic table off of a small cliff into a snow bank doesn’t work out exactly how you thought it would.

The best: GoPro HERO9 Black

Amazon

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This is a robust incarnation of the well-known and highly-regarded GoPro that packs 5K video capture capabilities and a 20-megapixel photo resolution into a portable, mountable package. The rear touch screen offers a wide range of user control including touch-zoom, and the front display allows for easy framing while in use, allowing this model to excel in a wide variety of situations. In addition to these convenient features, the GoPro HERO9 is even able to stream live video to social media at 1080p, and the recording function offers advanced HyperSmooth 3.0 tech to automatically stabilize recorded media.

Runner-up: GoPro HERO8 Black

GoPro

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The boxy GoPro has long been the standard when it comes to grabbing gnar footy (short for “gnarly footage”) and the HD Hero8 is the company’s most advance model so far. The tough outer shell makes the camera waterproof down to 33 feet and shock-resistant without an extra case. It shoots 4K video at a buttery-smooth 60 fps and does full-HD at up to 8x slow motion so you can pinpoint exactly the point at which your femur exploded while reviewing your crash vid. Most importantly, though, it has the best image stabilization around, so even the most jarring jumps and bumps won’t turn your video into a shaky mess.

Film yourself: DJI Osmo Action

DJI

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A square screen on the front of DJI’s first action camera makes this the best option if you actually want to appear in your own videos. Get yourself a selfie stick—the rugged, professional versions typically use the name “pole” instead—and fling yourself into an exciting situation. It’s great for snowboarding or any video where you want to narrate your own hijinx. It’s waterproof down to 33 feet without an external case and can endure temperatures down to 14 degrees F. You get all the technical performance you’d expect out of a high-end camera, including 4K footages and 12-megapixel still images.

Feature-packed: GoPro MAX

GoPro

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There are actually two cameras tucked inside the GoPro Max’s square body. Wide-angle lenses on each side of the camera capture a 360-degree field of view. As a result, you can capture immersive footage viewers can watch by moving their phone to look around a scene or even wearing a full-on VR headset. If you’re not trying to make something totally immersive, you can achieve impressive effects like reality-warping time-lapses and dramatic pan shots. A six-microphone array captures 360-degree audio to go with the visuals to make your viewer really feel the intensity of a sketchy mountain bike line.

For fitness buffs: Garmin VIRB Ultra 30 Aviation In-cockpit Bundle

Garmin

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If you already use any of Garmin’s excellent fitness tracking devices like heart monitors and cycling computers, the Virb Ultra can pull data from those gadgets and integrate it into your video. The 4K 30 fps footage syncs up with your body’s vital signs so you can tell just how hard your heart was beating when you sent that gnarly line on your skis. The Virb Ultra can also super-impose other crucial data onto your videos, including the G-forces it’s experiencing, which comes in handy when your pal decides it’s time to learn how to drift his Honda Accord in the parking lot of the local strip mall.

Great value: EK7000 4K WiFi Sports Action Camera

Amazon

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You won’t find many bells and whistles inside this basic action camera, but it’s considerably cheaper than its more advanced competition. It’s waterproof down to almost 100 feet thanks to its external case, and it still shoots 4K video at 25 fps. It even has built-in wifi for viewing and transferring video to your smartphone.


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Gifts that make video calls look and feel more glamorous https://www.popsci.com/story/technology/video-call-gear-gifts/ Thu, 10 Dec 2020 00:00:00 +0000 https://www.popsci.com/uncategorized/video-call-gear-gifts/
Person in front of a pop filter, mic, and mic stand
Whether you want to share a mic or keep it to yourself, you'll need the right sound equipment. Andrew Lozovyi/Deposit Photos

If you’re going to put on real clothes and comb your hair, you might as well have the gear to make it worth it.

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Person in front of a pop filter, mic, and mic stand
Whether you want to share a mic or keep it to yourself, you'll need the right sound equipment. Andrew Lozovyi/Deposit Photos

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Last year, when the holidays rolled around, we had no idea how important video chatting was about to become. Now, it’s common to spend large chunks of our days and nights gabbing at a grid of faces on a screen for everything from live podcast shows to heated arguments about how many slices of cheese belong in a grilled cheese sandwich. While it’s the people on the other side of those calls that make them worth while, a little production value never hurts. These gifts will make anyone who receives them look and sound their best, whether they’re chatting away on happy hours or trying to nab a lucrative sponsorship for their streaming channel.

Key light

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Despite what ring light devotees might tell you, the best way to get flattering light on a video call is with a flat, soft source of illumination. The Elgato Key Light isn’t the cheapest option on the market, but it has a powerful array of 160 LEDs spread evenly across its square panel that create an even glow to prevent shiny spots on your face. The color is adjustable from cool to warm, so you can also dial in the perfect setting to match the rest of the lighting in your room. And because it uses LEDs instead of typical bulbs, it will stay cool even during the fourth hour of your grandfather’s story.

LED background light

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The light on your face is crucial, but illuminating the rest of your room can elevate you beyond that “I’m sitting in my own bedroom and could nap at any moment” vibe. This kit includes three 16.4-foot reels of LED strips with adhesive backs for easy installation. You can use the included remote or a smartphone app to control them as they change color and execute 28 dynamic patterns depending on how flashy you’re feeling in the moment. The system is expandable, so if the person receiving the gift wants to fully transform their home into a the inside of a gaming PC, they can buy a couple more strips and let the flashing commence.

Microphone

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Unless you’re planning to make it big with your series of quarantine ukulele covers, you don’t need a pricey microphone to sound great. The Blue Snowball iCE gives you many of the same benefits you’d expect to find in a mic more than twice its price. It connects easily to a computer via USB and doesn’t require any installation. There’s only one condenser inside, so it’s meant specifically to pick up on one person talking.

Mic stand

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Holding a microphone is fun when you’re pretending to host a game show, but it gets tedious during a staff meeting. The Innogear stand clamps directly onto your desk and stays wherever you put it thanks to spring tension. It’s strong enough to hold up even professional mics and installs without any screws or bolts. It also includes a pop filter to prevent peaking levels every time you say statements with lots of “P”, “T”, and “K” sounds in them, like “Popular Science is a fantastic publication.”

Pop-up background

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Ideally, we’d all chat in front of picture-perfect backdrops filled with books and awesome artwork that make us look smart. That’s not always possible, though, and it’s not exactly classy to try and fashion a backdrop out of your old shower curtain. Fovitec’s 5′ x 6.5′ pop-up backdrop is neutral gray on one side and blue on the other in case you want to use video effects to make it look like you’re chatting in an elaborate mansion or the bridge of a spaceship. When you’re done with the background, simple twist the flexible metal frame until it’s a flat, 28-inch disk that fits into the included carrying case.

Sound-isolating shell

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The Monoprice Microphone Isolation shield is lined with pointy foam insulation that doesn’t reflect sound waves back as you talk. That keeps annoying echoes away from your microphone and drastically improves the overall quality of your audio. It also has a built-in microphone mount right in the sweet spot for maximum sound dampening. It folds up to about a third of its size for storage, but we recommend leaving it up all the time in case you get the urge to stand in front of it and shout, “turn my headphones up!”

Studio headphones

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Wired headphones don’t cut out or have their batteries die just as your friend is finishing a hilarious story. Or maybe it was a sad story—you don’t know because you didn’t hear the ending. Sennheiser’s headphones are built for studios: The earcups and headbands are busting with plush padding, which makes them comfortable, but also bottles up sound so it doesn’t bleed back into your microphone and cause an echo. The snug fit also creates excellent noise isolation so you’re not bothered by the sounds of your neighbors fighting or getting romantic.

Streaming studio

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For people really looking to take streaming up a notch, the Roland GO:LIVECAST is a great way to jump into using studio gear. It connects directly to a smartphone and allows wannabe broadcasters to add effects like applause and musical cues to their productions. Connect another phone via Wi-fi and it can turn your home cooking show into a full-on, two-camera production with animated titles and a rockin’ theme song that cost you $40 on Craigslist.

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Fujifilm’s new infrared camera can see things your eyes can’t https://www.popsci.com/story/technology/fujifilm-gfx-infrared-camera/ Fri, 27 Nov 2020 21:00:00 +0000 https://www.popsci.com/uncategorized/fujifilm-gfx-infrared-camera/
Fujfilm GFX100 IR
Fujifilm's infrared camera is in only for specific customers. Fujifilm

The GFX100 IR is only for researchers and industrial users, but it’s capable of some truly remarkable photographic feats.

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Fujfilm GFX100 IR
Fujifilm's infrared camera is in only for specific customers. Fujifilm

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Fujifilm released its $9,999 GFX100 digital camera for professional photographers last year. The sensor inside is considerably larger than a typical pro-grade “full-frame” DSLR, which provides enough room for 100 total megapixels of resolution. Beyond that, Fujifilm recently added a Pixel Shift Multi-Shot mode, which bumps the final image resolution all the way up to 400 megapixels, enough to fill nearly 50 4K screens with a single photo.

Now, Fujifilm has released a version of its beastly camera specifically for research and industrial purposes. Or, if you’re feeling especially creative, you could use it to make some truly unique Instagram posts.

The new GFX100 IR can capture light in the infrared spectrum. We can’t see infrared with our naked eyes, but typical camera sensors are often sensitive to it. To prevent photos from looking unrealistic or overexposed, camera companies typically employ an IR filter in front of the sensor to block waves in that part of the spectrum to keep things looking what we consider to be normal.

By capturing image data in infrared, researchers and scientists capture details that aren’t typically visible, even under high magnification. For example, Fujifilm is already working with some high-end art restorers using the camera to glean insight about the pigments used in paintings long after they have faded from their original glory.

Because IR light has different wavelengths from typical visible light, it can penetrate various materials. So, an IR photograph may be able to reveal an original sketch on a canvas underneath layers of paint in a work of art. The Smithsonian famously uses infrared cameras for this purpose on its collection.

The sensor inside Fujifilm’s 100-megapixel monster can capture wavelengths in both infrared and the visible spectrum. Operators can tweak the kind of light they capture by adding filters in front of the lens to restrict specific wavelengths. For instance, if you add an IR cut filter to the lens, you can capture typical color images very close to what you’d expect from a retail version of the GFX100.

Infrared is useful for research in a variety of fields, but it has also been put to very effective artistic use since the film days. Back in 2010, Kodak discontinued its Aerochrome infrared film, which had a truly unique look that rendered greens as bright pink. War photographer Richard Mosse shot a striking series of images in the Democratic Republic of Congo. Aerochrome was originally intended for aerial military photography to help recon missions see through ground-based camouflage.

The typical version of Fujifilm’s GFX100 costs $9,999 before you add a lens to the equation, and the IR version will only be available through authorized dealers for specific users. So, even if you’re a rich person with a desire for weird cameras, you won’t be able to get one. There are some services that will convert your old DSLRs to infrared for you, though. And if you’re feeling particularly handy, you can go through the delicate process of removing your own DSLR’s infrared cut filter.

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Photography lighting kits for beginners https://www.popsci.com/story/shop/best-beginner-photography-lighting-kits/ Mon, 09 Nov 2020 21:27:00 +0000 https://www.popsci.com/uncategorized/best-beginner-photography-lighting-kits/
photography lights
You don’t need sunlight to look good. Alexander Dummer via Unsplash

Learn the basics without breaking the bank.

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photography lights
You don’t need sunlight to look good. Alexander Dummer via Unsplash

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As image quality on laptop, tablet, and smartphone screens has gotten better, so has the demand for great photos. If you want to sell handmade bow ties, build an online dating profile, make your dog into an influencer, or get some cash for used clothing and furniture, solid snaps are key. These affordable lighting kits are perfect for beginning photographers learning how to illuminate their subject in the most flattering way.

All-in-one: Kshioe Lighting Kit for Photo Studio

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Turn any part of your home into a photography studio with this continuous lighting kit. Set up the background for your shoot by choosing a white, black, or green screen cloth and attaching it to the metal stand with clamps. Position the two light stands and direct bright daylight-balanced light at your subject from the included fluorescent bulbs. Then create the desired ambiance with umbrellas for the perfect portrait. This kit includes two white umbrellas that softly diffuse light, and two black umbrellas with silver reflective material on the inside for a sharper profile.

Travel-friendly: StudioFX Softbox Continuous Photo Lighting Kit

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Softboxes give you a little more control over the light you are producing in a photo shoot than umbrellas. This comprehensive kit features three 16-by-24-inch rectangular softboxes that can easily act as a backlight, keylight, and fill light as part of a standard three-point lighting arrangement. To create overhead lighting, attach one of the softboxes to the boom arm and keep it in place with the sandbag. You have to fill the whole softbox with light for optimum effects, so this kit includes three light heads that hold four bulbs each (and comes with 12 45-watt compact fluorescents to get you started). If you’re shooting on location, the whole kit packs into a convenient travel bag.

Best for makeup: Neewer Ring Light Kit

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This ring light kit features a circle of 240 LED bulbs on a stand and is ideal for makeup artists and hair stylists who want to show off their best work. Whether you’re shooting with a smartphone or a DSLR camera, you’ll find creative ways to highlight your artistry. If you’re seeking bright white light to emphasize every detail of your contouring skills choose the white filter, and if you are going for a warmer atmosphere choose the orange filter. A stepless dimmer knob allows you to adjust lighting to your exact preference instead of using presets.

For shorter shots: Neewer 2 Pack Dimmable 5600K USB LED Lights

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Entrepreneurs and food bloggers can get quality results in a small package with these LED lights. Capture low angles by arranging these approximately 3.75-by-5.5-inch lights on your desk or kitchen table and adjusting them up to 180 degrees. They’re powered by USB rather than an AC adapter, which is especially convenient if you’re using them at your laptop while you live stream. White, red, blue, and yellow filters give you plenty of options to experiment with atmosphere and moods.

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Planning to buy an iPhone 12 Pro Max? You may want to brush up on your photography skills. https://www.popsci.com/story/technology/apple-iphone-12-pro-max-camera-sensor/ Wed, 14 Oct 2020 18:12:27 +0000 https://stg.popsci.com/uncategorized/apple-iphone-12-pro-max-camera-sensor/
iPhone 12 Pro Max
The iPhone 12 Pro Max camera has a bigger sensor and a faster lens. Apple Inc.

Bigger sensors and larger apertures capture more light, but it doesn’t come without a cost.

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iPhone 12 Pro Max
The iPhone 12 Pro Max camera has a bigger sensor and a faster lens. Apple Inc.

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Photographers who start on smartphones and move to dedicated cameras typically find some surprises during the transition. Without built-in HDR, blue skies get blown out. Without some kind of Night Mode, shots in the dark are actually, well, dark. And perhaps the most surprising change: You get a surprising number of shots that are noticeably out of focus.

A smartphone’s ability to keep pretty much everything in focus all the time is a byproduct of its primary hardware limitation. The image sensor—the little slab of pixels that actually captures light when you take a photo—has to be tiny in order to fit inside the device itself. Practically speaking, that’s a key reason why smartphone images have so much depth of field. It’s also why missing focus isn’t nearly as apparent on a smartphone as it is with a larger-sensor camera. Now, Apple has increased the size of the sensor inside the iPhone 12 Pro Max by 50 percent, which will have some effect on how much of your shot is blurry and how much is sharp.

That 50 percent difference is almost exactly the same as the rift between smaller APS-C sensors often found in consumer and enthusiast dedicated cameras, and the full-frame chips inside more professional models. (Full-frame refers to 36mm x 24mm sensors the size of one image shot on 35mm film, while APS-C matches a roughly 25mm x 17mm size of an ill-fated film format.)

Calculating depth of field is simple math, but it gets muddied in the real world by different types of gear and use-cases. You can read a solid explainer on the practical differences sensor size makes here. It essentially boils down to your aperture, the focal length of your lens, and your distance from the subject. Changing the sensor size affects all of those factors while you’re out shooting.

Also consider that the 12 Pro Max now has an even wider fixed aperture at f/1.6, which will naturally reduce depth of field even more. It’s not a huge jump from f/1.7 down to f/1.6, but at numbers this low, even small jumps have a big impact on the overall image appearance.

iPhone 11 focus
In this image—shot with an iPhone 11 Pro Max—the focus is on the dead flower in the bottom right of the image. Stan Horaczek
iphone 11 pro max focus
In this image, the focus is on the leaves in the center middle—it missed the flower. You might not notice the blurry flower on a small device, but the effect will be more pronounced on the 12 Pro Max thanks to the bigger sensor and faster lens. Stan Horaczek

All of that translates into the possibility that you’re actually going to be able to take out-of-focus photos with the iPhone 12 Pro Max unless you’re paying attention to what you’re shooting. Faster apertures and bigger sensors are simply less forgiving from a hardware standpoint, especially considering the fact that you can’t close the aperture at all to get yourself more DoF. It’s not an earth-shattering difference from a hardware perspective, but it goes firmly against Apple’s overall mission to try to prevent people from taking technically “bad” photos by any means necessary.

Apple has also added a LiDAR sensor to the 12 Pro Max camera array. And while its primary function is to help with AR and VR applications, the company also says that it will help with the camera’s autofocusing. That extra step beyond the typical autofocus pixels built into the chip could help shooters in a situation where the depth of field isn’t so forgiving.

Beyond the focusing feature, Apple is also giving the 12 Pro Max access to its new ProRAW file format, which saves all of the image data as well as the processing metadata that comes through the image signal processor. Pro photographers typically shoot in raw because it maintains image data that’s outside the scope of what a lossy format like JPEG can handle. As a result, shooters can intentionally overexpose or underexpose an image knowing that they can pull back details in editing that would otherwise have been lost with a simple JPEG.

ProRaw will also presumably help with situations such as when shooters try to take pictures of the red air stemming from the U.S. wildfires. Cities saw the skies turn red, but the iPhone camera’s computational photography mode tried to correct the tint and made the scenes look underwhelming. That’s because the camera typically looks for a neutral grey tone to prevent the color of light in a scene from getting too far from the norm. True raw capture allows for photographers to pick the neutral color point during processing without having to wrestle with the auto-white balance during shooting.

If you never plan to open your photos in any kind of advanced editor, like Adobe Lightroom, then shooting raw is largely a waste anyway. The files are typically considerably larger than JPEGs or HEICs because they’re holding onto more information. For people just looking to snap photos that look like typical iPhone photos, the raw data isn’t going to do them much good.

Apple has already faced some criticism for creating a hardware rift between the iPhone 12 camera and the Pro Max camera. In some ways, however, the move makes sense. The main iPhone camera will always be about trying to give people the easiest path to a pretty good picture. The Pro Max may be objectively “better” when it comes to maintaining detail and combatting noise in low-light, but that could come at the cost of some number of missed shots.

Apple doesn’t expect the average person to edit their photos in an app that goes much beyond auto-adjust or adding a filter. And why would the company want shooters to have to start worrying about focusing after all this time with ample depth of field? After all, portrait mode can always fake all the background blur that you want.

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Travel-friendly cameras for the beginner photographer https://www.popsci.com/story/shop/best-beginner-travel-cameras/ Fri, 02 Oct 2020 00:37:00 +0000 https://www.popsci.com/uncategorized/best-beginner-travel-cameras/
woman taking a photo with a camera
Cameras for your next trip. Marco Xu

Pros will love them too.

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woman taking a photo with a camera
Cameras for your next trip. Marco Xu

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The process of choosing your first real camera—not a smart phone, not a disposable, but something that a serious photographer would acknowledge with a nod of appreciation—can feel a little overwhelming. There’s just a lot to know. Do you want a point-and-shoot or a DSLR? What are your needs for shutter speed, aperture, and interchangeable lenses? Don’t worry—it doesn’t have to be too complicated if you’re just starting out.

Below, travel cameras we’ve tried out and loved. All of them are especially great for beginner photographers and can be used for a variety of photography styles. They’re relatively easy to learn on-the-go, so they’ll make for a great travel companion.

To be helpful, we’ve linked to a couple of options that give you the camera itself and all the neat bits and bobs you’ll want, like SD cards, zoom lenses, and other useful accessories. If you don’t need an SD card, make sure you’re only getting the device at check-out.

Sharp, clear photos are the name of the game with Nikon’s latest beginner model, the D3500. The brand touts it as the perfect first DSLR camera due to features like the Guide Mode and built-in WiFi and Bluetooth for easy photo transfer and sharing. This kit comes with the camera, a handy travel case, a 32GB memory card, multiple zoom lenses, a filter kit, and an LCD/lens pen.

Waterproof, crushproof, freezeproof, dustproof, anti-fog—the geniuses at Olympus were not kidding around when they named this camera the Tough TG-6. Take this bad boy on hikes and climbs, white river rafting and sailing, and everything in between. Users can enjoy four macro shooting modes and five underwater shooting modes. How’s that for a good adventure partner?

In addition to one of the best beginner DSLR cameras on the market, this bundle includes accessories like an SD card, a large tripod, a filter kit, and a wide-angle lens. The camera itself is great for shooting video (it has UHD 4K24p video and 4K time-lapse movie features), has built-in WiFi and Bluetooth, and a touchscreen.

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Sony built a tiny mirrorless camera with a full-frame sensor inside https://www.popsci.com/story/technology/sony-a7c-full-frame-mirrorless-camera/ Wed, 16 Sep 2020 22:47:08 +0000 https://stg.popsci.com/uncategorized/sony-a7c-full-frame-mirrorless-camera/
Sony A7C
Attaching high-end lenses to a tiny camera looks slightly awkward. Sony

The A7C is the smallest mirrorless camera on the market with built-in image stabilization.

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Sony A7C
Attaching high-end lenses to a tiny camera looks slightly awkward. Sony

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At first glance, Sony’s new A7C camera would fit right in with the company’s mid-level A6000-series cameras. Instead of a smaller APS-C sensor inside, however, Sony has crammed the full-frame sensor (the same size as a frame of 35mm film) from the A7 III into a more compact, rangefinder-style body.

Compared to the rest of its full-frame A7 siblings, the A7C is roughly 20-percent smaller, which makes it very close to the consumer-oriented A6600. It’s not the smallest full-frame mirrorless camera on the market—that title goes to Sigma’s curious fp—but Sony has included a 5-way image stabilization system built around the sensor, which takes up some extra space.

The sensor is the same 24.2-megapixel chip you’ll find in the A7 III, paired with the BIONZ X image processor, all of which is familiar territory for full-frame Sony offerings. With that coupling, you also get 693 phase-detect autofocus points to enable face tracking for both people and animals.

The viewfinder has moved over to the top left corner of the body—the A7 line puts it at the top where the prism would be on a DSLR. The viewfinder display isn’t mind-blowing; it has a 2.4 million dot resolution and 0.59x magnification.

Sony A7C top
The top of the camera has a mode dial, hot shoe, exposure compensation dial, and a video record button. Notice the lack of pop-up flash. Sony

There are some other compromises that you’ll have to make for that small size, as well. There’s only one memory card instead of a pair, which makes sense for an entry-level camera, but isn’t ideal for anyone who might want to do some professional work with it.

A camera like this will clearly appeal to YouTubers, and Sony has given it some popular features handy for frequent video makers. It can charge via USB while you’re shooting, and the 3-inch touchscreen display flips out and rotates around so you can see what you’re shooting when the camera is pointed at your own face.

Video recording modes top out at 4K 30P, so if you’re hoping to shoot at 60P, you’re out of luck. (With a large-sensor camera that is this small, however, one has to imagine that heat dissipation would be an issue while trying to capture UHD footage at a higher rate.) However, you can crank the frame rate up to 100 for slow-motion shooting if you don’t mind dropping down to 1080p HD.

At $1,799, it’s more than a $500 jump up from the A6600, which isn’t a small price to pay for a bigger sensor. That extra silicon real estate, however, will likely translate into better low-light performance and more pronounced depth-of-field effects.

That price point also puts it in direct competition with Fujifilm’s quirky-but-powerful X-Pro3. They both employ a similar rangefinder design and comparable resolution.

Sony A7C
The A7C is just slightly bigger than the A6600. Sony

In addition to its new small body, Sony also announced a new super-compact 28-60mm lens. As you might expect, it has a relatively small variable aperture that ranges from f/4-f/5.6 as you zoom in. Unfortunately, all those internal electronics didn’t leave room for a built-in pop-up flash (there is a hot shoe for attaching an accessory flash), which would have come in handy with a relatively slow lens.

It will be interesting to see how well this fits into the rest of Sony’s camera lineup. You can get a more robust A73 for just $200 more, and that’s at full retail price. The A73 is noticeably bigger, but the second card slot and improved weather-sealing are important for those buying it for work reasons.

We will also have to wait and see what this means for smaller-sensor cameras going forward. Olympus and Panasonic have both recently expressed their commitment to the much-smaller Micro Four Thirds format, but Canon’s EOS-R and Nikon’s first-generation Z mirrorless cameras have seriously come down in price. Those companies also seem very committed to the 35mm format.

Expect to see full-frame cameras continue to shrink, especially if Sony sells a ton of these.

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The Samsung Galaxy Note20 Ultra 5G has one of the best screens you can cram in your pocket https://www.popsci.com/story/technology/samsung-galaxy-note-20-ultra-smartphone-review/ Tue, 18 Aug 2020 23:03:41 +0000 https://stg.popsci.com/uncategorized/samsung-galaxy-note-20-ultra-smartphone-review/
Samsung Galaxy Note20 Ultra 5G smartphone.
Pictures of phone screens are boring. Here's the back of the phone. Stan Horaczek

The 6.9-inch display and 50x-zoom camera make a compelling case for Samsung's $1,300 smartphone.

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Samsung Galaxy Note20 Ultra 5G smartphone.
Pictures of phone screens are boring. Here's the back of the phone. Stan Horaczek

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You’re easily forgiven if you don’t know how much RAM your smartphone has inside. No one will judge you if you’re not exactly sure which specific version of Qualcomm’s Snapdragon processor lives inside your device.

In short, diving into a phone’s spec sheet means different things to various segments of the smartphone-using public. For some, it’s something to pore over and argue about on the internet. For others, it’s an irrelevant math problem that you don’t have to solve in order to fire up the TikTok app. Samsung’s Galaxy Note series devices have always put up big numbers on the spec sheet while trying to make its juiced-up hardware accessible to people who couldn’t care less how much RAM sits under the screen. It’s a fine line and the Note20 Ultra 5G walks it better than any of its predecessors so far.

Evaluating a phone like this is tricky—it’s like a supercar. Some folks want to really dig into the technical guts of the thing, twiddle with the knobs (or, settings, I guess, in the case of a phone), and appreciate the feats of engineering required to wring small performance bumps out of every component. Others, however, are primarily concerned with the flash factor. That 6.9-inch AMOLED screen is every bit as impressive as a swoopy Italian sports car, but it employs some seriously impressive tech to make it shine.

The display

Short version: The Note20 Ultra’s screen is one of the nicest—if not the nicest—smartphone screen around. At 6.9-inches, it’s massive. It feels even slightly bigger than it is because—in typical Samsung fashion—the edges of the screen slope toward the back of the device to eradicate any semblance of a bezel. I’ve personally never been a fan of the curved edges because that screen real estate isn’t usable. The screen is also extremely bright. It promises 1,500 nits of brightness, which, in human terms, makes it easily visible in bright conditions and relatively eye-scorching if you try to use the max setting while doom scrolling before bed.

The really impressive aspect of the screen, though, is its refresh rate. The Note20 Ultra has a maximum refresh rate of 120 Hz. That means the image on screen can change up to 120 times every second. Scrolling at 120 Hz is like floating through a lake of pricy hand lotion (it’s very smooth). That kind of performance typically obliterates battery life, however, so the Note20 Ultra’s screen adapts its refresh rate depending on what you’re doing on-screen. If you’re looking at static images, it can drop all the way down to 10 Hz. Of course, it’s capable of rates between the two because not every app supports, or even needs, that kind of smoothness. When you’re playing a high-end smartphone game or just scrolling through apps, however, it will spoil you for other phones with a paltry 60 Hz spec.

As for resolution, you can pump the Note20 Ultra’s display all the way up to 1440 x 3088, but you can’t run both max refresh rate and max resolution at the same time—even if the phone has enough firepower, you would churn through your battery in just a couple of Quibis.

The cameras

Samsung Galaxy Note20 Ultra 5G smartphone.
The camera module sticks out from the body, but it makes good use of that extra room it takes up. Stan Horaczek

There are three cameras on the back of the Note20 Ultra. The 12-megapixel wide camera is about what you’d expect from a smartphone super-wide at the moment. The 12-megapixel telephoto zoom lens, however, is more interesting. Like the zoom in the S20 Ultra, the lens sits down into the body of the phone and sees out into the world like a periscope. This gives it more room to move the elements around and enables true 5X optical zoom. Optical zoom is almost always better because it doesn’t crop into the image and magnify flaws like digital zoom will.

The maximum zoom promises 50x total zoom through a mixture of optical and digital and the result is impressive as long as you go in expecting a realistic result. The final images are clear enough to make out, but they’re not going to win you any blue ribbons at the state fair photo contest. At 20x, the results are more acceptable, and you could probably even get a usable Instagram photo out of it if you shoot in a bright setting and hold the camera really still.

The main camera has a 108-megapixel sensor, but you’ll probably never really want to use it to shoot 108-megapixel photos. Instead, it typically combines blocks of pixels together into what we’ll call “ultra pixels” in honor of the phone’s name. That results in images with more reasonable resolution, but lots of detail. Historically, Samsung has not been shy about pouring on saturation and sharpening when using the main camera. I found the Note20 Ultra follows that tradition. Most of the time, the photos are sharp and detailed with vibrant colors. The effect can come off as a bit much if you like more natural-looking images without super crispy sharpness. But, that’s mostly a taste thing.

One considerable change: it now employs a laser for focusing. The Galaxy S20 had a somewhat skittish focusing system. And with all that resolution, a super-wide aperture, and a somewhat large sensor, focusing is actually important with a camera module like this. I found the Note20 Ultra’s focusing system totally adequate in most cases, though, when you get close, it often encourages you to back up slightly and zoom in to 2x. That’s actually a handy and accurate tip for most people and I was glad to see it happen automatically.

From a video standpoint, I still found the iPhone 11 Pro Max image quality slightly better overall, but there’s not a huge difference. The Note20 Ultra lets you shoot up to 8K resolution. If you’re shooting in a situation with a lot of light, that mode can actually be useful for pulling 33-megapixel screenshots out of a video after you’ve already shot it. Shooting 8K for strictly video purposes, however, is mostly a waste. The footage takes up too much space, is hard to edit, and limits some of the shooting features you can use during a shoot.

Samsung has included some clever audio options for video shooting. You can use the built-in microphones, a USB option, or even use the Bluetooth mic in the Galaxy Buds if you want to narrate some action or do voice over. It’s the kind of thing that’s very cool if you know about it and dig into the menus, but I expect many users will never encounter and just shoot with the stock settings.

Expect a deeper dive into the Galaxy Note20 camera in the coming days.

The S Pen

Finally, we arrive at the feature that earns the Note its name. The S Pen still slides into the bottom of the device, but now it has moved to the other side. Samsung has reduced the latency involved with writing on the screen to put it on the same level as the iPad Pro. That makes writing on it feel more natural and satisfying. Even if you can’t draw and your handwriting looks like that of a small child scrambling to finish math homework on a school bus as it barrels down a bumpy road, writing with the S Pen still feels good.

The best writing experience comes in the form of the Samsung Notes app. It makes the most of the improved handwriting recognition for handy features like aligning your scrawled text into neat rows and recording audio as you write so you can hear what was happening as you made a specific note.

The S Pen is still relatively tiny and I wouldn’t want to use it as my primary method of taking notes for a long period of time. But it’s great for writing shorter notes during an interview, especially with the audio playback feature. Even with all of that going for it, it’s still not quite enough for me to shift all of my note-collecting habits over to Samsung’s software, but it was way closer than I would have guessed.

Overall experience

The Note20 Ultra is undeniably impressive. Performance feels very snappy thanks to the latest Snapdragon processor and 12 GB RAM. The high-refresh-rate screen makes things feel even faster because content shows up on the screen immediately.

As you’d expect, 5G connectivity comes baked in and it supports both common types employed by carriers here in the US. I was connected to a 5G network at my house, but certainly didn’t experience 5G speeds that would impress my pals. However, that’s likely more a symptom of the current state of 5G networks than it is anything to do with the phone itself. As the network gets better, so too will the phone.

You likely already know if you’re planning on buying this phone. If you’re upgrading from a previous version, don’t expect a revolution when it comes to experience. If you’re jumping from an older phone, the screen performance really is a big differentiator, especially if you spend a lot of time watching content or playing high-end mobile games. The base model ships with 128 GB storage, which seems a little paltry considering the price, and it’ll cost you $150 to jump up to 512 GB on top of the already pricy phone. When you add it all up, the decision comes down to what you want your phone to do. If you want ample power and tons of opportunities to tweak settings and performance, then you’ll get it. If you want the biggest, flashiest phone around that can handle whatever you throw at it for the next couple years, it can give you that too. Just make sure it’ll fit in your pockets.

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How to pick the right wildlife trail camera https://www.popsci.com/story/technology/trail-cameras-features-learn-buy/ Mon, 03 Aug 2020 02:00:00 +0000 https://www.popsci.com/uncategorized/trail-cameras-features-learn-buy/
A buck in a grassy field
Whether you're keeping an eye out for hunting season or just trying to learn more about the local wildlife, trail cams can open a window into a new world. Celine Geeurickx/Unsplash

Not all cams are made equal. Here are the landmines to avoid before making your next purchase.

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A buck in a grassy field
Whether you're keeping an eye out for hunting season or just trying to learn more about the local wildlife, trail cams can open a window into a new world. Celine Geeurickx/Unsplash

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This story originally featured on Outdoor Life.

If you think about all the components that go into building a trail camera—detection circuits, infrared emitters, view screen, lens, and the waterproof housing it comes in—you’re getting a pretty good deal for not a whole lot of money. A good trail cam that will last you the entire year usually costs about $130. That’s not bad. It’s standing up to rain, wind, snow, and anything else Mother Nature can throw at it. There aren’t many other pieces of gear that can do that.

The problems arise when trail cam companies aren’t completely honest with customers. A lot of trail cams can’t do what they actually say they can do, so we’re here to clear the air. Every year, the folks at Trailcampro.com host a shootout to compare models, and find out which new cameras have the best technology so hunters can see more clear images of deer.

Before you buy your next camera, don’t just snag an affordable one with the most megapixels (like so many of us do) from the bargain bin. If you do, you’ll likely end up with a subpar trail cam, and miss out on images of deer that would’ve made it onto your SD card—if only you’d spent a little more money. So the next time you’re shopping for a new trail cam, remember these rules.

More megapixels don’t mean better images

Trail camera footage of a whitetail deer inn the woods at night.
Setting your trail cam for maximum megapixels won’t deliver a clearer image, but it will take up more memory. Trailcampro.com

Many companies will tout that their camera is the best because of the number of megapixels it has. But the fact is, most trail cams have a “native resolution” of three to five megapixels, so when you set the camera for 24 megapixels, the only things you’re doing are 1) making that image file larger (not clearer), 2) taking up more room on your SD card, and 3) slowing the camera down because of the larger file size. You’re actually going to get a better image if you set the camera to its native resolution. Plus the camera will be able to take more images because you won’t need as much memory.

You won’t find the native resolution on the box because marketing departments are smart enough to know that if they tell you their camera is really only three megapixels, and the competitor says its camera has 24 megapixels, you’re going with the competitor every time. That’s why it can actually be hard to find the native resolution of a trail cam. They are supposed to be printed in the owner’s manual, but they aren’t always there. That’s why it’s a good idea to check out the comparison chart Trailcampro.com releases each year.

Speed matters

Trail camera footage of a whitetail deer in the woods.
If you are always getting images of the ass end of deer, it likely means your trail cam has a slow trigger speed. Trailcampro.com

If you have bought a trail camera and a majority of your images are of the ass end of a deer or images that don’t capture the animal at all, it likely has a slow trigger speed. What’s happening is the deer is walking into the detection zone, but the camera isn’t reacting in time. You want a trail cam with a fast trigger speed. Acceptable units have a .5 second speed or less, and the best boast a nearly instantaneous trigger.

You also need to be cognizant of the recovery time, which is the amount of time it takes for the camera to detect motion, capture an image, store the captured image, and rearm itself to be ready to capture the next image. When trail cams first debuted, there were long recovery times due to a finite amount of image storage space. Engineers actually made the recovery time longer so the cameras wouldn’t take all the photos they were capable of too quickly. Now that cameras can store images on an SD card, the recovery times are much faster. Today’s good cameras have a recovery time of 5 seconds or less. Cheap, imported cameras commonly found on large discount websites often have recovery times of 10 to 15 seconds or longer. This means those cameras will not capture any activity that occurs during that period. So people who purchase cheap cameras will never see many of the critters that walk by.

Battery life is key, too

Trail camera footage of a whitetail deer in an open field.
It was 63 degrees when the image of this buck was taken, but as temperatures drop below freezing standard alkaline batteries will fail. Trailcampro.com

One of the most common complaints about trail cams comes in colder months, when the temperature dips below freezing. Most hunters are running cameras all summer and getting deer on camera. Then as we get into deer season and the temperatures fall, the camera “malfunctions.” Well, the likely reason you aren’t getting images from your camera is because when the thermometer dips below 32 degrees, standard alkaline batteries—the kind you put in your TV remote control or a kids toys—shut down in cold weather. Though alkaline batteries are cheap, the power they provide is inconsistent and weakens with every passing day.

Instead, opt for Nickel Metal Hydride (NiMH) rechargeable and lithium batteries, which maintain a consistent voltage until they go dead. There’s no slow decrease in power as with alkaline batteries. Lithium batteries are more expensive than alkalines, but they also last considerably longer, and won’t fail in cold weather. NiMH batteries will also last longer than alkalines, but suffer in temperatures above 80 degrees.

Pay attention to detection angle vs. field of view

An open trail camera on a white background.
Avoid buying trailcams with a wide disparity in detection and F.O.V. angles. Trailcampro.com

The sign of a poorly made trail cam is a wide disparity in the detection angle and the field of view (F.O.V.) angle. The detection angle relates to when an animal comes within a certain range of the camera, triggering the camera to take a photo in the next few moments. But for the camera to capture an image of that deer walking by, the deer must be within the F.O.V. angle.

So, say a trail cam has a detection angle of 45.2 and an F.O.V. of 34.7. That means you’ll have deer triggering the camera before they enter the photo. You want that gap to be as small as possible so that when a deer comes in range of the detection angle it’s almost instantly in range of the F.O.V. The reason you see a wide disparity in detection and F.O.V. angles is to compensate for slow trigger speeds. It’s a sign that the manufacturer is trying to make up for a design flaw, and you should avoid buying them.

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Sony’s long-awaited A7S III is built for shooting high-res video in the dark https://www.popsci.com/story/technology/sony-a7s-iii-mirrorless-camera/ Wed, 29 Jul 2020 02:00:00 +0000 https://www.popsci.com/uncategorized/sony-a7s-iii-mirrorless-camera/
Sony A7S III Camera
Sony's A7S III got some slight design tweaks from its previous version. Sony

Its 12-megapixel sensor can collect lots of light and spit out seriously stellar footage.

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Sony A7S III Camera
Sony's A7S III got some slight design tweaks from its previous version. Sony

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Since its debut back in 2014, Sony has built its A7S line of cameras specifically for absurd low-light performance. This week, the company announced the most recent installment, the A7S III. Like its predecessors, it offers just 12 megapixels of resolution on a new custom-built sensor. And while it won’t be winning any megapixel wars—especially against cameras like Canon’s recently announced 45-megapixel EOS R5—Sony’s latest offering looks like a monster when it comes to video and shooting in the dark.

Here are some of the highlights from one of Sony’s most impressive cameras yet.

A new custom sensor

From a hardware standpoint, Sony has made some notable changes regarding the chip that actually handles the light collecting in the A7S III. The resolution remains at 12 megapixels, just like the previous iterations, which gives the photo sites lots of room to spread out. Bigger photo sites can collect more light before hitting their limits, which typically translates into cleaner images shot in low light. You can push the A7S III’s ISO setting all the way up to 409,000, but we’ll have to wait for production samples to see how usable they remain before too much digital noise creeps in.

The sensor is now backside-illuminated, which is a structural change regarding the actual sensor assembly. BSI chips typically also improve low-light performance, which is why you often see them in tiny smartphone sensors that struggle with digital noise. I wouldn’t expect the switch to BSI to make an enormous difference all on its own, but if you’re building a camera to shoot in the dark, it’s a logical jump to make.

That 12-megapixel resolution has other functions beyond keeping the pixels large—it’s also specifically good for shooting video. The A7S II can shoot “native” 4K footage, which means it’s using essentially the entire sensor on a pixel-by-pixel basis to shoot 4K video. Other cameras with higher resolution sensors typically resort to “pixel binning,” which involves grouping pixels together to act as a single pixel to make up for the resolution disparity. Other manufacturers simple crop into the sensor and only use an area in the center that’s large enough to produce a 4K image. That’s not ideal because it changes the view from your lenses and makes it difficult to capture wide-angle shots.

Sony considers this a hybrid camera and it will certainly shoot beautiful stills, but 12 megapixels for still shooting feels low here in 2020, especially considering that cameras with smaller sensors such as the Fujifilm X-T4 offer more than double. And while resolution isn’t everything, even a 5K monitor—which are readily available on the market right now—checks in at nearly 15 megapixels at its native resolution, which already outpaces the A7S II’s native-pixel count. The images will still look beautiful if they’re well-captured, but as we move toward 8K displays, resolution matters.

Dedicated white balance sensor

Sony A7S III Camera
The touch screen now plays a more important role in navigating the menus. Sony

Cameras constantly monitor all kinds of variables in a scene, one of which is color temperature. Sony equipped the A7S III with a dedicated color-temperature sensor on the outside of the body. That’s atypical for high-end modern cameras. Sony says it will help prevent odd color shifts during video shooting when something suddenly pops into the frame and changes the overall tones within the scene.

New menu system

Sony’s menu systems have received ample, well-deserved criticism through the history of the A7 line. They’re somewhat difficult to navigate and the arrangement can be downright confusing in certain cases. Now, however, Sony has revamped its menu system to make common functions easier to find in a hurry. The A7S III employs a rotating touch screen for poking through the menus. It looks promising—and a whole lot more modern—compared to the previous version.

Dual-format card slots

Professional shooters typically want two card slots in a camera. Cards fail and having a backup can be a lifesaver. Sony put a pair of card slots in the A7S III, but each slot can accept two different kinds of memory cards: UHS-II SD and the newer CF Express Type A. Other manufacturers such as Canon sometimes mix up card formats in the same camera. The EOS R5, for instance, has both an SD card slot as well as a slot for CFexpress cards. It’s less flexible than Sony’s hybrid option.

The kind of card you actually need depends on what sort of video footage you’re hoping to capture. If you’re trying to max out resolution, bit rate, and frame rate all at the same time, you’re going to need screaming fast memory just to keep up. If you’re trying to shoot 10-bit XAVC HS at 120 fps and 280 Mbps, speed is essential. If you don’t know what any of that means, you’re probably OK dialing down the quality and sticking with typical cards, at least for the moment.

Cooling for longer recording

The Canon EOS R5 made a big splash with its 8K video recording modes. Since then, however, controversy has emerged from the camera’s tendency to overheat after a period of time. That’s due in part to oversampling its 4K footage with that big high-res sensor. The Sony avoids that issue with its 12-megapixel chip.

Cinema cameras like those used on big movie sets typically have internal cooling systems that include fans to help displace heat that comes from hardworking components inside. The A7S III doesn’t have any fans, but it does have passive cooling material to pull heat away from the critical components. That allows it to record for longer consecutive bursts without needing a break.

Sony has had some trouble with overheating in the past, especially if you’re shooting outdoors in the sun. But, the company claims some considerable improvements here, which should mean more uptime.

Sony A7S III Camera
Two card slots can both accept SD UHS-II or CFexpress cards. Sony

Lots of video recording options

If you’re not plugged into the latest and greatest video recording formats, the A7S III’s spec sheet may look impossible to parse. It offers many of the common high-bitrate video formats professionals want when shooting on productions. When it comes to 4K, it offers XAVC S (H.264) and XAVC HS (H.265), both at various frame rates, bit depths, bit rates, and sampling rates. There are more options and you can dig into them on the official spec list, but it’s suffice to say that it’s beastly when it comes to recording modes. It can even pass 4K/60 footage at 16-bit depth to an external recorder if you really want to max things out.

How does it compare?

In terms of competition, the $3,500 price tag puts it in the same conversation as Canon’s EOS R5—but the two are really very different cameras. A better comparison lies in the Panasonic Lumix DC-S1H, which costs $500 more, but offers a 24-megapixel sensor, higher-resolution rear screen, and 6K Raw video output to a recorder.

We’re eager to see how the low-light and video performance will look once production models are available. For now, however, the $3,000 to $4,000 segment of the camera market is as exciting as it has been in a long time. It’s also vastly more interesting than cheaper segments of the market.

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Blackmagic’s new camera shoots cinema-quality 12K footage for just $9,995 https://www.popsci.com/story/technology/blackmagic-12-ursa-cinema-camera/ Mon, 20 Jul 2020 18:13:00 +0000 https://www.popsci.com/uncategorized/blackmagic-12-ursa-cinema-camera/
Blackmagic URSA Mini 12K
Sometimes you need more resolution than the iPhone camera can provide. Blackmagic

Its 80-megapixel sensor would probably be overkill for your TikTok videos.

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Blackmagic URSA Mini 12K
Sometimes you need more resolution than the iPhone camera can provide. Blackmagic

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Right now, most of us are living in a 4K video world. Most new TVs support 4K resolution, and your smartphone can probably even capture 4K footage. But 8K is on its way. At this year’s CES, the big TV manufacturers made the jump to 8K in their high-end models and Canon recently announced its EOS R5 camera which can capture 8K footage. Blackmagic’s new URSA Mini Pro 12K camera, however, has an 80-megapixel sensor inside that allows it to go beyond 8K while keeping its price under $10,000.

At maximum performance, Blackmagic’s new rig can capture 12,288 x 6480 footage at 60 fps using its Super 35 sensor. That makes each frame essentially an 80-megapixel image. Compare that to the 32-megapixel frames that come from 8K footage or the comparatively paltry 8-megapixels you get out of 4K.

Right now, there’s really no way to actually watch 12K footage. Instead, this camera intends to give 8K and 4K productions more flexibility. Shooting at 12K allows editors to crop or zoom into a frame in post production without having to degrade the image quality for the final exported video. It can shoot over-sampled 8K or 4K footage, which utilizes the entire sensor and provides maximum detail and color data in each shot. Alternatively, it can use a smaller area of the sensor to shoot full-resolution 4K or 8K footage that appears more zoomed-in than if it used the full sensor.

Blackmagic URSA Mini 12K
The body itself has connections to mouth viewfinders, external recorders, and stabilization gear. Blackmagic

For cameras like this, moving massive amounts of data in a hurry typically poses one of the biggest challenges. Blackmagic’s new camera records to CFast and UHS-II SD cards, but it can also directly capture data to an external SSD through a built-in USB-C connection. Moving all that data also generates lots of heat, so built in fans and heat syncs help keep it from overheating, which happens more commonly in consumer-grade DSLR-style cameras.

Despite the massive file sizes, Blackmagic claims its new video codec is so efficient that editors can work on RAW footage using a laptop. It would certainly have to be a powerful laptop like a high-end MacBook Pro, but it’s still an impressive claim considering how powerful typical editing workstations are for working on this kind of video.

Rounding out the package, you’ll find a full suite of typical connections for external recorders and audio gear. It runs Blackmagic’s own operating system and an interchangeable lens mount that can accept Canon, Nikon, PL-mount cinema glass, or straight up broadcast lenses depending on your needs and how deep your production budget runs. PL-mount cinema lenses can run up to $100,000 and beyond, but cheap lenses can’t handle this kind of massive resolution without showing their optical flaws.

While you’ll likely never even consider buying one of these unless you’re in the film industry, it does represent some cool opportunities for content down the road. With 12K resolution, it would be relatively simple to shoot both horizontal and vertical versions of content, which would come in handy if Quibi wasn’t a total catastrophe. That kind of flexibility also gives smaller productions more options in terms of tracking or even capturing scenes that might otherwise require a pair of expensive cameras that don’t fit into the budget.

Blackmagic already had a reputation for making high-end cinema gear at surprisingly cheap prices and this looks like it’s no exception.

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Leica’s new $8,300 M10-R still feels like a camera from the ‘50s https://www.popsci.com/story/technology/leica-m10r-camera/ Sat, 18 Jul 2020 13:00:00 +0000 https://www.popsci.com/uncategorized/leica-m10r-camera/
Leica M10-R
The design doesn't change much, but Leica die-hards wouldn't have it any other way. Leica

The 40-megapixel camera still accepts lenses dating back almost 70 years.

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Leica M10-R
The design doesn't change much, but Leica die-hards wouldn't have it any other way. Leica

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There are a few topics in the camera nerd community that guarantee controversy. Do megapixels actually matter? Are prime lenses better than zooms? But few prompts can really rile up a comment section like a new Leica. The company’s 40-megapixel camera is no exception.

The M10-R will cost $8,295 when it’s available later this month. That’s a hefty price tag that towers over even modern professional cameras like Canon’s beastly EOS R5, which will shoot 8K video and check in under $4,000 when it hits shelves later this month. The Leica, on the other hand, doesn’t shoot video at all. The 40.89-megapixel sensor—up from just 24 megapixels in the previous model—is just for still photography. For die-hard fans of the brand, it’s addition by subtraction. No video mode means no video record button. The M10-R also lacks autofocusing lenses and any kind of shake reduction to compensate for motion blur. 

To the unfamiliar—or the non-believers—it sounds outrageous. But, this is the fifth iteration of Leica’s digital M10 since 2017 and the company has had no problem selling them. Compared to some of the other models, like the M Monochrom, which only shoots black and white digital pictures for a similar price point, it seems almost reasonable. 

Part of that price tag comes from the camera’s pedigree. The M10-R’s spiritual genesis debuted way back in 1954 with the M3, which was very novel for its time. It used bayonet mount lenses that click into place, rather than screwing onto the body, which made the swapping process much quicker. A convenient thumb lever advanced the film rather than a knob (though early M3s required you to push the lever twice to advance the film fully every time you took a shot). 

Those M-mount lenses—and just about every M-mount lens manufactured since then—will still work on every camera in the M line, including the new M10-R. There are still plenty of M3s out there in the world right now and the company still readily services them at their stores. You can still get parts for legacy Leica M cameras, which isn’t the case for other manufacturers that have folded or stopped supporting their old bodies. 

I don’t have a ton of experience shooting Leica M cameras. I was never particularly good with a rangefinder—SLRs fit my style better. But, I have had the chance to use many of them. They all have a very similar feeling when you’re shooting. Pick up a Canon camera from the ’90s and it’ll feel vaguely familiar when compared to a modern DSLR. Pick up a Leica M, though, and it’s eerily similar. The shutter is still super quiet. The body still feels like you could drop kick it into a brick wall and it might keep working. 

So, are Leica’s overpriced hype bait or field-proven photographic workhorses that last generations and earn their high cost? The truth, frustratingly, is almost certainly somewhere in the middle. While it’s unlikely the major manufacturers will ever make anything quite like the M, camera weirdness has been creeping back into the world. Fujfilm’s X-Pro3 employs the Rangefinder-style design and even encourages shooters to keep the LCD flipped backwards to reduce reliance on checking the screen all the time. That’s a total Leica move. In fact, the M-D, which it introduced back in 2016, doesn’t have a back screen at all. 

If you’re going to compare the Leica M to something extravagant for no reason, then I believe you’re wrong. This week, the new Ford Bronco debuted and enthusiasts were thrilled that it comes standard with a manual 7-speed transmission. Enthusiasts get enthusiastic about stuff that doesn’t necessarily make any real logical sense when convenience and practicality are the only concerns. 

If you want an M10-R, you should probably try to pre-order one soon. New models typically sell out quickly with dealers as the company doesn’t make tons of units. While you’re at it, maybe throw a 50mm f/0.95 ASPH Noctilux-M lens on your order for just $12,495 more. It still won’t shoot video.

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Canon’s new 8K-shooting EOS R5 is the most powerful mirrorless camera yet https://www.popsci.com/story/technology/canon-r5-mirrorless-camera/ Thu, 09 Jul 2020 18:20:09 +0000 https://www.popsci.com/uncategorized/canon-r5-mirrorless-camera/
Canon EOS R5
The body shape looks similar to the original EOS R. Canon

This $3,899 camera shoots 8K video on its 45-megapixel sensor.

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Canon EOS R5
The body shape looks similar to the original EOS R. Canon

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Canon EOS R5
A new full-frame sensor is related to the one found in the flagship 1D X Mark III DSLR. Canon

Canon entered the mirrorless camera game relatively late, especially when it comes to more advanced models meant for professionals or even high-end amateurs. Companies like Fujifilm with its X-series and Sony with its full-frame A-series had years of head-start by the time Canon announced its first full-frame mirrorless camera, the EOS R in 2018.

Today, however Canon has announced its new EOS R5 and EOS R6 mirrorless cameras, which represent a giant leap into the world of professional and advanced enthusiast shooting. The R5 is essentially the mirrorless 5D for which many shooters have been waiting on—and speculating about—for years.

Canon R5
The R5 has a screen on top, which is handy, but the mode dial is now a button and dial combo that requires looking at the menu screen. Canon

The R5 is now the company’s mirrorless flagship and, at least on paper, it’s one of the most powerful options you can buy. Canon built-in a 45-megapixel sensor that’s related to the chip found inside its pro-grade 1D X Mark III DSLR and paired it with its most powerful image processor. All that processing firepower lets it crank out full-res images at up to 20 fps when you skip the mechanical shutter to take moving pieces out of the equation. 

Unlike the original 2018 EOS R, the R5 promises weather-sealing on-par with the tank-like 5D Mark IV DSLR. The R5 also has a pair of memory card slots, including one UHS-II SD and one for CF Express. Many pros prefer a pair of memory cards recording in unison in case one fails or to have a low-res preview image in addition to a full-res raw file recorded to separate cards. 

Canon R5 CF Express
The R5 has two card slots, but one is reserved for the faster (and pricier) CF Express cards. Canon

The electronic viewfinder refreshes at 120 fps with a 5.76 million dot resolution for smooth, high-res previews. The DualPixel AF recognizes both human and animal faces so it can track them as you move—this is one of the main advantages mirrorless cameras have over DSLRs, and Canon promises to do it better than any of its previous models. 

The video modes are beastly as well. You can shoot 8K raw video at 30 fps or 4K at up to 120 fps. Those are serious numbers for a camera that’s technically made for consumers. With specs like that, you’d typically expect to use a true cinema camera with a cooling fan built in to manage all the heat. Those high-resolution modes provide the motivation for the CF Express slot since those memory cards can write fast enough to handle the absurd amounts of data involved with capturing 8K raw footage. 

Canon EOS R5
The R5 and R6 will work with RF-mount lenses or EF-mount lenses with an adapter. Canon

All of that power will cost you $3,899, which certainly isn’t cheap, but it makes sense in terms of its competition. Sony’s 61-megapixel A7r IV, for instance, costs $3,500, but offers a lower maximum ISO (32,000 compared to the Canon’s 51,200), slower maximum burst rate, and fewer high-res video options. 

There are a few drawbacks. All of that power and high-refresh-rate displays eat into battery life. The R5 uses a slightly redesigned battery pack that’s rated under 300 shots for a single charge. That’s not outlandish for a mirrorless camera, but it’s paltry compared to DSLR batteries that I’ve had go over 1,000 shots before crapping out. Still, it’s hard to imagine anyone but those who insist on the zero-lag performance of an optical viewfinder opting for a DSLR if the R5 delivers on its performance promises. 

The EOS R6

Canon EOS R6
The R6 is considerably cheaper than the R5, but lacks the high-res sensor and some of the more advanced video features. Canon

If you’re not looking to spend nearly $4,000 or you don’t need the very fancy video features found in the R5, canon has also announced the $2,500 R6. It uses a similar sensor and image processor package, but it only pumps out 20 megapixels worth of resolution. It still has dual card slots, though, they’re both UHS-II SD since the lack of 8K video doesn’t require bleeding edge read-and-write rates. 

While the R6 is more affordable than the R5, it doesn’t match up quite as well against its competition from other manufacturers. The Sony A7 III and even Nikon’s Z6 both provide similar performance for $2,000 and $1,800 respectively. 

Canon EOS R6
The R6 has a more familiar mode dial that doesn’t require a menu. Canon

In 2020, the 20-megapixel resolution seems slightly underpowered—most of its competition use a standard 24-megapixel chip. And while camera nerds may tell you that “megapixels don’t matter,” they’re wrong, at least to an extent. Extra image information gives shooters a lot more leeway when it comes to applying adjustments in post-production (like noise-reduction and sharpening) without degrading the final image quality. 

While we haven’t had a chance to check out an R5 in person yet, some reputable photographic outfits have and the initial results look extremely promising. Canon claims that the built-in image stabilization systems can provide up to eight stops of shake reduction. That’s a lofty claim, but initial reviews have all been extremely impressed with how steady it really is. 

Canon EOS R6
The R6 has two matching SD card slots. Canon

This higher-end segment of the camera market is crucially important to manufacturers at the moment because smartphone cameras can’t compete with this kind of device when it comes to pure image quality and performance. The 5D line of DSLRs has been an essential pillar helping to support Canon’s camera business for more than a decade and this seems like a very logical—and promising—spiritual successor. 

We’re looking forward to getting a full review online as soon as final production units are available.

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Panasonic’s new vlogging camera uses facial recognition tracking to isolate the sound of your voice https://www.popsci.com/story/technology/vlogging-cameras-panasonic-g100/ Thu, 25 Jun 2020 23:24:48 +0000 https://www.popsci.com/uncategorized/vlogging-cameras-panasonic-g100/
Panasonic G100
The flip-around screen is essential for seeing your face as you record. Panasonic

A flip-around screen and lots of image-stabilization want to help you film everything that happens in your life.

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Panasonic G100
The flip-around screen is essential for seeing your face as you record. Panasonic

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Production value matters when you’re on-camera. That became very apparent at the start of social distancing when we started going to fewer places and spending a lot more time in front of a webcam. Quality is especially crucial for influencers, aspiring YouTubers, and vloggers of any kind. Smartphones are simple, but they don’t offer the same overall image quality or that blurry background look that’s difficult to achieve on a smartphone’s tiny sensor. 

This week, Panasonic announced the G100. It costs $750 and is clearly aimed at those looking to get into the talk-into-the-camera influencer genre of content creation. One bundle even comes with a hand-grip that doubles as a mini-tripod for shooting walk-and-talk videos of yourself. 

Inside, it has a 20.3-megapizel sensor typical for Panasonic cameras. It’s Micro Four Thirds in size, which means it’s smaller than the APS-C and full-frame models found in other mirrorless cameras, but it’s considerably larger than the small sensor inside of a smartphone. 

When shooting in 4K, however, the camera can’t utilize the entire sensor. Instead, it shoots from a smaller cropped area in the center. This makes lenses appear more zoomed-in than they would if they were using the whole sensor. That’s inconvenient if you’re typically shooting at arm’s length because you need an even wider-than-normal lens to capture a typical field of view. This isn’t a uniquely Panasonic problem—Canon opts for cropped 4K on many of its DSLRs—but on a video-centric model like the G100, it’s curious. 

Panasonic G100
The G100 has interchangeable lenses in case you want to branch out in your shooting. Panasonic

Cropping in for video does offer some advantages when it comes to image stabilization. The active area on the sensor can actually move around in order to try to counteract camera shake. That’s not possible without extra real-estate around the edges of the frame. Still, the effect may not be pronounced enough to counteract the difference in view.

It also has a mini-HDMI out and headphone in ports, but it lacks a headphone-out jack, which makes it more difficult to monitor audio as you record. 

On the plus side, the G100 offers a new feature called Ozo audio, which uses facial recognition-based tracking in order to identify and isolate audio coming from a person talking in the frame. It showed up in Nokia phones before making its way to cameras. You can see a demo from Nokia below.

Right now is a fairly critical time for Panasonic’s camera offerings. The company has largely been focusing on its full-frame professional series cameras. At the same time, however, one of its main rivals, Olympus, just sold off its camera division leaving its future unclear. Panasonic could try to scoop up some of the Olympus marketshare in the Micro Four Thirds segment or keep moving toward its full-frame cameras.

If the concept of a vlogging camera seems familiar, you may have seen Sony’s ZV-1, which debuted just a few weeks ago. It doesn’t have interchangeable lenses like the G100. Instead, it relies on an attached zoom lens that makes it more like a compact camera than a mirrorless model. 

While you can’t switch the lens on the Sony, however, it does have a much larger relative aperture. Sony’s built-in zoom offers a roughly 24-70mm equivalent zoom with an f/1.8-f/2.8 aperture range. The included Panasonic lens has a roughly a 24-64mm zoom with a much slower f/3.5-5.6 aperture. So, the Panasonic gives you more options, but they’re going to cost you more than your initial investment. 

Like the Panasonic, the Sony also confusingly excludes a built-in headphone jack for monitoring audio while you shoot. 

Right now, the Canon EOS M50 is about the same price as both of these new vlogging-specific models. It comes with a pair of lenses, including a long zoom, which isn’t much use for YouTubers. But, it offers a larger APS-C sensor and Canon’s excellent Dual Pixel autofocus. 

Expect to see more cameras in this area coming down the line. Hopefully, one of them will eventually get a headphone jack.

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This video production kit is perfect for filming your own cooking show https://www.popsci.com/story/shop/food-video-production-gear/ Wed, 10 Jun 2020 17:07:22 +0000 https://www.popsci.com/uncategorized/food-video-production-gear/
camera in front of table of food
Bring your cooking to the small screen. Sander Dalhuisen via Unsplash

Camera, lighting, audio, and supports to film your food.

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camera in front of table of food
Bring your cooking to the small screen. Sander Dalhuisen via Unsplash

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Put together a video kit that can help you showcase your skill with a grill, your chopping chops, and your plating proficiency. This mid-tier kit can compete with much of what you’ll find on the better blogging sites and YouTube channels, but it still leaves room to grow with your production needs. We’re not going to lie: building a good video kit is an investment, but we tried to showcase equipment that saves money without skimping on quality. And finally, remember that producing great videos is like mastering a new recipe—it takes time, practice, and patience to learn how to do it right.

With all that in mind, what are the basics you’ll need in your kit? Obviously, you won’t get anywhere without a high-quality, but compact, camera. You’ll need a versatile tripod to hold it when shooting yourself and your food. Don’t forget lighting, because you can’t shoot what you can’t see. And if you plan on doing any narration, a good, external clip-on microphone is always recommended.

What’s more, this kit can be used for more than cooking shows—it works equally well for product videos or photography, for unboxing videos, or for shooting a book while remotely reading to kids at a library. Fast, flexible, and ready to go, with some practice you’ll have everything you need to deliver content that’s good enough to eat.

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The Canon 90D is a high-quality DSLR that shoots professional photos and videos using an APS-C—or Super35—sensor. It outputs footage in 4K at 23.98p, 25p, and 29.97p, or at full HD at those frame rates as well as 50p, 59.94p, 100p, and 119.88p for some nice slow-motion shots. Some people might call 4K overkill for a food-prep video, but the oversized resolution gives you the option of punching in for extreme close-ups during editing without losing image clarity. At only a little more than a pound, the D90 is compact enough that it won’t get in the way of your culinary efforts, and with its rotating 3-inch touch-screen, you can keep your eye on the shot while you’re chopping veggies. The 90D includes in-camera audio, but more importantly, it has a microphone input for improved sound if you want to use an external lavalier mic. The EF-S mount accommodates a variety of Canon or third-party lenses, making it your newest, most flexible kitchen tool.

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A camera’s no good without decent glass, and Canon’s 18-135mm zoom is both flexible and affordable. On an APS-C format camera like the D90, which uses a sensor with a crop factor of 1.6, the 18-135 still provides a wide-enough field of view to take in all the action, while being able to zoom in tight to get all the delectable details on your food. A variable aperture of 3.5-5.6 means this lens isn’t the fastest on the market, but this shouldn’t be a problem in a kitchen environment where you’ve got control over lighting. Most of the shooting will be done using a tripod, but in case you do want to go hand-held for quick tour through the kitchen, the 18-135 includes image stabilization to help reduce shakiness.

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When shooting cooking videos, you need to think about two shots: Overhead, to see the food, and horizontal, to see you working in your kitchen. Unless you have a cameraperson to help you out, this means sticking the camera on a tripod. A pair of Manfrotto 055 tripods can handle both tasks with ease. (Alternately, pair the 055 with the Glide Gear OH100 for overhead shots. See below.) The 055 features a center bar that can be positioned either vertically or horizontally, allowing you to position the camera exactly where it’s needed. The ball head is perfect for more careful, minute adjustments to framing. The aluminum legs extend a full 185cm, and the quick-lock mechanism makes adjustment fast and easy.

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Sometimes a tripod’s legs get in the way, especially when shooting overhead video. In those situations, the Glide Gear OH100 might make more sense. This sturdy aluminum H-style frame features mounting points along the center bar for a downward-facing camera, lights, or any other accessories you might need, and it’s easy enough to use clamps for anything else you might require. The frame holds the camera up to 27 inches above your work surface, and the wide, 34-inch design keeps the legs out of your shot. It only weighs eight pounds, and breaks down for easy storage.

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Whenever possible, natural light is a fantastic option for shooting video. For one thing, it’s free! It’s also soft and evenly balanced. But natural light isn’t always an option. Neewer Bi-Color 660 LED panels deliver bright light with color temperature that’s adjustable from 3200K (incandescent) to 5600K (daylight), making them easy to match with any existing lights in your kitchen. The lights are dimmable, and they can be plugged into a standard outlet or run using NPF-style batteries from Sony or third parties. LEDs run at lower temperatures than traditional bulbs, so these won’t add to the heat of the kitchen.

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A clip-on lavalier microphone is essential if you plan on recording yourself while moving around the kitchen. While these often require both a transmitter and a receiver—which plugs into the camera or an external recording device—the mic on the DR-10L plugs directly into a small recorder that clips to your belt or slips into a pocket. It’s a convenient, all-in-one, budget-minded solution by a company that’s been making professional microphones for decades. By recording audio separately, you also also free up your camera to record ambient sound—like the pop and sizzle of your sautéing food. The kit includes an omnidirectional mic that picks up audio from all directions, reducing inconsistencies when moving your head around while talking. A built-in limiter and auto-level functions help prevent clipping and noise issues, and a dual-recording function captures two files, one at a lower volume, to a micro-SD card just in case. The system runs for 10 hours on a single charge, and it takes in external power via USB for longer record times. The only catch to recording on the DR-10L is you’ll need to sync the audio when you’re editing, but this isn’t difficult if your camera is capturing a reference track. We think the DR-10L’s ease of use and reduced equipment make up for the minor inconvenience.

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If you’d prefer to run your audio directly into the camera, a batter-powered, wireless lavalier microphone, with a transmitter and separate receiver, is the way to go. The ATW-1710 can switch between multiple channels to avoid interference with other wireless devices, and features 24-bit/48kHz wireless operation for clear sound quality. The LCD display provides battery status, signal level, mute status, and channel selection for both the transmitter and receiver, and an additional 3.5mm output jack on the receiver allows you to plug in headphones to monitor your signal. The transmitters and receivers use convenient AA batteries, so you never have to run out of power on-set.

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Polaroid photos still work on old-school chemicals and engineering https://www.popsci.com/story/technology/how-a-polaroid-photo-works/ Sun, 31 May 2020 19:00:25 +0000 https://www.popsci.com/uncategorized/how-a-polaroid-photo-works/
polaroid
tk. Jonathon Kambouris

Don’t shake it, shake it, shake it, shake it.

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polaroid
tk. Jonathon Kambouris

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In the 1970s, Polaroid made instant photography irresistibly simple: Press one button to capture and print a cherished memory (or questionable decision). To this day, the Polaroid Originals company relies on the same dual-layer film, chemicals, and clever engineering as those early cameras did to develop each square. This is how shots come about—no shaking necessary.

  1. Press the shutter button to expose the top film square in an eight-count pack. A ­photo-­sensitive coating on the sheet’s bottom layer captures the image.
  2. Rollers squeeze open a pod of chemicals and disperse them ­between the film’s two layers as it ejects, developing the negative version of the picture.
  3. The resulting ­reaction activates dye on the negative and transports it to the clear surface on the top section of your print, producing the final image you see.

This story appeared in the Spring 2020, Origins issue of Popular Science.


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It just got a lot easier to convert your DSLR or mirrorless camera into a webcam for free https://www.popsci.com/story/technology/canon-sony-dslr-camera-webcam/ Sat, 30 May 2020 13:00:57 +0000 https://www.popsci.com/uncategorized/canon-sony-dslr-camera-webcam/
Canon webcam camera
Your Canon DSLR will outshine your webcam's picture quality. Canon

Canon, Sony, and now Fujifilm cameras can now really step-up your Zoom aesthetic.

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Canon webcam camera
Your Canon DSLR will outshine your webcam's picture quality. Canon

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Social distancing suddenly made webcams extremely important. People are flocking to video-chatting services and big tech companies like Facebook, Google, and Microsoft are providing users with an ever-increasing arsenal of options when it comes to face-to-face calling. Chances are, the webcam on your computer wasn’t ready for its new place in the spotlight. Many built-in computer webcams are still relatively low-resolution with lackluster lenses that make you look equal parts grainy and smeary when you’re trying to interact with your friends, family, and coworkers. Now, however, people with higher-end Canon, Sony, and Fujifilm DSLRs and mirrorless cameras can use their upgraded gear to get clearer picture during streams and recording sessions.

Back in April, demand crushed the market for external webcams. Affordable models from recognizable brands dried up on store shelves and websites, only to quickly reappear days—or even hours later—for hugely inflated prices. As The Verge reported back then, the Logitech HD Webcam C270, which usually costs just $24.99 retail, was selling for up to $130. Even now, that same model still hovers around $60, with many listings still demanding a cool $100. Using the fancy camera you already have can help you avoid the hunt and expenditure.

For Canon users

https://youtu.be/msJAkr3FsUM/

At the end of April, Canon announced a new software update for some of its most popular cameras that allows them to tether directly to a Windows 10 computer and act like a humble webcam. Just this week, however, the company expanded that compatibility to include Mac computers. Making it work requires the Canon EOS Utility software that many users often skip for typical photo editing duties for more robust third-party solutions like Adobe’s Lightroom or CaptureOne.

The software is only a beta release, but I tried turning my 1D X Mark II into one of the world’s fanciest webcams and it worked as advertised. I also tried it with a 5D Mark III and it seemed to work just the same even though it’s not on the official list of supported models.

Canon camera webcam list.
Approved Canon cameras for streaming. Canon

If you’re going to attempt it, make sure your camera has the most recent version of its firmware installed and you’re using the beta version of the EOS utility. It’s also important to note that this only works for people in the United States, at least for the moment.

You can also make it work using an extra piece of hardware called a capture card, which pulls a signal from the camera into the computer via HDMI. Unfortunately, most of the good options will cost you more than a webcam anyway if you can even find them in stock. The Elgato Cam Link 4K, for instance, will set you back $130, but it’s frequently sold out. You can get higher-end models, like the one from Black Magic, but those are designed more for production environments and cost considerably more.

For Sony users

The path to showing up the rest of your friends in video chat isn’t quite as straightforward for Sony cameras as it is with Canon’s new software update, but you can still do it for free. If you have a Sony A-series camera, Windows users can download the suite of Sony imaging software. In that grouping, there’s an app called Remote that allows you to control the camera with your PC.

That app provides a live feed from the camera itself so you can see what’s happing. Using a free piece of software called Open Broadcaster Software Studio (OBS Studio), you can stream out the part of your screen occupied by the live view of the camera. OBS isn’t the simplest program to use and I’ve crashed it a few times trying it, but it will work.

For Fujifilm cameras

Earlier this week, Fujifilm announced a new app called Fujifilm X Webcam. It only works on Windows machines for the moment, but it will make many of the company’s higher-end mirrorless cameras work for your video chatting needs. Some of the cheaper and older models aren’t supported, but those models also typically don’t support tethered capture, which involves shooting photos that upload directly into a computer via a USB cord.

The app even works with Fujifilm’s super-high-end GFX cameras, which have medium-format sensors even larger than those found in pro-grade DSLRs. I tried it with my X-T2 and it worked well. I had to stop and restart the app because the video lagged some on one occasion, but it otherwise seemed like a fairly smooth experience.

Troubleshooting

In the process of trying these out, I ran into a few issues that you might find as well.

With the Sony camera, leaving autofocus on made the camera frequently shift focus around the frame (this is called “hunting” in photography parlance). Keeping the camera in manual focus mode will help avoid this.

I also found that with my A7R, I had to keep the camera in manual mode instead of movie mode in order to get it to show up correctly, which is unintuitive.

Lastly, not every USB cable I attached seemed to work, likely because of power and data transfer issues, so if you can’t get it to show up, try another cable before you pull your hair out.

Once the camera is all set up, make sure to check out some lighting tips for looking your best, because no amount of fancy gear will save you from lousy illumination.

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Sony tried to build the perfect camera for YouTubers https://www.popsci.com/story/technology/sony-zv-1-vlogging-youtube-camera/ Wed, 27 May 2020 18:34:57 +0000 https://www.popsci.com/uncategorized/sony-zv-1-vlogging-youtube-camera/
Sony ZV-1 with microphone.
The puff on top prevents wind noise from hitting the microphones. It's typically called a "dead cat.". Sony

Special focus and exposure modes help ensure your success as a budding influencer.

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Sony ZV-1 with microphone.
The puff on top prevents wind noise from hitting the microphones. It's typically called a "dead cat.". Sony

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There’s a decent chance your favorite vlogger or YouTuber uses a Sony camera. The company has captured a considerable chunk of the influencer market with cameras like its compact RX-100 and the A6600 with its interchangeable-lens. The cameras are small, relatively simple to operate, and pump out high enough image quality to differentiate themselves from the mostly adequate footage you get from a smartphone camera.

This week, Sony is launching a new camera aimed specifically at YouTubers. The ZV-1 looks a lot like the compact RX-100, which is about the size of a bar of soap and has a built-in zoom lens that you can’t swap out. If you’re familiar with camera terminology, it offers the same zoom range you’d get out of a 24-70mm lens on a full-frame camera. That puts it slightly wider than the typical smartphone camera when zoomed out, but not as wide as the ultra-wide cameras found on smartphones like the iPhone 11 Pro.

To make it more appealing for bloggers, however, the lens has a wide aperture (f/1.8-f/2.8), which, combined with its relatively large sensor, combine to make naturally blurry backgrounds without having to fake them with a software-based “portrait mode.” In fact, Sony has included a new mode in the ZV-1 that prioritizes background blur. It does this by adjusting exposure and adding a neutral density filter to block some light coming in to ensure backgrounds stay nice and blurry, even in bright settings where a large aperture typically wouldn’t work.

There are other software tweaks onboard to make the ZV-1 more appealing to YouTubers. The new Face Priority AE mode locks the exposure on a person’s face, so it’s always correctly lit regardless of the surroundings. That’s particularly handy if you’re trying to walk and talk to a camera under varying conditions. Often, if too much bright sky gets into the scene, the camera’s meter will try to prevent it from blowing out and will then underexpose the subject’s face. That’s no longer an issue.

https://youtu.be/qfOelymd0QI//

From a hardware standpoint, the ZV-1 employs a simplified button layout that’s easier to navigate when you’re not looking at the back or top of the camera. A large video record button sits directly behind the typical shutter button, both of which are easy to press without looking. There’s now a red light on the front that indicates when it’s recording without having to look at the screen.

The display itself fully articulates, so you can swing it around to the front and watch what you’re doing as you record yourself. It’s a touchscreen, so you can tap to focus.

As for image quality, the 20-megapixel sensor captures 4K footage at up to 30 fps and 960 fps slow-motion footage at reduced resolution. That’s not shattering any specification ceilings, but that’s also not the point of the camera.

Audio recording options include a built-in mic with three capsules that prioritize forward-facing audio to capture someone speaking into the camera. If you want to go beyond the built-in mics—and you probably will if you’re looking for maximum production quality—the ZV-1 offers a standard 3.5mm mic jack as well as Sony’s own Multi Interface Shoe that interfaces with its own digital microphones. Oddly, however, there’s no headphone jack onboard, which is a common tool for video makers who want to check their audio output before recording.

Because shaky video is horrible to watch, Sony has bolstered its image stabilization efforts, which now utilize both optical stabilization (the glass in the lens moves to counteract camera shake), and digital (which uses software to make things look steady). In reality, serious video shooters will still almost certainly want to use an external solution like a gimbal to smooth out their footage.

https://youtu.be/MSkN-jME6mM//

Beyond the hard stats, a few nice touches round out the ZV-1’s vlog-specific feature set. The new Product Showcase mode lets a creator lock focus on a product they want to show off and prevents the camera from getting distracted by moving objects in the frame, or even faces that come into view. That’s very handy if you’re trying to show off a new gadget. A grip on the camera now makes it easier to hold than the RX-100, which felt slightly precarious to hold in some situations. The body also now incorporates more composite materials to improve heat management. Recording video can make a camera seriously warm—especially small cameras without a lot of heat management.

The camera will start hitting store shelves in June with an introductory price of $749. In July, the price jumps up to $799.

The vlogging camera market has been slowly growing in recent years. DJI’s Osmo Pocket camera shoots 4K video at 60 fps with a full-on mechanical gimbal stabilizer for around $300. Its much smaller sensor, however, doesn’t enable the same kind of image quality and naturally blurry backgrounds the ZV-1 can offer.

GoPros have been gaining in popularity for vlogging since the company announced its extremely effective HyperSmooth image stabilization system. The GoPro’s super-wide-angle lens and slightly awkward menu navigation make it less convenient, even if it’s considerably cheaper than the ZV-1.

In the future, expect to see more cameras adding features like this for vlogging to try and entice influencers into camera systems. After all, there are lots of new sneakers to show off and reaction videos to film.

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The OnePlus 8 Pro smartphone’s infrared camera is accidentally creepy https://www.popsci.com/story/technology/oneplus-smartphone-infrared-camera-see-through/ Sat, 16 May 2020 19:00:16 +0000 https://www.popsci.com/uncategorized/oneplus-smartphone-infrared-camera-see-through/
OnePlus Cameras
The OnePlus website offers this see-through view of the actual 8 Pro camera modules. OnePlus

The phenomenon has been around for decades, but now it has shown up in smartphones.

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OnePlus Cameras
The OnePlus website offers this see-through view of the actual 8 Pro camera modules. OnePlus

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When OnePlus announced its 8 Pro smartphone, it included details about a curious camera that it calls the Color Filter camera. In reality, it’s an infrared (IR) camera that can pick up a part of the spectrum that your eye—and most commercial digital cameras—can’t. This gives the photos a unique, if slightly odd, look, especially after the phone has added some processing to it. Under normal circumstances, the resulting images look different and unique. Under some circumstances, however, an infrared camera will give you a glimpse of whatever happens to be under a layer of material.

As a result, some users have been able to use the camera’s IR mode to look through thin layers of plastic or even thin clothing that’s otherwise opaque.

That sounds more scandalous than it really is. If you’re expecting to pick one of these up and go around using it like a pair of X-ray specs ordered from the back of a comic book, you’ll be terribly disappointed. What you’ll get from the 8 Pro is a mostly gray-scale look through some thin, dark plastic surfaces or a blurry view at what’s in someone’s pockets.

This isn’t the first time something like this has happened. In 1998, Sony launched a Handycam—a bread-and-butter device for the company back then—with a special night vision function. Like the OnePlus camera, Sony’s lens could effectively see through thin, dark materials, including clothing. Many modern cameras with night vision tech baked in, like handicams and security cameras, can also do it.

Even in more modern cameras, turning on infrared night vision doesn’t work very well in daylight unless you have some extra equipment. The image typically washes out too brightly to see anything. However, putting an IR filter over the camera lens (or over the sensor, as camcorders did) enables the see-through effect by blocking the visible light that bombards the sensor and letting the infrared waves come through.

IR filters have been around for decades: Infrared film like Kodak Aerochrome was once a relatively common tool for photographers looking to shake up their images. In fact, they used the same basic technology we have now to prevent blowing out their film.

OnePlus hasn’t issued a statement yet about whether or not it plans to address the current issue, but the fact that the Color Filter has relatively low resolution and that cameras have been hacked for see-through photography for decades means this issue probably won’t turn into a massive scandal.

OnePlus’s bionic vision wasn’t the only big story happening in the tech world this week. Here’s a rundown of some of the other stories you may have missed.

Facebook bought Giphy

If you’re a fan of moving pictures that allow you to express your emotions, viewpoints, and love of The Office, then Facebook is now basically your daddy. Mark Zuckerberg and company dropped $400 million to buy Giphy, which means it will eventually get tighter integration into the company’s apps such as Instagram and Messenger.

HBO subscribers will soon be able to watch content with friends from afar

It’s going to be a while until you can get together with friends and watch movies and TV together like we did in the old days before social distancing. So, HBO is teaming up with a service called Scener to allow groups of people to watch content simultaneously while interacting via video chat. Up to 20 people can watch at a time, which sounds like it could be really fun for some content types and terrible for others. Nothing enhances the ambiance of prestige TV like the soothing sounds of your pal’s crying baby.

Dell brought back the 17-inch XPS laptop

There hasn’t been a 17-inch display in the Dell XPS laptop lineup for nearly a decade—but now the company is finally bringing it back. Dell claims it’s the smallest 17-inch laptop on the market, and that it rings in smaller than many 15-inch models, too. Big-display enthusiasts and those of us with very large laps are excited about the return.

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Add a macro lens to your phone for hours of cheap entertainment https://www.popsci.com/story/technology/smartphone-macro-camera-lens/ Tue, 05 May 2020 22:47:27 +0000 https://www.popsci.com/uncategorized/smartphone-macro-camera-lens/
Smartphone macro photo
With some practice, you'll start to notice things that will look cool under the lens. Stan Horaczek

Getting up close to everyday objects can produce some truly fascinating photos.

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Smartphone macro photo
With some practice, you'll start to notice things that will look cool under the lens. Stan Horaczek

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Your smartphone camera is more capable than ever of capturing amazing pictures, but getting out to shoot anything epic—or even interesting, really—can be tough during social distancing. Adding a macro lens to your smartphone, however, will let you see boring objects around your house and in a new way that your eyeballs can’t perceive on their own. That’s because a macro lens makes little things appear bigger.

Even modern smartphones with all of their processing power and meticulously molded lenses can’t effectively replace a true macro lens add-on. Luckily, there are lots to choose from and they span a range of magnification, image quality, and price. Here are some tips for picking the right accessory and then getting the best shots once it’s up and running.

Choose the right macro lens

Macro lens attachments are typically ranked by magnification—the higher the number, the closer your subject will appear when you take the photo. Most models online fall between 10x and 25x, with the bulk of them checking in at 15x. While it can be tempting to just go for the most magnification, it really depends on what you want to do. High magnification will get you a truly unique view of a subject, but it will also get so close that you’ll lose any real sense of context for your picture. That’s great, though, if you like texture and really abstract images.

Smartphone macro photo
This detail of a tiny leaf is the kind of thing that makes for a good abstract photo. Stan Horaczek

At the wider end of the spectrum, like 10x, you won’t get as close, but it’s easier to focus and gives you more leeway in terms of composing a shot.

A cheap-ish 15x lens is a good place to start and then you can decide whether you want to get closer or back off a little.

When it comes to quality, some lenses come in under $20, but you should expect some image-quality issues to go along with that cheap price. They typically lack coatings that fight reflections and flare and that can cause weird artifacts in your photos, a soft focus, or distortion around the edges of the picture.

My personal favorite is the Moment 10x because it allows me to get a little more creative with my compositions, and the high-quality glass is sharp and renders colors nicely. It’s on the pricier side, however, at $100 (and that’s before you add a compatible case).

Smartphone macro photo
You can pick out individual grains of dirt in this photo taken at just 10x magnification. Stan Horaczek

Be curious about your subjects

With macro photography, texture is your friend. Getting up close to surfaces like plants, rough stones, wood, foods, or whatever will often show you details you never knew existed. The discovery is part of the fun, so try everyday objects and other weird things you may find around the house. Even if something looks boring on the surface, a macro might make it cool.

Steady your hands or even get a tripod

Smartphone macro photo
You’ll get many soft or blurry images as you attempt to get the shot, but sometimes the dreamy nature can work depending on the subject. Stan Horaczek

We don’t typically have to worry much about focusing with our smartphone cameras—the wide-angle lenses and tiny imaging sensors typically make most of a scene look nice and sharp. That’s not the case with macro, however. The closer you get to a subject, the smaller the area of focus will appear. So, while taking a normal picture of a flower with your phone may get the whole thing in focus, a macro shot will likely only give you a sliver of it—anything in front of or behind that spot will fade into blur.

Traditional camera lenses can help combat this by using a smaller aperture to get greater depth of field, but smartphone cameras don’t have that option.

Because the macro lenses are pre-focused at a single point, you have to move the entire phone in order to get your desired subject in focus. If you’re shooting an object on a flat surface, like a table, try resting your hands on the surface to keep them steady. When you move to focus, try to maneuver slowly and steadily.

Smartphone macro photo
The detail on these saw marks in a piece of wood would make for a great smartphone background. Stan Horaczek

Many smartphone macro lenses will come with a translucent hood that goes around the lens itself. The hood typically indicates the ideal focusing distance for the lens, so you can rest something flat on the table, then use the hood to hold it stable and at the right distance by allowing the edge of the hood to contact the table. Because it’s translucent, it won’t block light hitting the object.

Take a lot of photos

You’re going to make mistakes and get bad shots when you’re learning—and even after you’re good at it, really. Taking a lot of photos can make the difference between coming away with a keeper and ending up with a bunch of shots that are almost good.

Smartphone macro photo
Objects in front of and behind your focus will appear very blurry. Stan Horaczek

Try holding down the button to take multiple photos rather than tapping it for each exposure. Every time you tap the button—no matter how deft your movements—the camera will move a little and it could be enough to throw things out of focus.

It can be hard, in the moment, to really see the finished photo, so having the ability to go back and compare different shots and angles will give you options you’ll be glad to have.

Try video

https://www.youtube.com/watch?v=j7-NZVbuERI&feature=youtu.be//

You can’t really shoot normal video of your friends or an event with your macro lens because it can only focus extremely close. That does, however, open up some interesting opportunities for video and small objects. Start some distance away from the object and it’ll appear blurry. As you get closer, it will sharpen until it’s clear. Smartphone cameras can’t typically produce nice-looking blur like this without some computational help, so the effect looks impressive.

Edit and crop your photos

Smartphone macro photo
The detail on these saw marks in a piece of wood would make for a great smartphone background. Stan Horaczek

Once you’ve shot your images, don’t be afraid to crop and edit them. The middle part of the lens is always the sharpest—objects at the edges typically get blurry or distorted due to the nature of the glass itself. This is especially true for cheaper glass.

Even when you’re shooting, find the thing in the frame that’s the most important detail and ensure that it’s sharp. You can always crop around it later, even if there are distracting or ugly elements in the full picture.

Smartphone macro photo
I didn’t even notice the tiny spider in this photo before I shot it. I certainly wouldn’t have noticed it with my naked eye. Stan Horaczek

Editing in an app to add contrast or color correction also comes in handy since lens flare or other effects may sap some of the contrast and hue accuracy out of your finished picture. Advanced apps like Lightroom give you more options, but they have a learning curve and cost money. Snapseed is a great option with robust features for no fee.

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Four disposable cameras to capture your favorite moments https://www.popsci.com/story/shop/disposable-cameras/ Mon, 06 Apr 2020 02:20:59 +0000 https://www.popsci.com/uncategorized/disposable-cameras/
person with disposable camera
Every picture is a surprise. Alberico Bartoccini via Unsplash

Cameras that will give you a ’90s vibe and memories you can hold.

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person with disposable camera
Every picture is a surprise. Alberico Bartoccini via Unsplash

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You don’t need a fancy camera to capture amazing memories. These disposable cameras are going to be a great way to take pictures wherever you go. Lightweight and easy to use, these cameras are going to give you some creative keepsakes to share, send, or save in a photo album for a rainy day. Not only will you feel a sense of nostalgia receiving your developed pictures, but you’ll also be able to enjoy the surprise and simplicity of the final print. You won’t regret going with a single-use camera when you see that picture of your mom, best friend, or pet surprised by the flash. The cameras we’ve listed here will give you unique options for taking pictures in any scene with any style.

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The Kodak single-use camera is undoubtedly a classic. The Funsaver operates at a higher speed than many of its competitors; pre-loaded with 800 speed-film (as opposed to the often seen 400 speed) to guarantee a clear capture for all 27 photos. The shutter is super responsive and makes a great sound, which means you will never be left wondering if you got the shot. This camera is great for capturing outdoor landscapes in natural light; perfect for a beach vacation, camping trip, or local park adventure. Don’t worry, it does come with flash so you can still get some great pics at night. This camera is also good for the environment. Kodak’s environment initiative has led to more than 70 percent of their cameras being recycled in the United States.

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This camera is going to be the one for you if you plan on jumping in the water. It has an incredibly sturdy build that will keep your photos protected in up to 35 feet of ocean, lake, river, or pool. It works great above the waterline too. Just like the Kodak, this camera works best outdoors and on sunny days, but unlike the Kodak, make sure you leave it at home during your night swim because it does not have flash. It comes loaded with Superia X-TRA 800 film for 27 pictures and has a convenient rubber wrist strap to keep it securely in the hands of kids and adults alike. Grab your beach bag and don’t forget to toss in your Fujifilm camera, just in case you see a stingray.

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Really lean into a vintage vibe with a black and white disposable camera. There are surprisingly a large number of options for a b&w single-use camera, but we have gone with the Ilford XP2. This camera will give you great contrast and tone on all your retro images. It works stunningly well in daylight conditions so you can feel confident shooting architecture, landscapes, and any other fanciful vacation finds. This camera does come with flash so you can feel free to experiment on an overcast day or in the dark of the night. The overall image quality is consistent and bright so you can feel free to be bold with black and white.

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If you are looking to get a little wild with your photography then this Lomography camera is the right choice for you. This camera can be a little tough to track down, but there are a few places that still carry it. Technically, you can reload this camera with any 35mm film, but it follows all the rules of other single-use cameras so we felt it was okay to bend the rules, just this once. The Lomochrome is quite simply the camera you can have the most fun with. It comes loaded with 36 exposures (almost 10 extra pictures). There is a built-in flash and it can shoot subjects as close as 3.3-feet away. The Lomochrome camera is going to give you the perfect way to preserve some party pics.

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Hands-on with the Polaroid Now instant film camera https://www.popsci.com/story/technology/hands-on-with-polaroid-now-instant-film-camera/ Sat, 04 Apr 2020 13:05:41 +0000 https://www.popsci.com/uncategorized/hands-on-with-polaroid-now-instant-film-camera/
Polaroid instant camera, Polaroid Now.
Meet the newest Polaroid instant camera, Polaroid Now. Polaroid

Polaroid Originals is Polaroid again.

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Polaroid instant camera, Polaroid Now.
Meet the newest Polaroid instant camera, Polaroid Now. Polaroid

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Polaroid Originals reverting back to its classic name: Polaroid. To celebrate, the company has announced its new Polaroid Now instant film camera. It’s an autofocus body that shoots both i-Type and 600 film. For a limited time the new camera will be available in red, orange, yellow, green, and blue alongside the classic black and white bodies. The camera is available starting today for $100.

Orange cat and a yellow guitar.
Orange cat and a yellow guitar. Jeanette D Moses

Compared to the Polaroid OneStep and the OneStep+ the Polaroid Now is slightly smaller, has a less boxy shape and fewer buttons. The lens on the camera automatically switches between portrait and distance modes and there is only one flash mode.

Shooting with the Polaroid Now involves a simple, familiar process: Load it with film, turn it on, and fire away. During our time with the camera we found that the new auto flash and lens combo did a good job in both indoor and outdoor situations. Our sample images were consistently well exposed and more or less in focus—especially important when you consider the pricier i-Type and 600 Polaroid film that the camera takes.

Post it notes and rainbow flag
Shooting with the Polaroid Now is fun, even in these socially distant times. Jeanette D Moses

In addition to the new camera Polaroid is also launching a special edition instant film called Color Wave that will have colored frames and introducing Black Frame Editions as a permanent fixture. Both films are available starting today for $17 a pack.

Friends in their house photographed from a very safe distance.
Friends in their house photographed from a very safe distance. Jeanette D Moses
Empty streets in Ridgewood, Queens.
Empty streets in Ridgewood, Queens. Jeanette D Moses

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You can now buy this 25-pound fisheye camera lens that can see behind itself https://www.popsci.com/widest-fisheye-lens/ Fri, 13 Mar 2020 20:01:20 +0000 https://www.popsci.com/uncategorized/widest-fisheye-lens/
Cameras photo

It has a 270 degree field of view and will cost you a cool $39,000.

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Cameras photo

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LensRentals Fisheye
The flying saucer lens is a serious piece of glass. C-4 Precision Optics

Lenses don’t have to be complicated. In fact, you can punch a pinhole in an old oatmeal canister, add some film on the other side, and start making pictures. Once glass gets involved, however, camera lenses can achieve some truly amazing feats of refraction. Need proof? Look no further than the massive chunk of optics pictured above.

The C-4 Optics 4.9mm f/3.5 circular fisheye is unlike anything currently on the market. It’s a fisheye lens that creates a circular image on a typical full-frame image sensor, which is the same size as a frame of 35mm film. The lens has a 270 degree field of view, which means it can literally see behind itself. It’s not up for sale on Lens Authority for $39,000.

“We set it on a stool in the workshop facing upwards and you could see the whole room,” says Roger Cicala, one of the world’s foremost experts on lens testing and founder of Lensrentals.com. “You can even see the floor.”

Circular fisheye lens.
Out of the camera, the circular images have black edges because the image area doesn’t cover the entire camera sensor. Lens Authority

The circular fisheye means the image will appear in the center of the frame as a circle with black corners. Software can unpack the images into a view that VR headsets like the Oculus Rift can understand.

That kind of field of view is typical for virtual reality, and shooters usually achieve it with an array of cameras that simultaneously capture footage in different directions while software stitches it all together. This ultra-wide lens, however, pulls enough information onto a typical camera sensor that software can expand it into a VR scene.

Unpacked fisheye image.
Software can unpack the image into a flat plane to show an entire room. Lens Authority

“The weather service is interested in using something like this to capture a scene all the way around,” says Cicala. He also says they’ve considered hanging it from the rafters of sports games to show off the entire scene during critical game moments.

Optical inspiration

Cicala and optical designer Brian Caldwell started C-4 Precision Optics back in 2015 with a blog post on April 1st. People thought it was an April Fool’s Day joke because of the date, but also because of the preposterous lenses the piece proposed. One lens codenamed “flying saucer” laid out the initial design and idea for the 4.9mm fisheye.

The lens drew inspiration from the iconic 6mm Nikon fisheye lens that has a 220-degree field of view and commands a price well over $100,000 at auction. No one knows for sure how many 6mm Nikons there were because the company only built them to order starting in 1972. The lens is rare and served a specific purpose, but its extreme design made it flawed. It suffered from serious lens flare, which manifests as bright artifacts in the image and reduced contrast across the frame. The effect is typically more pronounced when light hits near the edge of the lens, and fisheye lenses with rounded front elements are almost all edge.

Cicala and Caldwell, his business partner, set out to make a lens that was even wider, while increasing its ability to resolve detail and combat distortion.

Ahead of the curve

Fisheye lens design
The lens diagram shows the structure of the lens. C-4 Precision Optics

According to Cicala, the most difficult part of making the lens from a manufacturing perspective is the massive piece of glass—typically referred to as an element—on the front of the lens itself. The piece of curved glass alone weighs in around a 2.2 pounds and needs to be completely free of flaws. “It was hard to find a glass lens manufacturer who thought they could do this. It wasn’t just the making of the glass that was hard, but it’s out of the curves of a normal coating machine,” says Cicala. “We have four front elements for our prototypes. They had to cast 10 or 12 just to get those four.”

The bulbous piece also caused problems in other parts of the manufacturing process. For instances, its shape put it outside the typical tolerances allowed for applying anti-reflection and protective coatings to typical lens elements, which means machines needed adjusting.

Even the lens cap was a challenge to engineer. “We made a mock-up of the cap and the first time we put it on a mockup of the lens and it wouldn’t come off. It’s so huge that the air leak as you push it in put quite a seal on it,” says Cicala. “We ended up having to drill a little hole in the cap to get it off so we had to redesign the cap with vents.”

Caging the beast

Lensrentals fisheye
That’s a big lens. C-4 Precision Optics

Because the lens is so massive, it needs its own support structure, which the company built from custom manufacturer parts. The back of the lens is a piece of metal referred to in the industry as a “cheese plate” that allows shooters to mount accessories typical for shooting high-end video. The camera sites between the plate and the lens itself, so the legs extend to allow different cameras to fit inside.

Resolution

In order to capture light from behind the lens on a flat sensor, the lens does some extreme refracting when it comes to the light it takes in. But, despite its complex methods for capturing light, Cicala says the lens could theoretically capture footage at up to 14k resolution. While he’s skeptical the lens can pull of such a feat in real life, he does say the lens will have more than enough resolving power for 8K capture.

What’s next?

C-4 doesn’t expect many folks to outright buy one of these lenses, especially since the price tag be in the neighborhood of a well-equipped family sedan, but that’s not uncommon for high-end cinema or TV production lenses.

Cicala says that C-4 has some of its other outrageous lenses designed, but it’s a matter of turning them into reality. He says the 150mm f/1.0 could be the next on the docket. For those unfamiliar with lens nomenclature, that’s a telephoto lens that lets in much more light through a larger aperture. The resulting images would have profoundly blurred backgrounds with only a very small sliver of an image in focus. If you had a person against a background of some trees, for instance, only a portion of the person’s face would appear in focus.

“It would look like a scaled-up version of a normal lens,” says Cicala. “The front element is 9 inches in diameter, though.”

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Choose the right lens for your camera and photography needs https://www.popsci.com/story/diy/camera-lens-buying-guide/ Thu, 27 Feb 2020 02:30:57 +0000 https://www.popsci.com/uncategorized/camera-lens-buying-guide/
Camera lenses on table
Yes, these won't fit in your back pocket, but no smartphone will be able to take photos like a camera with the right lens. ShareGrid via Unsplash

First tip: No one lens can rule them all.

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Camera lenses on table
Yes, these won't fit in your back pocket, but no smartphone will be able to take photos like a camera with the right lens. ShareGrid via Unsplash

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One of the best things about DSLR and mirrorless cameras (and their main advantage over your smartphone) is their ability to be specific. While taking photos with a device you carry around in your pocket all day is easy, shooting with a dedicated camera gives you many more options to tweak depending on what you’re shooting. This is exactly why having an all-in-one lens that works perfectly for every photo, in every situation, just isn’t possible.

But lenses are not cheap, so figuring out which one to buy can be a challenge—the amount of choices out there can be overwhelming, and the specs sometimes include concepts that novices don’t fully understand.

Still, it doesn’t need to be hard. It’s only a matter of assessing what you need, working out what you can afford, and making sure that the lens you choose actually fits your camera.

Figure out what you need

The two biggest things you’ll have to consider when looking for a new lens are what you already have and what photos you want to take.

If you have a DSLR or mirrorless camera, you almost certainly also have the kit lens that came with it. For most cameras, this is a zoom lens with a focal length of somewhere between 18 and 50 mm. Because they are on the cheapest end of the spectrum and come bundled with cameras, kit lenses get some flack, but they actually cover a useful focal range. Specifically, they do a great job for holiday snaps, group family photos, landscapes, and street photography.

There are a few areas kit lenses fall down, though. For headshots and solo portraits, the maximum aperture isn’t wide enough to get that nice, shallow depth of field look, and the longest focal length of about 50 mm doesn’t provide much more zoom than your un-enhanced eyes. This means that if you’ve used your kit lens to shoot classic-looking portraits or shots where you want to zoom in close, like wildlife or sports photos, you probably haven’t been happy with the results.

There is no point in buying a lens that’s too similar to what you already own, so unless you shoot a lot of landscapes and want to upgrade to something even wider, your kit lens is already doing a fine job. Instead, you need to work out which of the weaknesses in your current setup you want to patch up.

The best portrait lenses are in the 50 to 100 mm focal range and have a maximum aperture of somewhere between f/1.2 and f/2.0—f/1.8 is a popular option. At those focal lengths and apertures, there isn’t much distortion, and if there is, it’ll most likely flatter your subject. This is why this kind of lens is perfect for getting that classic, blurry background portrait effect. If portraits are your thing, the 50 mm f/1.8—which almost all camera manufacturers make—is a great idea: they’re normally cheap and check all the boxes for this kind of photo.

For sports, wildlife, and, really, any shot that requires seeing far away stuff up close, the higher the focal length, the better. You’ll see a noticeable telephoto effect at around 70 mm and you’ll only get more magnification from there. Most affordable telephoto lenses are zoom lenses that cover a wide focal range, going from somewhere around 70 mm to either 200 or 300 mm.

Consider your budget

Hand throwing camera lens in the air
“Don’t you dare…” * gasps * Jakob Owens via Unsplash

Lenses aren’t cheap. Professional photographers spend at least as much money on them as they do on the camera itself. When you’re buying a new lens, you need to carefully consider what you can afford.

All the major manufacturers offer a range of similar lenses at different price points. For example, Canon has three 50 mm DSLR lenses: a 50 mm f/1.8 ($125), a 50 mm f/1.4 ($349), and a 50 mm f/1.2 ($1,200). Most people will be totally fine with the cheapest option—the increased build and image quality, as well as the wider maximum aperture, only really matter to professionals or amateurs for whom price is no object. Similarly, there are dozens of different telephoto lenses available for Canon, Nikon, and Sony cameras, at a wide range of prices.

Now, that’s not to say it’s always a good idea to go with the cheapest lens—there are serious trade-offs when you just shop by price:

  • Cheaper lenses have worse build quality and more plastic parts. They just can’t take as much of a beating.
  • Expensive lenses often have weather sealing and are more resistant to dust, dirt, and water.
  • Cheaper lenses generally have inferior optics and slower focussing, which is why their images are less-sharp than more expensive ones.
  • Cheaper lenses have narrower maximum apertures and possibly a maximum aperture that changes through the zoom range. This will make it harder to shoot fast-moving things or anything in low light, at night, or while using a telephoto without a tripod.
  • More expensive lenses can have a longer maximum focal length (although this isn’t always the case).

When it comes to buying a new lens, you’ll need to balance what you’re prepared to pay with the trade-offs. In an ideal world, you’d have thousands of dollars to buy the top lens in each category. But if you’re reading this article, you probably don’t.

Buy the right lens for you

Cameras and photolenses spread on the floor
Nikon lenses for Nikon cameras. When it comes to photo gear, it’s best to keep things in the family. chuttersnap via Unsplash

Different cameras take different lenses so make sure you buy a lens that’s compatible with your setup. For example, if you have a DSLR, buy a lens specifically made for your DSLR camera. It’s not only about type, but brand too—a Nikon lens just won’t fit your Canon camera.

If you’re buying a lens from a third-party manufacturer, like Sigma or Tamron, you’ll need to be particularly careful when it comes to mount, since they make their lenses in different versions for each of the large brands (Canon, Nikon, and Sony).

Once you’ve decided what kind of lens you’re looking for and how much you’re prepared to spend, you can start digging into the lenses available. For mature systems like Canon and Nikon’s DSLR cameras, there might be 10 or 15 potential alternatives, though not all in your price bracket. For newer systems, like all the mirrorless cameras, you will have fewer choices, and perhaps only one appropriate option. Stick to your buying criteria and you’ll find the one that’s best for your needs.

As long as they’re well-treated, lenses will work for years and hold their value well. This means that if you bought a lens that didn’t turn out like you wanted, you can usually sell it with little loss, or you can save a bit of money buying second-hand. If a lens you want is out of your price range, consider looking at used options in a local camera shop or reputable online store like B&H. If it comes with a warranty, it’s probably a safe bet.

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First shots with Fujifilm’s X-T4 Mirrorless camera https://www.popsci.com/story/technology/fujifilm-xt4-sample-photos/ Wed, 26 Feb 2020 18:00:37 +0000 https://www.popsci.com/uncategorized/fujifilm-xt4-sample-photos/
Fujifilm X-T4 sample
The Fujifilm X-T4 is X-built around a trans CMOS 4 sensor and X-Processor 4 for fast AF and a wide dynamic range. Jeanette D. Moses

First impressions and sample images from the highly-anticipated X-T4.

The post First shots with Fujifilm’s X-T4 Mirrorless camera appeared first on Popular Science.

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Fujifilm X-T4 sample
The Fujifilm X-T4 is X-built around a trans CMOS 4 sensor and X-Processor 4 for fast AF and a wide dynamic range. Jeanette D. Moses

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Fujifilm just announced the arrival of the X-T4, a camera with a 26.1 megapixel back-side illuminated CMOS sensor, a larger battery than its predecessors, a redesigned body, and an overhauled in-body image stabilization system. The mechanical shutter can shoot 15 fps, making it the fastest camera in the X series. I got a chance to check out and shoot with a pre-production version of this compact mirrorless powerhouse a few days before its release.

Design and feel

Fujifilm X-T4 sample
It’s now easier to switch between photo and video modes when shooting with the X-T4. Jeanette D. Moses

The X-T4 has a more robust feel than the X series cameras that have come before it. The hand grip is more substantial, the dials on the top have been slightly reorganized, and the dual memory card slots now sit side by side. The larger battery motivates most of these ergonomic changes since it demands more space inside the body.. Although it’s bigger than the X series that have come before it, it’s still compact and the design changes in the handgrip make for a very comfortable shooting experience. The dials on the top of the camera have a bit more space around them and the simple switch for photo and video modes under the shutter speed dial is very convenient.

Like the X series cameras that have come before it though it the controls on the top remain very tactile and are reminiscent of what you might find on an old film camera. If you’ve used previous Fujifilm cameras navigating the X-T4 will be a breeze.

Shooting experience

Fujifilm X-T4 sample
The X-T4 uses a new larger capacity battery. Jeanette D. Moses

The autofocus and the in-body image stabilization performed quite well during my brief time with this camera. Although I didn’t have a chance to test it out in any really dark settings where I’m usually shooting with an X-T2, the camera did an impressive job in the darker corners of Grand Central Station even at slower shutter speeds. I loved the new Eterna Bleach Bypass film simulation as it provided a cinematic and somewhat moody look—the perfect aesthetic for city shooting.

Although I didn’t have a chance to put the longer battery life to the test, during my time with the camera the percentage didn’t seem to drop at all—impressive considering how quickly the old style of Fujifilm battery seemed to lose power.

The 47-megapixel RAW files that the camera produces gave me plenty of leeway in post-processing, although the Fujifilm presets are pretty enough that there wasn’t really much to do.

Overall this is a very capable compact mirrorless that we think will be able to handle a wide variety of photo and video jobs. Scroll down to see more sample images from the X-T4.

Fujifilm X-T4 sample
Steaks under glass in Grand Central. Shot on the new X-T4 at 1/125 sec, f/1.8 and ISO 800. Jeanette D. Moses
Fujifilm X-T4 sample
Detail shot inside a New York City meat shop. Jeanette D. Moses
Fujifilm X-T4 sample
Sample image from the new Fujifilm X-T4 camera. Shot at 1/125 sec f/3.2 and ISO 800. Jeanette D. Moses
Fujifilm X-T4 sample
Flowers in midtown, shot on the X-T4 at 1/125 sec f/2.8 and ISO 800. Jeanette D. Moses
Fujifilm X-T4 sample
Sample image from the new Fujifilm X-T4 camera. Shot at 1/250 sec f/1.4 and ISO 800. Jeanette D. Moses
Fujifilm X-T4 sample
The in-body image stabilization makes this a great camera for street shooting. Jeanette D. Moses
Fujifilm X-T4 sample
Sample image from the new Fujifilm X-T4 camera. Shot at 1/125 sec f/2.8 and ISO 800. Jeanette D. Moses
Fujifilm X-T4 sample
A fleeting moment in Grand Central. Even at 1/30 sec the in-body image stabilization in the camera did a great job. Jeanette D. Moses
Fujifilm X-T4 sample
The X-T4 has five-axis in-body image stabilization that provides up to 6.5 stops of image stabilazion—making it a great option for shooting on the go. Jeanette D. Moses
Fujifilm X-T4 sample
Man waiting for a taxi in midtwon. Shot on the X-T4 at 1/125 sec, f/2.0 and ISO 800. Jeanette D. Moses
Fujifilm X-T4 sample
The camera did a great job grabbing onto this subject’s face despite the busy frame. Jeanette D. Moses
Fujifilm X-T4 sample
Man with piegons in midtown Manhattan. Jeanette D. Moses
Fujifilm X-T4 sample
Commuters in the food hall at Grand Central Station. Jeanette D. Moses
Fujifilm X-T4 sample
Waiting for the train at Grand Central Station. Jeanette D. Moses
Fujifilm X-T4 sample
The in-body image stabilization perfomes well in dark spaces even with slow shutter speeds. Jeanette D. Moses
Fujifilm X-T4 sample
Sample image from the new Fujifilm X-T4 camera. Shot at 1/125 sec f/2.2 and ISO 800. Jeanette D. Moses
Fujifilm X-T4 sample
Shot with the X-T4 at 1/30 sec, f/2.5 and ISO 1250. Jeanette D. Moses
Fujifilm X-T4 sample
The Oyster Bar inside Grand Central Station. Shot on the X-T4 at 1/30 sec, f/1.4 and ISO 1250. Jeanette D. Moses
Fujifilm X-T4 sample
This corner of Grand Central can be tricky to shoot in because of the low lighting. The Fujifilm X-T4 was up to the challenge. Jeanette D. Moses
Fujifilm X-T4 sample
The X-T4 is built around a X-Trans CMOS 4 sensor and X-Processor 4. Jeanette D. Moses
Fujifilm X-T4 sample
Sample image from the new Fujifilm X-T4 camera. Shot at 1/250 sec f/2.0 and ISO 640. Jeanette D. Moses

The post First shots with Fujifilm’s X-T4 Mirrorless camera appeared first on Popular Science.

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Samsung’s 100x zooming smartphone camera requires a fancy lens and impossibly steady hands https://www.popsci.com/story/technology/samsung-galaxy-s20-ultra-camera-zoom/ Wed, 12 Feb 2020 20:09:37 +0000 https://www.popsci.com/uncategorized/samsung-galaxy-s20-ultra-camera-zoom/
Samsung galaxy S20 phone camera zoom lens.
Samsung uses clever tech to cram a big zoom lens into its skinny Galaxy S20 phone. Samsung

Samsung’s new Galaxy S20 Ultra promises massive reach, but good luck holding it steady.

The post Samsung’s 100x zooming smartphone camera requires a fancy lens and impossibly steady hands appeared first on Popular Science.

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Samsung galaxy S20 phone camera zoom lens.
Samsung uses clever tech to cram a big zoom lens into its skinny Galaxy S20 phone. Samsung

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Yesterday, Samsung threw a big party on the west coast to debut its new smartphones. The flashy Galaxy Z Fold with its flexible glass screen stole most of the spotlight, but the company also announced new flagship phones. The Galaxy S20 comes in three versions, all of which have fancy new 120 Hz refresh rate screens and even 5G connectivity. Of those, the S20 Ultra boasts the burliest camera in the bunch. The wide-angle lens funnels light into a 108-megapixel sensor, while the built-in telephoto lens promises the equivalent of a 100x zoom. That’s an impressive number, but it comes with a few caveats.

The term “zoom” has taken on two different meanings in the digital camera era. The traditional version of zooming involves physically moving around glass elements within the lens itself to change the appearance of light hitting the sensor. This is an uncommon feature in smartphones because it requires physical space, but it has shown up in some models like the Huawei P30 Pro and the Oppo Reno. Like those phones, the S20 Ultra uses a clever periscopic system that mounts the lens vertically inside the phone’s body, then uses refraction to bend incoming light to give the sensor a view of the outside world.

There are 100x optical zoom lenses out in the world—some even go beyond that. But, physics requires those lenses to occupy enormous amounts of space. Consider a Canon Digisuper 100 lens used for high-end TV broadcasts like you see during sporting events. It measures two feet long, 10 inches tall, and weighs roughly 52 pounds. It also costs close to $200,000 because of the amount of electronics and glass inside to achieve the desired effect. That’s not very practical for a phone.

The zoom lens inside the Galaxy S20 Ultra only actually optically zooms 4x using the lens itself. From there, it ventures into the complicated world of “digital zoom.”

Galaxy S20 Ultra Zoom demo.
This screen capture from yesterday’s Unpacked event shows what 30x zoom can do. Samsung

Zooming beyond the range of a camera’s lens used to be relatively simple. Companies simply cropped in on the image like you’d do in Photoshop, or just by pinching and zooming with your fingers on an image in your camera roll. The resolution of the final image dropped, the image quality suffered, and you typically ended with a worse image than if you had just cropped it in post.

Eventually, digital zoom began to improve. Cropping in on the pixels made them more apparent and left photos looking noisy and grainy. A technique called pixel binning, however, allows manufacturers to group clusters of pixels together and have them act as a single unit, capturing more light and producing a final product with lower resolution, but higher overall fidelity.

Artificial intelligence also now plays a pivotal role in digital zoom. Cameras capture several images every time you press the button to snap a photo and they can use some of that extra data to help overcome the inherent downfalls involved with pushing a camera sensor past its natural abilities.

In the S20 Ultra’s case, the camera module has a ton of extra data to work with. The sensor behind the zoom lens checks in at 48 megapixels and the main camera has that beefy 108-megapixel chip tucked inside. In order to help optimize performance when zooming, the phone pulls info from both those cameras to try and capture as much detail as possible.

Still, that 100x number is pushing the limits. Even during Samsung’s on-stage demo, it was clear that there’s a considerable loss of sharpness and detail when you try to stretch out that far. Yes, it gives you a point of view that’s otherwise impossible with other smartphone cameras—and the vast majority of dedicated cameras—but taking advantage of all that range will be tricky for users.

Samsung 100x smartphone camera zoom.
This screen grab gives you an idea of how much image degradation you can expect when you zoom all the way to 100x. Samsung

When you zoom in on a subject, you’re narrowing your field of view. As you move toward the telephoto end of things, it becomes increasingly more difficult to capture an image without camera shake blurring into the picture. Internal vibration reduction systems use both physical movements within the lens and digital compensation to prevent motion blur, but they can only do so much.

With the 100x lens’s field of view approximating what you’d get from a telescope, hand-holding that long of a lens is nearly impossible. Even on a tripod, the simple vibrations from pressing the button to take the picture would likely be enough to shake the camera and cause some blur. If Samsung introduces this 100x zoom feature on the next version of the Galaxy Note, the remote camera activation capabilities baked into the S Pen stylus will come in handy for taking a picture without having to actually tap the screen.

https://youtu.be/auXC5YoQMZs?t=2122

The zoom lenses almost always have smaller apertures than the non-zooming (or prime) lenses, which requires longer exposures and introduces even more potential for blur. In the S20 Ultra’s case, the telephoto camera has a maximum aperture of f/3.5 which loosely means that it’s only letting in about a quarter of the light compared to the f/1.8 main camera lets through. That makes the sensor and the AI-powered multi-shot modes work a lot harder.

So, while you probably won’t want to use the 100x zoom very often, this is a big jump in terms of mainstream smartphone camera technology. Zoom has typically been a shortcoming for smartphones, but if these periscopic lenses catch on, we can reasonably expect the technology to improve rather quickly. Until then, maybe pick up a tripod with a smartphone adapter before you go out zooming.

The post Samsung’s 100x zooming smartphone camera requires a fancy lens and impossibly steady hands appeared first on Popular Science.

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Fujifilm’s X100V improves on one of the best all-around compact cameras https://www.popsci.com/story/technology/fujifilm-x100v-compact-camera-review/ Thu, 06 Feb 2020 18:12:54 +0000 https://www.popsci.com/uncategorized/fujifilm-x100v-compact-camera-review/
Two dachshunds in sweaters
The Fujifilm X100V has a fixed 23mm f/2.0 lens—it's compact and great for street photography, as long as you aren't afriad to get close to your subjects. Jeanette D. Moses

Lens and display upgrades make this seem like a fitting photographic companion.

The post Fujifilm’s X100V improves on one of the best all-around compact cameras appeared first on Popular Science.

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Two dachshunds in sweaters
The Fujifilm X100V has a fixed 23mm f/2.0 lens—it's compact and great for street photography, as long as you aren't afriad to get close to your subjects. Jeanette D. Moses

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The Fujifilm X100V
The Fujifilm X100V is a compact premium camera built around the latest generation 26.1 megapixel X-Trans CMOS 4 sensor and X-Processor. Jeanette D. Moses

This afternoon Fujifilm announced the fifth generation of its popular premium compact camera, the X100V. The camera features a redesigned, fixed 23mm f/2.0 lens and the same sensor and processor combination found inside Fujifilm’s mirrorless cameras like the X-Pro3 and the X-T3—meaning the tech inside has come a long way since the last X100 was released.

We had a chance to check the camera out prior to its announcement during a photowalk in New York City. These are our first impressions of this new premium compact.

The dials on the top of the Fujifilm X100V
The dials on the top of the camera have been streamlined, new additions include an ISO dial with a locking feature. Jeanette D. Moses

Design and feel

The Fujifilm X100V is designed to be lightweight and compact, and—like the cameras that have come before it—the X100V delivers here. The camera only weighs 1.05 lbs with the memory card and battery. The top and bottom plates are milled from single pieces of aluminum, which gives the camera an impeccably clean edge. The control dials on the top of the dial have been reorganized into a simplified configuration, the grip and the lens barrel also feature subtle ergonomic changes. There is a new two-way tilted touchscreen LCD on the back of the camera as well.

The camera feels great in your hands: it’s very compact, but the aluminum top and bottom plates give it heft. Hanging it around your neck, slinging it over your shoulder, or wrapping the strap around your wrist are all comfortable ways to carry and shoot with this camera. The camera’s controls are placed intuitively making it easy to change settings on the fly. The redesigned 23mm lens is an unexpected treat as well—it features a control ring that allows you to change settings like film simulation, while the ring for changing aperture feels much more substantial than the lenses found on earlier versions of the camera.

Two dachshunds in sweaters
The Fujifilm X100V has a fixed 23mm f/2.0 lens—it’s compact and great for street photography, as long as you aren’t afriad to get close to your subjects. Jeanette D. Moses

Shooting experience

Although our time with the X100V was brief, it was enjoyable. The 23mm lens has the same field of view as a 35mm lens—making this a great camera for street shooting or everyday candids. The camera’s small size gives it a discrete footprint as well. It’s really not that much bigger than your phone, but will provide images with much better image quality. Plus, the intuitive touch controls on the LCD screen make this an easy jump for anyone who is used to shooting with their smartphone. The fixed lens also means that you can take the X100V into places where interchangeable-lens-cameras are typically not allowed, like large concerts and major sporting events. The focal length won’t be ideal for far-away shots, but if you are sitting close to the action, we suspect that this camera would deliver some quality results.

During our time with the X100V we appreciated that although the camera is quite small, it doesn’t feel cheap. It feels substantial and seems as if it would be a fun camera for a day of exploring a new city. The hybrid viewfinder makes it easy to switch between the 0.52x magnified optical viewfinder or the 3.69M dot OLED viewfinder. The camera’s EVF gives shooters a real-time look at the images they are recording.

Check out additional sample images from the X100V below.

Pedestrian hailing a cab in New York traffic
Sample image from the X100V, shot at 1/125 sec, f/8.0 and ISO 200. Jeanette D. Moses
Pedestrians walking up the stairs
The camera is very compact and lightweight, making it easy to shoot with while you are on the move. Jeanette D. Moses
New York buildings
Sample image from the X100V, shot at 1/100 sec, f/11 and ISO 200. Jeanette D. Moses
Cabs in Manhattan photographed from the High Line
Cabs in Manhattan photographed from the High Line. Jeanette D. Moses
New York bus and ambulance
Sample image from the X100V. Jeanette D. Moses
Food truck in New York
Although we didn’t have a chance to test the camera in low-light conditions during our time with it the Face and Eye Detect functions did a nice job with folks passing by on the street. Jeanette D. Moses
24 hour car wash
Sample image from the X100V, shot at 1/100 sec, at F/6.4 and ISO 200. Jeanette D. Moses
Red car in the car wash
The newly-redesigned lens has a max aperture of F/2.0, making it great for shooting in low lit spaces like this carwash. Jeanette D. Moses
dog talking a walk on the sidewalk
Sample image from the X100V, shot at 1/100 sec, at F/4.0 and ISO 200. Jeanette D. Moses
Tall brick building from below
Old Manhattan building on a clear day. Jeanette D. Moses
Pedestrian passing a food truck
Sample image from the X100V, shot at 1/100 sec, at F/10 and ISO 200. Jeanette D. Moses

The post Fujifilm’s X100V improves on one of the best all-around compact cameras appeared first on Popular Science.

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Tips to get your fancy camera off the shelf and start taking more pictures https://www.popsci.com/story/diy/take-more-photos-dslr/ Fri, 24 Jan 2020 02:50:17 +0000 https://www.popsci.com/uncategorized/take-more-photos-dslr/
Person taking portrait with DSLR camera
Your smartphone can't do everything. Kane Reinholdtsen via Unspla

You bought that camera, so you might as well use it.

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Person taking portrait with DSLR camera
Your smartphone can't do everything. Kane Reinholdtsen via Unspla

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A lot of people have a new-ish DSLR or mirrorless camera just sitting in a drawer. It’s just that there’s really not a pressing need for one—most of the time, your smartphone will be able to capture that photo you want, or you’ll be able to get close enough to the action that there’s actually no point in more camera power.

But, as much as smartphone cameras have evolved tremendously in the last few years, DSLR cameras still have the potential to take better photos—if you know how to use them.

Get yours out of the drawer and start shooting the photos that your smartphone can’t.

Learn to use it

Smartphones not only fit in your pocket, but they’re much easier to use than any DSLR. You don’t even have to unlock your phone: just open the camera app tap the shutter button, and bam!—you have a photo ready to upload to Instagram. Sure, you can put more thought into it and take as much time as you need, but even then, the process is still super straightforward.

What makes a DSLR more intimidating is that you have options—oh, so many options. You still might get good pictures using automatic mode and leaving things up to the camera to decide, but that sort of defeats the purpose of having a DSLR. If you’re bothering to carry a heavy camera, you might as well use a semi-automatic mode, like aperture priority, or even manual mode, for which you’ll have to think about the camera settings.

If your camera’s been sitting in the drawer for a while, right now you’re probably wondering if you even remember how to control it, which you’ll need to know if you want to take more photos with it. Get reacquainted with your camera by starting with the basics of exposure and its different exposure modes and controls—shutter speed, aperture, and ISO. I recommend you pick up a copy of Bryan Peterson’s Understanding Exposure or a similar intro-to-photography book. Books are still the best way to really get a handle on things.

Once you’ve got a decent grasp on the basics of photography, grab your camera and spend some time just trying out different exposure settings—use the manual to learn how. You’ll want to get comfortable controlling your camera so you don’t have to think too much when you’re trying to take photos with it. There’s nothing worse than missing your perfect shot because you spent five minutes trying to get things set up for it—that’s why so many people just grab their phones.

Make it easy to bring around

Person carrying camera over the shoulder
Avoid the tourist look at all costs. Miss Zhang via Unsplash

Most people barely have to think about having their smartphone at hand. I know mine is seldom farther away than arm’s reach. Under the same principle, if you want to use your camera more, you need to make it easy to bring around too—even if it will never be as easy to carry as your smartphone.

The first thing is to look at what you’re actually carrying. You have the camera, but there’s also the lens. If you only have the kit lens that came with your camera, then you don’t have any other options. But, if you have other lenses, then you’ll need to choose between them. Although they’re bigger and heavier than single focal length prime lenses, zoom lenses are good candidates to win some coveted space in your bag—they’re more versatile and you’ll find it easier to take photos in more situations when using them. If you’re concerned about weight, I recommend you go with the smallest, lightest lens you can, at least in the beginning. Once you’ve gotten into the habit of carrying your camera about, you can make it bigger and heavier.

You also need some way to carry it comfortably. Sticking your camera in a bag is not a good option if you want to use it—just the effort required to take it off the and take the camera out is enough to deter most people. You’ll need to carry your camera somewhere you can grab it quickly—preferably turned on and with the lens cap removed.

Most people go straight for the neck strap that comes with their camera, but I find them awkward and barely fit-for-purpose—it also screams tourist. Instead, you should replace it with a more versatile strap that can be used as either a neck strap or over-the-shoulder sling strap. I really like the Slide strap from Peak Design—I’ve had it for about five years and it’s stood up to all the abuse I can throw at it—but any similar strap will do.

I also recommend carrying your camera over your shoulder—it will hang more comfortably by your side and it’ll always be ready to use. You’ll still notice it’s there, but it’ll sit closer to your body and less in the way than with a neck strap. You can also look at something like Peak Design’s Capture Clip if you want to firmly mount your camera to a bag strap or belt.

Schedule some time to take photos

Person looking at camera at sunset
Just imagine how frustrating it would be to not have your camera nearby for that beautiful sunset. Robert Richarz via Unsplash

As with everything you try to incorporate into your routine, if you don’t set aside time for it, it just won’t happen. With photography, it’s the same thing. This doesn’t mean you have to be strict in deciding on a specific time and day—although if you’re a structured person, that can actually work. Instead, make rules for when you’ll carry your camera with you. A few useful ideas:

  • Always take your camera with you when you walk your dog.
  • Take your camera with you whenever you leave the house on the weekends.
  • Leave your camera in your car and stop and take a photo whenever the light is good.
  • Spend one afternoon a month hiking somewhere to take a photo.

With rules like these, it’s important to focus on the act of taking photos rather than the photos themselves. And don’t use the weather as an excuse—even if it’s miserable outside, you should still bring your camera with you and challenge yourself to take photos in different light conditions. Keep in mind that it doesn’t matter if you don’t actually take any photos: just by having your camera with you, you’re forcing yourself to think about it, and if you see something worth photographing, you’ll definitely be ready.

Similarly, if you take a load of photos and none of them turn out to be particularly good, that’s okay, too—it’s all practice.

Push yourself with challenges

Photographer aiming camera upwards
Want a challenge? Take your camera with you on your daily commute and just look up. You’ll sure find great things to photograph you’d never seen before. Annie Spratt via Unsplash

Carrying your camera around with you is all well and good, but it can still be hard to find things to photograph, especially if you have a regular routine. Taking your dog on the same walk every day isn’t particularly helpful when you’re trying to find new things to shoot.

One of the best ways to push yourself to take pictures is with creative challenges, which can be anything you want. I originally got into photography by forcing myself to take a photo every day for a year. Some days they were quick snapshots of whatever was nearby but, at least some of the time, I put real thought into what I was doing. I learned a lot about photography that year.

Another option is to create a photo series. Document the same location as it changes through the seasons or pick a theme—like “love” or “a sense of place” or “football”—and create images related to it. Or if just thinking about it is giving you a headache, just go for one of these 40 photo challenges. Having even a small amount of direction will stop you from getting photographer’s block, and the very limitations will give you enough guidance so that you can focus on a certain amount of things at a time and not feel overwhelmed.

Just do it

Whatever way you look at it, there is one surefire way to take more photos with your DSLR: doing it. You can put all the effort you want into learning how to use your camera and coming up with ideas for photos, but unless you get out and take the damn photos, it’s all for nothing.

If you really want to take more pictures, close this tab, go get your camera, and take one today.

The post Tips to get your fancy camera off the shelf and start taking more pictures appeared first on Popular Science.

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The new black-and-white Leica does things color cameras can’t https://www.popsci.com/story/technology/leica-monochrom-black-white-camera-sensor/ Fri, 17 Jan 2020 23:30:52 +0000 https://www.popsci.com/uncategorized/leica-monochrom-black-white-camera-sensor/
Leica M10 Monochrom
When it comes to cameras, there's none more black. Leica

Leica’s $8,300 M10 Monochrom offers some real technical advantages.

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Leica M10 Monochrom
When it comes to cameras, there's none more black. Leica

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Almost every subculture and craft has its own specific lexicon that can quickly identify outsiders. Say “tattoo gun” instead of “tattoo machine” in a shop, for instance, and you’ll immediately reveal yourself as an outsider who hasn’t learned the parlance. The same goes for photographers. Call digital noise “grain” in front of a photo snob and you’ll likely find yourself on the receiving end of a pedantic explanation about how the two aren’t the same—at all.

That distinction is part of what makes Leica’s new M10 Monochrom camera so interesting. It costs over $8,000 before you add a lens and it doesn’t have the capacity to capture color photos. This isn’t one of those cases where a company uses software to cripple a device like Nikon did with its DF DSLR that doesn’t shoot video. Instead, Leica built the M10 Monochrom around a sensor that isn’t physically capable of producing a color photo. (See some sample images here.)

The sensor itself boasts a 40-megapixel resolution. In a typical digital camera sensor, each one of those pixels would sit behind a red, green, or blue colored filter. They’re typically arranged in the Bayer pattern, which uses a ratio of 2:1:1 green to red to blue. When you snap a photo, each pixel only captures its specific color and the camera then crunches that data into a full-color image. The picture isn’t a pixel-by-pixel recreation of the scene. This process affects the appearance of the final image, specifically when you dig into the fine detail and when noise starts to pop up as you crank the camera’s ISO sensitivity.

Leica M Monochrom sample
This ISO 10,000 shot from the 2012 M Monochrom looks clean and full of detail. Stan Horaczek

The M10 Monochrom eschews the need for these colored filters which allows more light to hit the pixels that collect the photons. More importantly, however, the individual pixels provide a more appealing pattern when viewed up close—it actually resembles grain instead of digital noise, which typically shows up as ugly colored dots and artifacts throughout the image.

When Leia introduced the original version of the M Monochrom way back in 2012, you could realistically shoot at ISO 10,000 and maintain lots of image detail, dynamic range, and reasonable noise. The new camera goes all the way up to ISO 100,000.

In the world of pro photography, monochrome sensors aren’t uncommon on high-end medium format camera backs that can cost tens of thousands of dollars. They’re specialized tools specifically for shooters looking to squeeze impossible amounts of detail out of an image.

Filters offer another advantage. In the film days, black-and-white shooters would often employ a yellow filter over the lens to increase contrast or a red filter when shooting landscapes to block blue light coming from the sky and make it appear darker in the final image. The presence of colored filters on a digital camera prevent this from working correctly, but a black-and-white sensor can handle it.

Leica M10 Monochrom sample
The Leica M10 Monochrom camera has a specially designed sensor that only shoots in black and white. The technology inside makes the experience of shooting with the M10 a unique experience. Jeanette D. Moses

Of course, the Monochrom sensor does come with some caveats. Typical DSLR raw files capture data in red, green, and blue channels. The final JPEG images can’t hold all of that information, but you can access it when you’re editing. So, if you blow out a sky by overexposing your image, you might be able to pull some of that detail back in with the raw file. That’s not the case with the Monochom, however, so it’s important to keep track of when you’re losing details in the highlights and the shadows because you probably can’t recover them.

With modern software and editing presets, it’s possible to make very appealing black-and-white digital conversions from color photos. And if you only shoot monochrome images every once in a while, this $8,300 camera obviously isn’t for you. But, there are tangible differences that make a difference for some shooters, especially those who make larger prints of their photos. That’s when that extra detail and the appealing noise pattern really come into play. It’s also handy for bragging about your fancy camera on Instagram.

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Cameradactyl is a 35mm panoramic camera you can build yourself https://www.popsci.com/story/technology/cameradactyl-roadmap-35mm-panoramic-camera/ Thu, 19 Dec 2019 18:25:29 +0000 https://www.popsci.com/uncategorized/cameradactyl-roadmap-35mm-panoramic-camera/
Brancopan 3D printed 35mm panoramic camera
The Brancopan is a 3D printed 35mm panoramic camera with two cold shoes, a ratchet film advance, and a frame counter with a lockout mechanism to give each frame even spacing. Ethan Moses

3D printing a quirky camera at home has never been easier.

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Brancopan 3D printed 35mm panoramic camera
The Brancopan is a 3D printed 35mm panoramic camera with two cold shoes, a ratchet film advance, and a frame counter with a lockout mechanism to give each frame even spacing. Ethan Moses

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Ethan Moses of Cameradactyl loves a wacky camera—he has been building his own for years now. Thanks to the accessibility of 3D printing, his creations include foldable 4×5 field cameras, a 4×5 hand camera, a medium format shooter, and a number of plastic 3D printed photographic accessories like grips and film holders. His most recent creation is a 35mm panoramic camera that he is calling the Brancopan. The project is currently raising funds on Kickstarter. Panoramic cameras, like the Hasselblad XPan or the Widelux are rare and typically prohibitively pricy on the second hand market, they are also really expensive to fix. Creating a 3D printed plastic camera solves both of these problems.

Brancopan 3d printed camera
The Brancopan is a 3D printed 35mm panoramic camera with two cold shoes, a ratchet film advance, and a frame counter with a lockout mechanism to give each frame even spacing. Ethan Moses

Although Moses has successfully raised funds on Kickstarter for his brightly colored cameras in the past, for the Brancopan he wanted to do things a bit differently. Instead of giving his Kickstarter backers a physical product at the end of the campaign he plans to release the STL files that he uses to 3D print the cameras. Campaign backers who donate any amount of money to his campaign will receive these files. Anyone who has access to a 3D printer, approximately $40 worth of printing supplies, and some free time will have the tools to create their very own panoramic film camera that will work with a Mamiya Press lens

Back view of the 3D printed Brancopan
Back view of the 3D printed Brancopan. Ethan Moses

“Selling physical objects is how I have paid for my research and development in the past, but selling physical objects is getting to the point of getting in the way of some of the research and development I would like to be doing,” Moses explains.

laser cut frame counter dials
Ethan Moses is offering these laser cut frame counter dials to Kickstarter backers who donate over $50 to the project. Ethan Moses

A single Brancopan takes between 60-70 hours to print and 6 to 8 hours to assemble, if Moses were to recoup the time he needs to put in to create a single camera at a minimum of $650—way too much for something that is built from plastic. For Moses, rewarding his Kickstarter backers with the files to print the camera and teaching them how to assemble and use it, just made a whole lot more sense.


Desert panoramic image in black and white
Sample image from the Brancopan. Ethan Moses

If he meets his goal, he plans to create a series of videos instructing backers how to print the files, how to assemble the camera, and how to use it out in the world. Moses is raising funds for the camera through January 10th.

Man in glasses on New York City streets
Sample image from the Brancopan shot in New York City. Ethan Moses

“I think that my skills and talents are probably best used developing new products, and teaching people how to build them on simple machinery, rather than spending 5 hours out of every day printing, assembling and shipping already tested and proven designs,” he explains.

photographers dressed up against brick wall
The panoramic camera shoots regular 35mm film. Ethan Moses

Any backers who pay $1 or more will receive the files if the campaign successfully raises $12,000 by January 10. Backers who donate over $50 to the campaign will receive the STL files and one laser cut frame counter dial that they can attach to their 3D printed camera. Backers who donate over $100 will receive the STL files and three of those laser cut frame counter dials. Ultimately though Moses is hoping that a large number of people will donate small amounts to the campaign so that more people can begin 3D printing their own cameras.

pedestrian looking at phone
Sample image from the Brancopan. Ethan Moses

The camera has two cold shoes, a ratchet film advance, and a frame counter with a lockout mechanism to give each frame even spacing. Other features include a spring loaded film door, a tripod mount, and strap lugs. Moses says he has shot over 100 rolls of film through his plastic Brancopan camera and has been very happy with the results.

“It’s plastic, but it’s oversized and super tough,” he says.

panoramic image of mountains in black and white
The panoramic view makes for images that are incredibly cinematic. Ethan Moses
Shot from the window of an airplane on the Brancopan.
Shot from the window of an airplane on the Brancopan. Ethan Moses

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Fifteen practical gifts for your photographer friends https://www.popsci.com/best-gifts-for-photographers/ Fri, 13 Dec 2019 03:49:19 +0000 https://www.popsci.com/uncategorized/best-gifts-for-photographers/
Cameras photo

Let us help you do better than that camera-lens-shaped coffee mug.

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Cameras photo

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Photographers can be notoriously difficult to shop for. We’re picky about our gear, tend to already own a lot of it, and the crucial pieces of our kits are prohibitively pricey. But there are plenty of practical gifts to get for the photographer in your life that isn’t a cheesy coffee mug shaped like a camera lens. (You’re photography-inclined loved ones probably has a few of these from holiday seasons of yore.)

We’ve handpicked gifts that are budget-friendly and that almost any photographer would find useful.

Amazon

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Every photographer needs a good tripod in their kit, and the Joby GorillaPod is a top-notch, compact option for anyone (though it’s particularly great for those dabbling in video). This compact ball-head tripod has legs that wrap around anything—tree branches! wire fences! ceiling beams!—and can be rotated 360 degrees. It’s made of anodized aluminum and can hold a camera that weighs up to 11 pounds.

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Adding a shine of color with a gel—see how it looks here—is an easy way to enhance your flash photography or compensate for crummy lighting. The thin sheets of colored plastic fit any speedlight and have a clever band to keep them in place. The whole package includes 20 color options, all of which fit nicely into a secure carrying case, which will help keep your gear bag organized.

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Photographers always need more storage options, but a hard drive is not as fun to purchase as a new lens or a set of gels. While a portable external drive might not be the sexiest of gifts, your photographer friend will be happy you got it for them. The Western Digital drives come in a variety of colors, boast a USB 3.0 port, and offer automatic backup. Don’t think you need something more sentimental; practical gifts rule.

Nikon D850 FX-Format Digital SLR Camera Body
Powerhouse camera. Amazon

Nikon’s D850 is an established powerhouse in the competitive world of high-resolution DSLRs. The camera allows photographers to capture fast action in 45.7 megapixels of brilliant resolution. With remarkable advancements across the board—sensor design, autofocus, dynamic range, sensitivity, speedlight control, battery life, shutter, and mirror drive mechanisms, Silent Photography in Live-View mode, focus shift capability and more—this remains quite possibly the most impressive, well-rounded DSLR yet.

Amazon

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Gaff tape is a magical product that can fix a variety of photography-related problems quickly. It can tape up camera logos, fix a broken strap, secure power cables, hang a lightweight backdrop—the list goes on and on. These mini rolls fit easily into an accessory bag, lens pouch, or pocket. And unlike duct tape, when you pull it off at the end of your shoot, you won’t leave behind a sticky residue.

Amazon

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Sony’s new memory cards are dustproof and waterproof to help protect the precious images stored inside. These cards have a new design that eliminates both the finicky lock switch and the fragile plastic ribs over the connectors, both of which have a tendency to break. They’re also the first SD card to use a totally sealed monolithic structure (conventional SD cards are made of three pieces) to help keep the data safe.

Amazon

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A flash won’t do you much good if it doesn’t have enough battery power to fire. Ripping through your bag to find your fresh batteries is stressful when you’re on a job. This nifty, compact battery holder from Think Tank helps alleviate that problem. It stores eight (the perfect number needed for a speedlight and a set of radio triggers like PocketWizards) and will keep you from losing track of pricy rechargeable batteries.

Amazon

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Adobe’s Creative Cloud is an integral part of many photographer’s professional lives. A year-long subscription to the service is a great way to save your photography-inclined loved ones some cash in the upcoming year. This package deal comes with Adobe Photoshop, Adobe Photoshop Lightroom CC, and 20 GB of cloud storage for image access anywhere.

Amazon

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Every photographer can benefit from a fresh burst of knowledge and inspiration. The Photographer’s Playbook offers 307 strange assignments and ideas to spark creativity and engage with their art in a new way. The book features anecdotes and ideas from photographers like John Baldessari, Philip-Lorca diCorcia, Jim Goldberg, Susan Meiselas, Alec Soth, and Roger Ballen.

Ama

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This lens pouch from Peak Design keeps a low profile and attaches to your belt loop, making it easy to access a second lens or a speedlight when out on a shoot. It’s padded to keep your glass safe and comes in three sizes to accommodate different pieces of gear.

Amazon

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The best camera is the one in your pocket, and for many people that means a smartphone. Help your loved one enhance their smartphone photography with this wide lens from Moment. This lens works with the brand’s phone case (sold separately) and offers an expanded view (about 0.63x magnification) for a fresh perspective of any scene. The lens comes with a cap and a microfiber bag to keep it safe when its not attached to your phone.

Amazon

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When it comes to editing, faster is always better, and this tiny drive is big on speed. This portable SSD has read speeds of up to 550MB/s, capacities up to 2TB, and an IP55 ruggedness rating (meaning it can handle a bit of moisture). It’s 0.35 inches thick and weighs just 0.086 pounds, so it’s a great way to quickly back up your files or transfer them to a client.

Amazon

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A leather camera strap is always in style, and this one from Heavy Leather an absolute favorite. The handmade strap is two-inches wide, making it super comfortable to wear on your shoulder or around your neck. Its sturdy quick-release clasps won’t give out and send your camera tumbling to the floor. It’s an excellent choice for shooters looking for something understated.

Amazon

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A simple, portable light shaping tool is an incredible way for photographers to enhance their flash photography. Gary Fong’s collapsible lightsphere gives photographers a soft omni-directional light. This modifier works with any large speedlight and collapses down to 1.5 inches, making it great for travel.

Amazon

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Fujifilm’s analog instant camera have been a hit with all types of photographers. The SQ6 in particular gives shooters the ability to shoot Instax square frames in a true analog format. The instant camera can shoot in double-exposure mode, macro mode, landscape mode, and selfie mode and comes with gels to add pops of colors to your film photos.

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How to make the most of the iPhone 11’s ultra-wide camera lens https://www.popsci.com/story/technology/tips-iphone-ultra-wide-camera-lens-photography/ Wed, 20 Nov 2019 22:53:58 +0000 https://www.popsci.com/uncategorized/tips-iphone-ultra-wide-camera-lens-photography/
Ultra-wide angle landscape example.
This shot wasn't possible with the regular iPhone lens, but the extra-wide view lets everything fit in the frame. Stan Horazek

The super-wide lens has a dramatic look, but it can get old quickly if you’re not careful.

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Ultra-wide angle landscape example.
This shot wasn't possible with the regular iPhone lens, but the extra-wide view lets everything fit in the frame. Stan Horazek

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For photographers, it’s easy to get too excited about a new piece of gear. Once you shell out cash for a fancy new lens, you want to use it all the time, whether it’s appropriate or not. Recently, Apple attached a new super-wide-angle lens to its iPhone 11 and iPhone 11 Pro. It offers a new perspective with a dramatic look you couldn’t quite get with the typical wide-angle or telephoto lenses from previous versions. And while it’s tempting to dive headfirst into that super-wide world, it’s easy to overdo it. Here are some tips for using it effectively.

Choose the right subjects

Some scenes look amazing with a super-wide-angle lens. Landscapes, for instance, look so much grander when you can fit more of them into the frame. The same goes for crowded interior scenes with lots of details.

There are some situations, however, where the super-wide falters. If straight lines are important in the photo, the distortion around the edges of the picture may ruin the effect unless you’re willing to spend time correcting it later in software.

iPhone camera distortion example.
These lines are straight in real life and show the camera’s distortion at the edges. Stan Horaczek

People are also notoriously difficult to photograph with a super-wide—at least if you’re hoping to make it flattering. When capturing a person, it’s best to keep them near the middle of the frame. Don’t get too close, either, or the lens will distort their features in unnatural ways.

As a rule of thumb, the ultra-wide is good if you want to fit more information into the scene than you can capture with the standard lens and you can’t simply back up. Every once in awhile, it’s fine to go wide just because the effect makes a boring scene look more interesting, but doing it too much will deaden its impact over time.

When you go to switch to the ultra-wide, ask yourself why you’re doing it. If there’s no clear answer, maybe it’s not the right call.

Pay attention to your edges

Super wide plant store example.
The wide version of this photo makes the space look larger and shows more of the items in the frame. Stan Horazek
Regular lens example plant store.
Taken from the same spot with the regular lens, this image makes the space feel smaller to the viewer. Stan Horazek

Switching to the ultra-wide lens will allow you to get more information into a single photo, and that can work to your advantage if you’re thinking about it. Taking a photo of a large group in a small room without leaving anyone out? That’s great. Adding an ugly red minivan to your otherwise beautiful landscape photo? It can be enough to ruin a photo.

Before you press the button to take the picture, do a quick scan of the entire photo and look for objects that might distract from the actual subject. Things like pops of vibrant color, glaring highlights, and written words can attract a viewer’s eye to the background and distract them.

If something isn’t adding to your photo, it’s hurting it, and you should keep it out of the frame.

Look for leading lines

Leading lines perspective.
Leading lines help this scene and guide the viewer’s eye to the person, even though they’re very small. Stan Horazek

With so much going on in each picture, it’s important to guide a viewer’s eye to your actual subject, especially if they’re relatively small. Lines cutting across the picture look jarring and make the scene read in a disjointed way. That’s fine if it’s your intention, but it’s distracting if it’s not.

Scenes like hallways or staircases can really lend themselves to this. Any time lines converge in a frame, you would ideally like them to point toward the most important object in the picture.

Don’t expect it to look as good as the main camera


From a technical standpoint, the iPhone’s ultra-wide lens has a smaller sensor and a lens that lets in less light (because of its smaller aperture). You won’t notice much of a performance difference in good light, but once things get dark, you’ll likely notice considerably more grainy noise in photos taken with the ultra-wide. You also won’t have access to some of the iPhone’s fancy camera features like Night Mode or Deep Fusion.

Watch out for flare

Lens flare example
Lens flare doesn’t always look cool like in Star Trek movies. Stan Horazek

When light hits the edge of a lens, it has a tendency to create flare, which creates weird optical objects in the picture and throws a haze across the frame. This effect works well for some shooters like lifestyle portrait photographers who enjoy the dreamy nature of it, or J.J. Abrams, whose name has become nearly synonymous with the effect. Most of the time, however, it looks bad and the iPhone’s ultra-wide lens is prone to it.

If you find yourself experiencing flare, you might be able to use your hand or some other object to shade the area around the lens. Preventing light from hitting the edges of the glass can fix it immediately, which is why pro camera lenses often employ hoods around the front element. If that doesn’t work, you can shift your perspective and try to get any super-bright objects out of the frame entirely. If none of that works, just embrace it and chalk it up to art.

Don’t force dead space

Rule of thirds example.
This unedited photo (I would bring up the shadows in the bottom part of the image to finish it) shows an example of when the rule of thirds makes sense. Without the person at the bottom of the frame, the boring water would take up too much space. Stan Horaczek

Start any photography book, tutorial, or class and you’ll almost certainly encounter the rule of thirds. It’s a compositional guideline that demands photographers do their best to split their pictures up into three pieces to make them feel “balanced.” It’s a good thing to know, but it’s also a great way to devote a third of any given picture to boring, non-essential details in pursuit of adherence to a rule.

Consider a beach scene with an incredible sky full of clouds above. The rule of thirds suggests you should make a third of the image boring sand instead of filling the frame with the interesting part that is the sky.

Balance is important, but the ultra-wide’s dramatic perspective gives you room to experiment and find the composition with the most impact, even if it won’t comply with a general “rule.”

Use perspective correction

Uncorrected buildings.
The buildings lean over because of the perspective. Stan Horazek
Perspective correction.
Perspective correction straightens out the buildings. Stan Horazek

While distortion comes with the ultra-wide territory, you don’t have to live with it as is. Adobe’s Lightroom Mobile offers a tool called Upright, which adds automatic perspective correction to photos. It can help straighten out buildings that appear angled because of the lens’s warping effect. It doesn’t always work, but it’s usually a good start and it allows you to make your own tweaks if the auto function doesn’t get it right.

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First shots with Leica’s 47-megapixel SL2 mirrorless camera https://www.popsci.com/story/technology/hands-on-with-leica-sl2-plus-sample-images/ Fri, 08 Nov 2019 18:25:08 +0000 https://www.popsci.com/uncategorized/hands-on-with-leica-sl2-plus-sample-images/
Leica's SL2 camera
Leica SL2.

Our initial thoughts on Leica’s new full frame mirrorless camera.

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Leica's SL2 camera
Leica SL2.

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Leica SL2 camera
The SL2 is a full frame mirrorless camera built around a 47-megapixel CMOS sensor that has been designed around the idea that less is more. Jeanette D. Moses

Early this morning Leica announced the SL2, a full frame mirrorless camera built around a 47-megapixel CMOS sensor. It brings improved ergonomics and a simplified three-button layout compared to the original SL, which came out in 2015. Mirrorless camera technology has obviously come along way since Leica first introduced the SL, and while other camera companies seem to release a new mirrorless camera at least once a year, Leica’s process works a little bit differently.

Prior to the camera’s announcement we had a chance to visit the Leica headquarters in Wetzler, Germany, tour the facilities where these cameras are produced, and be some of the very first in the world to get hands on time with this forthcoming camera. Read on to learn more about our shooting experience with the SL2.

biker with long white beard
The SL2 is a perfectly capable camera for studio work. Jeanette D. Moses

Design and feel

The ergonomics of the SL2 have gotten an overhaul compared to the original SL. The camera has a full-metal housing made of anodized aluminum and machined magnesium and has an IP54 rating, which gives it a rugged and substantial feeling. As with all Leica cameras the SL2 feels like it is built to last for a long time. Hand-applied leatherette wraps around the body of the camera. The grip has been redesigned for a more comfortable shooting experience and the button layout on the back of the camera has been simplified to match what is found on Leica Q and M cameras. On the back of the camera to the left of the 3.2 inch touchscreen you will find buttons for “Play” “FN” and “Menu”. An On/Off switch sits to the left of the 5.76 megapixel OLED viewfinder with a comfortable rounded eyecup. To the right of the eyecup you find joystick and back dial. The top of the camera has two customizable buttons, a substantial top dial, and the shutter. The simplified design is intuitive and easy to operate without taking the camera away from your eye.

bald man with sunglasses and grey beard
Shot under continuous lighting with the SL2. Jeanette D. Moses

The user interface of the SL2’s menus also take a less-is-more approach. Photo and video functions get dedicated menus that are also color coded: photo options appear with white text on a black background, while the video menu feature black text on a white background. Major settings can be accessed via touch by pressing the back menu button: like shutter speed, ISO, file format and AF choices. Deeper menu options can be accessed using the joystick, but don’t expect to be overwhelmed with options, the SL2’s menu is only six pages long without many nested settings. It’s design is intuitive and things are easy to find, meaning you get to spend more time making pictures and less time fiddling with settings.

Shooting experience

Leica’s simplified design philosophy translates into a camera that’s fun to shoot in a wide variety of situations. It can work for journalists, portraits, or street photography. During our time with it we were pleased with the results that it got in the studio, on the streets, and even photographing New York City nightlife.

woman in yellow and white striped turtleneck
Studio portrait with the SL2. Jeanette D. Moses

When shooting with the SL lenses the Autofocus inside the camera was speedy and accurate. The camera features face and object detection, and although the SL2 doesn’t feature the eye-AF boxes found in so many other mirrorless cameras, it did a nice job grabbing focus on our subjects eyes. There did seem to be occasionally lag in the time between shooting a picture and being able to review it on the camera’s LCD screen, but the version we were shooting with was running pre-production firmware, we suspect this issue will be fixed in the cameras that will hit stores at the end of this month.

One of the biggest appeals of the SL2 is the ability to shoot with any of Leica’s excellent M mount lenses. During our time with the SL2 we honestly spent the bulk of our time using an M mount adapter and manual focus M lenses. Nailing focus a manual focus lens can take a bit of getting used to, but we found that the in-camera 5-axis stabilization did an excellent job at minimizing shake when shooting with these lenses.

shop tools
The SL2 is great in lowlight as well. This was shot in a dimly lit restaurant at ISO 12,500. Jeanette D. Moses

The SL2 has an ISO sensitivity up to 50,000, and although we didn’t have to boost that high, we found that the camera did a great job in dimly lit situations too.

Ultimately the SL2 has an intuitive design that lets photographers focus on the art of making pictures. This isn’t going to be a must-have for every type of photographer, but the camera’s autofocus capabilities, fast processor and that new 47 megapixel sensor, all make it very appealing—especially if you already have a nice stash of Leica M glass sitting on a shelf at home.

The SL2 will be available just before the holidays on November 21 for $5,995.

reflection of trees on the water
A nature scene in Germany. Jeanette D. Moses
dogs being walked on cobblestone street
The Leica SL2 is an excellent camera for street photography. Jeanette D. Moses
pigeons on the cobblestones
Pigeons enjoying a snack on German cobblestones. Jeanette D. Moses
shop mannequins
A storefront in Germany. Jeanette D. Moses
stone stairway aerial view
Sample image with the SL2. The camera is comfortable for a long day of street shooting. Jeanette D. Moses
sky against skyscraper view
A sunny day in Wetzler, Germany. Jeanette D. Moses
historical building
This building in the old part of Wetzler is where the first photo was taken with a Leica camera. Jeanette D. Moses
black and white pedestrian with umbrella
The SL2 has an option to shoot images in monochrome and the results are moody and beautiful. Jeanette D. Moses
gated breezeway with graffiti
A street scene in Berlin, Germany. Jeanette D. Moses
wet sidewalks at night
A rainy nighttime scene shot with a manual focus M mount lens. Jeanette D. Moses
food trunk painted with sausage and fries
A food truck in Berlin, Germany. Jeanette D. Moses
red door with graffiti and woman in white
The camera is great for shooting on the streets thanks to its ergonomic design and quiet shutter. Jeanette D. Moses
side of building with graffiti
A street scene in Berlin, Germany shot with an M mount lens and the SL2. Jeanette D. Moses
photoautomat
A dog and his people wait for their photo booth shots in East Berlin. Jeanette D. Moses
small building and trees
Mauer Park in Berlin, Germany. Shot at night at ISO 12,500 Jeanette D. Moses
woman with white hat and green lapel
Back in the studio with the SL2. This headshot was captured with a 75mm lens. Jeanette D. Moses
woman in fur coat with blue hair
Studio portrait captured with a 75mm SL lens. The camera does a great job at grabbing focus on a subject’s face and eyes, even if they are moving. Jeanette D. Moses
woman in black with fiery orange hair
Studio portrait captured with the SL2 and a 75mm lens. Jeanette D. Moses
woman in black dress with red hair
The camera is a nice option for capturing nightlife as well. This burlesque dancer was photographed with a 35mm M mount lens at ISO 6400, f/6.8 at 1/125 sec. Jeanette D. Moses
performer in black dress under disco ball
Burlesque dancer in New York City. Jeanette D. Moses

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